Expansion at the work yard!

A few months ago, we reported here on the opening party for the film studio Das Werk in Zurich-Altstetten.

A few months ago, we reported here on the inauguration party of the film factory Das Werk in Zurich-Altstetten. by Beat Fritsch Always stay in the conversation, said the Werkhof employees from Altstetten and last week invited guests to the inauguration and screening of their newly acquired Cintel-C-Reality film scanner. Incidentally, it is the only one of its kind in our country, as Nicole Schweitzer from the Zurich plant assured us. And because the people were already there, they also showed off the recently completed Philippemoritz recording studio by Philippe Schmid and Moritz Schneider.
This thing would make any high-end freak green with envy! It's not too big and therefore nice and neat, but still packed with the very best technology. The guys have just completed another round of investment and upgraded it considerably. Although the explanations sounded a little too technical for laypeople, the sound demo was all the more impressive. A studio like this would also be worth considering for home use. The neighbors would certainly be delighted to be able to enjoy rich, unadulterated bass even on the top floor of a six-storey building.
It was a balmy summer evening on which the predicted thunderstorms fortunately failed to materialize. Ideal for a barbecue on the beautiful factory sun terrace with a view of Uto Kulm and down into the Limmat Valley. The barbecues also left nothing to be desired, and the barbecue master had his hands full. The latest information was exchanged at the long garden tables and memories of Cannes were rekindled. Oliver Neubert from Primetime reported that he had hired She-DJ Marysol from Chile for the Primetime festival at the beginning of September. He discovered her at the Soundscape event at the advertising film festival. We're already looking forward to a (roaring) party!
Almost the same evening, another member of the Werk family saw the light of day. Plant Managing Director Roger Koller had to drive home very quickly after receiving a phone call. Amniotic sac broke, labor started! Roger's wife was about to give birth, and we now know that the youngest member of the Werk family is a boy called Finn. Congratulations to the happy parents!
Beat Fritsch remembered his missed career as a musician and stood behind the microphone at the Philippemoritz recording studio in Zurich for a short serenade (applause!).

Where there are usually parties, we will be attending a wide variety of events in the scene. Do you already have something to report? Pick up the phone (01 296 97 98) or hit the keys (info@werbewo che.ch).

Neither poster nor screen, but advertising

C-Line and Face Launch Active Screens in Pharmacies and Restaurants

C-Line and Face launch Active Screens in pharmacies and eateriesThe term Active Screen is used for various things. For example, for the giant electronic screens. The first one in Switzerland was inaugurated by APG last spring in Zurich's main railway station. However, the latest Active Screen, which was recently presented by the Wiler agency C-Line, is a screen in Baby B12 format (approx. 90 x 42 cm). It is neither an illuminated poster nor a screen, but a mixture of the two. The animation to be seen on it primarily has the function of an eye-catcher. It is created by a precision lens, behind which a special print consisting of three individual images is moved back and forth in slow motion. The entire image sequence takes around 10 seconds to complete, meaning that the entire advertisement can be seen "in passing".C-Line's Active Screen is particularly suitable for advertising campaigns at the POS or locations with high footfall. The first two deployments are a pilot project. They include Procter & Gamble and Coca-Cola, which will be the first advertising clients to use Active Screens from July. Procter & Gamble is doing this in around 100 top pharmacies in Switzerland with the product Metamucil. Coca-Cola will be present in 20 of Zurich's trendy restaurants.
The company C-Line AG in Wil SG started with floor posters four years ago and is already the market leader in this area. It has brought the Frauenfeld agency Face AG on board as a partner for the new advertising medium. For its part, it is the market leader in the field of toilet advertising (toilet communication). Daniel Schifferle

The sun brand goes up

Wirz positions Sunrise as a brand for human communication

Wirz positions Sunrise as a brand for human communicationOn the one hand, the positioning "Communication is life" is suitable for establishing Sunrise as a full-service provider; on the other hand, no competitor in Switzerland has yet occupied this field. This is how Wirz Werbung, which has been in charge of the Sunrise mandate since the merger of Sunrise with Diax, justifies the telecom provider's new strategic orientation.The Zurich-based agency bases its argumentation on a Brand Focus study it developed and conducted among the four major telecom brands. It revealed that the identity of the Sunrise brand is not yet tied to a fixed idea: Sunrise is not seen as aloof and elitist like Orange, and Sunrise is not seen as unfriendly, stolid and arrogant like Swisscom, whose technical expertise and coverage is praised.
"In all 21 image dimensions of Brand Focus, nobody said anything bad about Sunrise," says Simon Walter, Sunrise strategist at Wirz.
For these reasons, Sunrise won out over Diax after the merger when the new company name was decided. Diax's image had been damaged, primarily due to its poor coverage among consumers. Page 6

Catching your eye: Did you know you can now eat sanitary napkins?

