PR guru Klaus J. Stöhlker (60) is preparing to step down: After his older son, Fidel, took over management of the Berlin branch of Stöhlker&Partner GmbH a year ago, Fidel and his brother Raoul Stöhlker are now each acquiring a 50 percent stake in the company. Stöhlker&Partner expects fee revenue of about 0.5 million marks this year and counts, among others, Swiss Ambassador Thomas Borer among its clients. It is not yet clear when the two brothers will also take the helm at the parent company, Klaus J. Stöhlker AG, in Zollikon. «Fidel and Raoul are supposed to take over from me someday,» Stöhlker Senior told *WerbeWoche*. «But for now, I still feel relatively fit.» Next year, his agency will celebrate its 20th anniversary. 1999 Advertiser of the Year as a cover girl. It’s probably every girl’s dream: to be a cover girl once in her life. Some actually make it onto the cover of the teen magazine *Mädchen* in their shy teenage years. Others have to wait a little longer. But then they grace the cover of *Bilanz*. Or at least the cover of a special issue of *Bilanz*. Danielle Lanz now smiles elegantly yet warmly from such a cover. «Women in Suits» is the double-entendre title of the accompanying article. The advertising executive’s career detour can be discovered in the magazine *Luxus*. This special issue of *Bilanz* kicks off a lifestyle series that will continue next year with the themes of watches, cars, and interior design, before returning to the topic of luxury in the fall of 2002.
Confusion Surrounding «Das Goldene Ohr.» The team at Lowe Lintas GGK in Zurich was quite surprised: A news email from WerbeWoche reported that the agency had won silver at the «Das Goldene Ohr» radio advertising awards for a commercial created for Radiotele. «We’d like to thank the organizers of the Golden Ear for our new client, Radiotele,» wrote Mark Stahel and Daniel Keller from the agency’s management team with a smug tone. Lowe Lintas neither handles Radiotele’s account nor had it submitted a commercial to the competition, Keller explained to *WerbeWoche*. Did Lowe Lintas win the Silver Ear as unexpectedly as the Virgin Mary gave birth? A call to Leos Gerteis from the «Das Goldene Ohr» association provided clarification: The award-winning spot is part of a genre-based advertising campaign that Swiss private radio stations carried out in the summer of 2000 under Radiotele’s direction. According to Gerteis, 10 to 15 agencies were asked to create radio commercials for the campaign. The entry from Lowe Lintas—which the agency apparently could no longer recall—was produced by Jürg Weber (now with Euro RSCG). It remains unclear who submitted the spot to the competition. Neither Lowe Lintas nor Radiotele claims to have done so.
A Platform for Nolde. Although Zurich-based artist Nolde Banziger lives in Tuscany, his mind is usually somewhere in America. In any case, the land of once-unlimited opportunities has become an integral part of Banziger’s work. This will also be evident in November in his artworks featured in the exhibition «The Revival of Diners.» The focus is on images of American entertainment venues. These iconic diners first appeared in the 1950s and are now experiencing an unexpected resurgence. The opening reception at Plattform22 in Küsnacht will take place on October 31 starting at 6 p.m. Plattform22 is a cultural initiative of TBWA Switzerland.
Wirz IR is partnering with Haubrok. The Zurich-based agency Wirz Investor Relations has formed a strategic alliance with the German company Haubrok AG. Haubrok, an agency specializing in financial market communications, is headquartered in Düsseldorf and has offices in Frankfurt and Munich. It employs 40 people and generated fee revenue of 30 million marks in 2000.
Pipilotti Rist Designs APG Poster. When many people interested in literature weave together the same material, the result is sometimes a colorful tapestry or a book—and very, very rarely, even a poster for the book. Pipilotti Rist, an artist whose fame extends far beyond Switzerland’s borders, has designed a poster—for the first time and free of charge—for the book *swissmade*, published by Klaus Wagenbach in Berlin and edited by literary scholar Reto Sorg in Bern, which brings together texts by young Swiss authors. APG staff applied glue to the back of the poster and affixed it to billboards that had not been booked, says APG Marketing Director Rolf Chiarini. As a result, a total of 500 to 600 locations have been filled with the motif by the artist from the Rhine Valley. «In terms of francs,» Chiarini went on to explain, this outdoor cultural initiative by the poster company cannot be quantified. Nor can the compensation APG received in return: tickets to readings featuring the authors, which it promptly forwarded to copywriters at advertising agencies. These tickets can be redeemed, for example, this coming Saturday at the Schiffbau Theater in Zurich, when the event organized by the Zurich Booksellers« and Publishers» Association, titled «The Long Night of Short Stories,» takes place.
Editorial
Creative, more creative, most creative
On the Meaning of and
The pointlessness of countless creative competitions is highly debatable. For some, they serve as a creative yardstick for their day-to-day work with clients; for other advertisers, they merely encourage self-aggrandizement. For the second time, WerbeWoche is publishing its ranking of the most creative Swiss advertising agencies. Given the flood of awards, it’s clear to us that we don’t want to include every “consolation prize” event that seeks to make big money off the industry’s vanity. Due in part to low participation, a number of international competitions were omitted from the list. We have included the most important national and international events.
The centerpiece of this creative ranking is the ADC Switzerland awards ceremony. This has nothing to do with Blocher’s isolationist policies or even navel-gazing, but simply with the fact that it is the only event where virtually all of Switzerland’s best campaigns compete against one another. And who, if not the ADC, is the universally recognized institution capable of judging creative advertising in Switzerland? The fact that large agencies or networks, thanks to more substantial in-house advertising budgets, participate in more international competitions
The fact that small agencies can participate is something that cannot be ignored.
A certain degree of self-restraint on the part of the agencies could, in this regard,
It won't hurt. We are aware of the challenges involved in evaluation and selection, and we've made the best of it.
You can find the top ten Swiss creative agencies on page 24. Samuel Helbling