Eyeloveyou: On Online Tour with EBL

Eyeloveyou is providing online support for telecom provider EBL’s roadshow. With an 8-bit browser game, a tour guide, and selfie voting, the journey through Switzerland becomes an interactive experience.

EBL (Genossenschaft Elektra Baselland) is going on a roadshow with its offer. Both online and offline, an orange VW bus is touring Switzerland under the motto "Hungry for surfers". Included in the luggage are fast Internet, cheap
Telephony and the best HD television.

About the microsite Ebl-on-tour.ch users can steer the bus through coastal roads in a specially created browser game with lovely 8-bit graphics. The aim is to avoid obstacles and collect as many points as possible. The background music specially composed for the game completes the arcade feeling.

But the microsite offers much more. For example, galleries with visitor photos and associated Facebook voting - because participants are asked to take selfies with a hungry shark during the roadshow on site and upload them straight away. The website also provides information on all the roadshow stops. And last but not least, there is a price calculator with which users can put together their desired subscription with EBL
can. 

The roadshow designed by Republica has already started - and so far it has been a great success, according to a press release on Friday. Over 1000 players have already taken part in the browser game challenge and the number is growing every day.

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Responsible at EBL: Lorenz Geissbühler (Marketing, overall project management), Lukas Reck (Online Marketing). Responsible at Eyeloveyou: Stevie Fiedler (creation, conception), Oliver Kirschbaum (consulting, conception), Christoph Merkt (creation), Gabriel Tenger (screen design), Michael Schär (text), arteria (programming web), Gbanga (programming game).

 

Last but not least: bucket trucks

There are far too many traffic fatalities in Brazil. Beverage coolers made from scrapped cars are intended to raise awareness.

According to Federal Office for Statistics 269 people lost their lives in road accidents in 2013. That is 269 too many deaths. Nevertheless, compared to other countries, this is a small number - even in relation to the population. The frontrunner is Brazil: around 48,000 people lost their lives in the South American country last year. Even with a population of 200 million, that is an incredibly high number. Of these, 5000 were in the state of Parana alone, with a population of around 10 million. Even more alarming: half of them were caused by the influence of alcohol.

To raise people's awareness and reduce the number of drunk driving fatalities, the Opus Multipla agency has developed a rather clever campaign on behalf of the Parana traffic department: In bars, guests were served drink coolers made from car sheet metal instead of the usual buckets. Sheet metal from cars that had been totaled in traffic accidents. The message: "The next bucket could be made from your car." (hae)
 

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Déformation professionelle - Professional diseases in advertising and marketing

Axel Eckstein, Executive Creative Director at Leo Burnett Switzerland, writes in *Werbewoche* about pathological elements in advertising and marketing. In the seventh installment: Probonosis (thrombosis facsimile).

Description

Probonosis is the term used to describe the clogging of the juries of creative competitions with works that were created without a client commission.

Origin

Today, Probonose mainly occurs in the environment of endurance creatives who use methods to increase performance. This has the effect that more creativity can be transported per award entry. At the same time, however, this makes the jury discussion more viscous, which encourages the formation of clots of anger. These become entrenched in the decision-making processes and, in extreme cases, lead to the collapse of entire categories.

Investigation

First, the judges examine the suspicious work and feel it. Feelings of tension in the text-image mechanics serve as a possible indication of probonosis, but are considered imprecise as they can also have other causes. Further clarification is provided by a show of hands. In contrast to the Mediaplan examination, this method is significantly less stressful for those affected.

Risk factors

The probability of a probonosis increases if several works submitted to the competition overly excite the central suspicion system. The main risks are unusually tidy layouts without coupons or spoilers, case films with agency employees and relative rather than absolute advertising impact figures such as "doubling the number of Facebook fans" (i.e. from 1 to 2).

