Viscom: Label and campaign for Swiss printing

Over the next few weeks, various companies will be proclaiming the following message on billboards, in advertisements and on SRF 1 as part of a national campaign: "We source our printing services from Swiss companies."

Together with the campaign, the "Printed in Switzerland" label will also be made known to a broad public. This label is intended to stand for the advantages of Swiss printing services.

Those responsible at Rivella, Coop, Ragusa, Mobiliar, Raiffeisen and Victorinox have long since understood that the pure production costs for printed matter are not the main reason why a marketing budget is perceived as too expensive, Viscom said in a statement. They know, they said, that printed matter should not be purchased cheaply, but according to need. Instead of purchasing cheaply produced large print runs abroad, the majority of which have to be disposed of after one year, the companies mentioned prefer to have small, but always up-to-date print runs produced at shorter intervals. Local or regional print partners could cover their demand for print products tailored to their needs at any time.

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The companies also appreciated the fact that Swiss print service providers train young professionals to a high degree and thus make an important contribution to the national economy. "Printed in Switzerland" has nothing to do with homeland security. Rather, responsible, forward-looking and high-performance partners are benefiting from each other here.

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"Printed in Switzerland"

"Printed in Switzerland" is the seal of quality and origin for printed matter from Switzerland. The label was developed under the auspices of Viscom and is available to the graphic arts industry for free use. With the label, customers and manufacturers show their support for printed matter from Switzerland. Through the "Switzerland" quality brand, the label stands for premium products, manufactured to the highest standards. In this way, jobs in SMEs and in industrial companies are to be sustainably promoted and supported.

Viscom, the employers' and entrepreneurs' association for the graphic arts industry in Switzerland, has around 750 companies as members.

Hüttengaudi in the Milchkästli

To fill the rustic chalet in the front yard of the Sempachersee Seminar Hotel between October and Christmas, the agency at the airport launched a «milk crate flyer distribution campaign.».

For this purpose, a paper chalet filling a milk crate was developed with pop-up fondue dunkers. The mailing, which was selectively distributed to 12,000 households in central Switzerland, invited people to enjoy a hut party with raclette and fondue and also offered a selection of direct sponsorship opportunities.

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Responsible at Seminarhotel Sempachersee, Nottwil: Remo Fehlmann (Director), Flurina Schenker (Head of Marketing and Sales). Responsible at Agentur am Flughafen, Altenrhein: René Eugstair (Creative Direction), Dominique Rutishauser (Art Direction), Sereina Giger (Graphics), Miriam Egli (Consulting/Text), Janine Rohner (Assistance/Media).
 

Alpha 245 brings Philipp Fankhauser "Home"

Philipp Fankhauser's new album is here—with graphic design by Alpha 245.

And because the creative minds at Alpha 245 couldn't contribute anything musically worthwhile, they simply concentrated on what they do better: designing an appealing CD cover. This is already the third CD artwork to come from the forge of Alpha 245, and not only the agency but also Philipp Fankhauser is particularly proud of this one. A multi-year collaboration that rocks. Or rather blues.

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Responsible at Alpha 245: Dani Belser (Design & Realization), Patrick Beeli (Creative Direction), Pam Hügli and Diana Wick Rossi (overall responsibility); Jonathan Heyer (Photography).
 

Havas: "How are you?" really mean it

The Pro Mente Sana Foundation aims to raise awareness of mental illness through an awareness campaign created by Havas Worldwide Zurich.

Talking about mental illnesses such as phobias, depression or eating disorders is difficult. People rarely talk about them openly. The Swiss Pro Mente Sana Foundation and the Health Department of the Canton of Zurich - in collaboration with the cantons of Schwyz, Lucerne and Bern and other health organizations - want to change this and have commissioned Havas Worldwide Zurich to run an awareness campaign to make mental illness a topic of conversation.

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The poster-based campaign shows everyday conversational situations. In the headline, typical topics of conversation are mentioned in the same breath as taboo mental illnesses. This dissonance of terms makes it clear: whether it's apple varieties, the weather or depression, you can talk about anything in a casual way. Even about mental health.

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The idea of everyday life is also anchored in the new umbrella brand. "How are you?" is a new take on a question that is asked thousands of times every day. Anyone who is asked should be able to speak freely. And those who ask should really mean it. But the campaign is not just about raising awareness. The web portal How-do-you.ch also offers tips and practical help on the most important questions relating to mental health.

