Renato Profico becomes new CEO of Jobcloud

On January 1, 2015, Renato Profico will take over the management of Jobcloud from Mark Sandmeier, who will join the Board of Directors together with Michel Kaufmann, the current Head of Marketing and Products.

Renato Profico, who grew up bilingual, brings in-depth knowledge of the German and French-speaking Swiss job market and has 14 years of experience in e-recruiting. The 48-year-old from Valais has been working for Jobs.ch since 2008, first as Head of Business Development and since mid-2010 as Head of Sales and member of the Executive Board. Before that, Renato Profico worked for several years as Country Manager for Monster Switzerland.

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Renato Profico will continue to expand Jobcloud and its services in German- and French-speaking Switzerland together with his existing management team and more than 140 employees, according to a statement.

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The new Marketing Manager for German and French-speaking Switzerland and member of the Executive Board will be 30-year-old Mara Nellen, who was previously responsible for the company's marketing in French-speaking Switzerland. The Vaudois holds a bachelor's degree in business administration from the Haute École de Gestion in Geneva and has been working for Jobcloud since 2010.

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Patrik Breitenmoser, who has been Head of IT and a member of the Executive Board for many years, is now also responsible for Jobcloud's product management.

Frédéric Gaiani, previous Head of the Western Switzerland region, has decided to leave the company and take on a new challenge. Over the past six years, Frédéric Gaiani has made a decisive contribution to the development of Jobup.ch into the best-known and most popular job portal in French-speaking Switzerland.

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Mark Sandmeier (right) and Michel Kaufmann (left), both of whom have worked for the company since 2000, are joining the Jobcloud Board of Directors. Over the past 15 years, they have developed Jobs.ch into Switzerland's leading job portal and successfully merged Jobs.ch and Jobup into Jobcloud since 2013. As members of the Board of Directors, they will continue to use their many years of experience and contacts for the company. The Jobcloud board of directors, which includes the two partners Ringier and Tamedia, is pleased that an internal solution for the new management of Jobcloud could be found and that the company will retain the competencies of Mark Sandmeier and Michel Kaufmann through their move to the board of directors, according to a statement.

BSW: Erdmannpeisker new member

BSW Leading Swiss Agencies is introducing a new member: the Biel-based agency Erdmannpeisker.

Erdmannpeiskera small creative agency with big brands, was founded by Sybille Erdmann and Gabriel Peisker in 1999. The two met in Biel at Smart, where Sybille Erdmann was in charge of retail communication and Gabriel Peisker was in charge of brand identity. And they stayed in Biel. From there, Erdmannpeisker developed integrated creative strategies and communication concepts for companies and brands. The best-known example is the campaign for the outdoor supplier Mammut. But the current Rivella commercials also originate from Biel.

When asked about the location of Biel or Zurich, they reply: "Zurich was always an issue until we consciously decided against it five years ago, because firstly, customers don't care where we are and secondly, in an in-between city like Biel, you remain more open, have to move around more and thus come into contact with the whole of Switzerland."
 

Last but not least: Penguin seeks woman

Help, Christmas is just around the corner: The British department store chain John Lewis is warming hearts with a viral ad. A lot of hearts.

Almost 11 million viewers clicked on the spot created by Adam&Eve/DDB London on YouTube. In just four days. And most of them probably had slightly watery eyes at the end. The Christmas spirit doesn't really seem to be present in people's minds yet. Just like in this Ikea campaign from Portugal:

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Nice: there is also some Swiss involvement in the commercial. The boy in the lead role is inspired by Pingu - a true Swiss - at the beginning. Never mind. Only 44 days to go until Heilligabend. And according to the media*, Switzerland has apparently been hit by a snowstorm of the worst kind for weeks - so nothing stands in the way of a white Christmas. Roll the movie. (hae)

//www.youtube.com/watch?v=iccscUFY860

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SOM 2015: Call for Papers ends on November 30

For the first time in 2015, presentation slots at the Swiss Online Marketing and Swiss E-Business Expo will be allocated through a call for papers process. In addition, exhibitors will have a new presentation format available to them: the pitch.

