Insurance companies Wirz and Wirz are moving - and taking photos for Mobiliar.
Wirz Werbung talked to director Ernst Wirz
(not related) two new films for the
Schweizer-Mobiliar insurance companies. These are already Spot
Numbers 10 and 11 with the amusing damage sketches "Dear furniture ...".
The agency team around AD Andrea Reinhart, copywriter/concept developer Thomas
Kurzmeyer and CD Matthias Freuler therefore felt challenged, despite
of the familiar basic concept once again an unforeseeable
to stage the action.
The filmmakers make it exciting in the "Relocation" spot. A family looks at the
The street-side residents watch with interest as all their household goods are packed into a
train carriage is loaded. The audience waits in vain for a
a major lapse on the part of the extremely hectic reinsmen. It happens until the
departure of the transporter, which is not relevant for insurance purposes.
could be relevant. The punch line comes when the train carriage
has departed - and suddenly a second one arrives, namely the
right ...
"A situation that actually occurred with a Mobiliar customer.
has happened before," says Matthias Freuler. Because it belongs
the concept of the spot series that all filmed damage sketches, although
must be as humorous as possible, but still realistic.
Firstly, things turn out differently and ...
The second spot, "Photographer", also plays with a theme previously
series has never been shown before. A photographer is to shoot for a
auction of a valuable porcelain collection. Meticulous
the 400 parts are laid out on the floor. Of course, everyone expects it,
that at some point a ladder or one of the installed spotlights
falls over and crashes onto the porcelain. But the 08/15 expectation is
deceived. Instead, there is a short circuit in the flash unit.
The picture remains black for a full 12 seconds. And the photographer stands
in the middle of the 400 parts ... The most stupid place surprised
The unfortunate raven has no choice but to find his way through the dark.
the porcelain to the nearest light switch.
"This effect with shattering porcelain in 12 seconds of darkness
will have a particularly rewarding effect in the cinema," hopes Freuler.
The gag happens in your head. The stylistic device and the story of the movie should
can also appeal to a younger audience. Internet users are such
Pictures familiar, where for auctions for example on Ebay whole
Collections in the same layout as here in the movie for
presentations.
The director Ernst Wirz from Wirz + Fraefel had already given the
the first Mobiliar spot. It all started with the
garage door. Matthias Freuler, who was still working for
Publicis, together with Jean Etienne Aebi, looked after Mobiliar.
Meanwhile, after the switch to Wirz Werbung, small retouches to the
basic concept. The loud clatter of the typewriter
was replaced by a more discrete computer keyboard and thus
This also significantly enhances the sound level of the plot.
With a new sound design, JingleJungle has succeeded in making the old
Film idea despite the already often varied basic pattern still
fresh and contemporary.
Andreas Panzeri