Art.l.shock: Bus curves through the Zurich Oberland for Atzmännig

To mark the 50th anniversary of Sportbahnen Atzmännig, the Zurich-based agency Art.l.schock had a VZO articulated bus wrapped. The bus is intended to help people find their way.

Signposts are used as subjects to show how varied the possibilities are in the Atzmännig region. Round photos in the form of binocular perspectives provide a deeper insight into the attractions. The message is simple: Atzmännig stands for unlimited leisure fun for the whole family.

The articulated bus operated by Verkehrsbetriebe Zürichsee und Oberland (VZO) will run on the public network for at least three years. It will run on all routes in the Oberland and on the right bank of Lake Zurich.

Responsible at Sportbahnen Atzmännig: Cornelia Schneller (Head of Marketing). Responsible at Art.I.schock: Philipp Bremer (Project Management), Valeria Häberli (Creative Director). Responsible at VZO: Joe Schmid (Head of Marketing).

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Nœrd opens its doors

On June 2, 25 tenants and 300 employees—including the bag manufacturer Freitag and Aroma, an agency for three-dimensional communication—will offer a glimpse into their work environments.

A year ago, drilling, hammering and milling was still going on at Binzmühlestrasse 170 in Oerlikon, according to a press release. In the meantime, the commercial building for creatives in the north of Zurich has been filled with life: The anchor tenants Aroma and Freitag moved into their new premises in August 2011. The concept of the "somewhat different commercial building" is also appreciated by other agencies - established companies from the Swiss creative industry have settled around the two main tenants.

On the Open Day on June 2 from 12 noon to 6 p.m., anyone interested will have the opportunity to see Nœrd for themselves - with exclusive guided tours of the Aroma & Freitag halls, insights into the working world of advertising agencies and architectural tours of the building, as well as Nœrd tours to discover for yourself. Other attractions include a Freitag ramp sale, an Aroma warehouse sale where you can stock up on numerous trouvailles from the Aroma collection and entertainment for children and adults. Jürg Stacher - former chef of the Divine restaurant - and his Nœrd canteen crew will be looking after your physical well-being.

About the Nœrd commercial building

The Nœrd is a low-tech commercial building that is cost-effective and at the same time meets high-quality architectural requirements. The planning and implementation of the new commercial building was carried out by architect Beat Rothen, real estate consultants Wüest & Partner and the St. Gallen total contractor Senn BPM AG as project developer. The owner is the Pensimo investment foundation.

> More information

Tamedia lays off 21 employees

The media group Tamedia plans to lay off 21 employees in French-speaking Switzerland. The layoffs affect technical and maintenance staff at the three editorial offices in western Switzerland. The media company publishes the newspapers *La Tribune de Genève*, *24 heures*, and *Le Matin* there.

21 people have been informed of their imminent dismissal, confirmed Eric Budry from the editorial and staff association of the Tribune de Genève in reports from the newspapers Courrier and La Liberté on Saturday. The 5 employees affected in Geneva and the 16 in Lausanne are not employed by the individual newspapers, but directly by Tamedia. Their tasks are to be outsourced.

According to Budry, a strike is currently not an issue for the Tribune de Genève staff. However, they would like more information about the redundancies. It is strange that people whose services are indispensable for the editorial offices are being made redundant. (SDA)
 

Blick Newsroom lets rabbits oracle about European Championship results

During the World Cup in South Africa, it was Paul the German octopus who predicted the outcomes of the matches—at the upcoming European Championship in Poland and Ukraine, it will be rabbits. At least in the Blick Group’s newsroom.

Before each Euro 2012 match, a rabbit will be allowed to enter a specially constructed mini football arena, as detailed in a press release. The two gates of the stadium are each decorated with carrots and the flags of the competing teams. The winner is - presumably - the team on which the animal bites within 90 seconds. If there are no bites at all, the game ends in a draw.