Companies in digital marketing and e-business have until the end of November to register as exhibitors and take part in the call for papers procedure for the lecture program of the trade fair duo Swiss Online Marketing and Swiss E-Business Expo. The Swiss industry meeting point will once again bring together market participants, advertising companies and online retailers at Messe Zürich on April 15 and 16, 2015. Werbewoche is a media partner.

"The rush for the presentation sessions at the Swiss Online Marketing and Swiss E-Business Expo is greater than ever, while at the same time the demands of trade visitors for high-quality input are increasing," says project manager Helge Browning, explaining the reasons for introducing the new Call for Paper procedure at the Swiss trade fairs for digital marketing & e-business.

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In order to achieve a balanced variety of topics in the program, an expert jury will evaluate the submitted presentation topics from 1 December. Only the most innovative and high-quality presentation topics will be admitted to the practical forums. The criteria for a successful application include the best-practice character of the presentation, innovation and trend relevance, an international range of topics or the involvement of experts, for example in a panel discussion. "In principle, all exhibitors can apply for a presentation unit; the deadline is November 30," Browning continues.

New presentation option for exhibitors: the pitch

Exhibitors from the fields of mobile solutions (apps/ads), customer dialog/CRM, e-mail/direct marketing and e-commerce (web stores) will be given a new platform to convince potential customers of the benefits of their offering at the trade fairs: the pitch. The pitch is the further development of the contests successfully introduced this year, with the aim of offering exhibitors better visibility at the trade fair, more interaction with potential customers and a lasting presence at the trade fair.

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A maximum of six exhibitors per pitch topic present the advantages of their solution in a contest on the presentation stage and answer questions from an expert and potential customers from the audience. At the MeetingPoint, in moderated discussion rounds for exchanging experiences, customers of two pitch participants then present application examples. These examples are also summarized with specialist articles, checklists and company profiles of the pitch participants in a booklet published by BPX-Verlag, which is available free of charge at the trade fairs and distributed via social media and online channels.

Further information on the Swiss Online Marketing & Swiss eBusiness Expo and images are available at Swiss-online-marketing.ch to find.

Maxomedia implements SRF billboards for Swissquote

To promote Swissquote, Maxomedia developed three futuristic hologram videos that will be broadcast for several months before and after the «SRF-Börse» program.

According to the press release, this is a targeted way to reach an audience with an affinity for the stock market and an interest in financial topics. The sponsoring clips each relate to one of Swissquote's following services: trading, ePrivate Banking and Forex. High above the rooftops of the financial centers of Zurich, London and Hong Kong, a Swissquote customer operates the intuitive hologram interface. He has taken his finances into his own hands - and is in complete control.
 

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Responsible at Swissquote: Patrick Suire (Head of Marketing). Responsible at Maxomedia: Reto Schild (Creative Director); Dominique Wittwer (Art Director); Simon Muster (Head of Consulting); Virginie Schneider (Junior Consultant). Made in collaboration with Elefant Studios: Producer: Marco Fischer; Director: Florian Baumann; VFX Supervisor: Miklos Kozary. Directed by: Cheese & Chocolate Film, Florian Baumann, Director. Dubbing / Sound Design: Spacetrain.

Wirz Corporate strengthens extended management

Andreas Bosshart has joined the extended management team of Wirz Corporate. As a senior digital consultant at Wirz Corporate, he has been implementing a wide range of websites, digital media, online campaigns and social media measures since 2011.

As a member of the extended Executive Board and Head of Digital, the 37-year-old will be responsible with immediate effect for the continuous expansion of Wirz Corporate's digital service offering in the areas of branding, PR and publishing. Andreas Bosshart started at the Wirz Group in 2008 as a consultant at the digital subsidiary Assai Dialog + Digital, according to a statement. He studied business administration in St. Gallen and worked in communications at Economiesuisse after graduating. He lives in Winterthur with his family.

