On Friday, the musical "Alperose" celebrated a highly acclaimed premiere in the old Bea-Halle in Bern. With a touching guest appearance by Polo Hofer, the corpus delicti of this idea also received its well-deserved applause. Polo is said to have been less than thrilled that his pioneering role in political incorrectness and his many years as the father of the Swiss rock scene were to be softened in a musical. However, these concerns have increasingly faded during rehearsals.
"He likes it. He just hasn't wanted to admit it in person to a camera or microphone yet," was heard at the premiere party on Friday. At this event, a top-class fan base of the old rocker celebrated together with the kids from the various new waves, from which Polo and his Rumpelstilz or Schmetterband have still not been washed away, in the Erlebniswelt with its diverse gastronomic offerings from Chinese to US hot dogs to Italian. And with the new mix of Bernese rock and international DJ sound that this musical is set to marry, the hype is likely to really heat up once again.
After all, over 40,000 tickets for "Alperose" have already been sold before the premiere. The BernExpo Musicaltheater will not be able to extend the run beyond mid-April. However, media spokesperson Heier Lämmler and producers Walter Hitz and Daniel Greber have already been in talks with Lucerne and Zurich.
In "Alperose", the stories from within and the longings for the big wide world of a few of the typical Bernese citizens and outsiders, as they have always provided a basis for sensitive lyrics in Polo Hofer's songs, are spoken and sung about. 27 of these songs have been combined into a storyline in the "musical" by author Walter Hitz and directed by Mirco Vogelsang. The musical part of the compositions comes from Stefan Mens and Polo's long-time keyboardist HP Brüggemann, who also plays in the stage band, as well as Remo Kessler, Hanery Amman, Georges Müller and Matthias Köhli.
These songs and the long-standing commitment of Greber and Hitz were ultimately able to generate a production budget of 5 million francs for a new form of musical. 40 articulated lorries transported the stage set from the workshops in Vienna to Bern. Even the Rolling Stones' stage almost looks like a small kiosk with a twinkle in its eye. The action takes place across a width of 33 meters. Set designer Conny Kraus recreated the Bernese mat as "Mini Bern" with pretty details and lots of surprising ideas. There was applause for the "Kirchenfeldbrücke" bridge that spans everything.
"Ds letschte Tram" (The Loneliest Tram) also travels over this effectively and lonely, while an equally lonely rose seller makes himself known in the mat below to thunderous applause. It is Polo Hofer, who has made a small guest appearance in 13 of the 58 performances planned so far. Another audience favorite is Marc Dietrich, formerly known for Peter, Sue & Marc. He plays Heiri, the aging Bünzli. If it had been up to him, this musical would never have existed. When the character Pesche complains to him that he used to compose a song called "Alperose" especially for his Lorraine, Heiri thinks it's nice, but has to say dryly: "But it's never been a hit". He was very wrong.
The sponsors were also creatively integrated into the storyline. While a "real" BLS train arriving became an element of the decor, Migros was meaningfully incorporated into a dialog. The Pilatus region was confused with the Pilates fitness technique in a joke. At the premiere, not only the invited guests of these sponsors but also the rest of the audience found the winks with the fence post funny and thanked the cultural commitment with well-deserved applause.
Andreas Panzeri
(Pictures: Keystone)