Ringier CEO Marc Walder on the future of the media

The Media Days (October 24 to 26) began in Munich on Wednesday. Ringier CEO Marc Walder spoke clearly about the future of the media during a panel discussion.

Marc Walder discussed with other publishing greats such as Rainer Esser (ZEIT Verlag), Philipp Welte (Hubert Burda Media), Christian Nienhaus (WAZ Media Group) and Thomas Lindner (G+J Publishing Group). Paid content, diversification strategies of media companies, growth prospects and synergy potential were discussed. Walder emphasized: "The reach of print brands has never been so high - but monetization has never been so bad." The price level in the digital world - both in the user and advertising market - is putting media companies under great pressure.

"Digital is nowhere near compensating for the loss of print. In the USA, advertising in newspapers fell by 2.1 billion dollars from 2010 to 2011; this contrasts with an increase of 207 million dollars in online advertising," says Walder. The forecasts for the mobile Internet are not rosy - Google is also feeling this very strongly at the moment. "The trend of more and more users accessing the Internet via smartphones and tablets is to blame - including for search queries via Google. Or to put it simply: smaller screens also mean smaller advertising revenues," Walder continued. Ringier is therefore on the right track with its diversification strategy.

Marc Walder said that "paywall" is currently the buzzword of the media industry. Last week, Axel Springer announced that it was putting Die Welt behind a paywall. Walder quoted Axel Springer CEO Mathias Döpfner on this: "If we don't have the self-confidence to demand a little money for what we work for from morning to night and keep a few hundred people on the move, then we should actually stop what we're doing."
 

Wirz Corporate: Integrated corporate presence for Post Finance

Post Finance is transforming from a division of Swiss Post into a public limited company. In connection with this, the financial institution has commissioned the agency Wirz Corporate to develop an integrated online and offline presence using text, images, and video.

The newly designed website presents the company under the motto "This is what we value". According to the agency, the consistently integrated planning and implementation of all instruments and means was central from the outset. In doing so, Post Finance decided to stage the typical topics of corporate communication such as strategy and goals, values, leadership or social commitment in a way that was atypical and surprising for their industry. The result was a series of short corporate films that use everyday stories to bring to life who Post Finance is and what the company values.

The films will be used in the revised "About us" and "Jobs" sections of the Post Finance website. The new corporate sections of the website are intended to impress with their simple and appealing design. The films as well as the company images are embedded in large areas. Wirz Corporate developed the concept and created the website as well as the content and interface.

In addition to the website and the films, a compact short portrait brochure and a modular company presentation were created.
 

"The motivation would be very high"

Ursula Krebs, a former advertising director, conducted research on the situation of advertising professionals aged 50 and older as part of her thesis for a Master of Advanced Studies in Gerontology. The results are now available.

WW: How was the response to the call in the advertising week?
Ursula Krebs: I was very pleased with the numerous and interesting responses. Fifty-seven people took part in the electronic survey and completed it in full. With 34 questions, that's a good "yield". The participants came from various communication disciplines, although I only evaluated the advertising agencies for the final paper.

In the advertisement in Advertising Week, you also invited people to take part in a personal interview. How much interest was there?
I was also very pleased with this response. Twenty-two people got in touch. There were also a few e-mails from people who wanted to share their thoughts on the subject with me. Many of them congratulated me on dealing with this topic. In the end, I conducted an interview with 10 people.

How motivated did you find the target group to take part in this survey?
It was interesting to note that in addition to the 57 fully completed dossiers, a further 181 people at least visited the survey but did not complete it. People were obviously interested in the topic. Basically, I can say that there were practically only affirmative and benevolent reactions. I think the topic is important. Many "know" about the difficulty of ageing well professionally in the industry. But there is no evidence, which is why it seemed to me that facts are wanted here.

You approached the study with a thesis or at least a preconception. Has your previous perception been confirmed or have you been surprised by new truths and findings that have come to light?
One remarkable finding of the study is the high motivation of older employees, even after decades of employment. However, I was surprised at how little thought people give to ageing at work and how they would like to shape their professional future. There is a great desire to work until retirement. But the idea of how such a desire should be managed was surprisingly vague for an industry where there is actually a great deal of "assumed knowledge" about the difficulty of ageing.

Is there too little awareness in the industry of future developments?
I was surprised that an industry that deals with trends gives little thought to shaping its own future and transfer services with regard to demographic change. Research shows that demographic developments mean that fewer well-qualified people are coming into the industry. Despite this, the agency has no strategy for shaping its own future. Of the 10 people interviewed, only one made a corresponding reference to the fact that a change could take place here in the future, and even spoke of advertising agencies becoming obsolete because the supply of young staff could fail.

What gender-specific findings have been made?
I am astonished by the fact that the female gender obviously leaves advertising agencies at some point, even though almost only women actually work in the lower and middle hierarchies - especially in consulting. Where do they go? That would be interesting new research ...