NoticedDid you know that you can now eat sanitary napkins? Go ahead and say "Yuck!" In the always-ultra-light age, was it really necessary to create this cheese shape and then present it so silkily to begin with? There gets

Already known that you can now also eat sanitary napkins?
Go ahead and say "Yuck!". Was it really necessary to create this cheese shape in the always-ultra-light age and then present it so silkily? You can't get a bite down, even if the cheese is so delicious. And then the headline: Lots of flavor. Little fat. A little fat is clear, but a lot of flavor? Cheese like that ... that's just too much for any sanitary napkin wearer. Gone are the days when women could move freely and carefree. The backlash has also mercilessly struck in this intimate zone and robbed women of a piece of hard-won freedom. Or can anyone else explain to me what the advantage or flash of inspiration has been in the development of this cheese? Otherwise, one is forced to believe that the always-ultra designers are now also getting involved in the Migros cheese dairy. Then the first Camembert with "wings" will probably soon be available to enjoy ... En guätäääääää! Chandra Kurt
Column Read here
By Michael Barney
The worst thing that can happen to advertising is that it goes unnoticed. If you believe PMs and marketing people, there is even worse. That they are not understood at all. Add to that the response fetishes that fear for "returns". Add to that a testing process and nothing can go wrong with awareness, benefit, USP and response. The scary thing is that if all this worked, every advertising message would be a hit. But it doesn't. Instead, posters, ads, TV spots, and brochures that have been asked to do all this look brutally dull, boring, and uninteresting. Funny? When will people finally understand that no one voluntarily looks at posters, pauses while leafing through them or cries out in front of the TV: "Hey, great, that's all I need, I absolutely have to have/buy that!" Nobody waits for what is advertised with a lot of money. Because they already have it, don't need it, or can never pay for it. No one wants to drink cola for rational reasons. Thirst would be a great USP. No Camel poster brings anyone to the kiosk. But addiction does. Tampon manufacturers rejoice once a month that women exist. If you then listen to the briefings, you wonder how such a great commercial could be created, which won in Cannes: Girl jumps into pool, gets out, pool has no more water. It couldn't be more generic. But the spot is amazing. And simple. And eye-catching. And is understood. Now I'm sorry I titled my column "Read Here" on the advice of PMs, marketing people and a testing institute. I am guaranteed that all readers of this paper would read it. Bad luck, except Ilonka, Mark, Reto, Claude, Marianne, Anita, Lukas, Frank and the beautiful Claudine, the rest - as always - read something else. And kept on turning the pages.
Michael Barney is a senior copywriter at Lowe Lintas GGK, Zurich.
Voice ObserverFrom airbag remover to dentist biter
After the hot showerers (central lockers and shower gel preheaters remember), the best list of cold showerers now follows in time for the summer vacations.
Airbag RemoverAn Cadre Seat Newspaper Reader
Assembler programmer
Neckline stiff
Highway SMS Recorder
Swimsuit Mosque Visitors
Battery-with-tongue tester
In thunderstorm pole vaulters
At-sex-intentionally-wrong-name-breather
Benzingriller
Beer with teeth opener
Appendectomy
Bongwater Drinker
Effervescent tablet swallower
Cowboy boot wearer
Cumulus card forgers
Den-Geschäftsführer-Verlanger
Domaingrabber
Wires to socket plug
Third Reminder Ignorer
Dynamite fishermen
Squirrel tormentor
Electric Fence Pincher
Email .exe opener
Ferrari scratch
Fireworks hand launcher
Filet mignon with ketchup orderer
Air show visitors
Miss pay! caller
Girlfriend buckle denominator
Toenail chewer
Headwind vomiter
Rubber doll bouncer
Cell phone on belt carrier
Suspension bridge swing
Pacemaker Overclock
Hooligan pushers
Hornet tease
Helicopter Ejection Seat Users
Dog poop kicker
Dog in microwave dryer
Hedgehog Stroker
In the elevator bouncer
In-disco Walkman listener
In face shooter
Coffee cash register robber
Cold shower
Fight dog prankster
Chainsaw juggler
Cinema farts
Church smoker
Small Change Away Schmeisser
Llama spitter
Avalanche boarders
Mass Suicide
Several-times-all-you-can-eat orderer
With-lighter-in-the-tank chandelier
Molotov cocktail launcher
Garbage-in-the-forest disposer
Niagara River rafter
North Pole Campers
Party fundraiser
Piercing cutter
Pill Swapper
PIN on card recorder
Pitbull snatcher
Meter maid starter
Discount free
Theory of relativity sceptic
Russian mafia rip-off artist
Pocket knife razor
Saharawander
Sandcastle Destroyer
Serpentine Shrike
Cut wound bostitcher
Shorts-and-Shirt Bike Rider
Sock Sniffer
Tabasco Drinker
Forest dieback advocates
Blackboard-with-fingernails-scratch
Tub hair dryer
Washbasin sprinkler
Christmas goose from castle park Holer
Rummage table nuisance
Sausage with hand turner
Dentist Biter
Beat Gloor, www.textcontrol.ch

WerbeWoche takes a summer break

What TV stations find cheap—according to *WerbeWoche*:

What's cheap for TV stations is good for WerbeWoche: We're taking a summer break. For the next three weeks, our editorial team will be on special assignment on educational vacations around the world. We will present our next issue on August 9 with a fresh new look. However, our newsmail at www.wer bewoche.ch/newsmail will keep you up to date with the latest news during the summer break.