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The campaign will be presented on International Mental Health Day on 10.10.2014 and will be hanging in the cantons of Zurich, Schwyz and Lucerne from 13.10.2014. The participation of other cantons is planned for the following years.

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Responsible at Pro Mente Sana: Marcel Wisler; ISPMZ: Roland Stähli, Annett Niklaus. Responsible at Havas Worldwide Zurich: Frank Bodin (overall responsibility), Axel Eckstein, Michael Kathe (Creative Director), Claude Eberhard (Digital Creative Director) Marietta Albinus, Denise Frech (Art Direction), Claude Schweizer, Davide Schenker (Graphics), Florian Birkner (Text), Caroline Ronzani, Nuria Büchi, (Consulting), Joachim Probst (Consulting Digital), Cara-Anne Specker (Art Buying).

 

We have to say goodbye

It is our solemn journalistic duty to inform the readers of our Werbewoche portal of the death of our editor-in-chief, Pierre C. Meier.

We remain deeply saddened in the editorial office and still can't put the news into context. Pierre C. Meier was torn from life by a stroke at the age of 66. He was still full of plans for his future. His agenda is full of appointments with people who will never be able to meet him again. It is very quiet in the editorial office.

A shock for his relatives, to whom we express our deepest condolences.

PCM, as he is known, was editor-in-chief of Media Trend Journal for twelve years and editor-in-chief of Werbewoche for ten years. During a transitional phase, he also managed Medien&Medizin Verlag MMV in Zurich. Pierre was a fundamentally kind person and boss; sometimes gnarled and a little rough around the edges, yet always a gentleman of the old school, courteous, urbane, with Latin charm. No wonder the south of France was his true home.

Pierre was a media man through and through. He started out in the advertising industry, where he worked for 20 years in a wide variety of areas, including running the legendary BSSM agency together with Theophil Butz. Those were the days when print titles were swimming in advertising. Later, when he switched to his dream job as a journalist, he had to describe the major changes that the industry was undergoing and often suffering through; the moaning about the digital transformation and the partial freezing of decision-makers who seemed overwhelmed by the developments. This has always preoccupied him and in many of his columns, including his last one two weeks ago, he called for people to have the courage to try something new.

Pierre was a positive person who drove developments forward. At the beginning of 2003, he undertook a thorough relaunch of Werbewoche and developed it into a modern communication tool. His brainchild, the "Advertiser of the Year" award, became the most important Swiss industry award, and whoever held the coveted Egon in their hands had made it to the Swiss advertising Olympus. His perfect network of contacts, his personal contacts, his openness and spontaneity opened the floodgates for him. If there was a Swiss "Mister Media", then it was Pierre C. Meier.

Wherever he turned up with his camera, be it at an advertising event, a premiere or a publishers' conference, all was immediately right with the world. People knew that when PCM was there, nothing could go wrong.

Pierre, we will all miss you very, very much.

Publisher and editors of Werbewoche
 

The House Agency creates Skoda Crazy Hockey League

Just in time for the start of the hockey season, the Skoda Crazy Hockey League (hockey.skoda.ch) kicked off—a project conceived and implemented by The House Agency for Skoda Switzerland.

With this initiative, the agency is drawing attention to Skoda's long-standing commitment to Swiss ice hockey. The company has been involved for many years, among other things, as a referee partner, partner of Swiss Ice Hockey and the traditional international tournament "Spengler Cup". The Skoda Crazy Hockey League will be a real attraction thanks to the crazy quiz questions for which a total of 18 Swiss field hockey players have been interviewed. Among them greats like NHL star Rapahel Diaz or NHL goalie Jonas Hiller.

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The results are questions that reveal fun facts about the individual players: Which piece of equipment does Andres Ambühl find most uncomfortable? But real expert knowledge about Switzerland's favorite sport is also required when asked which player holds the record for playing for the Swiss national ice hockey team. Every week, participants in the Skoda Crazy Hockey League have to answer five questions within two minutes, the difficulty of which increases as the game progresses.