CR Basel raises awareness of the topic of visual impairment

With a new campaign designed by CR Basel, the Swiss Federation of the Blind and Visually Impaired (SBC) is drawing attention to the everyday challenges faced by the visually impaired.

TV commercials and illuminated posters show the Swiss public that it is anything but easy for people with visual impairments to recognize objects correctly: whether it is a persimmon or an orange, a packing cord or a ball of wool - these and similar questions are asked by a large proportion of the 325,000 visually impaired people in Switzerland when they go shopping and are representative of many life situations that people with impaired vision have to cope with on a daily basis.

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With the long-term campaign, including a visually impaired-friendly campaign website, the SBC wants to point out, among other things, that the national organization, which is run by those affected, offers significant support not only to blind people, but also to visually impaired people: with professional advice and a wide range of rehabilitation, educational and leisure activities.

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Responsible at SBC: Olivia Altenhoff and Pierre-Yves Graber (Co-Head of Marketing and Fundraising). Responsible at CR Basel: Gabriel Heuberger (CD), Judith Mann (text), David Burkhardt (graphics), Thomas Fux (consulting) Photography: Felix Streuli, TV producer: Markenfilm

 

Record attendance and female dominance in Winterthur

American filmmaker Jennifer Reeder wins the Grand Prize at the 18th Winterthur International Short Film Festival. The award for Best Swiss Short Film goes to Ursula Meier of Geneva. The Swiss Cinematography Award goes to Aurelio Buchwalder.

Visitors award the Audience Award to young director Rhona Mühlebach from Eastern Switzerland. The Short Film Festival counted 17,000 admissions, around 500 more than in 2013.

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"A Million Miles Away" by American Jennifer Reeder wins the main prize at the 18th Winterthur International Short Film Festival.

The five jurors of the 18th Winterthur International Short Film Festival look back on an intensive week of short films: 37 films from 27 countries had to be screened and evaluated in the International Competition alone. The jury, consisting of Jonathan Pouthier, Michael Sennhauser, Joke Ballintijn, Yael Bartana and Monia Chokri, selected the short fiction film "A Million Miles Away" by American Jennifer Reeder as the winner of the main prize (12,000 Swiss francs, SRG SSR). Reeder, who was on the Short Film Festival jury herself just a year ago, particularly impressed her "colleagues" this year with the narrative structure of her film: through music, references to pop culture and the surprising role reversal of generations, the film combines healthy aggression with empathy and celebrates female strength. The jury awarded the sponsorship prize (10,000 Swiss francs, Sulzer Foundation Winterthur) to "Kuhani" by Ntare Guma Mbaho Mwine. The 47-year-old Ugandan-American dual citizen impressed the jury with his story about a homosexual priest in Uganda - told in images that unabashedly address homophobia, prejudice and human rights violations, while at the same time surprising and shocking.

Best Swiss Film by Ursula Meier

The jury awarded the prize for the best Swiss film in the amount of CHF 10,000 (suissimage/SSA) to "Tišina mujo" by Ursula Meier from Geneva, who lives in Belgium. The 43-year-old was last successful in Winterthur in 2001, when her film "Tous à table" was awarded the sponsorship prize.

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Ursula Meier, who has already won the Swiss Film Award twice, was awarded the Best Swiss Short Film prize by the jury for her film "Tišina mujo".

"We've been talking for some time about the fact that short films are no longer just a calling card for feature-length films for filmmakers in Switzerland either. Meier's career confirms this: Since 2001, she has won the Swiss Film Prize twice with feature-length films and was even awarded the Silver Bear at the Berlinale for 'Sister'," says John Canciani, Artistic Director of the Short Film Festival, delighted with the jury's choice. The jury praised "Tišina mujo" as a moving example of how much a short film can achieve. Meier's work bridges the gap between private and collective pain, loss and memory and deals with the sad history of an entire country in an intimate way. Olga Titus from Thurgau, who lives in Winterthur, also received an honorable mention for her experimental film "o my".