Published so far:

Panic-progressive disorder (morbus pendulum)
Margin inflammation (gastritis profit)
Success strabismus (strabismus successus)
Gold fever (febre auri)
Platitourette (repetitio nausea)
Visual fetishism (stimulus best practice)
 

Nescafé remains Switzerland's most valuable brand

The customer-customer perspective wins

What do agencies’ target audiences think of their strategies for attracting new clients? What works well, and where can they improve? Heiko Burrack interviewed more than 40 marketing executives, agency heads, and industry experts and wrote a book.

The author provides an overview of his most important findings in Werbewoche and on Werbewoche.ch. A shortened version of the following text is printed in the print edition (the last six paragraphs are missing).

"Now you've shown us what you can do. Which of these are you particularly good at? What is actually your specialty?" Unfortunately, when a marketing decision-maker asks an agency this question, the person in charge often only receives an evasive answer or no meaningful answer at all. Many agencies are very good at advising their existing or potential clients when it comes to positioning issues. But if you want to improve your own, this becomes a Herculean task. This sums up the opinion of around 40 marketing decision-makers I spoke to. I wanted to know from them in general what agencies do well in new business and where they can improve.

To be fair, it has to be admitted that agencies have certainly made progress in terms of their own positioning in recent years: More and more are realizing that, especially as a small and medium-sized agency, it is not possible to present a "we-can-do-it-all approach" in a meaningful and credible way. Small structures in particular can no longer keep up with the latest knowledge in all communication disciplines. Even agencies that are only at home in the digital sector face massive challenges here. Even if they can no longer do everything, many service providers are still carrying around a remarkable vendor's tray. Even without the label of "integrated communication" or full service, it becomes difficult to name their core discipline. Yet every client wants to know what an agency is particularly good at. This is the only place where it can provide meaningful help and be deployed. Unfortunately, the positioning of being an all-rounder reduces credibility and leads to being sidelined. Even if there are always exceptions to the rule, specialization is winning more and more often.

Marketing managers are also critical when it comes to the initial contact between agencies and potential new customers, which is usually made by telephone. This is certainly seen as a useful tool for initial contact. However, agencies often make the mistake of letting call centers or junior colleagues pick up the phone. If a potential customer asks more detailed questions here, they usually only receive the response that they are welcome to discuss the answer in detail in a personal meeting with the agency's managing director. Of course, this is no way to achieve credibility, nor does it convey expertise. No marketing manager seriously expects the agency's managing director to make cold calls himself. You know that these employees also have other tasks to perform. But the colleague who makes the calls should be experienced. However, these are usually neither juniors nor call centers.

I also talked to the marketing decision-makers about the reasons why they sit down with an agency in the first place and how agencies argue here. For them, the question of why a marketing manager would spend an hour talking to them is not easy to answer. Their reaction is often to place too much emphasis on their own work; even later in a personal meeting, they primarily want to talk about themselves. This may be well-intentioned, but is of too little benefit to the potential customer. Such an approach does not set you apart from competing agencies, as the vast majority argue in exactly the same way. If you want to get an appointment today, you have to provide the contact person with an intangible benefit in return for this one hour of your time. And that doesn't consist of showing off how great your agency is.

Many have responded by looking at selected aspects of a potential new customer's communication from their own perspective. In a personal meeting, they want to present these findings in the form of feedback. There is clearly a benefit here and you have looked at the potential new customer's work in advance; this is a clear plus point. However, you have no briefing and no insights. So you don't know which of the proposed solutions can be implemented at all, which have not been liked in the past and which have not been successful. What could an alternative look like? It can be much more exciting to leave your perspective and talk to customers of the potential new customer. These people also have neither briefing nor insights. But their opinion should interest every marketing manager. And as a side effect, you get into a real dialog with the decision-maker and are perceived as an equal partner.

Let's take another look at the question of how presentations are made today. The decision-maker of a medium-sized BtB company asked the legitimate question as to why almost all agencies use PowerPoint or something similar. However, he was advised to differentiate himself from his competitors. "Why don't agencies use this opportunity in the presentation itself?" There is no general answer here, but it is worth thinking about. The good old overhead projector can perhaps only be used in selected cases. Courage is appreciated here and you will be remembered for a long time if you present "differently". Agencies should sometimes have the courage they demand from their clients.

