Swiss like to game

A new study proves it: The Swiss are avid gamers. As the Goldbach Media company Game Mediarep announced on Wednesday, one in five people in Switzerland devote themselves to electronic games.

 A new study proves it: The Swiss are avid gamers. As the Goldbach Media company Game Mediarep announced on Wednesday, one in five people in Switzerland devote themselves to electronic games. A special survey of 1061 people commissioned by Mediarep revealed that games are particularly popular among 15-24-year-old men. The proportion there is 58 percent. However, almost one in three people in the 25-40 age group are also represented in the gaming community. "The figures show that Switzerland still has potential compared to the USA or Germany. Nevertheless, the figures are already highly encouraging," said Camille Zimmermann, Business Development Manager at Game Mediarep, who deals with the placement of advertising in electronic games. The study is to be repeated next year.

Partial victory for TSR against M6

The French-speaking Swiss television station TSR has won a partial victory in the dispute over the Swiss advertising window of its French competitor M6. The Federal Supreme Court has obliged the Fribourg judiciary to reassess the matter.

 The French-speaking Swiss television station TSR has won a partial victory in the dispute over the Swiss advertising window of its French competitor M6. The Federal Court has ordered the Fribourg judiciary to reassess the matter. The M6 channel has been broadcasting two signals in parts of French-speaking Switzerland since fall 2001. The second signal broadcasts the Swiss advertising windows. In TSR's view, M6 is engaging in unfair competition with these advertising blocks aimed at the Swiss market.
The SRG broadcaster also argues that M6 is leveraging the exclusive broadcasting rights acquired from TSR for various films and series. Last January, the Fribourg cantonal court ruled against TSR and stated that French-speaking Swiss television must turn to the sellers of the broadcasting rights (see
). The Federal Supreme Court only partially upheld TSR's appeal against this decision and referred the matter back to the Fribourg Cantonal Court for a reassessment. As only a draft of the decision is available, it remains unclear for the time being on which points TSR has been vindicated.

Old "new photography" from Italy

Exhibitions The Fotomuseum Winterthur is dedicating an exhibition to the «NeoRealismo» photography movement that emerged in the 1930s. On display are approximately 230 images by 75 photographers, along with film clips, film stills, and newspaper articles.

 
Exhibitions "NeoRealismo - The New Photography in Italy 1932 - 1960" is the title of a recently opened exhibition at the Fotomuseum Winterthur. For the first time, it presents and discusses the photography that emerged parallel to the central Italian film period with Rossellini, De Sica, Visconti, Antonioni and the early Fellini. Around 230 images by 75 photographers are on display, together with film clips, film stills and newspaper articles. The exhibition runs until November 18. 

Modus - an extraordinary magazine

"Modus" is the name of the newly launched customer magazine from the two sister companies Härterei Gerster AG and Gerster Technologie AG in Egerkingen. The corporate publishing agency Brandl & Schärer AG in Olten was responsible for the concept.

 
Modus. is the name of the newly launched customer and employee magazine of the two sister companies Härterei Gerster AG and Gerster Technologie AG in Egerkingen. The corporate publishing agency Brandl & Schärer AG in Olten was responsible for the editorial and design concept as well as the editorial implementation, photography and production. 36 pages of the magazine highlight the topic of "consulting" in connection with the services of the "technical heat treatment" sector, partly with customer portraits. However, it does not stop at a visit to a monastery or a police security consultant, for example. The magazine, which has a rather unusual layout for the industry, is published twice a year.

Luxurious climate protection?

Wohnqualität +söhne Werbung designs a microsite for Ikea on the subject of sustainability and energy saving. The community concept and the visible results are intended to encourage participation.