Were you also surprised by something completely unexpected in this survey?
Basically, I didn't really find anything groundbreakingly new. Older advertisers are predominantly in upper management, managing directors or agency owners. Those who have not reached this hierarchical level are often to be found in peripheral areas such as administration, production or finance. It is rare to find older employees in the middle hierarchies of the "core disciplines" of consulting and creation. With this work, I have confirmed the assumptions that have been mentioned in many cases: "It becomes more difficult to be accepted on the labor market with increasing age ..." The reality of the job market is in stark contrast to the desire to stay in the industry until retirement. One possible reason for this is the still prevalent stereotype that older employees can no longer keep up and are therefore rarely employed. This is despite the fact that recent research has shown that personal and professional biographies are relevant for maintaining the motivation of older employees. Chronological age, i.e. age in number of years, is absolutely no yardstick. This is once again confirmed by the present study. The respondents do not perceive any significant changes in their performance as a result of ageing.

What have you found out about customers?
The image of the client towards the advertising agencies plays a role. One interviewee told me that the client commissioned another agency with young employees for a youth campaign - she is the owner of an advertising agency and has the lead of the mandate - because this person was no longer trusted with the youth campaign at the age of 48. From this perspective, a survey on the client side would also be an interesting follow-up for the next study.

Interview: Andreas Panzeri

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Emotional and easy to understand

Atupri is committed to presenting its services in an easy-to-understand way and is now publishing a series of humorous micro-movies, produced by Encore Pictures, on a web platform designed specifically for this purpose.

How does health insurance actually work? Sooner or later, we all face this question. But in the jungle of offers, legal regulations, the media and the feeling of having to pay too much, the topic hardly finds a platform for unbiased information. Atupri therefore consistently focuses on presenting its services in an easily understandable way. A series of humorous micro-movies provides a comprehensive overview of today's health insurance system in an entertaining way. The films were conceived and realized by Encore Pictures. The accompanying microsite was designed by Hinderling/ Volkart.

New communication style

It all started with Marketing Manager Karl Luca Büeler's idea of using films to emotionalize Atupri's website and at the same time make the topic of health insurance easier to understand. Studies had shown that this tool can have a lasting positive impact on the customer experience. Atupri produced 10 information clips on a specially developed microsite. They explain the Swiss health insurance system in general and the individual types of insurance in particular in a witty and convincing way. People with reservations find an animating introduction to the subject matter and can find out about the healthcare system and Atupri's services step by step.

Based on this brief, Encore Pictures worked with its creative partners at Le Mob to develop a concept for a series of animated films that would present basic information in an easily understandable way for all potential policyholders. The development process drew on Encore's experience from recently produced explanatory films for other industries - as well as the realization that only animation can convey information in such a compact way. Captivatingly written animated films offer companies the opportunity to present complex messages in a simple way and to charge them with emotion. "The internet is the ideal platform for presenting such content," says Jürg Steudler from Encore Pictures. Nowadays, however, it takes far more than a virtuosically staged "rattling off" of facts. Consumers' attention spans are short and most people get bored of "eye candy" very quickly. "What's needed are clear visualizations, likeable characters and an interesting story."

One of the main objectives of Atupri's marketing strategy is to make the low-involvement health insurance product more attractive. At the same time, Atupri wants to secure its leading position in communication: With clear information and a strong service. The micro-movies are a central communication component. They were designed as a holistic system and deliberately form a strong contrast to the serious, factual Atupri website - they enable a sympathetic approach to the subject matter. This creates customer proximity and overcomes the fear of an unpopular topic. pan

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Seed wins 2x gold and 2x silver in Cannes

Seed won four awards at the «Cannes Corporate Media & TV Awards.» «Glas bleibt Glas» and «Pesche & Urs» were both awarded a Golden Dolphin. «Cruiser und Bella – Ab durch die Mitte!» and «Eine Ode an die Nähe» each received a Silver Dolphin.

The animated film "Glass remains glass" for Vetropack conveys everything worth knowing about glass at a rapid pace: from the history of glass production to glass recycling.
Direct access to the film

"Pesche and Urs" is a humorous short film that is used in internal strategy workshops at Post Finance. Pesche works at Post Finance, Urs is a banker. The two old friends meet for lunch. It turns out to be a playful competition about the differences between the two worlds. Who is the better choice?

With the animated film "Cruiser und Bella - Ab durch die Mitte!", Suva explains safe cycling in traffic circles.
Direct access to the film

The corporate film "An Ode to Proximity" invites the viewer to explore the topic of proximity in order to get to know how Zürcher Kantonalbank sees itself.
Direct access to the film
 

OSW chooses Honda

To promote the Honda Insight Hybrid and the Honda Jazz Hybrid, OSW designed a campaign inspired by the fall election season in Basel. The posters are reminiscent of the Green Party’s campaign posters.