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There are various prizes at stake. The champion wins a trip to Canada, the motherland of ice hockey, worth 5'000 Swiss francs. The runner-up will win a trip worth 1'500 Swiss francs to Prague, the venue of the 2015 Ice Hockey World Championship. Every week there are also great surprise prizes related to ice hockey. The Skoda Crazy Hockey League runs parallel to the ice hockey season in several phases: In the "training camp" from September 9 to November 3, players can test their knowledge and collect additional points via social media, which will count as starting credits in the "main round" from November 4 to April 13.

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From December 26 to December 31, the "Spengler Cup" will not only be played in Davos, but also at the Skoda Crazy Hockey League. For two weeks, the quiz questions revolve around the traditional tournament. And when the National League enters the hot phase in February, the "playoffs" will also start at the Crazy Hockey League with even trickier questions.

Hockey.http://Hockey.skoda.chskoda.ch

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Detective hired: reporter demands acquittal

In St. Gallen in 2011, a *Blick* reporter hired a private investigator and obtained confidential information from police officers through him. He was convicted as a result. However, the case is not yet closed. The appeal hearing is scheduled for November 24.

In 2011, the Blick reporter had tried to obtain confidential information about two police investigations. One involved the arrest of a gang of youths accused of robberies. The second case involved the arrest of two cab drivers accused of rape. The reporter had hired a private detective, a former cantonal police officer. He used his contacts to obtain information about the youths and, in the case of the cab drivers, photos of two suspects. The private detective was paid 800 francs for the pictures, which were then published in Blick. It later turned out that one of the cab drivers pictured was innocent.

Reporter demands acquittal

On May 16, 2013, the District Court of Wil had sentenced the journalist to a conditional fine of 60 daily sentences for incitement to violate an official secret. The private investigator received a conditional fine of 240 daily sentences for the same offense. One of the two police officers who had passed on information was also sentenced to a conditional fine of 45 daily sentences for breach of official secrecy. The court rejected the cab driver's claim for damages of 30,000 Swiss francs. Both the policeman and the private investigator accepted this verdict. The second policeman did not appeal the penalty order. Thus, two cases are still open before the cantonal court on November 24: In the appeal hearing, the journalist demands an acquittal. And the cab driver demands damages and satisfaction. (SDA)

New LGK shows the beautiful sides of autumn

This fall will be anything but dreary and gray. A glance at Interio’s latest fall catalogs—conceived and designed by the agency Neue LGK—makes that clear.

Interio brings three as beautiful as different home trends into our homes this fall. To ensure that the furniture and home accessories in the current collection are beautifully displayed, NEUE LGK has for the first time created not one, but three independent catalogs (168 pages in total). Inspiration was provided by the styles "Indian", "Natural" and "Vintage". There is a lot to discover in the three catalogs: the colorful pages of autumn, many beautiful novelties and timeless classics. All three catalogs are available now in the furniture stores and already in the mailboxes of regular customers.

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Responsible at Interio: Reto Waidacher (CEO), Bettina Korn (Head of Marketing), Nadine Christen (Marketing), Andrea Limberger (Styling). Responsible at Neue LGK: André Benker, Hans Tanner (Creative Direction), Stephan Wittwer (Art Direction), Andrea Bachofner, Marion Kähler, Jeannine Moser, Miro Pfister (Graphics), Heike Gross (Text), Lars Müller, Linda Frunz, Nick Schoberth (Consulting); Nicole Bachmann, Annette Fischer, Christoph Kern, Marcel Koch (Photography); Kathrin Brunner, Regula Wilson, Alexander Wegner (Styling Foto); All In Production GmbH (Production); Ansichtsache (Lithography).

 

First German E-Book Award goes to Switzerland

The Swiss production company Docmine won the first German E-Book Award at the Frankfurt Book Fair for its video book «Carl Lutz – The Forgotten Hero.».

In the e-book apps category, the startup from Zurich came out on top against well-known publishers from Germany, Austria and Switzerland. The video book is a co-production with Swiss television SRF.