The Blick sports editorial team had an arena measuring four by five meters specially built at the Jucker Farmart adventure farm in Seegräben ZH for the not entirely serious game prophecy. Four rabbits have already been trained as football experts and have celebrity godmothers to look after them during the Euro: Ice princess Sarah Meier, heptathlete Linda Züblin, Olympic hero Donghua Li and wrestling king Nöldi Forrer.

From June 8, the long-eared football experts can be watched live daily from 4 p.m. on site at the Hasenstadion on the Jucker Farmart in Seegräben, via video on Blick.ch as well as on all other Blick channels.

 

Solid year for Südostschweiz Medien

Südostschweiz Medien was able to maintain its operating revenue at a stable level in fiscal year 2011, even though the Swiss media industry was also affected by the financial and euro crises.

Südostschweiz Medien (SOM) achieved slightly higher operating income in the 2011 financial year, according to a press release issued on Friday. Cash flow and annual profit fell compared to 2010 due to higher expenses such as newspaper sales and depreciation. The financial and euro crisis caused problems for SOM, particularly in the area of customer printing. The low Swiss franc exchange rate, the high wage level in Switzerland and higher raw material prices had a negative impact on sales and the costing of printed materials. The advertising business in the Southeastern Switzerland region performed well, although it declined nationally, as did the web agency NewMedia. The electronic media, in particular Radio Grischa, achieved pleasing figures, also contrary to the national trend. The sales figures for some specialist magazines did not develop as expected. In all divisions whose sales expectations could not be met, savings and efficiency improvement programs were implemented in the course of the year.

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Print and online from a single source

SOM also significantly strengthened its digital media offerings, as the statement continues. The print online editorial team, which went into operation in February 2011, now serves the daily newspaper Südostschweiz as well as the Internet presence The newly created newsroom provides customers with up-to-date information and allows them to tailor the print and online offering to their needs. This trend was supported by the introduction of a print-online subscription. Apps were also developed for tablet computers and smartphones.

Media house takes shape

Planning for the new media building, which is due to open in two years' time on Chur's Sommeraustrasse near Rossboden, is in full swing. The architects from Maurus Frei Partner Chur/Zurich have been commissioned to implement a media house concept. The media house is being planned with a new three-zone concept, in which not only the journalistic cooperation of the individual media, but also cross-divisional sales and marketing projects will be implemented.

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Pleased with the balanced annual financial statements: publisher Hanspeter
Lebrument and CEO Andrea Masüger.
 

Last but not least: Finally!

Traditionally, women grace the covers of women’s magazines. But why is that, exactly? Elle asked itself the same question—and, without further ado, put a man on the cover.

The magazine has chosen the great-grandfather of metrosexuality as its first cover man: David Beckham. After all, you don't have to open the door and shock your readers with Chuck Norris or Silvester Stallone, the people in charge must have thought - so the ladies can slowly get used to stubble, chest hair and angular faces on the cover.

Editor-in-chief Lorraine Candy is happy with the choice. David Beckham is an icon, and Elle is known for featuring icons on the cover. With a male cover star, Candy hopes to appeal to both sexes. It is the first time that only a man has graced the Elle cover. She believes that both men and women will like it.

We say: Finally! Because: those men who read Elle are sure to be thrilled. And the actual target group, the women, anyway - what woman wouldn't rather look at a beautiful man than a thin beauty made even thinner with Photoshop, who mercilessly reminds the viewer how ugly she actually is?

(Source: 20min.ch)

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Switch honors the web creativity of school classes

Switch named the ten best Swiss school classes as web talents at the sixth Junior Web Award on Thursday. For the first time, a class from Ticino, French-speaking Switzerland and German-speaking Switzerland each won a first prize.