News: Clear Channel for Carrefour

The French retail giant Carrefour has commissioned Clear Channel to install and market billboards in the parking lots of its stores

French retail giant Carrefour has commissioned Clear Channel to install and market billboards in the parking lots of its storesClear Channel for Carrefour. The American outdoor advertising group won the contract, which is worth one billion euros, against competition from Viacom and JCDecaux. The Europe-wide contract will run for ten years.
20 Minuten Köln is being discontinuedThe Cologne edition of the commuter newspaper 20 Minuten is being discontinued. The last issue was published on July 11. According to 20 Min Holding, a market presence in Germany could only be successful on a national level. This would require an approach that would overcome the resistance of the established media. This has not yet been found, which is why the company is concentrating on projects in other countries.
Since its launch at the end of 1999, 20 Minuten Köln has had to contend with court actions brought by the publishers Springer and DuMont.
Scholz & Friends wins WSJWall Street Journal Europe will in future be advertised by the London branch of the German advertising agency Scholz & Friends (S&F). S&F prevailed against Select Communications, also a German agency, as well as Strawberryfrog from Amsterdam and Goodby Silverstein from the USA. The 15 million Swiss franc European budget was previously held by the agency BBDO Düsseldorf.
Austria allows terrestrial private TV Austria allows terrestrial broadcasting of private television for the first time. The National Council passed a corresponding law in Vienna on July 5. Until now, private stations in Austria were only allowed to broadcast via cable or satellite. The first nationwide private TV on the airwaves is to receive its broadcasting license in spring next year. A further three private stations are to be launched in the metropolitan areas of Vienna, Linz and Salzburg.

Budget news: WPS-RCM advertises for Baumeler

The Geroldswil-based advertising agency WPS-RCM has won the Baumeler account.

The Geroldswil-based advertising agency WPS-RCM wins the Baumeler budget.WPS-RCM advertises for Baumeler WPS-RCM is to work for the travel specialist in the print, trade fair and Internet sectors. The appearance of the various catalogs is to be updated and standardized with a new concept.
Bunt advertises e-mail services After a pitch, the Zolliker advertising agency Bunt was entrusted with the budget for its e-mail services by Swiss Post. The campaign is already in place, Managing Director Isabelle Lieger told WerbeWoche. However, due to the announced realignment of the Yellowworld postal portal, a lot is in motion, so the definitive names of the services will not be known for a few weeks. The services offered by Swiss Post include a free e-mail account, Securemail and an e-address directory.
Wunderman advertises for Onspirix The Zurich-based marketing agency Wunderman Impiric has won the communications budget from Onspirix. Onspirix, Nyon, will soon be launching a broadband network offer for SMEs. Wunderman will design and implement all brand-building activities for the launch as well as various events and sales support measures. Wunderman subsidiary Futurecom Interactive is designing the new Onspirix website. An initial launch campaign for the company was realized by Saatchi & Saatchi from Nyon in the spring.
Et&H wins two pitches The Rorschach-based advertising agency Erat Thoma & Herzog will handle the overall budget for Säntispark, Abtwil, and develop the communication system for training activities for the AHV/ IV information center in Zurich. Following an evaluation, the agency will also be responsible for the overall appearance of the Swiss Association of Unemployment Insurance Funds for Private Industry.

"Research and crime writing are close to each other".

SRG researcher Matthias Steinmann launches Radiocontrol and has material for more thrillers