If you are then invited to a pitch as an agency, you should take a very close look at whether it makes sense to take part. An important criterion here is how many agencies are taking part. Ideally, there should be a total of three service providers, but four is also an acceptable number. If there are more, participation must be viewed critically. If the agency is expected to surrender its copyrights at the beginning or even later, it is "time to say goodbye". Such behavior on the part of the potential new customer gives rise to the suspicion that they are just trying to get ideas quickly.

Whether a pitch fee is paid is less and less the central question, even if agencies often judge this differently. Although you often hear from service providers that they never pitch without financial compensation, in real life you often find different behavior. As is well known, such a fee should only cover part of the costs or be a recognition of the service. If the overall package is right, you should think about taking part. It is also interesting to note from the marketing side that few agencies ask for a fee if they are not offered one.

You also need to know who is organizing and carrying out the pitch. An example: The marketing manager receives an order from the managing director to put out a pitch. However, he has a rough idea of his boss's expectations. The briefing is exactly the same. During the presentation, it turns out that marketing has sent the agency in the wrong direction and the managing director actually wanted something completely different. Problems like this arise particularly with projects where it is very easy to misunderstand each other. Design tasks come to mind. Here, the agency can only know what is wanted if it talks to the final decision-maker. This is not feasible for international projects in particular, if the decision-maker is based in the USA or Asia. However, if it is a national job and the managing director consistently delegates to marketing and is therefore not available for such discussions, the question of the quality of the pitch arises again.

The briefing itself can also be a stumbling block. Customers often do not have a precise idea of what the solution to a problem should look like. In times of many new communication options, such cases will increase. But a pitch with a half-baked briefing is not the right way to go. As an agency, you should always encourage people in such situations to think about other ways of solving the problem. Workshops or clarifying discussions can be one such option.

Only a few criteria could be listed here to help you decide whether to take part in a pitch; a checklist must be individual. Today, everyone should have such a document available. Too much gut feeling makes little sense and does not lead to the necessary decision-making certainty.

matching

About the Author:

Heiko Burrack (born 1967) successfully completed his business studies with a focus on marketing at the Georg-August University in Göttingen in May 1995. The business graduate then worked in customer consulting for various agencies. In 2003, he founded Burrack NB-Advice. NB-Advice advises agencies and companies that have their core service in the marketing sector on the strategic and operational acquisition of new customers. Burrack.de

In addition to this work, Heiko Burrack is also a speaker, trainer and coach. He publishes regularly in various trade journals and is the author of the books "Vom Pitch zum Award" (with Ralf Nöcker), published in May 2008 by FAZ-Verlag (Frankfurt), "Erfolgreiches New Business für Werbeagenturen" (September 2009) and "Die Werbepropheten und ihre dröhnenden Lautsprecher" (February 2012); both books were published by BusinessVillage (Göttingen). In June 2014, his latest book "Matching" was published by New Business-Verlag in Hamburg.

 

Zalando: Cara Delevingne and Rapperswil

Werbewoche.ch exclusively presents the Swiss preview of the new Zalando campaign «Topshop at Zalando,» in which supermodel Cara Delevingne grapples with the place names Rapperswil and Neuchâtel («New Shuttle»).

Whether Rapperswil, Neuchâtel or Schaffhausen, Zalando brings Topshop to even the most remote corners. Topshop is an international fashion brand and has been a brand partner of Zalando since 2014. The cooperation has now been expanded. The joint TV campaign features Cara Delevingue, the face of Topshop. The campaign was shot by Gordon von Steiner, with styling by Kate Phelan, Creative Director at Topshop.

https://www.youtube.com/watch?v=z2hGrqgtjY0

"Cara is confident about her style, which can be both playful and sophisticated. Her free-spirited nature makes it easy for her to mix a casual look with chic," says Kate Phelon, Creative Director Topshot. A real tongue twister: it's not so easy for the supermodel to pronounce all the city names Zalando delivers to. So several clips were created for the various European countries, as well as a joint version for all of Europe, edited as a music video. An additional insight into the production is provided by the Behind The Scenes footage.