 
Wohnqualität +söhne Werbung designs a microsite for Ikea on the subject of sustainability and energy saving. 
"Do good and talk about it - but in the right way," say the young creatives at the Winterthur agency +söhne Werbung. With this in mind, they have designed an interactive microsite on the subject of saving energy for their client Ikea. It has been online since mid-August. Here, customers can calculate their personal savings potential and call up further information on energy-saving light bulbs, for example.Climate change is a major and topical issue in society's perception. Companies are increasingly expected to act in a socially, ecologically and economically responsible manner - the buzzword here is corporate social responsibility (CSR). As the critical public is increasingly willing to sanction a lack of commitment or wrongdoing on the part of companies, it is becoming more and more important to become active in this area.
A delicate balancing act "Anyone who distinguishes themselves through a sense of responsibility in the social or ecological field can and should make this known. However, it is important how the commitment is communicated - because effective CSR communication must be balanced and designed taking into account the possible risks. Otherwise, genuine efforts can quickly be interpreted as window-dressing or even a PR stunt," the sons are convinced. An independent partner, for example a non-governmental organization (NGO), can credibly support the efforts - which is illustrated on the new website with the cooperation between the WWF and Ikea.
By joining the WWF Climate Group in 2006, Ikea credibly underpinned its plans - because, among other things, the furniture store committed itself to significantly reducing its CO2 emissions. True to the company's motto "The most ecological form of energy is that which is saved in the first place", Ikea has now given the Winterthur agency free rein to do justice to this claim on the www.energiesparen.ikea.ch website.
The "True Luxury" campaign dispels the notion that ecological action is expensive and only reserved for the rich. The Winterthur-based advertising agency implemented the idea visually with burning light bulbs that are arranged in a row like a string of pearls. Against this backdrop, customers can interactively find out about energy issues and calculate their personal savings potential. They also have the option of receiving a personalized shopping list with their results.
Energy saving as a national sportThe topic of energy saving is also an important element in Ikea's current catalog: it contains a voucher for three energy-saving light bulbs on the first page - and was delivered to 2.2 million households. On the website developed by +söhne Werbung, an interactive map of Switzerland shows in which canton how many lamps have already been collected and how much electricity and CO2 Switzerland is saving as a result. The agency wants to encourage as many people as possible to participate through the underlying community concept and the visible results. Using just 10 percent of the vouchers could save around 19,000 tons of the greenhouse gas CO2 per year - equivalent to the amount produced by 8260 cars per year. The country manager of Ikea Switzerland, Christer Granstrand, therefore hopes that as many people as possible will take part in the campaign.
+söhne Werbung has already distinguished itself in the past through campaigns with NGOs such as Greenpeace in the area of CSR and is now once again demonstrating its expertise in this area with the microsite for Ikea. However, they apply this not only to customers, but also to themselves and have their office in an environmentally friendly Minergie building. According to the MyClimate certificate, they have been CO2-neutral since 2007 and also actively save energy themselves "and use public transport", as AD Tobias Weber and CD Florian Ingold reveal.
Andreas Panzeri
 
 
 
Ikea and the environmentThe furniture store from Sweden has always tried to make more out of less. This also includes the economical and responsible use of resources. Cost awareness and efficient use of resources mean that Ikea uses fewer raw materials, produces less waste and generates fewer emissions. Many Ikea products are made of wood. From an environmental point of view, wood is an excellent material as it is renewable, recyclable and biodegradable.

Federal government wants to plug information leak

The federal government is responding to recent information leaks. After confidential information from police investigations repeatedly surfaced in various media outlets, the Federal Police Office has now filed a criminal complaint against persons unknown.

 The Confederation is reacting to the recent information leaks (see ). After confidential information from police investigations repeatedly appeared in various media, the Federal Office of Police has now filed a criminal complaint against unknown persons with the Office of the Attorney General of Switzerland. As the criminal complaint is most likely directed against federal employees, the proceedings cannot be conducted by the Office of the Attorney General of Switzerland. The Federal Council has therefore appointed Pierre Cornu from Neuchâtel as an extraordinary public prosecutor. Cornu is the Procurator General of the Canton of Neuchâtel and will also lead proceedings for the Confederation in relation to forgery of documents.

The Basler Zeitung is set to take off

Daily newspaper, weekend supplement, free newspaper, combined subscription with the SonntagsZeitung: The Basler Zeitung has awakened from its slumber.

