Walker puts Swiss Music Awards on everyone's lips

Under the motto "Music to life", the 9th Swiss Music Awards will take place on Friday evening in the Hallenstadion. As last year, Walker was commissioned by the Press Play association with the overall concept and brand presence.

In collaboration with star photographer Kristian Schuller, the creative team developed a large-scale, cross-media presence, which in recent weeks has brought the various musical styles of Switzerland's biggest music award boldly to everyone's attention.

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Responsible at Press Play: Oliver Rosa, Thom Businger, Anja Diggelmann. Responsible at Walker: Pius Walker (CD), Sarah Hauenstein (AD), Willi Oberhänsli (graphics) Cornelia Nünlist (consulting).

Performance for the Propatient Research Foundation

For the newly established Propatient Research Foundation of the University Hospital of Basel Kreisvier provides the entire communications solution: from naming, branding and corporate design to the website.

Propatient promotes patient-oriented, interdisciplinary medical research and innovation at the University Hospital Basel. It thus provides impetus for sustainable medical developments and innovations - for the benefit of patients. Kreisvier has a new communication presence including Website created for the foundation.

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Responsible at Propatient: Caroline Roggo (Executive Director), Pierre Jaccoud (Foundation President). Responsible at Kreisvier: Christian Jost (Head of Consulting), Lukas Gysin (Senior Consulting), Philipp Kropf (Art Direction), Jlonka Diethelm (DTP), Tanja Steiger (Text/Concept), Thomas Bauer and Pascal Ujak (Digital).

Cartwright joins Farner's executive management team

Farner has brought Chris Cartwright—currently head of Burson Marsteller’s Geneva office—on board. As a member of the executive board, Cartwright will establish and lead a new division focused on internationally oriented clients.

Based in Lausanne and Geneva, Chris Cartwright joins the agency's management team and reports to CEO Roman Geiser, Farner announced in a statement Thursday. In his new role, Chris Cartwright is expected to further expand the advisory services offered to multinational companies, international organizations and sports federations. The goal of the new Corporate and International department, he said, is to strengthen the agency's expertise in implementing international projects and to complement its international network with Fleishman Hillard and other international partners.

After graduating in English and French from Leeds University in 1992, Chris Cartwright worked for several agencies in the UK and France. In 2008, he joined Burson Marsteller London and led the agency's Corporate and Crisis practice as well as its Technology practice for Europe, Middle East and Africa. In 2012, he was appointed Managing Director of Burson Marsteller's Geneva office. There he served clients in the commodities, financial services and technology sectors and advised international organizations.
 

A smile on the face

Sandra Kissling (47) founded a modeling agency for child models six years ago. Starting with a portfolio of 101 children, the platform Kinderagenturswiss.ch has since grown into a network for advertising agencies, film production companies, photographers, and businesses.

Children convey authenticity - natural, emotionally charged and almost impossible to surpass. Except, perhaps, for the yowling effect of certain animal films. Children behave authentically in front of the camera, act without bias and get used to the observing eye enormously quickly, without becoming tense. Agencies often select child models according to their naturalness, choosing character faces rather than posing beauties. This has also been noticed by Sandra Kissling, owner of Kinderagenturswiss.ch. She has been observing this trend for several years now. However, this was not the reason for the foundation of the platform Kinderagenturswiss.ch. Rather, the idea was born when her daughter was born. When she was still a baby, Sandra Kissling often heard: "Your daughter looks like a baby model." So she began to inquire about appropriate agencies. After asking a film production company to send her photos, she thought: "If I send a photo now, the baby will already look different in a month. That doesn't make sense in the long run." In her search for suitable children's agencies, she also grew concerned about good data protection, since often the names to the pictures are visible to all. So without further ado, she founded Kinderagenturswiss.ch. Together with her life partner, she designed a placement platform that she has continued to expand to this day. "Somehow this idea was dropped in our laps," she says about it. However, she didn't think it would turn into a successful project. "Just start it," was the thought. Currently, several hundred children are listed on the interactive platform. The platform has already been online for six years. "We now have many great references," says Kissling.