The Swiss Camera Award, endowed with 11,500 francs (non-cash prize, Nikon), goes to Basel-based Aurelio Buchwalder for his work in the film "Wandelzeit - Eine Gletscherperformance" by Winterthur filmmaker Jan-Eric Mack. Buchwalder convinced the jury with his "great use of close-ups and wide-angle shots, light and darkness in the same image and the wonderful way in which he transforms people, landscapes, ice and water into a cinematic experience".

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Impressive images of the Swiss Alps: the camera award goes to Aurelio Buchwalder, cameraman of "Wandelzeit - Eine Gletscherperformance" by Winterthur filmmaker Jan-Eric Mack.

Up-and-coming Swiss director wins Audience Award

Of the 37 films in the International Competition and 19 films in the Swiss Competition, "Off the Highway" by Rhona Mühlebach was best received by the audience: The short fiction film by the St. Gallen native, who lives in the canton of Thurgau, was awarded the Audience Award (Zürcher Kantonalbank), which is endowed with CHF 10,000. "Abseits der Autobahn" is the first work by the 24-year-old - with the Audience Award of the Short Film Festival, she is building on her success at the Festival del Film Locarno last summer. The prize for the best Swiss school film, worth CHF 5,000 (SRG SSR), was awarded on Thursday. After 2013, this went once again to a Bachelor graduate of the Geneva Haute école d'art et de design HEAD: Moïra Pitteloud impressed the jury with her graduation film "L'offre". For their part, the youth judged the youth program put together especially for them and awarded the youth film prize of 500 francs to "Tastes Like Chicken?" by Brazilian Quico Meirelles. The out-of-competition Short Run Award for the most promising screenplay goes to Samuel Morris for his project "Doug & Walter". The award includes post-production services in kind amounting to CHF 12,000 (tweaklab).

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The jury of the 7th Swiss Film School Day awards the prize for the best Swiss school film to Moïra Pitteloud for her Bachelor film "L'offre".

Industry discusses the future of short film

At the industry event "Producers' Day" on Friday, around 200 representatives of the national and international film industry, including Sirkka Moeller (Berlinale Talents), Alessandro Marcionni (Festival del Film di Locarno) and Katie Metcalfe (Sundance Film Festival), discussed emerging trends in short film financing and production, hybrid genres in short film and the new online audience under the title "Crossing the Border". The conclusion of Simon Koenig (Promotion Short Film at Swiss Films): "Various co-productions show that the borders between countries have long been permeable. The task now is to create structures that favor co-productions in the future. At festivals, on the web and on TV, we need to develop concepts that are beneficial to short film and allow for cross-fertilization rather than competition between these parallel worlds."

In addition to the Producers' Day, which is very well established in the industry, the Short Film Festival launched the "Writers' Room" this year, which focused on screenplay development and promotion. Swiss screenwriters, bloggers, columnists and up-and-coming authors met with filmmakers to exchange ideas in the form of speed dating. Remo Longhi, Commercial Director of the Short Film Festival, is delighted with the success of the Writers' Room: "We were able to welcome over 60 participants to the first edition. We have succeeded in creating a second industry day that ideally complements the Producers' Day." The Short Film Festival counted 17,000 admissions across all festival days, 500 more than the previous year.

The 19th Winterthur International Short Film Festival will take place from November 3 to 8, 2015.

ADCE: Nine times silver for Swiss agencies

The jury of the Art Directors Club of Europe awarded silver to nine entries from Swiss agencies. Jung von Matt/Limmat was delighted to receive the second-highest honor four times.

The internationally acclaimed and multiple award-winning work "Mannequins" for Pro Infirmis receives silver in the categories "Online Advertising" and "Ambient Media". On the Day of People with Disabilities, abnormal mannequins were in action in shop windows of five boutiques on Zurich's Bahnhofstrasse. The accompanying documentary film has now reached over 16 million views on Youtube.