 
Daily newspaper, weekend supplement, free newspaper, combined subscription with the SonntagsZeitung: The Basler Zeitung has awakened from its slumber. 
In Basel, there is light at the end of the tunnel once again for the publishing industry. Previously, Basler Medien, the publisher of the *Basler Zeitung* (BaZ), had exercised strategic restraint for an extended period. The industry attributed this hesitation to the aftermath of Basler Medien’s expansion into Zurich—a move that was bold from a journalistic standpoint but financially disastrous—which ended in 2001 with the sale of Jean Frey Verlag. “Never again beyond the Jura Mountains” became the motto from then on. When Mathis Lüdin, publisher of the Basellandschaftliche Zeitung (bz), announced a year ago this spring that he wanted to cooperate with the Mittelland Zeitung, owned by AZ publisher Peter Wanner, rather than with the BaZ, another low point was reached in the “Knee of the Rhine” region. There, the bz was considered the BaZ’s natural partner, and it was believed that it was merely a matter of time before cooperation between city and countryside would, so to speak, develop naturally on the journalistic level.
Lüdin had unexpectedly thwarted the plans of the Basel-based Monopolblatt. The two publishers also crossed swords. Since then, relations between Basel and Liestal have been on hold for an indefinite period. As a result, all of AZ publisher Wanner’s hints that the BaZ might also cooperate with the Mittelland Zeitung went unanswered. The deal between Lüdin and Wanner completely ruled out the Aargau-based publisher as a potential partner for Basel.
After the shock, they took a hard look at the books. Last summer, the publishing house significantly expanded its regional coverage with an enlarged local newsroom and a state-federal desk, set up an independent advertising sales office in Liestal, and further expanded its reach with a weekly high-circulation edition of the BaZ (90,000 copies).
Things have been moving at a rapid pace since this summer break: Starting September 15, the Saturday edition will include an additional insert (see box). At the end of August, plans were announced for the launch of a free newspaper and a new online platform for the BaZ, Berner Zeitung, and Tages-Anzeiger in collaboration with Tamedia. The latest bad news from the Basler Zeitung is the partnership between the BaZ and the SonntagsZeitung in the subscription and reader market. Starting in September, both papers will be available as a combined package at a special price. This is the publisher’s response to growing competition, currently from the Mittelland Zeitung’s new Sunday edition. Together with the Tages-Anzeiger magazine, which has been included with the BaZ since January 2005, the BaZ offers its readers a veritable barrage of Sunday reading material.
It seems they have found the ideal partner in Tamedia to hold their own in the free newspaper market as well as online. In Basel, they are eagerly denying rumors circulating there about a possible stake by the Zurich-based company in the Basel media outlets. And BaZ publisher Matthias Hagemann emphasizes the company’s independence at every opportunity. In any case, his paper is back on track.
René Worni
A Bountiful Sunday of Reading at the «Knee of the Rhine» The Basel Media Group took its time responding to the changes in the Sunday market. Publisher Matthias Hagemann believed that launching a separate Sunday edition under the BaZ banner was feasible, but only at a loss. Based on reader surveys, the decision was made to expand the Saturday edition. One day before the Mittelland Zeitung’s Sunday edition, the BaZ will be published for the first time with an additional sixth section titled “Wochenende.”.
More than half of the BaZ's readership
are female readers. For project manager Markus Jörin, this makes it clear that «we want to focus more on a female audience.» The average eight-to-twelve-page issue is all about living together. The topics revolve around relationships, parenting, leisure, and trends. Jörin says the expansion isn’t a huge deal. It’s still possible to launch a Sunday newspaper, but they don’t want to “force” the readers, as happened with the Mittelland Zeitung, where the subscription price was raised accordingly later on. Jörin knows his opponents
He’s doing very well in the Sunday newspaper business, but expects the publishing houses involved to coexist without any problems. Before taking his job at the BaZ as head of reader marketing, he served on the Mittelland Zeitung’s executive committee for four years. It remains to be seen whether the concentrated dose of Sunday reading (the BaZ weekend supplement, the SonntagsZeitung as part of a combined subscription, and Das Magazin) will attract many new readers in Basel. With combined subscriptions, Tamedia
As a new Espace owner, she is currently living in Solothurn, where she has a subscription to the *Solothurner Tagblatt* and the *SoZ* at a discount of about 80 percent for 100 francs. Apparently, this wasn’t enough to create a sensation among readers, as those in charge plan to decide by the end of September whether to continue the offer. (rw)

No more down feathers!

Column: How can unsuspecting advertisers protect themselves from fly-by-night TV production companies? The warning ad is airing on Tele Züri.