"Children are not money machines"

Data protection is very important to Sandra Kissling. For example, anonymous visitors to Kinderagenturswiss. ch does not see any names. However, if one registers as a company, Kissling checks the details before access to the images is possible. Even registered companies and agencies do not see addresses or family names - only the first name with the necessary characteristics is then visible. The entire placement of the children as well as the organization of the appointments is handled by the children's agency. Over the past six years, she said, she has received an enormous amount of positive feedback from clients about the great parents whose children she places. "The whole project is a matter of the heart; it's the only way such a platform is even possible for me," Kissling emphasizes. That way, she says, dealing with each other is a joy. And that is exactly what motivates her to run the platform. "When I'm able to place an order, I experience the joy of the children themselves," she says. "Ultimately, that's also my motivation to keep going." The children she places, she says, are all excited to be in front of the camera. In no way, she says, does she want parents who want to impose their own desires on the children or make money off the children. "Children are not money machines," Sandra Kissling emphasizes and becomes very serious. "It is enormously important to me that the children enjoy what they are doing. That's the only way they can enjoy being in front of the camera, and that's the only way they come across authentically."

"There is a lot of child talent in Switzerland".

In recent years, Kissling has noticed that the naturalness of children and their authenticity is the reason why they are often booked for subjects and spots. "That's why we only have children on our portal who are neither made up nor pose too much, but appear in their natural appearance," says Kissling. So the customer also gets a good impression of how the child then looks, styling can still be done if necessary. The mothers can upload the pictures on the platform themselves. "That looks then perhaps not so professional with cell phone shots, because the pictures are just not edited. "Naturalness is in demand, that's what I've always said," says Kissling, who is honestly pleased about the success of this approach. Because every child is different and it is precisely this natural personality that she wants to convey. So she writes on the platform: "Every baby or child up to 15 years of age has the chance to be discovered, as advertising agencies are looking for very individual faces depending on the assignment." Sandra Kissling knows from experience that many children are very talented. That's why she is always trying to place new children at the request of clients. "Every child who wants to perform should also be given a chance. There are a lot of talented children in Switzerland," she says with conviction. Among other things, she is very happy and also proud of two projects with children from Kinderagenturswiss. ch, which she was able to realize together with Crunchy Communications: Migrosmania with the children Caterina and Morgan, who were able to take a balloon ride, and the music video "Oh wie schad" by Baschi. For this video, she was able to achieve that all the children who had applied could participate in the casting and meet the singer. "It was such a joy to see the beaming faces of the children," she says. In the end, it is precisely this joy of the children that motivates her today, after six years, to continue. How long, however, is not clear. At some point she would like to emigrate, she reveals, "but that is still a long way off."

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Independent mother

When Sandra Kissling started Kinderagenturswiss.ch, she had "zero idea about the advertising industry," she says. She originally completed her commercial training at a local government office and then spent many years on the road as a globetrotter. In between, Kissling experienced various industries; hotel, car dealership, insurance, industry, managed a travel agency in Switzerland as well as a small resort in Sinai, Egypt. That would always have been the most fun for her, learning new industries. "I always need a new challenge," Kissling is aware. She never originally thought she would ever start her own business with child models in the advertising and film industry. "It just came about through my daughter," she says. In the beginning, Sandra Kissling simply kept approaching parents in their everyday lives with her business idea and was amazed at how many parents were immediately enthusiastic about it. "It's not at all a matter of course that a mother spontaneously gives you her e-mail address," she explains. Everything just fit very well right from the start, she says. Once she had accepted the first 100 children, she was able to launch the platform. She did not experience any uncertainties on the part of parents. "It actually turned out that I found a lot of great parents who trusted me and my project," she says. That's still the case today, she adds. Only once in the last six years would she have had to end a collaboration because the mother's attitude simply didn't match the agency director's basic ethical beliefs. In order to get to know children and parents, Kissling repeatedly participates in fairs. There is a very good relationship with all the families represented on Kinderagentur swiss.ch. At the same time as building up the business, Sandra Kissling was raising her daughter. "I had dozens of phone calls every day with advertising agencies, film productions, companies, and the little one was always with me," she says. But that's also how the child learned to play independently, she says. "It was also the best opportunity for me to be there for my daughter," she adds.

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Beaming children at the casting with Baschi, for the music video "Oh wie schad". Produced by Crunchy Communications.

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During the shoot for Migrosmania (production Crunchy Communications), the children were allowed to "take off" and take a balloon ride.

Chocolat Frey provides sweet notes for Valentine's Day

What could be sweeter than celebrating Valentine's Day with love songs? That's why Leo Burnett is launching the Adoro Lovesong Quiz with the singing Christa Rigozzi on behalf of Chocolat Frey.