There are two double winners at this year's Junior Web Award of the Switch Foundation, selected from 157 web projects. "Die wilde 13" from the "Pedagogical Center for Hearing and Seeing" won the audience award and first prize in the "Primary" category. The pupils from Münchenbuchsee (BE) staged their stories in sign language via YouTube. The second winner is "Change Your Light", which aims to encourage people to save electricity when it comes to lighting. The professionally implemented website from the Ecole des Métiers Techniques in Porrentruy (JU) won first prize in the "Sek II" category and the programming prize.

Winners from three language regions

"This year, for the first time, a first prize each goes to Ticino, French-speaking Switzerland and German-speaking Switzerland," says a delighted Claudio Dionisio, president of the jury. All ten winning projects from primary school to vocational school classes were impressive with their imagination and diversity: from school waste analysis and instructions for a 3D graphics program to exciting physics experiments.

> Further information on the winning projects

Promoting young talent on the web

Since Switch launched the competition in 2007, over 850 projects have been submitted. The Junior Web Award offers pupils the opportunity to create their own website and practice using web technology in a fun way. Switch supports them with information material and easy-to-use CMS programs. The competition enters the next round in 2013: Interested teachers can register from August 13, 2012 at www.juniorwebaward.ch.

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Surfing instead of zapping

The battle for the future of television is in full swing worldwide—and here, too, we’re seeing the first attempts and some controversy.

This article comes from the current print edition the advertising week.

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When it comes to the television of the future, the key words are not "three-dimensional" (3D) or "high-definition" (HD), but smart TV. This is the name given to the connection of TV sets to the Internet, for which the rather unwieldy terms hybrid TV or connected TV are also used. This makes TV part of the online world, opening up new markets, especially for advertising. Anyone who communicates professionally must be prepared to use TV as a communication channel in a different and new way.

TV sets have long since been used for more than just receiving broadcasts. Increasingly, these are being consumed on a time-shift basis, thanks to hard disk recorders or centralized services provided by network operators. In addition, game consoles, Bluray players or home theater personal computers are connected to TV sets in many places. This not only makes it possible to play back one's own digital video and music collection, but also to retrieve content from the Internet. However, the installation effort is sometimes great and the comfort limited. With Smart TV, the Internet is now to be seamlessly integrated into HD televisions, and information from the Internet is now to be easily accessible even in the armchair with the remote control in hand: not only the usual information portals, but above all video-on-demand services such as YouTube and the like, as well as photo and music services together with gaming or social media offerings. The often bored zapping through the eternally same channels is now being replaced by contemplative surfing in the vastness of the Web with its sheer boundless diversity.

This is shifting the business models in the TV market. The TV screen is becoming a distribution channel, and instead of coverage, the focus is increasingly on target groups. Just as with smartphones and tablets, content is also being marketed on TV screens via pay apps. The biggest and most concrete market opportunity is opening up for video rental services. Using an app, they offer movies for download or streaming for good money. Such services have hardly gained a foothold here yet, but in the USA, a third of all Internet traffic at peak times is attributable to the leading video provider Netflix. But niche providers are also being given new opportunities. As a showcase example, Samsung has joined forces with the Berlin Philharmonic Orchestra to launch the world-famous orchestra's Internet service, the "Digital Concert Hall," for smart TV, which has been available since 2005. With this app, live concerts, recordings or background information can be accessed for a monthly fee of 14.90 euros. If it's not a matter of direct revenue, apps are used for promotion and/or brand management. Audi and Red Bull, for example, have launched their own smart TV apps to inform and entertain their respective clientele.

New rules of the game apply

It is becoming clear: In the battle for the favor of the audience in front of the TV screens, a new round with new rules of the game has begun. There are many opponents, and all signs point to a protracted war of attrition that will hinder rather than help the acceptance and spread of the new possibilities among audiences.

The potential losers are obvious: TV stations whose structures are geared to traditional linear TV consumption. If the audience has endless alternatives thanks to smart TV, they will inevitably continue to lose reach. That's why they are trying to bring their own smart TV variant into play and are relying on HbbTV.