 
Column: How can unsuspecting advertisers protect themselves from cheap TV production companies? The cautionary ad is airing on Tele Züri. «Hello—my name is Fischer from the Fischer Bedding Factory in Wädenswil.» That’s how a TV commercial in a class of its own begins. Unfortunately, we’re not in the A-class here, but rather somewhere between D and Z. In 30 seconds, we see a company profile that makes some viewers turn away in embarrassment and head for the fridge instead. You can practically feel the company boss’s awkwardness. On the other hand, we think we can sense his nervousness. Because Mr. Fischer exudes that typical «Hooray—I’m on TV!» vibe. When you run into advertisers and PR people, a unanimous «terrible» or «embarrassing» echoes through the room. We never want to see commercials like this again. A small budget doesn’t mean they have to be uninspired. This production does have one advantage, though: People remember it particularly well—because the commercial is annoying. The downside: What’s annoying gets avoided. On TV, these expensive advertising seconds are a clear reason to change the channel.
So what do viewers expect? A good commercial should be surprising and engaging. It should be informative and entertaining—and perhaps even elicit a laugh from the viewer (and potential customer). If the commercial is intended to be deliberately annoying, producers would do well to look to the UK or Scandinavia. There, great commercials are aired daily that are either unbeatable in their wickedness or have viewers rolling on the floor laughing.
But how do you protect an unsuspecting customer from an amateurish producer? For example, by having the broadcaster take direct charge of the commercial’s production. Or, if the broadcaster is considering outsourcing, the production company would need to be thoroughly vetted beforehand. The writing of the advertising message should also be left to professionals. In the case of poor Mr. Fischer, did the copywriter either have a really bad day, or did Mr. Fischer write the copy himself? «You can watch firsthand how feathers from dead animals are used for your new duvet.» «Feathers from dead animals»?? Help! Alarm bells ringing in the copywriter’s head! Someone was trying to cut corners a little too much. The point was actually to convey to viewers that the company doesn’t pluck geese while they’re still alive to get those fluffy feathers.
By the way: If any advertising agency wants to take on this Fischer company, please don’t forget about the website. It shows why this commercial turned out the way it did. Once again, they cut corners in the wrong place. I’d recommend that Tele Züri stop embarrassing poor Mr. Fischer and shoot a new commercial for him at no cost. After all, this one has been airing for several months now. So Mr. Fischer seems to be a good advertising client.
This is just one example. You can find low-budget commercials like this on all regional stations. It gets even worse when the client’s wife does the voice-over for the commercial. As a professional, I’m sure you can think of one or two examples right now.
Just like in Hollywood movies, a column should end on a positive note. So here’s another good example of «budget TV commercials»: Kenny’s Autocenter. The entrepreneur has a fair amount of acting talent, sells beautiful cars, and has spared no expense on the store’s design. He also appears in the commercial himself, but comes across as more professional right away.
My tip for all retro commercial fans: www.tesa.de. There, you can see how creative commercials were made on a shoestring budget.
 
Karin Müller runs her own communications firm in Zurich.

pfister.ch's website has been «revamped»

CRM To mark its 125th anniversary, Swiss furniture retailer Pfister is launching a new website. In conjunction with its existing CRM system, Pfister hopes to increase the efficiency of its stores and marketing activities.

 
CRM To mark the 125th anniversary of the Swiss furniture retailer Pfister, the website and online store www.pfister.ch were redesigned and revamped. Zurich-based Unic Internet Solutions overhauled the platform in just three months. The biggest challenge was that Pfister’s email marketing had to be expanded and integrated into the existing CRM system at the same time. The various living spaces form the centerpiece of the website. Customers can view furniture and check availability at stores. «With this comprehensive solution from Unic, we’re leveraging the potential of our online presence and increasing the efficiency of our stores and marketing activities,» said Christine Roth, Head of Communications at Pfister in Suhr, commenting on the relaunch.

The impact of sponsorship is becoming easier to measure

It should be easier in the future to determine just how effective event advertising really is. The Information Association for the Measurement of Advertising Media Reach (IVW) provided details on its newly introduced audit on Wednesday in Berlin.