On a Microsite Christa hums well-known love songs that have to be guessed. The catch: she always has one of the irresistible Adoro balls in her mouth while humming - which doesn't exactly make it any easier for her. So guessing the right song isn't quite as easy as it sounds, but it's all the more fun that way. Three romantic weekends in Rome as well as various instant prizes will be raffled among all those who guessed correctly.

The promotion is advertised with POS measures and Facebook Ads.

Responsible at Chocolat Frey: Christian Plume (Brand Manager Confectionery). Responsible at Leo Burnett: Vanessa Mermoud , David Hugentobler (creation), David Fischer (CD), Martin Stulz (ECD) Fernando Gort, Tiffany Gaggia (consulting), Erasmo Palomba (FFF), Shining Pictures (film production), Olivier Egli (direction) Pierluigi Macor (photography), Olai Interactive GmbH (online).
 

Media portray political action in a distorted way

The media tend to present a distorted view of accountability for political action within public-private networks that carry out public functions. This is the conclusion reached by the Center for Democracy Aarau (ZDA) based on a research project.

The media cannot compensate for the democratic deficit of state-private networks. On the contrary, they would exacerbate it, according to a press release issued by the ZDA on Thursday.

State actors are held much more responsible for the success or failure of political decisions - even if the non-state partners are actually responsible for implementation. Public officials are publicly known figures and have a higher news value, the report continues. This is particularly true for media with a strong commercial focus.

When things go wrong, it's the politicians' fault

"Media professionals should scrutinize the actions of non-governmental bodies more closely instead of reflexively blaming politicians when things go wrong," demands ZDA President Daniel Kübler in the press release.

Lack of control in public-private partnerships 

Governments and parliaments elected by the people have democratic legitimacy, according to the Center for Democracy at the University of Zurich. If something goes wrong, they can be held accountable by the citizens.

The situation is different for mixed sponsorships. Here, the state works together with private companies, non-governmental organizations or expert groups. They are on the increase because government tasks are increasingly being delegated to the private sector. Democratic control in such networks is inadequate. Responsibility is shared and can be shifted back and forth in the event of mistakes.

The research team examined decision-making processes and media reports on public transport and economic development in eight European metropolitan areas including Zurich. (SDA)
 

Clear Channel with new branch manager Lucerne

After winning the bid for the Lucerne city contract, Clear Channel will be expanding its sales team starting in March 2016 with the addition of Gregor Eschle as branch manager in Lucerne.

According to a press release issued on Thursday, the man from the city of Lucerne has many years of national media experience and has undergone appropriate further training during this time. Most recently, he worked as Head of Marketing and Sales at Publica Data in Zurich and Bern.

Clear Channel Switzerland will take over the poster sites of the city of Lucerne on July 1, 2016 and manage them for eight years. The poster sites can be booked with Clear Channel Switzerland with immediate effect, as the company has announced. In summer 2016, two digital poster sites (Cityplan sites) will also be set up as a pilot test at the railroad station and Löwenplatz. According to Clear Channel, this is intended to test the urban integration of digital advertising. If the pilot test is successful, digital advertising platforms will be implemented at other locations. 

Scholz & Friends Switzerland with new top management

Tobias Händler will become the new CEO of Scholz & Friends Switzerland effective February 15. He succeeds Martin Samsel, who is leaving the agency at his own request after four years as CEO.

Tobias Händler joins from Sunrise Communications, where he has held the position of Head of Brand Strategy and Marketing Communications since 2013. Händler is an old acquaintance returning to Scholz & Friends. From 2007 to 2011, he was responsible for business development at Scholz & Friends in Berlin, Hamburg and Zurich. Together with the Swiss management team led by Lukas Frei and Fabian Röthlisberger, he will further expand the positioning of Scholz & Friends Switzerland as a strategically and creatively first-class agency for brand communication, as was reported in a press release on Wednesday.

Martin Samsel has led Scholz & Friends Switzerland since 2012 and has managed to reposition the agency in the Swiss market, steadily advance its quality and thus firmly establish it. Most recently, numerous new clients were acquired, such as Charles Vögele, Digitalradio/DAB+, Localsearch.ch, Radio SRF 1 and UPC Cablecom.

Frank-Michael Schmidt, CEO of the Scholz & Friends Group: "Martin Samsel has reshaped the agency with a great deal of passion and commitment and developed it into a permanent fixture in the Swiss agency market. I would like to thank him warmly for this. With Tobias Händler, a former companion is returning to Scholz & Friends who has an excellent understanding of the market and brands and knows our agency group very well. I am convinced that the new management team will successfully continue on the path we have chosen."