SRG researcher Matthias Steinmann launches Radiocontrol and has material for more crime thrillers "Researching and writing crime thrillers go hand in hand"
His versatility is legendary: Matthias Steinmann is not only head of the SRG research service, but also a university professor and pilot. With his latest development, Radiocontrol, he seems to have achieved what Telecontrol failed to do: worldwide marketing. But the actual vision goes even further. Steinmann wants to establish Radiocontrol as a multimedia and intermedia research tool.
This year, you have brought two particularly attention-grabbing books onto the market: Radiocontrol and a crime novel that deals with fraud and murder in the media scene. Will you soon be sitting in your castle writing crime novels?
Matthias Steinmann: No, it will hardly ever get that far. Research is a passion that belongs to me. I am convinced that if you lose your curiosity, you lose a significant part of your vital energy. This is also how I see my writing activities. After all, writing a crime novel is nothing other than researching an environment, a social situation and creating a fictional version of it. Research has many faces.
But Radiocontrol is built, Telecontrol has been for a long time. The big tension is gone.
Steinmann: No, not at all. Radiocontrol will keep me busy for years to come. What we are doing with it now at the start is just the beginning. This system has great potential that goes far beyond measuring radio audience. And Telecontrol is also far from finished: The rapid technological development of TV and video equipment and transmission technologies means that new, even more sophisticated versions are constantly being developed.
How many countries besides Switzerland are interested in Radiocontrol?
Steinmann: We are currently in talks with around two dozen countries. Several of them are about to conduct tests. France and the Netherlands, for example. In Germany, we have a test contract with GfK for various European countries. We have a contract with Norway and are conducting test negotiations for the UK. There are inquiries from the USA, Mexico, Brazil, South Africa, the Gulf States and Greece. An option agreement has just been signed for Asia, Australia and New Zealand. It's amazing: everyone wants to carry out tests for the time being. Radiocontrol is a real paradigm shift. Naturally, this is arousing great interest, but there is also some uncertainty about how the changes will turn out.
So Radiocontrol will also be a complete commercial success for you?
Steinmann: Nobody is earning anything from Radiocontrol at the moment. The system is the result of ten years of development work and an investment of around seven million francs. The Telecontrol Group will only start earning money once around 20,000 devices have been sold. So far we've only sold around 2700, so the goal of earning money is still two or three years away.
The demand for Radiocontrol is much greater than for Telecontrol. You were only able to sell the latter in Europe and South America. Why doesn't Telecontrol get beyond these countries?
Steinmann: The markets in North America and Asia are occupied by other large market research institutes. TV research comprises the largest research contracts there are in market research. Accordingly, this very lucrative market is highly competitive. When I started in the sixties and eighties, there were only two large research institutes conducting TV research and dividing the markets between them.
How did you nevertheless get into these, as you say, closed markets?
Steinmann: In Europe, I managed to win over large market research institutes for us. Institutes that were looking for an alternative to compete with the big international players who, until the launch of Telecontrol, were the only ones with the relevant TV research technologies. My marketing consisted of making the Telecontrol system, which I had just developed for SRG in the mid-1980s, available to these European institutes. This strategy enabled us to become the market leader in Europe as a technology supplier in the field of TV research. Against large international companies, a small miracle for me.
But you still haven't gotten beyond Europe and South America. North America and Asia are huge and financially attractive markets. Why didn't you get a foothold there?
Steinmann: You can't conquer these countries with technology and software alone. That would also require enormous financial strength. But we are a comparatively small company. Last year, we made CHF 18 million in sales, plus some license income. In addition, there are now no longer three, but five or six major providers of TV research worldwide. This naturally limits the market for each individual company.
The links between the SRG research service and your own companies seem extremely complicated and are a constant source of rumors. Who actually earns money from Radio- and Telecontrol, who owns what?
Steinmann: It's not really a simple matter that can be explained in two sentences. But everything is clearly and neatly regulated between the groups involved and set out in a comprehensive contract. A distinction must be made between Telecontrol and Radiocontrol. In the case of Telecontrol, whose development was co-financed by SRG from the outset, all naming and patent rights belong to SRG. In return, it receives five percent of the foreign revenue from the hardware license and one third from the software license revenue. Incidentally, the ownership structure was investigated by a commission two years ago. It came to the conclusion that Telecontrol was worthwhile for SRG. Also because the Swiss system is significantly cheaper than comparable foreign systems.
With Radiocontrol, on the other hand, are you the main beneficiary?
Steinmann: Radiocontrol involves ten years of development work, so of course you couldn't expect SRG to finance it. We have arranged it so that SRG receives the name license and part of the software license from Radiocontrol. On the other hand, the patents belong to the Telecontrol Group, which financed the seven million francs in development costs - and also paid the 13 companies and five university institutes involved in the development.
What is the ownership structure of the Telecontrol Group?
Steinmann: The Telecontrol Group is currently 51% owned by Eiphos AG, which I control, and 49% by the German market research company IH/GfK. There are three different areas of my activities: The first is Switzerland. Here I am head of the SRG research service and represent the interests of SRG alone. For example, I stepped aside from the new service contract with Liechti AG, which manufactures the hardware components. The second area of activity is Europe, my actual home hunting market. Here I personally look after the individual countries. The third area comprises the USA, Asia and the rest of the world. Here I have alliances with partners who take care of the marketing of our measuring systems.
What is your vision with Radiocontrol?
Steinmann: First of all, Radiocontrol now has marketing in the radio sector ahead of it. And, as already mentioned, worldwide. Secondly, Radiocontrol can be used to measure TV programs, where Telecontrol can be supplemented. In Switzerland, we not only record 128 radio stations with Radiocontrol, but also 59 TV stations. The result is striking: Radiocontrol delivers exactly the same values as Telecontrol. For example, it is suitable for measuring TV stations whose audiences are so small that they cannot be recorded even with a Telecontrol panel, however large it may be.
What prospects does Radiocontrol have for out-of-home use?
Steinmann: Radiocontrol is an ideal measurement system for any form of out-of-home use, such as for terrestrial digital television. Its rapid introduction is a done deal in Germany and France, and I am convinced that it will also come to Switzerland quickly and very soon. And we are well prepared for this. We already have a radio control panel in our country with 22,000 people who wear the watch twice a year for a week. However, my big vision is to establish Radiocontrol as a multimedia and intermedia survey tool.
Can you be more specific about this vision?
Steinmann: The Radiocontrol watch can not only compress and digitize radio and TV programmes and ambient sounds, but also certain texts spoken by the wearer, for example print titles. Thanks to this feature, the watch could also be used for print research. Like this: When the watch wearer reads a newspaper or magazine, he or she briefly speaks the title of the corresponding page into the watch. This means that the same device can be used to record print, radio and TV. But there's more: the Radiocontrol watch can also be used as a media supplement in any consumer panel.
Do you want to set up a print panel to compete with Wemf?
Steinmann: Certainly not. As far as multimedia use is concerned, I don't have Switzerland in my sights at the moment. I'm thinking "globally" here too. The main thing is to make Radiocontrol more attractive in terms of costs, because the new system doubles the cost of radio research. The radio markets alone are not sufficient to fully exploit such a system. Anyone introducing Radiocontrol must also ask themselves how they can additionally market the system.
Radio and telecontrol are both characterized by high measurement accuracy. Nevertheless, the accuracy of measurement in another area of research in which you are also involved is also called into question: The SRG research service collects the data for the MMXI Internet panel. However, the two virtually identical internet panels from MMXI and ACNielsen produced very different results for April: ACNielsen showed half an hour more usage time than MMXI, but the latter found 600,000 more active Internet users. These are dramatic differences.
Steinmann: Yes, that's the case.
But that is bad for the image of market research. How can it get out of it?
Steinmann: I can only speak for us. We spared neither expense nor effort in testing the measurement method. We conducted a baseline study with 43,000 interviews on the representativeness of our panel. Nowhere else in the world is the MMXI data as well controlled as in Switzerland. We work at a very high scientific level and have all our instruments checked by the Media Science Control Commission. This also applies to the MMXI. But if someone finds that our method has a flaw, I will be the first to intervene. That goes without saying. We want proper research, that is always the main goal.
When will the next generation of Telecontrol be launched on the Swiss market?
Steinmann: Telecontrol VIII should be ready for the market in about a year. It is geared towards future developments such as digital television and digital recording options, which will require the metering devices to be adapted. In future, we will differentiate between two types of households: the "high-sophisticated households", which will make full use of digital technology, and the "low-sophisticated households", which will make less use of the new possibilities. These two different types of household do not need the same telecontrol device.
Does this mean that we will have a two-tier system for Swiss TV households from next summer?
Steinmann: This has to do with the high costs. The device that can do everything, especially when dealing with digital channels, costs around twice as much as the simpler device. If we were to equip all households with them, the panels would be too expensive.
What is the title of your next crime thriller? Will it be set in the media scene again?
Steinmann: The "Weynzeichen-Recherche" was certainly not my last crime novel. But the next one will probably take place in a different milieu. You have to know an area very well to be able to set a novel in it. In "Weynzeichen-Recherche", the subject is the commercialism of the media, I know that from my own experience. There are a few other areas where I also feel at home: research, aviation and the university. These are obvious milieus for the next crime novel. Interview: Daniel Schifferle
"What we are doing now with Radiocontrol at its launch is just the beginning."