This word monstrosity from the technician's office refers to the possibility of sending smart TV content with the digital TV signal, usually not the information itself, but a link to it. This can refer, for example, to supplementary videos in the Internet media library of the respective broadcaster or, in the case of a commercial, to a more detailed presentation. HbbTV is not the first attempt to modernize teletext, which is now 30 years old, and it is still unclear to what extent this technology will be able to establish itself. Since the International Consumer Electronics Fair last fall, broadcasters in Germany in particular have ramped up Hbb- TV offerings, and more and more end devices are also supporting this standard. In Switzerland, the HbbTV rollout at SRG seems to be delayed, as this issue is part of the ongoing dispute between publishers and SRG over online advertising (cf. dispute over the "red button"). Network providers also have little to like about smart TV. They are busy winning customers for their digital TV offerings (IPTV) in order to retain them with their bundles of offerings with telephony and Internet access (so-called triple play). This business is currently booming here, with growth rates of between 35 and 40 percent. At the end of March, more than 1.142 million households were watching digital TV from cable network operators, according to the industry association Swisscable, and a further 655,000 households were receiving digital TV services from Swisscom. Telecom companies must fear that smart TV will hamper this business and at the same time entail expansions in the network infrastructure, for which price premiums can hardly be enforced. In the U.S., for example, there is a trend toward "cable cutting": Cable TV is being canceled, and TV content is being obtained only via video portals on the Internet, some of which are operated by the TV broadcasters (e.g., Hulu). In the process, viewers are accepting cutbacks:

The content is not all equally available online, which can be particularly important for live sports broadcasts, or for transmission, which can sometimes get bogged down (which is why this pure form of smart TV is unlikely to become a mass trend in quality-consumed Switzerland). Instead, the TV menu is enriched with content from the Internet that is only available online (e.g., on YouTube) and is often recommended via social networks. With their set-top boxes, network providers actually have a platform for generating additional revenue with digital content from the Internet. But there are hardly any initiatives for this, so this business is left to others.

New sources of revenue are opening up

Equipment manufacturers: It is primarily the manufacturers of TV sets who are pushing smart TV. On the one hand, because they expect better sales opportunities in the highly competitive consumer electronics market, and on the other hand, because they hope for new potential sources of revenue. For example, there is "LG Smart TV," "Philips Net TV," "Samsung Smart Hub," "Sony Bravia Internet Video," "Panasonic Viera Connect" and "Toshiba Places." All these platforms are usually connected to an app store, where currently there are several hundreds of apps to choose from, and to enjoy them, in most cases, knowledge of the English language is an advantage. Because today the TV apps have to be newly developed for each of these platforms, consolidation is foreseeable and necessary here. For example, Europe's largest consumer electronics manufacturer Philips has already formed a smart TV alliance with its Asian competitors Sharp and LG, as well as German TV producer Loewe. Service providers: Internet heavyweights Google and Apple are also in on the action. They launched their products (Google TV and Apple TV) as separate products some time ago, but did not achieve a breakthrough with them. They are primarily interested in extending the existing platforms (Google Play and iTunes) to the big screens in living rooms.

Existing TV apps still show little sign of the future commercialization of the TV screen, and advertising and paid apps are still the big exception. However, these two business models, familiar from smartphones and tablets, are also at the forefront of smart TV. Samsung, the largest South Korean conglomerate, stands out with its energetic forward strategy. Together with other manufacturers from South Korea, Taiwan and China, Samsung has won significant market shares in the TV market in recent years with low prices. And in smartphones and tablets, the South Koreans are in a clinch with Apple, which is not only being fought out on the market, but also in courts with patent challenges. In the smart TV business, Samsung is now apparently doing everything it can to stay ahead and is trying to gain as large a market share as possible even before Apple starts its long-awaited entry into the TV business with its own TVs. Samsung mentions an average annual growth rate of 90 percent for smart TV, and industry observers assume that more than half of the TV sets with large screens sold in our country are now Internet-capable, even in the low-price segment. Now Samsung has become the first major device manufacturer to reveal its ambitions as a player in the advertising market. First, "Samsung Ad Hub for Smart TV" was launched at the beginning of the year as a vehicle for advertising on smart TV devices, and this was followed at the beginning of April by the announcement of "Samsung AdHub Market", extending the advertising platform to cell phones and tablets. To this end, Samsung entered into a cooperation with OpenX Technologies Inc, one of the world's leading providers of digital advertising technologies.