Tobias Händler, CEO of Scholz & Friends Switzerland: "I am delighted to be returning to Scholz & Friends after several years on the client side and to be leading the agency into the future together with Fabian and Lukas. With a strong local agency profile and as part of the Scholz & Friends network, we offer our clients and employees a wide range of opportunities for successful collaboration."

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Tobias Händler studied Social and Business Communication at the Berlin University of the Arts (UdK) and was already Managing Director of the student communications agency Töchter + Söhne during his studies. After successfully completing his studies, he continued on his chosen path and began his career at Scholz & Friends in Berlin, where he quickly rose to become Head of New Business. From 2008, he also took on the role of Director Business Development at Scholz & Friends Holding Commarco. In 2010, the Frankfurt native moved to Switzerland. At Scholz & Friends Switzerland, he was responsible for business development until the end of 2011 and supplemented strategic planning and client consulting. Since 2012, he has held various marketing positions at Sunrise Communications. As Head of Brand Strategy and Marketing Communications, his responsibilities included the strategic brand management and repositioning of Sunrise as well as the integrated communicative presence of the private and business customer segment. Tobias Händler has been a lecturer in corporate communications at the Höhere Fachschule für Wirtschaft in Zug since 2012.
 

"James Bond" film studios to be sold off

The legendary British Pinewood Studios may be up for sale. Nearly all of the «James Bond» films were shot at the studios, located in West London.

The Rothschild bank has been commissioned with a "strategic review", which "could include a sale of the company", the Pinewood Group announced on Wednesday.

Pinewood Studios opened in 1936 and now has television and film studios all over the world. They were the location for the filming of "Harry Potter" and individual "Star Wars" episodes. The studios in the UK are to be expanded over the next 15 years at a cost of around 280 million Swiss francs. According to information on the company's website, the site will be expanded by 100,000 square meters and twelve large film sets will be added. The first expansion phase is due to be completed in June. In order to finance further development, Pinewood is aiming for a broader shareholder structure.
 
The company is currently controlled by a small number of major shareholders. The Board of Directors is looking for the right shareholder structure to enable the company to achieve its goals in the interests of its shareholders, explained studio boss Ivan Dunleavy. Following the announcement, the Group's share price soared by more than 18 percent on the London Stock Exchange. (SDA)
 

Felix Partner Design: "Values that do good".

Felix Partner Design ASW developed and implemented a new brand design for Solena Immobilien in Bergün.

In order to give the corporate personality more profile for the future, the agency conducted its brand personality workshop and created a new corporate personality from it. From this, a coherent positioning was derived, which serves as the basis for further work. In particular for the claim, the colors and the imagery.

This resulted in the new claim "Values that do good", the newly created letterheads and a wide variety of advertising materials such as a website including a link to various real estate portals, a company brochure, various offer folders as well as the showroom and shop window equipment. 

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Responsible at Felix Partner Design, Zurich: Rahel M. Felix (CD, consulting), Markus Dickenmann (AD), Dieter Stocker (graphics), Ralph von Fellenberg (text/concept).

Pictures from the train accident - Tagesschau shows cell phone video

Inside the train involved in the accident in Bad Aibling, a passenger recorded a video on his cell phone. The Tagesschau news program is showing a clip from it. Sensationalism or a duty to inform?

Like Turi2.de writes, only a few scenes of the six-minute video can be seen without sound, which do not show any injured people. In the Tagesschau blog, ARD-Aktuell boss Kai Gniffke justifies this as a "compromise that does justice to the journalistic information mandate as well as respect for the victims - and the viewers." However, the comments show that people do not entirely agree with Gniffke: there is talk of sensationalism, disrespect and the video's low information value.

Please read the Editorial by Werbewoche editor-in-chief Anne-Friederike Heinrich.

Teaser image: Turi2.de
 

Studio Schoch creates the new Crunchy Clouds

Studio Schoch has developed the new Crunchy Clouds brand in collaboration with Chocolat Frey.

The aim was to create a concept for a young and contemporary brand that would respond to the characteristics of the product. The name Crunchy Clouds is derived from the shape and texture of the products. The shapes of the products are adopted on the packaging. The striking product images make consumers' mouths water right at the shelf.

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The hot foil stamping of the Chocolat Frey logo and the embossing of the Crunchy Clouds logo are intended to give the packaging additional value.

Responsible at Studio Schoch: Dominik Schoch (Creative Director), Anna Schobinger (Design), Tina Fuchs (Consulting). Responsible at Chocolat Frey: Andreas Steiner.
 

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