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"For Zalando and its 15 million active customers in Europe, Topshop is an inspiring brand partner at the forefront of fashion. The joint campaign has an innovative and bold approach that fits very well with Zalando's development," said Carsten Henrich, VP Brand Marketing Zalando. The Topshop at Zalando campaign follows on from the recently launched "Are You Ready?" campaign. Both clips were directed by Gordon von Steiner, and both take place in an abstract white box that symbolizes Zalando's packages. The campaign launches on April 19, 2015, on TV, in print media, online and on billboards, as well as on Zalando's social media channels. (hae/pd)

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Campaign Credits

Art Direction: Zalando
Creative Director: Chang Lin (Zalando)
Concept Creation: Kemmler + Kemmler, Zalando Film Director: Gordon von Steiner
D.O.P: Tami Reiker
Music: Bernard Geiger
Set Design: Daniel Graff
Styling: Kate Phelan (TOPSHOP)
Executive Producer: Stefan Schuh
Post Production: Slaughterhouse
Photographer Stills: Kai Z Feng

Alpha 245: Annual report as a retro game

Goldbach's annual report has been available in electronic format for years. For 2014, Alpha 245 took a look back at the Goldbach Group and packaged all the facts and figures into a very special kind of retro game.

Together with the pixel protagonist aka CEO Michi Frank, you go through three levels, master the tasks in everyday business and finally end up in the future.

Responsible at Goldbach Group: Germaine Müller (Head of Events & Investor Relations). Responsible at Alpha 245: Patrick Bucher (Text), Kathia Le Bescont (Art Direction), Patrick Senn, Patrick Beeli (Creative Direction), Andrea Staub (Consulting), Erasmo Palomba (Art Buying), Pam Hügli, Diana Wick (Overall Responsibility); Vaudeville Studio (Realization)

 

Kreienbühl and Vogler: On tour with Flyer

As a Swiss e-bike pioneer, Flyer has been manufacturing high-quality e-bikes in the heart of Switzerland since 1995. This year, the product line was expanded to include e-mountain bikes for the first time. The Kreienbühl and Vogler advertising agency developed a campaign for the launch.

The three campaign subjects show that you can also make easy progress on steep, rough terrain. In a typical GPS look, they show rather atypical tours. The campaign, consisting of advertisements, posters and banners, can now be seen in Switzerland and Germany.

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On the e-mountainbike microsite Flyer-emtb.com will also launch the "Flyer Challenge", in which riders can upload their summit tour photos to win an e-mountainbike.

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On the social media channels Facebook.com/flyer.emtb the Flyer "Uproc6" has taken over the feed itself. There, the e-bike reports on news from a first-person perspective, presents product innovations and even conducts interviews with product designers.

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Responsible at Biketec: Simon Lehmann (CEO), Ivica Durdevic (CTO/CMO), Stefan Braunschweiler (Head of Brand Management), Andrea Schmid (Brand Marketing), Nicole Antonietti (Brand Marketing), Gino Brenni (Online Marketing Manager). Responsible at Kreienbühl and Vogler advertising agency: Reto Vogler, Oli Kreienbühl, Marco Donada, Fabian Schiltknecht. Image editing: Lorenz Wahl.

Renzen: Spring event for nature and motorcycle fans

Full speed ahead into spring! This is the motto under which the Aarau-based communications agency Renzen is promoting the spring event on April 25, 2015 at the Spross Gartenforum in Binz, Canton Zurich.