This will create a marketplace for targeted advertising on all three device platforms, which is scheduled to begin operations in the second half of the year. Concepts previously known from online advertising, such as targeting and real time biding, will thus also be applicable to advertising on TV screens. And Samsung can hope to generate revenue from this as well as from sales revenue from the app store, for example when purchases are made and paid for by remote control. Samsung is thus trying to position itself on an equal footing with Apple (iAds) and Google (AdMob), and it will be interesting to see what alliances and market definitions emerge. Apple will probably want to maintain its own demarcated world, but Google will have to work hard to bring the Android-based Google TV into the market. Will Samsung continue on its course to build an independent advertising platform and find more partners to do so in order to steal Google's thunder? Or will Google be able to rally powerful partners, including perhaps even Samsung, around it? Will Apple be able to build on the success of the iPhone and iPad with television sets? And what level of acceptance will smart TV enjoy in our country - among the public on the one hand and the advertising industry on the other?

Christoph J. Walther

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Dispute over the "red button

The NZZ can boast of having launched the first Swiss smart TV app. As Manuel Küffer, Head of NZZ Network & Classifieds, told Werbewoche, it was launched in collaboration with Samsung in anticipation of the International Consumer Electronics Fair last fall. Since then, it has been installed around 20,000 times. However, the number of active users is far lower, but those who read the NZZ on the TV screen call up significantly more pages compared to normal web users. Smart TV was "not the first priority", and the main aim was to gain experience with it. For the time being, the effort is minimal: the app was created in-house, the company uses its own news feeds for the content, and the app has not been advertised so far. Küffer is considering an update and would like to see videos and possibly more topical issues so that it can act as an alternative to teletext. However, there are no concrete plans.

Tamedia is also on board with smart TV and is represented on the Samsung platform with an app for 20 Minuten. "In the medium term, further apps are conceivable," says company spokesman Christoph Zimmer. In view of the "still very low" usage, offers on TV platforms are primarily "an investment in the future" at the moment. As in the smartphone market, the effort required to develop a separate app for each technical platform is "considerable. Nevertheless, the company is interested in offering its own content on various platforms, and so the launch of smart TV offerings could also be "imagined in the medium term" at Newsnet.

At the Blick Group, smart TV is "on the project list," according to Caroline Thoma, managing director of the Blick Group. Blick will be present, but the timing is still open. This is because the company does not want to offer the simplest solution, but rather the most attractive offer, which must be suitable for television. SRG's response on the subject of smart TV is conspicuously scant: "SRG has launched hybrid TV projects; the first services are in internal test operation," says company spokesman Daniel Steiner, referring to the fact that the management will discuss and decide on "decisive steps for implementation" at the beginning of June. After all, the foreign service Swissinfo.ch was the first SRG SSR enterprise unit to launch a TV app for Panasonic and Samsung devices in six languages in mid-April. Steiner confirms that SRG is also using HbbTV in its pilot projects. This bothers publishers, who have been disputing with SRG for some time about its commitment to the online sector. As Urs F. Meyer, managing director of the Swiss Media Publishers Association, confirmed on request, HbbTV is part of these negotiations. The publishers want to prevent SRG from using HbbTV for advertising. Specifically, the issue is the use of the "red button" that can be used to call up HbbTV information on the remote control. To encourage viewers to do so when the opportunity arises, a corresponding symbol can be superimposed on the picture. And this is precisely what publishers are fighting against: SRG should not be able to commercialize the use of the red button for advertising and thus steal advertising money from private TV media companies.