Article from Werbewoche 15/2014 about Docmine

The German E-Book Awards were presented for the first time at the Frankfurt Book Fair on Wednesday. A high-caliber jury had to choose the best work of the past 12 months in the categories "e-books" and "e-book apps". The video book "Carl Lutz - The Forgotten Hero" was honored in the "E-Book Apps" category. This video book tells the story of the Swiss diplomat Carl Lutz, who saved more than 50,000 Jews from the Holocaust in Budapest. The initiator of the award, Robert Goldschmidt, explained the jury's decision by stating that this videobook achieves digital storytelling at the highest level by interweaving textual and cinematic description with other content elements. Videobooks are offered as apps for tablets and are available from the Apple App Store or Google Play.

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Originally, the award-winning company Docmine is a film production. Under the direction of Daniel von Aarburg, Docmine also produced a documentary in parallel to the publication of the video book, which was recently broadcast on Swiss television and presented at the Zurich Film Festival. "Perhaps it is indicative of the upheaval in the publishing industry that we, of all people, were able to win this award as an original film production," says Docmine CEO Patrick M. Müller. "Because the digitalization of content enables new narrative forms where the boundaries between the individual media become blurred." The documentary about Carl Lutz was co-produced by Swiss Television, and SRG provided financial support for the project as part of the "Pacte Multimedia" funding program.

The basis for the videobook was a detailed script about Carl Lutz's life story by director Daniel von Aarburg as well as all the raw material that was created during the filming of the documentary. "Thanks to the video book, I had the opportunity to deepen complex contexts using other media such as texts and interactive graphics," explains von Aarburg. "Above all, I was able to include statements from contemporary witnesses in the video book, which I had to leave out due to the film drama. That was very important to me".

The individual media in the video book - video sequences, original recordings, interactive graphics and texts - were brought together into a digital narrative strand by the team at Docmine's second branch in Munich under the creative direction of Robin Burgauer. "Lutz left behind an extensive archive of self-shot films and aesthetic photographs from his time in Budapest. We therefore attached particular importance to a visual narrative that would also correspond to Lutz's own style and aesthetic," says Burgauer.

According to the press release, the production company Docmine is also pleased that Apple has currently included the videobook about Carl Lutz in the "Best New Apps" category in the German-language iTunes stores. Docmine has previously produced the videobooks for the SRG series "Die Schweizer" and also supports a number of cultural institutions such as the Goethe Institute and large companies in the creation of digital publications. Tom Talent Holding, owned by Swiss media entrepreneur Thomas Sterchi (founder of Jobs.ch), holds half of Docmine.
 

Contexta and Tchibo celebrate mothers

Every mother wants to be the best mom in the world. Tchibo helps her do just that with a wide range of products. With the TV commercial «Mis Mami,» Contexta showcases the retailer’s strengths in a tribute to all mothers.

The Swiss are familiar with the Tchibo brand. However, the diverse and constantly surprising themed worlds in the stores and on the online portal are less well known in Switzerland. The Tchibo brand should therefore be positioned more strongly in Switzerland, especially in French-speaking Switzerland. The TV commercial "Mis Mami", created by the Contexta agency, shows the childish competition for the best mother as a declaration of love to all mothers. The verbal exchange between Lucie and Max creates a beautiful and very charming story that subtly introduces us to the unique variety of Tchibo products.

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In addition, the Tchibo brand is emotionally charged by the refreshing look of the two children and positively anchored in the minds of the target group. As a brand that focuses on people and recognizes their different needs - not least those of mothers. The commercial runs on all Swiss channels and is flanked by matching banners that lead directly to Tchibo's current online offer.

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Responsible at Tchibo Switzerland: Jürg Bodenmann (CEO), Annette Bernath (Director Marketing and Communications). Responsible agency: Contexta advertising agency BSW, Bern. Film production: Stories, Zurich (director Laurentius Emmelmann, camera Tommy Widner, producer Stefanie Bereiter, editor Kathrin Schmoll). Music: Yessian Music. Media: Konnex, Winterthur.

 

Architect of the brand experience

The Branders Group is headquartered in rooms adorned with stucco work above the Kronenhalle. For several months now, the branding agency has had a new Strategy Director. Philippe Knupp, a trained architect, gained experience as a senior consultant at the international branding agency Interbrand and as a strategy development manager at Nestlé—and doesn’t miss the architectural profession one bit.