"TV research comprises the largest research assignments there are in market research."
Matthias SteinmannBorn May 27, 1942
Place of residence Ursellen
Marital status Married. Two daughters aged 9 and 17.
Career After graduating from the University of Berne (rer. pol.) in 1967, he worked for five years as deputy managing director at AG für das Werbefernsehen. In between, doctorate on the subject of
"Radio advertising in Switzerland", habilitation thesis "Mass media and advertising". From 1973 delegate for audience research at SRG. 1983: Founding of Radio ExtraBern AG (50 percent), one year later sale of the share to today's Espace Media Groupe. 1984: Honorary professor of media studies at the University of Bern. 1985: Introduction of the Telecontrol system. 1986: Takeover of Liechti AG (51 percent) and foundation of the Telecontrol Group. 1989: Part-time
Associate Professor and Co-Director of the Institute for Media Studies at the University of Bern. 1993: Foundation of Publica Data AG (100 percent SRG). 2000: Radiocontrol is used as a measurement system and receives the Swiss Technology Award 99. Launch of the Internet research MMXI.
Quality of life "The more content you can create yourself, the less you are determined by others, the better your quality of life will be - provided you are healthy. For me, it doesn't matter how much you do or how many different things you do."
Professional pilot "Of course, the designation only applies to my B/JFR license on turboprops. But there was a time when I also worked as a pilot at weekends. Today, I only fly when I have to go to Berlin for work at my company Modata. Then I fly myself."