At the event, garden lovers get their money's worth just as much as motorcycle and barbecue fans. On the one hand, they can be inspired by the latest Spross garden visions and, on the other, admire or test the choppers and "ovens" from Harley-Davidson and BMW. The key visual creatively combines the two worlds of nature and motorsport. In addition to spring air and the smell of gasoline, the Grill & Chill also provides for physical well-being in a relaxed atmosphere.

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The spring event is the beginning of a whole series of planned events that will be held during the year in cooperation with Renzen.

Responsible at Spross Ga-La-Ba, Zurich: Natalie Spross Döbeli (CEO). Responsible at Renzen Communications, Aarau: Marc Tabeling (Head of Consulting and Events); Achim Kaufmann (AD).
 

With advertising city found place at the ISW

The Winterthur International School (ISW) is expanding its International Baccalaureate program. Werbestadt’s spring campaign is aimed at young people who are still looking for the best option for late summer.

Those returning after a stay abroad, for example, can join in August without taking an entrance exam. Werbestadt developed the lead sujet as well as communication tools and took over the media planning. The campaign's target group is young people and their parents who have been racking their brains over the past few weeks about what to do next in the summer. The message "Now I've found my place" takes the worry about short-term future planning and presents a suitable solution. The staged lion enjoys his advantageous place and looks relaxed into the distance, where his study path could continue one day. Those who feel spontaneously addressed will find out on the landing page Myplace.ch more. Among other things, a detailed flyer is available for download there.

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Third Winterthur Lion

Winterthur already has two lions in its city emblem, and now the two are joined by a third animal. It is currently strolling on the large diameter lines of the bus companies and visibly announces its happy news. In addition to the traffic boards on the St. Gallen and Winterthur city buses, the campaign will also be present in the coming weeks on the "Thurbo" commuter trains in eastern Switzerland and at selected poster sites in the city of Winterthur. On the one hand, it wants to draw attention to the possibility of the international baccalaureate and, on the other hand, invite interested parties to the two orientation evenings.

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Responsible at advertising city: Nicolas Kesper (conceptual designer/copywriter); Eva Kesper-Wegelin (art director).
 

Stories finds "The One" for Triumph

The Zurich-based film production company Stories is creating the first animated campaign spot for a lingerie brand—Triumph—and plays on the similarities between Prince Charming and the perfect bra.

From mid-April to mid-May, a Swiss-produced commercial will be running on German, English and Italian television screens: with the concept of a mix of real and animated characters - unprecedented in the industry - Stories beat off international competitors and secured the direct commission from underwear label Triumph. The commercial is part of the international Find the One campaign with US model Hannah Ferguson.

Hardly any woman finds "the right one" straight away, and numerous rivets usually have to be weeded out before the perfect match can be found. However, the new commercial for underwear brand Triumph is not about Mr. Right, but about the perfect bra. The story of the successful search was staged by Zürcher Stories.

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Notice: You can find a detailed interview with Tobias Fueter about princesses, animation, perfectly fitting bras, street dogs and emotional storytelling in the current print edition of Werbewoche (number 7 from April 17, 2015) - in your mailbox on Friday.

Director Tobias Fueter sends an animated version of campaign model Hannah Ferguson and her fictional friends on a search for the perfect companion, deliberately citing typical fairytale elements. The magical moment of resolution is marked by the transformation of the drawn Hannah into her real-life alter ego.

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"Why animation? Because animated characters offer great potential for identification and are proven to be extremely popular with the female target group and their daughters. In addition, this type of realization allows us to create an idealized world, as expected in advertising - but without appearing artificial," says Fueter about his decision to use drawn protagonists. "The mix of animated and real characters, the thematic play with lingerie and Prince Charming builds an elegant bridge between the classic Triumph logo, which has stood for perfect craftsmanship for over a hundred years, and a brand that wants to appeal to today's modern female audience with the new, emotionally narrated campaign," the film professional continues about the project, which he realized in collaboration with co-director Mike Huber.

