Background reports that are produced independently of the news of the day are particularly popular with the Audience Council. The series on Japan on the anniversary of Fukushima is cited as an example. The Council members agree that contributions like these give the program its profile.
When it comes to current affairs and special events, "10vor10" is less successful in providing in-depth coverage and differentiating itself from the "Tagesschau". According to the Audience Council, there is often a danger of repetition. The Council members consider the correspondents' analyses and assessments to be very valuable. The involvement of experts is also well received by the Council. However, the same people are often used. However, the Public Council understands the difficulties described by Editor-in-Chief Diego Yanez and Editorial Director Hansjörg Utz in finding experts who are willing and able to provide information on camera.
The moderation scored well overall in the Audience Council's observation. The two female presenters and the presenter conducted the show in a clear and professional manner. However, some Council members were annoyed by the tendency to use facial expressions and language to create consternation and emotionality.
Overall, the "10vor10" program is well made, balanced and fair, according to the Audience Council. There is also praise for the use of graphics. These contribute greatly to comprehensibility.
"SF bi de Lüt - Our village / Our town" (SF 1)
The latest seasons of "SF bi de Lüt - Unser Dorf" and "SF bi de Lüt - Unsere Stadt" give the Council members an insight into the village community of the small community of Tenna/GR and three different districts of the city of Basel respectively. The audience council was impressed by the many beautiful images - such as the impressive landscapes, the close-ups of beautiful details and the spectacular aerial shots of Basel. In addition to being entertaining, these atmospheric images also have a high local value and trigger positive emotions in the audience.
The authentic and empathetic portraits of lovable personalities are convincing. The Audience Council appreciates the fact that "ordinary" yet different people are shown in their unspectacular everyday lives. The balancing act between closeness and distanced observation usually works well. An intimacy is created without being intrusive or voyeuristic.
A special feature of the "SF bi de Lüt" format is the tranquillity with which the scenes and images are often strung together without commentary. While some Council members enjoy this deceleration, others find it lengthy. Some audience members would also like more additional information in order to be able to better classify and understand what they are seeing. Head of the editorial team Tom Schmidlin made it clear that "SF bi de Lüt", as an entertainment program, does not aim to provide comprehensive information, but rather to convey emotions and not to talk down the mood.
The fact that "SF bi de Lüt" also goes to the people in the city for once is very much welcomed by a majority of the Council. This avoids the impression that the format only serves the cliché of the rural, ideal world and excludes urban Switzerland. However, the Audience Council still sees room for improvement in the season about Basel. In the season about Tenna, the three projects in the village formed a common thread running through all the programs. In "SF bi de Lüt - Unsere Stadt", the structure along the daily schedule was less noticeable, so that the individual episodes simply appeared to be strung together.
The audience council described the background music as very fitting. It underlines the moods captured and lends character to the people portrayed. The council members also liked the internet presence of the two seasons. The interactive maps with the tours through Tenna and the districts of Basel were particularly fun and showed the local conditions as well as the protagonists.