Hoping for a dynamic second semester

Commercial ads and job listings in most print media are on the decline

Commercial and job advertisements in decline in most print mediaCommercial and job advertisements in most Swiss print media fell in May. However, Publicitas expects the advertising markets to regain momentum in the second half of the current year, with the negative trend already observed in April for both commercial and job advertisements continuing in May. The decline even accelerated somewhat. This was the case for practically all title categories and in all three parts of the country. According to VSW space statistics, newspapers as a whole lost 7.5 percent of their advertising space. Commercial advertising fell by 7.8 percent compared to the same month last year. At minus 6.4 percent, the setback in job advertisements was only the second and at the same time the highest negative result in this advertising category for years. The weekly newspapers in German-speaking Switzerland, whose job market (Kombi Executive plus) slumped by 43.1 percent, were particularly hard hit.
The only exceptions to the negative trend were in Ticino and French-speaking Switzerland, where weekly newspapers were able to make gains. Magazines lost 3.7 percent across Switzerland as a whole, with German-speaking Switzerland faring best with a drop of 1.5 percent.
Despite these consistently negative developments, it should not be forgotten that advertising volumes are now at a very high level after years of climbing. This is still true, even if the trend has now gone into reverse.
The Publicitas index reflects the imbalance in May with a fall of 0.8 points. According to Publicitas, the decline is mainly due to the reluctance of important sectors (major distributors, telecommunications companies) to invest.
The decline in the job advertisement index, which fell by 1.5 points, is painful: this is the first time since June 1997 that a negative result has been recorded; from then until April of this year, the index had only climbed.
However, Publicitas warns against fears of depression with regard to future developments, especially as the most important economic indicators continue to point upwards. Daniel Schifferle

Love, Peace - and Community

With the relaunch of its website, the Street Parade Association is focusing on the event's original core content

With the relaunch of its website, the Street Parade association is focusing on the event's original core contentBy Alessandro Monachesi Zurich's biggest techno event has revamped its web presence: For the tenth edition of the Street Parade in August, the site will be reinforced by a community section. Despite the expected mass influx, the Street Parade association is relying on a soft marketing of the website.
Every year in midsummer, Zurich, which has a reputation for being a prudish Zwinglistadt, is transformed into a witches' cauldron. Hundreds of thousands will once again dance half-naked in the city center on August 11, while the Love Mobiles plow through the crowds. The Street Parade has long since become the event of summertime Zurich. Last year the organizers counted 750000 ravers, this year it will be no less.
Such a major event requires an adequate website, on the one hand to inform the masses, but also to get them in the mood for the event. With the redesign of streetparade.ch, the Zurich web agency Netvertising has implemented both requirements.
As much as the Street Parade Committee tries to sell the street parade as a political demonstration, the Street Parade is basically only about two things: music and community. These two life-enriching components are then also the foundations of www.streetparade.ch.
The visitor can create a so-called e-card on the site. This gives them access to all the site's community functions. For example, they can create their own sound profile that plays in the background every time they visit the site, design an icon that can be
identified him, create a personal motto from construction kits with a limited vocabulary, which is projected onto screens at the Street Parade, or he can contact other registered users. The only drawback: Mac users with Internet Explorer only have access to a slimmed-down HTML version.
The redesign is a nice stroke of luck for net designers
"For us, the contract to design the Street Parade website is a stroke of luck," rejoices Balz Lendorff, company owner and project manager at Netvertising. "Since the site has no commercial goals, we are very free in its implementation." Netvertising was also able to convince the sponsors to refrain from using too large logos, as they would otherwise lose value anyway.
Without any declared commercial objectives, www.streetparade.ch also largely refrains from collecting user data. Only for the newsletter and for the planned online game is the e-mail address requested. "Give and take between the provider and user of a website must remain in balance, otherwise the site won't work," explains Lendorff.
Dominik Kaiser, who is responsible for the Internet and recordings at the Street Parade association, expects the real rush on the Street Parade site to start at the beginning of August: "Then we will generate up to two million page views per day. The references on event flyers, posters and in booklets that are available in train stations ensure that enough surfers stop by the site. In addition, the media partners, including Viva and NRJ, are also beating the advertising drum.
Many sponsors got cold feet
But even after the mega-event, the site will not simply lie idle as web space junk on the Internet: "After the last Street Parade, about 500 users a day still visited the website throughout the year," Kaiser reports, "mainly in the afternoon during office hours."
Since the website is primarily intended to cover its own costs and nothing more, the Street Parade association refrains from blanket marketing. The usual banner ads at other locations are out of the question. Instead, the association relies on sponsoring individual offers such as the newsletter.
The task of "soft" marketing streetparade.ch has been taken on by online marketer Banner.ch from Küsnacht. Despite a clearly defined target group and the expected huge rush to the site, however, this is unlikely to be a piece of cake: Last fall, several Internet companies were still interested in sponsoring with huge contributions, Kaiser knows to report. "Today, there is hardly any sign of that," Kaiser reports.