An architecture student becomes an architect - Philippe Knupp disproved this notion immediately after leaving ETH. Immediately after graduating as an architect, he slipped into consulting. This was at the management consulting firm Accenture. "You learned to work right away. It was also a good opportunity to immerse himself in something new," he says in retrospect. That's probably where he learned the most. Above all, it was exciting to find out what else you could use your studies for. Thus, one aspect in particular still accompanies him today: the holistic development of an idea. After all, he says, studying to be an architect is not only strongly analytical, it also involves taking into account a wide variety of framework conditions. "There is a long way to go from the creative idea to the result in order to create something holistic," Knupp explains. A great deal of foresight is required for this, he says. In retrospect, the switch from architecture to management consulting was a great stroke of luck, a broadening of horizons, and ultimately even an entry into a new field.

Sideways movement in the raceway

After about four years at Accenture, Philippe Knupp decided that he should acquire a broader knowledge of business after all. So he did an MBA in Canada and Holland, "funnily enough in Rotterdam, where I also rediscovered a strong architectural connection," he adds. At the same time, Knupp wanted to make a kind of sideways movement in his career with the MBA in Rotterdam, but basically also to swing back "into a more creative area," as he says. When he was asked from several sides what he actually thought of branding, he began to look into the subject in more detail and with growing interest. Knupp got his start in the branding world through a former fellow student in Rotterdam who worked at Interbrand. At Interbrand, he had a strategic, analytical role, which gave him insights into the value worlds brands can build. "Brands convey images and are also projection surfaces," Knupp says of his first impressions of branding. An overriding goal of a brand, he says, is to create an experience that positively influences customer behavior and thereby generates value. Through the brand experience, the brand promise is either delivered or not. This in turn has a corresponding positive or negative influence on value-driving parameters such as purchase probability, customer satisfaction, willingness to recommend and loyalty. The most important prerequisite for creating a brand experience is therefore to develop an understanding of the customer perspective: "Understanding customers means seeing the world through their eyes," summarizes Knupp.

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Create brand experiences

Philippe Knupp also briefly worked at Nestlé, which gave him the opportunity to get to know the "branding story," as he calls it, from the corporate side. But the corporate side was not his world. As a result of his architectural heritage, he prefers to work in a project-oriented way. These tasks are more related to the matter at hand than the political games that always play a role in the background of large companies. After that, Philippe Knupp moved on to strategy consulting. At Prophet's Zurich office, he had the opportunity to work on international projects right away. The focus here was strongly on strategy development. However, Philippe Knupp missed the holistic approach, from strategy to implementation. Therefore, after Interbrand and Prophet, he came to the conclusion that an "owner-managed boutique" would suit him much better than an international network. This is because smaller agencies like Branders have a very good opportunity to work together as a team, to exchange ideas, he says. "Another reason I'm here now is because I want to further strengthen the analytical, strategic component of Branders," Knupp tells us. In addition, he says, a smaller agency always has the opportunity to develop tailored solutions instead of running the risk of applying the same models over and over again. This is generally his credo: "Nothing off the shelf," he continues. Instead, Branders wants to create brand experiences.

And this is where strategist Philippe Knupp comes in: "A brand experience is made up of many moments of experience, so-called touchpoints. As a customer, you come into contact with many such touchpoints. And the number of touchpoints is increasing all the time, partly due to technical innovations. This is where the difficulty lies for companies, namely to create an appearance that is holistic, coherent in itself - so that the overall brand experience can be traced back to a core or an idea that stands at the center," is how Knupp describes the challenge. So for the past four months, the brand agency has had an architect who focuses on strategy-driven creation of holistic brand experiences. "The important thing here is to convey the same image at all touchpoints," says Knupp. After all, it would be confusing for customers if a brand presented itself differently on Facebook than, say, in its sales outlets or as part of its marketing communications. What sounds logical in theory requires a strategic approach and detailed planning in practice. Despite the greater complexity that a presence on all channels entails, Knupp is convinced: "Being present at all touchpoints, and doing so with a coherent holistic image, is a necessity today.

"Customer focus remains the be-all and end-all".