Smart TV has already arrived in the Swiss advertising industry: The leading marketer, Goldbach Media, for example, also offers placements on smart TV apps as part of the Goldbach Video Network, which focuses on multi-screen advertising. For the time being, this involves pre-roll ads on the Samsung app of the Swiss Internet video store provider Viewster.

The possibly imposed loss of the red button for advertising in a future HbbTV offering from SRG would indeed deprive the advertising industry of a new opportunity for the best possible advertising opportunities. But because HbbTV has not been an issue in Switzerland so far, it is open whether this will ever be relevant. After all, it is quite possible that HbbTV will be overrun by the smart TV wave from the Internet.

Smart TV opens up a wonderful opportunity for private media companies to get beyond licensing requirements and onto the screens in living rooms, where they can leverage new business potential. Instead of being driven by existential fears and calling for bans, they could simply shake up the entrepreneurial spirit again and start producing new innovative content - because smart TV still lacks a real killer app.

ZSPR: Nicole Grossenbacher new to the Board of Directors

At their general meeting on May 24, 2012, the members of the Central Switzerland Public Relations Association (ZSPR) elected Nicole Grossenbacher of the Lucerne-based car-sharing company Mobility to the board of directors.

"I am looking forward to working on the ZSPR Board because I enjoy exchanging ideas with other people on current specialist topics, learning new things, contributing my marketing knowledge and making these specialist topics accessible to other interested people through the ZSPR," says Nicole Grossenbacher, Product Manager at the Mobility Cooperative. She was unanimously elected to the Board by the members of the ZSPR to replace Susanne Zürcher, Information Officer for the municipality of Ebikon. The members also thanked André L. Egger from Kerns for his many years of service to the association with a free membership. He has been a member for 40 years and was on the Board for 17 years, ten of them as Program Director.

More members and great interest in events

In her annual report, President Brigitte Heinrich was able to look back on a successful 2011. The ZSPR has increased its membership by 30 members since the beginning of 2011 and the events have met with great interest. Together with the Swiss Public Relations Association, the ZSPR also launched a new, comprehensive website at the beginning of the year, which is aimed at both members and other professionals in the communications industry.

Network for communication professionals in Central Switzerland

The ZSPR is the organization of communication professionals in Central Switzerland and one of seven regional associations of pr suisse, the Swiss Public Relations Association. The ZSPR has around 140 members and organizes eight to ten events on communication topics every year. The next event will take place on June 27, 2012. Toni Ottiger from Weingut Rosenau, designer Hanspeter Meyer from Neustahl and Markus Rast from Gourmet-Rösterei Rast will show how they address their customers on the topic of "Successful Lucerne SMEs". 

The Board of the ZSPR currently consists of: Andreas Renggli, Polarstern GmbH; Christina Konvalina, Nolax AG (Head of Office); Jasmin Amrein, SAN GmbH; Mark Vogel, FelderVogel Kommunikation in Wirtschaft und Gesellschaft AG; Marc Lustenberger, media-work GmbH (Vice President); Brigitte Heinrich, nettwerk gmbH (President); Nicole Grossenbacher, Mobility Genossenschaft; Theo Froelich, Jenni Kommunikation (from left to right). Reto Martinelli, Association of Swiss Police Officers, is missing.
 

Scholz & Friends Zurich: Campaign for Emmi Energy Milk realized

The new campaign for Emmi Energy Milk is now live in German-speaking and French-speaking Switzerland. With the tagline «Power for you,» Scholz & Friends Zurich aims to position the product as a power snack among milk-based beverages.

In the poster campaign, which consists of four subjects, this promise is repeatedly highlighted by pointed product headlines, the agency said in a statement. The energy contained in the product can also be experienced virtually as part of the campaign. For the participation in the Facebook promotion under Powerlike.ch conventional "liken" was not enough. Participants had to prove that they could keep up with Emmi Energy Milk in the "Powerliken" competition. By using the motion sensor technology of various smartphones, the "power-like" is achieved by mobile, with participants shaking their smartphones vigorously and long enough.