Brazil's advertisers in the award rain

At the Festival Mundial de Publicidade in Brazil, U.S. advertisers came away empty-handed for once

At the Festival Mundial de Publicidade in Brazil, US advertisers came away empty-handed for onceBy Stefan Hofmann* From June 13 to 16, the 13th Festival Mundial de Publicidade took place in Gramado, Brazil. It takes place every two years and is considered the most important event in the communications industry in Latin America.
The seemingly provincial venue, far away from the large conurbations and advertising strongholds of São Paulo, Rio de Janeiro and Brasilia, is astonishing. Gramado is located in Rio Grande do Sul, Brazil's southernmost state, on a plateau two hours away from Porto Alegre. Although Brazilian advertisers are used to longer distances - a presentation here can easily take three to four hours by plane - the rather complicated journey to the festival does seem to have a negative impact on visitor numbers.
Luiz Coronel, President of the organizing Latin American Association of Advertising Agencies (ALAP), was nevertheless satisfied with the 3500 visitors from 30 countries, particularly in view of the electricity rationing currently imposed on Brazil. With the exception of the market leader for energy-saving lamps, which was able to increase its sales in Brazil by around ten million reais (9.5 million Swiss francs) or 35% within three weeks, the measures are having a dampening effect on the economy as a whole and therefore also on the willingness to travel.
The Gramado Festival accepted entries in Portuguese, Spanish and English. A total of 1768 campaigns from 179 agencies from 12 mostly South American countries were submitted this year. The absence of the other leading advertising countries can be explained by a clash of dates: the Gramado Festival, which is predominantly important in the Latin American language region, was held shortly before the Cannes Festival.
Brazilians win awards on their own continent
Despite the undisputed dominance of television advertising in the Latin American media mix, only 476 TV commercials were submitted - compared to 708 advertising campaigns. Submissions were significantly lower for graphic publications (260), radio spots (191) and outdoor advertising (141).
In complete contrast to the provincial venue, the festival jury was international. In addition to personalities from the ALAP member states, communication specialists from Europe, the USA and Asia were appointed to the jury.
Brazil's position as one of the leading countries for creative advertising, which it has regularly held at international competitions such as New York, Cannes and London in recent years, was also confirmed at the Gramado Festival. For example, 19 out of 27 Gold Awards, 28 out of 47 Silver Awards and 33 out of 57 Bronze Awards as well as 4 out of 5 Grands Prix went to Brazilian agencies. The special prize for the best-used medium also went to Brazil for an outdoor advertising campaign. The Amazonas special prize for the best eco-campaign, on the other hand, went to an agency from Portugal. Argentina took second place in the country ranking after Brazil, followed by Portugal, Uruguay, Mexico, Colombia, Japan and Mozambique. Cuba, the USA and Ecuador came away empty-handed.
The importance of TV advertising in South American countries, especially in Brazil, was also reflected in the quality of the work. While truly outstanding campaigns were few and far between in most categories, the quality of the TV commercials from Brazil was significantly higher.
The themed events and workshops held as part of the festival were well attended. In his show "The design and control of digital communication", English advertising filmmaker and digital designer Tony Kaye argued for a more holistic and differentiated approach to electronic media in relation to users' values.
Luis Bassat, President of Ogilvy & Mather, Spain, and Luis Augusto Cama, Vice President of Ogilvy & Mather, São Paulo, showed and analyzed the most successful TV commercials of recent years.
In the context of the festival, the Latin American Association of Advertising Agencies invited representatives from politics and communication to a business lunch, which offered an exchange of ideas on topics relating to commercial communication. In this context, Paulo Renato de Souza, the Brazilian Minister of Education, and the author of these lines discussed possible opportunities for the exchange of young professionals between Switzerland and Brazil in the spirit of Stages and agreed to meet again in due course.
*Until recently, Stefan Hofmann was Client Service Director of BDWHS, Baden, and ASW President. He was a member of the TV jury at the Festival Mundial de Publicidade in Gramado.
Top Twenties With one Grand Prix, 3 Gold, 2 Silver and 4 Bronze awards, Carillo Pastore EURO RSCG (Brazil) was the best agency. Click (Brazil), Savaglio TBWA (Argentina), Master (Brazil), Upper (Brazil), DZP (Brazil), McCann-Erickson (Portugal), Doctor Propaganda (Brazil), Competence + MKT (Brazil), ADN (Uruguay) also placed in the Top Twenties, Martins + Andrade (Brazil), V&S (Brazil), McCann-Erickson (Argentina), Comunicação Carioca (Brazil), Pejota (Brazil), Escala + MKT (Brazil), Edson, Augusto, Handler, Costa (Brazil), Strat (Portugal), Clemente Camara (Mexico), Sancho BBDO (Colombia).

Advertising on lecture notes.