 It should be easier in the future to determine just how effective event advertising really is. The Information Association for the Measurement of Advertising Media Reach (IVW), together with the Professional Association for Sponsorship (FASPO), provided information on Wednesday in Berlin about its newly introduced audit. To obtain reliable baseline data on advertising media for potential advertisers, organizers of sports and cultural events can now have the audit association verify the number and composition of verifiably distributed tickets, as well as the total number of visitors recorded through a qualified audit process. The IVW audit is intended to provide planning and decision-making support and to enable comparability.

MediaSense isn't out of the woods yet

Advertising Market It remains to be seen whether the Competition Commission will initiate proceedings against SRG's advertising agency Publisuisse or its newly established radio advertising subsidiary, Mediasense.

 
Advertising Market: It remains unclear whether the Competition Commission will open proceedings against SRG’s advertising agency Publisuisse or its newly established radio advertising subsidiary MediaSense. «We are looking into the matter. This may take a few more weeks,» writes Weko spokesperson Patrik Ducrey. One thing is certain: Following a complaint against Publisuisse and MediaSense, Weko is investigating «possible abuses of a dominant market position.»The possible reason for the complaint: Since July 1, 2007, MediaSense has been marketing the Swiss Radio Pool (SRP)—15 mostly large publisher-owned radio stations with a total reach of around 2 million listeners. Although MediaSense—which is 51 percent owned by Publisuisse and 49 percent by the SRP radio stations—does not have an exclusive lease, it stipulated that the SRP can now only be booked via the SRG tool Publiplan—for which Publisuisse charges a fee in each case. Was this really the bone of contention? There likely isn’t anything wrong with the corporate structure itself; the Weko Secretariat had already approved it back in April. (mk)

Le Matin in a Standoff

The daily newspaper *Le Matin* must set itself apart from its own free clone, *Le Matin Bleu*, to prevent its readership from declining further.