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Jung von Matt received a silver award in the category "Any other" for the "Digital Newspaper Holder" of the Neue Zürcher Zeitung. LED circuit boards were built into classic wooden newspaper holders. The boards were programmed to receive RSS feeds via an infrared transmitter. Specifically, with news that was more up-to-date than the printed newspaper of the competition.

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A fourth silver was awarded by the jury of the Art Directors Club of Europe for the project "Put Tibet back on the Map" for the Tibetan Youth Association in the category "Websites".

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Leo Burnett is also pleased to receive two silver awards: With the Schwinger-Emmentaler in the packaging category...

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...and the Slow Food Pill Animals in the "Magazine & Trade Advertising" category.

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Wirz also convinced the jury with last year's Christmas campaign "No empty chairs at Christmas" for Ikea. The non-commercial platform arranged free places at Christmas parties for single people.

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JWT/Fabrikant was awarded silver in the category "Illustration and Photography" for the Unicef campaign "Disappeared Girls".

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And last but not least, Publicis also won silver with the "Innsured Loss Calendar" for Axa. The calendar depicts loss events by tearing off the leaves and shows the corresponding insurance.

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A gold award also goes to Switzerland. However, "only" on the client side and not on the agency side: Swisscom wins gold in the category "Promotions, New Media, Events" for the Samsung promotion. "All eyes on S4". The campaign was created by the Berlin agency Heimat. (hae)

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Award Category Title Customer Agency
Silver Ambient Media Mannequins Pro Infirmis Jung von Matt/Limmat
Silver Websites Put Tibet Back on the Map Tibetan Youth Association Jung von Matt/Limmat
Silver Online Advertising Mannequins Pro Infirmis Jung von Matt/Limmat
Silver Any other The Digital Newspaper Holder NZZ Jung von Matt/Limmat
Silver Illustration and Photography
 
Missing girls Unicef JWT/Factory
Silver Packaging Swiss Wrestling Emmental Emmentaler Switzerland Leo Burnett
Silver Magazine & Trade Advertising Animal Pills Slow Food Leo Burnett
Silver Illustration and Photography
 
The 2014 AXA Insured Loss Calendar
 
AXA Winterthur Publicis/Red Lion
Silver Websites No Empty Chairs at Christmas Ikea Wirz/BBDO

Hit it and skim it

"Shopping experience" par excellence: On October 25, 2014, MAS MMC students from HTW Chur turned unsuspecting passers-by at the Mythen Center Schwyz into rock stars.

Anyone who visited the Mythen Center on Saturday, October 25, 2014 was amazed. There was a drum kit in the middle of the Octagon with an arrow above it saying "Hit it". Eight visitors followed the invitation and sat down at the drum kit. Nobody expected what happened next: A wild glam rock band appeared out of nowhere and made the shopping center shake. The courage of the completely surprised participants was rewarded with a shopping voucher.

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The hybrid event was organized by the students of the MAS Multimedia Communication at HTW Chur. The students were given the task of organizing a hybrid event - what and where was left open. "The special thing about this event format is that the visitors are part of the action," says Olivia Spinatsch, student and communications manager for the project. And that is by no means the only highlight. "As the event is filmed and the video is then distributed via social media platforms, participants have the opportunity to watch, rate, comment on and share the event again and again." And hopefully this will also happen with the video produced by the students, which is now available on the Mythen Center's YouTube channel. "We are looking forward to lots of clicks, likes, shares and, of course, comments." An interesting side note: the song was composed and sung by a fellow student for the occasion. (hae/pd)

//www.youtube.com/watch?v=1NTSU0LjTvo

 

No green branch in the data desert

Data protection regulations stand in the way of the efficient use of big data in marketing. This is the third part of our series in the print edition on this major and polarizing marketing topic.

We have a suspicion: Is it possible that our expectations of marketing using big data cannot be fulfilled? Because there is simply too little data in our country compared to the USA, where most of the success stories that point the way here also come from? It is difficult to provide evidence for this conjecture because much is a matter of judgment and there is a lack of well-founded insights. Therefore, we rely on the following circumstantial evidence.