The orchestrated campaign, for which Scholz & Friends Zurich developed a brand website and Facebook fan page in addition to F200 posters, streetcar hanging boxes and online promotion, is complemented by Youtube channel, Facebook, mobile ads and an e-newsletter. The campaign will be in place until June 15.

Responsible at Emmi Energy Milk: Nicole Grond (Marketing Manager), Veronica Hilti (Group Brand Manager), Sarah Villani (Junior Brand Manager). Responsible at Scholz & Friends Zurich: Christian Sommer, Alexander Ardelean (CD), Ivo Hlavac, Cora Riegel, Caroline Breitenmoser, Martin Nagel (AD), Jan Kempter, Florian Ammann (text and concept), Mathias Rösch, Britta Hartleb, Carina Bullinger (consulting), Anne Schild, Martin Baumann, Karin Gartmann (production). Technical implementation: Pemedia, digital media agency (Ennepetal, NRW).

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Roger de Weck as expert in Vienna

SRG Director General Roger de Weck weighed in last Wednesday as an international expert in the debate over the organization of the public broadcaster ORF. This has drawn criticism.

In the neighboring country, a dispute is raging over nepotism in the appointment of key ORF positions, as the Sonntagszeitung writes. The reason for this was the editors' complaint against the appointment of journalist Thomas Prantner as ORF online chief, whose position had been created especially for him by an internal patron. In this heated climate, the working group must now draw up reform proposals for the ORF.

The fact that the SRG Director General is now offering himself as an expert abroad is piquant: his company has just completed four difficult rounds of wage negotiations with representatives of its employees. The talks have failed for the time being. SRG employees may find themselves without a collective labor agreement for the first time in years.

SSM Secretary Ernst Gräub is one of those who are disappointed with de Weck. The fact that he is now offering his services as an expert abroad, of all places, makes him shake his head. According to Gräub, de Weck should first and foremost ensure that he can achieve a good social partnership in his own company. FDP media politician Filippo Leutenegger also criticizes the behaviour of the SRG Director General: "In this situation in which the SRG finds itself - keywords: falling market share, convergence - the priority should be on the domestic market," he is quoted as saying in the Sonntagszeitung. And SVP National Councillor Natalie Rickli is surprised that De Weck has time to travel to Vienna as an expert.

Roger de Weck traveled to Vienna by invitation, SRG Head of Communications Iso Rechsteiner told the Sonntagspublikation. It was not a mandate, he also emphasized.

(Image: Keystone)

Berner Zeitung and Langenthaler Tagblatt merged

From Monday, July 2, the new newspaper BZ Langenthaler Tagblatt will be published in Oberaargau. This will merge the two titles BZ Berner Zeitung Oberaargau Ausgabe and Langenthaler Tagblatt.

The new newspaper reaches more than half of the inhabitants of Oberaargau, writes Espace Media in a press release on Friday. The name BZ Langenthaler Tagblatt says it all: the red "BZ" stands for Berner Zeitung, which reports comprehensively on events in the canton of Bern thanks to a network of editorial offices in Bern, Burgdorf, Interlaken, Langenthal, Langnau and Thun. "Langenthaler Tagblatt" stands for the traditional title, which has been reporting comprehensively on the Oberaargau region for almost 150 years. Thanks to the merger with the Berner Zeitung, readers will be able to enjoy expanded regional reporting on politics, business, culture and sport in future thanks to a strong Langenthal editorial team.

Subscribers to the Langenthaler Tagblatt who have subscribed to the Sonntag will continue to find the Sonntagszeitung in their letterboxes after the changeover, according to the statement. Subscribers will be regularly informed about the changes and new offers over the next few weeks.
 

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