With headlines such as "Now you can also vote red and be green", the campaign appeals to the electorate in Basel. The posters will be distributed throughout the city and published in advertisement format in the Basler Zeitung. In addition, a guerrilla campaign will take place on the last election Sunday in front of the town hall, during which further posters will be put up that directly address individual politicians by referring to the political views of the incumbent Basel-Stadt councillors.

The campaign supports the Honda Terminal Basel and promotes the sale of the Honda Jazz and Honda Insight hybrids. The respective claims "Hybrids for Switzerland" and "For a hybrid Switzerland" complement the statements of the campaign subjects.

Responsible at Grosspeter: Jasmine Gasser (Head of Marketing and Communication). Responsible at OSW: Michael Oswald (Creative Direction), Michael Schär and René Fisch (Text), Carlo Tagliavini (Art Direction), Nadine Siegfried (Consultant),
 

New LGK with a smile for Bernmobil

Neue LGK has created a new campaign for Bernmobil. In it, people riding trams and buses talk about the benefits of traveling with Bernmobil—always with a smile on their faces.

The motto of the campaign: "Everyone has a good laugh with Bernmobil". The campaign thus follows on seamlessly from the launch campaign, which featured grumpy people being asked to smile. The campaign will run in Bern and the surrounding area until the end of October and includes advertisements, posters and hanging boxes.

Responsible at Bernmobil: Monika Scheiwiller (Head of Marketing Communication).Responsible at Neue LGK:Hans Tanner (Creative Direction), Antonio Lopez (Text), Stephan Wittwer (Art Direction), Nina Geissbühler (Graphics) Claudia Shatri (Consulting).

The starting signal for the "Best of Swiss Web 2013" has been given

The traditional «Best of Swiss Web» competition is taking place for the 13th time. Submissions are now being accepted again.

In March 2013, the "Master of Swiss Web", an honorary prize winner and the best web projects will be awarded. There will also be a new "Mobile" category for mobile websites, services, applications and all forms of apps. Around 400 project submissions are expected again this year.

The 10 categories of "Best of Swiss Web

As of now, web and mobile projects that were created in 2012 or will be created in the future can be submitted in a total of ten specialist categories. At the big award night on March 21, 2013, the winning projects will be honored in front of 700 guests, the honorary prize will be awarded, and the "Master of Swiss Web" will be chosen. The title "Master of Swiss Web" will be awarded to the most convincing project overall in a multi-stage jury and audience vote. The winning projects of the "Le meilleur du web" award in French-speaking Switzerland will also be taking part in the award night.

The new category "Mobile

In the meantime, the mobile scene has grown into its own industry with a wide variety of market and service providers and - typical for Switzerland - with its own association. Websites have evolved into mobile websites optimized for display on mobile devices - optimized for small screens and touch controls, for example, short loading times even with changing network capacities, automatic recognition of portrait or landscape formats. The mobile industry produces many types of mobile projects, be it native and web apps, mobile websites or mobile applications. The board and the nine category jury presidents of "Best of Swiss Web" have therefore decided to launch the new category "Mobile". In this category, the best mobile projects - including all types of apps, mobile services, optimized mobile sites - will be identified and awarded prizes. The top-class jury will pay particular attention to aspects such as user experience, performance, and innovation, but also short installation processes and stability.

President of the new category jury is Andreas Hüppi, mobile pioneer and CEO of Bitforge AG.

Conditions of participation

Both producers and clients of web and mobile projects are eligible to participate in the Best of Swiss Web Award. These projects must have gone online in the last twelve months or have been produced in their essential parts in this period. Entry is subject to a fee.

The deadline for applications is January 7, 2013, and the awards ceremony will be held on March 21, 2013.

The schedule
 

Last but not least: Lawyers on the social web

Legal proceedings involving social media platforms such as Facebook, Twitter, and YouTube have been on the rise recently. A research center dedicated to legal certainty in social media has now been established.

The newly founded "ky-center for social media law" clarifies legal issues in connection with social media applications. These include questions on account seizure, imprint obligations and monitoring duties. In February 2012, the seizure of an account was ordered for the first time, as the research center writes on Presseportal.ch. This resulted in terminations due to Facebook postings and profile owners were convicted of failing to provide a legal notice and unfair competition. As social networks are constantly implementing new functions, this often leads to new uncertainties in the legal assessment of commercial applications on the social web, writes the research center. One of the reasons for this is that lengthy legislative processes further complicate the situation.

The aim now is to increase legal certainty in this area. The Center was therefore founded under the leadership of Liechtenstein lawyer Stefan Ritter with headquarters in Vaduz and contact points in Munich and Vienna. The Center is supported by international advisory boards. These are to provide the Ky-center with impulses based on their different professional focuses under the academic chairmanship of internet lawyer Wolfgang Zankl.