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The central element of the commercial, which will be shown worldwide as an online version, is the music: Stories hired none other than the renowned Broadway composer and three-time Tony Award winner Jason Robert Brown. He was joined by the Prague Film Philharmonic Orchestra, which is regularly booked by international artists and star directors. For the animation, Stories worked together with the experts from Boutiq Zurich and ChezEddy Paris.

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Last but not least, Fueter and his team also promoted a good cause during the live shoot: the little four-legged friend at model Hannah Ferguson's side is by no means an overbred pedigree dog. The mongrel is a former street dog that was adopted by the Citydogs4Streetdogs was adopted from Romania to Switzerland - and is now making a statement for the placement of homeless animals in the globally shown commercial. Find out how the street dog ended up in the commercial for an audience of millions and who should have taken his place in the interview in the 7/15 print edition.

IAB Switzerland: David Burst new president

At the IAB Switzerland General Meeting on April 16, the entire Executive Board was granted discharge. The position of president was also up for election. In accordance with the IAB’s reorganization, this position is filled annually on a rotational basis by a representative of the Presidium.

The Executive Committee, in turn, consists of one representative each from the publisher, client and agency sides, as well as the Managing Director and his deputy. David Burst, Media Project Manager and digital mastermind at the Federation of Migros Cooperatives, is the first representative from the client side to head the IAB Switzerland.

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This is a clear commitment by the IAB to be an association for the interests of the entire digital advertising industry. The previous President, Stephan Obwegeser, is stepping down from the IAB Board due to his upcoming move from Tamedia to Schober. He will continue to serve the IAB as a member and advisor. The new organization had proven its worth in 2014: The association looks back on numerous events, publications and stable finances. The "Digital Marketing Award" and the "Digital Marketing Summit" attracted over 500 guests to Kaufleuten and confirmed their status as a central industry event.

Focus topics 2015

In 2015, IAB Switzerland intends to focus its work in the individual committees on three core topics: Self-Marketing, Complexity Reduction and Market Transparency. The publication of guides, glossaries and cases is intended to improve the perception of the IAB and the digital advertising market. Especially in the areas of standards and research, less complexity and more market transparency are to be ensured. In addition to the existing expert groups (customers, agencies, publishers), departments (marketing, research, legal, standards, training) and focus groups (performance, mobile, programmatic advertising, moving image, social media), the technology focus group was launched. The aim of this group is to be an exchange forum for digital tekkies and to explain complex technical processes simply in the area of training and communication.

Successful IAB Academy

After the successful launch of the diploma course "Digital Marketing for Beginners" in 2012, the concept was continued as IAB Academy in 2014 and the new course "IAB Diploma Course Digital Marketing - Advanced Course" was introduced. In a total of eleven courses, more than 140 participants were trained and further educated - a consistently positive result for the IAB Academy. Therefore, there will continue to be a comprehensive and cost-effective basic training that reaches a broad target group and helps to develop the market. In order to meet the need for a more in-depth examination, the IAB Academy expanded the program of diploma courses in 2014. Thus, in addition to the diploma course "Digital Marketing - Basic Course" and the diploma course "Digital Marketing - Advanced Course", there is the "Digital Marketing Breakfast for Executives" and the "Intensive Search Engine Marketing Course".

IAB Switzerland with national and international appearances

This year, IAB Switzerland presented itself with a booth at the Swiss Online Marketing Fair (SOM) in Zurich. From June 30 to July 2, 2015, the "Werbeplanung.at Summit" will again take place at the Hofburg in Vienna, where IAB Switzerland will again be prominently represented as a partner with speakers. In September, visitors to the "Digital Marketing Exposition & Conference" (dmexco) in Cologne can look forward to a country pavilion: for the first time, Switzerland will be hosting its own 120 square meter stand. The Oscars of the digital advertising industry will be awarded this year at the "Digital Marketing Award" on November 19, 2015 at Kaufleuten. In addition, the "Digital Marketing Summit" will also take place again.
 

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