 
The daily newspaper *Le Matin* must set itself apart from its own free clone, *Le Matin Bleu*, to prevent its readership from declining further. 
«Le Matin needs to become more like a magazine and clearly distinguish itself from free and regional newspapers in terms of both content and design,» says Peter Rothenbühler, editor-in-chief of the daily newspaper Le Matin. More in-depth coverage is the new magic word. «The format is not up for debate,» he emphasizes, because his beloved tabloid format is not to blame for the fact that the paper has lost 20,000 of its well over 300,000 readers and is now laying off six journalists to cut costs. Le Matin had been on the road to success with the new format—’a meteoric rise since 2002, gaining around 20,000 new readers per year’—until the free newspapers arrived. The task now is to position *Le Matin orange* in such a way that readers are willing to pay two francs for the journalistic value added by the paid newspaper.
The Magic Formula Has Failed. This admission is significant. Until now, Edipresse has vociferously insisted that the publisher had found the magic formula: Having one paid and one free newspaper—Le Matin and Le Matin Bleu—under the same brand umbrella would prevent advertising clients from defecting to the competition, namely Tamedia’s free paper, 20 minutes. For this reason, Edipresse launched Le Matin Bleu, even at the risk of cannibalizing the tabloid Le Matin and, by extension, its own regional newspapers.
24 heures in Lausanne and the Tribune de Genève have already implemented their cost-cutting measures; now it’s Le Matin’s turn to foot the bill for competition from free newspapers. The editorial staff is being cut from 87 to 81 journalists; one of the deputy editors-in-chief must leave and will be replaced by two new editors from the Sunday edition’s editorial staff. Cuts are being made across the board; even seasoned and experienced journalists have been laid off—a real bloodletting, according to the shocked editorial staff. However, the staff is taking the measures announced at the end of August with a touch of relief: According to an insider, the real disaster scenario would have been a merger between Le Matin and Le Matin Bleu.
Suspicions that a merger of the two newspapers might be in the works had been reinforced by the Matin’s recently modernized layout: With shorter articles, a simpler layout, and a move away from the playful use of photos, the orange *Matin* has looked almost exactly like its blue counterpart in recent months—according to Rothenbühler, the layout concept was created by the same graphic designer. The assumption that a merger might be on the horizon was not unfounded. Meanwhile, even Théo Bouchat, head of Edipresse Switzerland, admits: «We ran through all the scenarios.» The merger between the free and paid newspapers had been «one of several working hypotheses.» However, it was not pursued further. The idea that the new layout was intended to pave the way for a merger is a false impression. But the fact that many people nevertheless had this false impression «may also be due to communication errors on our part.».
Between a Rock and a Hard Place: Regardless of whether there were communication or conceptual errors, Bouchat, too, remains convinced that launching a free newspaper under the Le Matin brand was the right decision, «even if we had to choose between a rock and a hard place.» With these two titles, the brand is now better positioned in the market than if Edipresse had done nothing to counter the competition from 20 minutes. From a business perspective, too, the move has been a success: «The results of the free newspaper lead us to believe that we will hold our own in the market.» And from an editorial standpoint, the duo now meets needs that no one else would have covered before.
Is the Editor-in-Chief Still Acceptable? So, just a storm in a teacup? Not quite. The shock of the layoffs runs deep. These days, the employees are conducting an internal vote to determine whether the editor-in-chief still has their trust. Even though it wasn’t Rothenbühler who initiated the switch to the tabloid format and the tabloidization of the paper—but rather, among others, his predecessor Théo Bouchat—Rothenbühler is, in the eyes of many, the man from Zurich who is nonetheless responsible for the new *Matin*. «He bridged the Röstigraben between Blick and Matin,» is the sentiment heard in the newsroom. Before Rothenbühler, the newspaper—conceived as a down-to-earth family paper—had always prided itself on distinguishing itself from the tabloid style on the other side of the Saane.
Whatever the outcome of the confidence vote in the editorial department may be, it is not expected to have any impact on Peter Rothenbühler’s position. Bouchat emphasizes: «The editor-in-chief continues to have our full confidence.»
The Edipresse director attributes the vote «to emotions»: The shift in trends—attributable to the free newspapers—following the huge success of the Tabloid-Matin has been emotionally taxing, and from that perspective, the staff’s reaction is understandable. Nevertheless, Rothenbühler finds himself in a difficult situation. With fewer people and fewer resources than before, he must pull off the feat of turning a tabloid into a «magazine-style» publication. At *Blick*, they’re giving themselves until early next year to consider similar changes, while at *Matin*, the first changes are expected to be noticeable in just two to three weeks. Rothenbühler also promises graphic changes by the end of the year.
Le Matin, Once a Free Newspaper: The question remains whether readers will ever be willing to pay two francs for Le Matin, which, as a non-subscription newspaper, is available at the same locations as the free newspapers. The same goes for the question of whether the market isn’t simply too small for two free papers plus Le Matin. For Bruno Clément of the Comedia union, the answer is a clear yes. He muses, «Perhaps one day Le Matin will become a free newspaper, and the only paid publication will be the major Sunday edition, Le Matin Dimanche, with its supplements.»
Helen Brügger
Trendsetters and Topic Leaders «We conducted a qualitative study with readers in July. »They have a clear idea of what they expect from us: sports, celebrities, and news in brief,« says Rothenbühler. He wants to »select and surprise”—that is, to include five major, thoroughly researched articles alongside the shorter pieces in every issue.”.
Furthermore, all
major political events «make it into the paper through the key figures involved»—in other words, are personalized. Third, his paper should become a trendsetter and set the agenda
He will also be active in the political arena and make his mark with editorials and personal commentary. «These are things I’ve actually wanted to do for a long time, but I just didn’t have the right people for it.» Now, with Ariane Dayer and Michel Jeanneret, he has
Two editors were transferred from *Matin Dimanche* and appointed as his deputies; they have indeed made a name for themselves through their high-caliber journalism. Ariane Dayer, 43, was editor-in-chief of the Ringier weekly L’Hebdo before founding her own satirical newspaper, Saturne—an anachronistic gem in the French-speaking Swiss media scene that was not destined to have a long run. (hb)The “switch-over effect” remains unclearThe young readership of the free press as a potential customer base for the major paid newspapers: that is what publishers dream of. Tamedia’s latest project—to launch a joint free newspaper in collaboration with Espace Media Groupe and Basler Medien—also aims to capitalize on this so-called “switch effect.” Le Matin is the only paid publication in Switzerland with a free extension under the same brand. There, one would have to
This effect can be observed. But Théo Bouchat, head of Edipresse Switzerland, dismisses the idea: «We have no evidence of this effect because we don’t have enough experience yet. The free press is still too new.» (rw)
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