In view of the impossibility of completely deleting a Facebook profile once it has been set up, there may be a legal basis for achieving this via account seizure after all. Facebook could also advertise this on the subject of data protection: "You can't delete your Facebook profile, but you can have it seized".

Ritter and Zankl will provide input on the topic at the kick-off events in Vienna, Vaduz and Munich.

- November 14, 4.30 p.m., e-center, Graben 17/10, 1010 Vienna.
- November 21, 4 p.m., Gasthof Löwen, Herrengasse 35, 9490 Vaduz.
- November 22, 4 p.m., Faktor Zehn, Neumarkter Straße 71,
81673 Munich.

 

Profeta communication makes dancers dance "like puppets

Profeta Kommunikation has designed a new interactive website for the Tap & Crazy dance school. During a joint workshop, the word «movement» was chosen as the guiding theme for the new website.

So the website should represent movement, because movement is also the main activity in a dance school. Quickly came the idea to go a new way and that was to let the dancers dance on demand. For this, first recordings were made with a large green screen. Then these recordings were programmed in HTML5.

The website can be viewed on iPads and on popular smartphones with the latest operating system as well.

Responsible at ProfetaKommunikation: Eugen Profeta (concept and consulting), Werner Laubscher (photos, film, editing), Roland Höfer (texts), Conrad Müller (editing/proofreading), Blerim Bunjaku (concept, programming), Sysret Kastrati (concept, deploy and control). Responsible at Tap & Crazy: Joe Giuffrida (overall responsibility), Michaela and Petra (fashion & make-up).

Federal Office of Culture awards "Federal Design Prize

This year, the Federal Office of Culture is honoring internationally renowned Swiss designers with the «Grand Prix Design.» Their work, along with that of the winners of the «Federal Design Prize 2012,» will be showcased in an exhibition.

It will be held under the title "Design Awards of the Swiss Confederation 2012" at the Museum Bellerive in Zurich. The vernissage and award ceremony are on October 25, 2012, at 7:30 pm. The three prizes will be presented by Federal Councillor Alain Berset. They will go to the product designer and teacher Franco Clivio, to Gilles Gavillet and David Rust from the graphic design office Gavillet&Rust and to the graphic designer, advertiser and typographer Karl Gerstner.

From 288 submitted dossiers, the Federal Office of Culture awards 20 works and projects this year. The collaborative or individual works are by 26 designers from the fields of graphic design (7), fashion design (4), photography (4), products and objects (3) and communication (2). The prizes consist of a choice of a monetary contribution of 25,000 Swiss francs, studio residencies in renowned offices or free studio residencies in New York. The form of the prize is determined by the prize winners.

With the "Grand Prix Design", the Federal Office of Culture annually honors designers or designated design offices that make a significant contribution to the reputation of Swiss design on a national and international level, according to a statement from the Federal Office of Culture. By launching the award, the Federal Office of Culture rounds out a package of measures that actively promotes, supports and honors the Swiss design scene. This year, the Federal Design Commission selected three designers for the "Grand Prix Design". They will receive prize money of 40,000 Swiss francs each.

Winner "Grand Prix Design 2012

Product designer and teacher Franco Clivio is one of the most important Swiss designers and knowledge brokers, according to the Federal Office of Culture. He is being honored for his work and for his commitment as a designer and teacher. Gilles Gavillet and David Rust have been active in editorial design and typography for years. They are among the most important Swiss exponents of contemporary type design. The graphic designer, advertiser and typographer Karl Gerstner is one of the most important representatives of modern Swiss commercial graphics. He is being honored for his pioneering role in Swiss graphic design and the associated impact far beyond the country's borders.
 

Mach: Agency handover completed

The Baden-based communications agency Mach Corporate & Werbung has completed its management succession as planned. Dano Dreyer has assumed the role of managing owner.

Dano Dreyer was born on April 14, 1976, graduated from the cantonal school in Baden with a Matura type E, then studied gymnastics and sports at the ETH and business administration at the FHNW. He gained professional experience in the event and sponsorship sector, as the agency writes in a press release on Wednesday. After holding various positions, he worked as Trade Marketing Manager at Heineken Switzerland. He joined Mach in 2009.

Dano Dreyer has a diploma as a federal PR specialist. According to the agency, he has familiarized himself extensively with the management of complex mandates. He has gained entrepreneurial experience by founding his own companies and as a responsible mandate manager at Mach.

The functions are now as follows:

- The previous managing owner and company founder, Louis Dreyer, will remain active as a senior consultant during a transition phase; he is a member of the Executive Board and will retain the chairmanship of the Board of Directors. He will continue to manage personal mandates.

- Dano Dreyer is the new managing owner and member of the Board of Directors.
 

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