"In addition to its external impact, however, every touchpoint also has an internal company component that must be taken into account," emphasizes Knupp. The creation of individual moments of experience is ultimately also the result of internal structures, process organizations, responsibilities, all the way to the behavior of each employee, which must be geared toward correctly reflecting the brand and making it an experience. "Silo thinking would be out of place here," he adds, and takes a breath, "What is needed is holistic, cross-functional management. This is also the reason why branding is treated as a corporate strategy issue in many places." Philippe Knupp is also personally fascinated by the processes of a brand experience. Accordingly, he advocates a clear strategy: customer focus remains the be-all and end-all, and the design of brand experiences must be based on this. This extends to the detailed design of individual customer interactions and the positioning and sequencing of positive moments of experience. In this context in particular, it is important to prioritize weak points, as negative experiences have a four to five times higher impact on the overall experience than positive ones. This is all the more critical because today's customers can also actively comment on their brand experiences and recommend brands to others, or not.

"Companies used to tell customers what their brand was, but today customers tell each other," says Knupp, summing up the current branding situation. In addition, it is not possible to exert the same influence everywhere. That's why it's all the more important to convey clear consistency and as coherent an image as possible at the points that can be influenced. In addition, customers today are increasingly involved on an individual basis. "Nike is a case in point," adds Knupp. NIKEiD offers its customers the opportunity to design their own sneakers. In addition, customers can use the NIKE+ Fuel- band to record for themselves and let others know where they are jogging along (perhaps even wearing the shoes they designed themselves). Philippe Knupp talks about other peer-to-peer and involvement measures with the same enthusiasm - the architect is completely in his element. He says he often deals with companies that are completely unaware of the sheer number of contact points with their customers, even if they know their brand very well. But when it comes to bringing a brand to life, that's exactly the point: "The overall picture of where and how a brand is present everywhere creates the basis for building a compelling brand experience."

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In a nutshell

Philippe Knupp has been Strategy Director at Branders Group AG since July 2014. His specialties are branding, marketing, innovation, design and analysis. As his last education, he did an MBA at the Rotterdam School of Management. October 1998-August 2003: Consultant at Accenture March 2005-July 2008: Senior Consultant at Interbrand July 2008-August 2009: Strategy Development Manager at Nestlé September 2009-June 2014: Senior Engagement Manager at Prophet Since July 2014 Strategy Director at Branders Group AG.

Branders.ch

 

"Ello" soon to be "Goodbye" again?

No ads, no ban on porn, and a username of your choice: Ello promises—like so many before it—to be different from mainstream social networks.

The creators rely on an individualistic design with many empty spaces. Colors like gray, black and white dominate the still very simple beta website. Yes, Ello looks downright minimalist. But what is Ello and what does the new platform really offer?
 

The NZZ, Blick, 20 Minuten and Viva reported. Since various U.S. media have been writing about Ello, the new social network has also been generating a lot of reading material here. Ello as the new anti-Facebook or maybe even the definitive Facebook killer? Questions upon questions.

The company is already talking about around 27,000 new users per hour. At present, the network still exudes an air of exclusivity, because only those who receive an invitation are allowed to register. The reason for the sudden hype was above all the criticism of the requirement to use a clear name on Facebook. It looks as if Ello will pick up its users where Facebook leaves them in the lurch.

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User icons on Ello (Image: Keystone)

Ello describes itself as a transparent Facebook alternative with data protection, but without ads and without the need for a clear name. And no one is afraid to say so; even nude pictures are allowed as long as they are marked as NSFW (Not Safe For Work), and Ello does not mince words in other respects either: The help section, for example, is called wtf (What The Fuck). As far as features are concerned, Ello resembles the big top dog Facebook despite its minimalist presentation. Nevertheless, there are small differences: friend requests are not accepted, users can be followed similar to Twitter, and profiles can be admired publicly. Users you follow are divided into "Friends" and "Noise.

Under "Friends", those people appear who are really close to our hearts and whose updates are then displayed enlarged. "Noise", on the other hand, collects all acquaintances and channels whose content you only want to listen to sometimes. Interaction between users is (unfortunately) only possible via comments and instead of "Likes" Ello offers "Views". Networking on Ello is not that easy, because searching for other members only works if you know their Ello name. A mobile app doesn't exist yet either. #fail. Well, before Ello, various networks such as Diaspora or App.net already tried to topple Facebook, but mostly these turned out to be short flashes in the pan, which then faded away again. That's why I think it will be "Ello & Goodbye" this time as well.

Manuel P. Nappo, Director of Studies CAS Social Media Management HWZ (Zurich School of Business).

www.fh-hwz.ch/smm

 

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