Go Uni Werbung, a media agency specializing in higher education advertising, is now offering advertising space on the lecture handouts at the University of St. Gallen (HSG).

Go Uni Werbung, a media agency specializing in university advertising, is now offering advertising space on the lecture handouts at the University of St. Gallen (HSG). Interested parties are encouraged to book entire fields of study at once, for at least one semester. The target audience—young business students—can be segmented even further by semester and field of study. One company is featured on the cover pages of each set of lecture notes. Car brands on display. When Maggi, Nutella, Coca-Cola, or Philadelphia (cheese) commission a cookbook to reinforce brand recall among book buyers, people talk about synergies. But what are we talking about when a car manufacturer brings a cookbook into the world? Of course, «Vorsprung durch Technik.» That fits right in with wheels and rings (four for Audi!). So the plates, composed by Rico Zandonella, chef de cuisine at Petermann’s Kunststuben, are photographed to look like car tires. And where are the synergies? Ernesto Larghi, Audi brand manager at importer Amag, knows exactly: «The highest quality is demanded both on the plate and in car manufacturing.» So this isn’t a book for casual readers. You can still buy it, though: for 59 francs at Amag boutiques and at Audi dealerships. There, you can test-drive cars, but unfortunately (yet) you can’t sample Zandonella’s dishes…
A Burning Candle for Camel. McCann-Erickson pulled out all the stops: To mark the 30th anniversary of its Swiss production office, the advertising agency presented the cigarette giant Camel with a poster. The poster’s subject: a hand in a typical cigarette-holding pose with a lit…candle. The people behind the poster were: Claude Catsky (concept/idea) and Daniel Comte (art). Catsky commented: «Isn’t it nice to see how a large agency can go to great lengths even for small things like this birthday poster?» Incidentally, the Camel executives at JT International thought the joke about the smoking birthday candle was very well done.
TAKING THE JOY OF SKATING TO THE NEXT LEVEL. Zurich may not be the center of the universe, but it’s definitely the hub of the asphalt surfing scene, writes Schwingboard Connection in a press release. The association for the promotion of old-school skating plans to establish its shop at Josefstrasse 73 in Zurich as a meeting place for the scene, which apparently numbers over 3,000 boarders. The skate shop, which specializes in slalom skateboards and longboards, can count on promotional support from Wirz Werbung in Zurich, where Roger Grolimund, president of the Schwingboard Connection, serves as a consultant. Through its imagery and color scheme, a playful poster captures the thrill that asphalt surfers experience as they race down steep streets on an X-Large skateboard.
REFERENDUM POSTERS AT THE NATIONAL BANK. Referendum posters are, so to speak, the final fanfare before a referendum campaign reaches its climax. The issues are narrowed down to the essentials, because at the ballot box, the only choices are “Yes!” or “No!” Both words therefore serve as the title of an exhibition featuring Swiss referendum posters from 1918 to 1958. The poster collection of the Zurich Museum of Design is currently on display at the Swiss National Bank, where the posters are exhibited in the display windows of the newly renovated building on Fraumünsterstrasse/Stadthausquai, across from the Bauschänzli.
APG Continues to Gain Momentum. Allgemeine Plakatgesellschaft (APG), a subsidiary of Affichage, increased its net revenue by 12.4 percent in the first half of the year compared to the same period last year. Despite a slowing economy, outdoor advertising thus once again posted growth compared to the overall advertising market. For the second half of the year, APG continues to expect a somewhat weaker increase in revenue compared to the previous year. It also notes a continuing trend toward last-minute bookings.
Editorial

The Evil New World of Brands
The world is a terrible place, and it’s nice to go along for the ride on the media merry-go-round. Guided by this motto, former advertising executive Frédéric Beigbeder is touring the country. In his novel *39.90*, he describes the world of advertising as a pandemonium. The cultural-revolutionary manifesto «No Logo!» by Canadian author Naomi Klein has become a cult classic. And in Switzerland, too, the anti-brand movement is gaining ever greater traction.
Surprisingly, however, this criticism is not new. Once again, the «secret seducers» and the «advertising nature of culture» (Adorno) are being pilloried. What is new, however, is the tone: the new critique of brands and advertising comes across as strangely unironic. Reality and morality are held up as counterweights to the illusory world of brands. Yet it is foreseeable that the world behind the world of brands is no more real than the world of brands itself.
The anti-brand partisans are blind to the fact that the driving force behind the alienation mechanism of brand-building is the same as their own: the desire to capture something «true» outside the brand system.
We have to live with the «scandal» of an immanence that cannot be broken. What remains is the playful serenity of the enlightened world—the realization that we can only choose between brands, because even a “non-brand” is already a brand.
From September 12 to 13, the GDI will hold its 51st International Trade Conference in Rüschlikon. Kalle Lasn, founder and editor of Adbusters, who has earned an impeccable reputation for his sharp criticism of branding, has also been invited. There’s sure to be plenty of debate here as well. Samuel Helbling

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