First, let's take a look at the USA, which lives up to its reputation as the land of opportunity in these matters. The Federal Trade Commission (FTC), which published a report on data brokers in May of this year after almost two years of investigations, provides good insights here. Nine selected companies (Acxiom, Corelogic, Datalogix, eBureau, ID Analytics, Intelius, PeekYou, Rapleaf and Recorded Future) were asked to answer an extensive list of questions. Most of these companies offer products for marketing, while others are active in the field of risk mitigation or tracing people. Because, unlike in Europe, legislation in this area is not based on a fundamental right, but comes into play when concrete damage has occurred, the handling of data is much freer.

For many companies, the obvious thing to do is to sell their data for as much profit as possible. In negotiations between business partners, it is also common to regulate the exchange of data. At the center of these activities is the complex and correspondingly confusing industry of data traders. Data is not only supplied to end users via several trading levels, but is also exchanged between these brokers. These brokers themselves collect data at all levels of government, such as bankruptcy information or voter registrations, and from commercial companies that provide data on consumer purchasing behavior, web behavior, warranty registrations and other data on everyday consumer behavior. More than half of the data brokers surveyed stated that they also analyze other publicly available information, such as telephone and other directories, newspaper articles and information that consumers publish on the Internet, such as on blogs and in social media.

It so happens that data brokers store billions of information elements, capturing virtually every American consumer. One of the new data brokers surveyed stored 1.4 billion pieces of information about business transactions with consumers, creating 700 billion aggregated data elements. Another data broker's database includes $1 trillion worth of transactions with consumers. And yet another data broker adds three billion new records to its database every month. So it's not surprising that one of these data brokers has 3000 data segments for just about every American consumer. The business of data brokers is not easy: a sophisticated technical infrastructure has to be operated, data not only has to be procured but also checked for quality and, if necessary, additionally processed and updated again and again. And then it is a matter of drawing the right conclusions from all these mountains of data by means of statistical analyses. Where "right" here means classifying consumers into more and better categories and achieving higher hit probabilities than the competition.

"Mobile Mixers" and "Married Fine Spirits"

Harmless is the assignment to consumer interests. For example, "dog owner," "winter sports enthusiast," or "responds to mail-order advertising. It becomes more critical when consumers are categorized by ethnicity or income: For example, low-income Latinos or African-Americans in particular are categorized as "urban mix" or "mobile mixer." Other tricky specifications concern, for example, the age of the consumers. "Rural undecayed" includes single men and women over age 66 who have low levels of education and wealth. Meanwhile, "married sophisticates" include childless upper-middle-class couples in their thirties. Other delicate categories involve aspects of health: "expecting parents," "interest in diabetes," and "attentiveness to cholesterol."

What makes European data protectionists' hair stand on end is the basis for good business for American data traders: data from the online and offline worlds are combined. This is done primarily using information that is entered when registering on websites, especially the users' postal address. The web users' browsers are then marked with a cookie so that they can be shown advertising content based on their offline activities as well.

Everyone squats on their own data

This American practice stands in stark contrast to the Swiss reality: in the survey conducted by Werbewoche on big data at large Swiss companies (cf. Advertising Week 19/2014 of 24.10.2014, p. 36f) always sounded the same when asked about the disclosure of data, including anonymized data. A typical example: "Swisscom complies with the legal requirements at all times and protects the privacy of its customers. In particular, Swisscom does not sell any personal data to third parties. Such a procedure is excluded by the Data Protection and Telecommunications Act and our GTCs. When processing location data, there are clear legal requirements in Art. 45b of the Telecommunications Act, which we naturally comply with. Commercial use of personal location data would therefore only be possible with the customer's consent." However, the telecommunications giant is also the only example in the survey that reported the passing on of anonymized information: "This is sold on the market - for example, anonymized average speeds and travel times on freeways as part of the 'Travel times' project for the Federal Roads Office (FEDRO). " The situation is different for the other companies inquired about, such as the two major distributors: "Coop does not pass on anonymized or highly aggregated data to third parties either." And: "We do not make any data available outside the Migros Group." The suspicion is confirmed: if no one passes on data, everyone is simply relying on their own data, which may be supplemented with generally available data on demographics, etc.

It becomes clear that if you can only evaluate your own data with Big Data analytics methods, you are, to a certain extent, sitting in a data desert and cannot swim in a data lake. Then, even with the most modern technology and the best personnel, you won't get anywhere, just as when broadly collected and diversely processed data can be used according to the American model. For example, a (fictitious) major retailer sees that customer Anita always shops at the same store, but never has any meat in her shopping cart. So Anita is addressed as a vegetarian and pointed to the latest vegi products. But Anita buys her meat needs from the butcher she trusts, especially since her big-box store doesn't have an open meat counter. If the wholesaler could (as in the USA) compare its data with the findings of the data brokers (where, for example, information from payment transactions is included), it would align its communication with Anita in such a way that she would also buy meat products from it in the future - instead of irritating her with grain picker information (and damaging its own brand in the process).

No sign of a data protection U-turn

In order to achieve better framework conditions for the use of big data in marketing, there needs to be a veritable about-face in data protection legislation and ultimately a Swiss go-it-alone approach to data protection. This will only succeed if there are industry-wide coordinated procedures to strengthen the public's trust in commercial data collection and thus pave the way for politics. However, there are no signs of such an initiative: In the Werbewoche survey, no agreement was found in response to the question of whether the requirements and restrictions of data protection are seen as an obstacle to the introduction and development of Big Data. Quite the opposite: "Swisscom does not consider the requirements and restrictions to be a hindrance, but rather necessary and sensible. Data protection must not be softened in order to preserve the privacy and associated freedoms of citizens."

Christoph J. Walther

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To the subscriptions

Image: Keystone
 

Metzgerlehner: Augmented Reality at Manor

The Manor Plus app, developed by Metzgerlehner and Takondi, uses augmented reality to transform the toy catalog into a whole new experience.

Even at the traditional department store Manor, sales have long since ceased to take place only on site. But e-commerce has also developed decisively with mobile devices, according to a press release. With them, customers can enter the buying process anytime and anywhere. Manor also makes this possible for customers - with an app extension of the classic Christmas toy catalog.

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Augmented reality technology offers new opportunities to supercharge real products with digital added value. This enables new forms of customer loyalty and brand differentiation. And it was precisely with this that metzgerlehner was able to convince Manor. The agency's idea: to turn this year's toy catalog into a new and unique experience using augmented reality technology - for children and adults alike.

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The 3D viewer brings the popular Christmas toy catalog to life with surprising animations and embeds many exciting videos. To simplify the ordering process of products for all moms and dads, goddesses and godmothers, grandmas and grandpas, the 3D viewer also links each catalog product to the corresponding page in the online store.

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In view of the fact that prices are regularly adjusted to the market situation, the 3D viewer offers another decisive advantage: the prices of the products in the catalog are automatically updated - which is particularly interesting for users in the event of price reductions.

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The Manor Plus app, developed by Metzgerlehner with technology partner Takondi, has been available free of charge in the app stores since the end of October and is now being continuously enhanced with new functions. Manor will thus be able to position itself as the most modern department store and most attractive toy retailer during the Christmas season.

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Manor Plus: Apple Store, Google Play Store

Responsible at Manor: Maja Hitz (Head of Communications), Daniel Münster (Project Manager Communications Hardgoods), Mirjam Göldi (Communications / Media - Hardgoods), Alessandro Venafro (Digital Content). Responsible at Metzgerlehner Worldwide Partners: Michael Rottmann Patrick Meyer, Janine Aebischer, Vasco Bickel (creation), Silvan Metzger, Karin Schweizer (consulting). Responsible at Takondi: Jonathan Werner (programming), Matthias Känzig (support).

 

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