Manuel Wenzel, Chief Creative Officer at TBWA\Zurich. (Photo: Courtesy of the publisher.)
Can you run an agency remotely? Sure, but it’s a pain. At least, that’s how I see it. Especially when you’re in a leadership role. The term for it? LFA—lead from anywhere. Working completely remotely from a chalet or a Mexican creative enclave via Teams or Zoom. Sounds sexy, right? But it doesn’t match reality at all. What does reality look like? LFH—Lead from home. The problems I see here go far beyond the endearing sight of kids, hamsters, and partners «walking through the frame.».
Too much screen time, not enough reflection
The problem is screen time itself. And the fact that on many days there’s zero time between appointments. Literally zero. Because while people in Villariba are still saying goodbye during Teams call number 1, the next group is already waiting for Teams call number 2 in Villabajo. Even the three and a half minutes it might have taken «at the office» to walk from meeting room 1 to meeting room 2 are gone. Not to mention the travel time to and from meetings with clients or service providers. And with that, so too do the brief moments for reflection or catching up on emails.
The far bigger problem, however, is the lack of closeness. I mean physical closeness, not the «How are you? I’m fine»—type of screen-based closeness. In my view, physical closeness is essential for emotional closeness. For example, for the joke by the coffee machine—which is often cited in this context—or jumping on the table when a team’s idea wins in Cannes. Or even offering a word of comfort when, despite all our efforts, the client has decided to go with «the one with the little flags.» And when it comes to being creative, I believe that HO, LFA, and LFH don’t do the result any favors. Sure, there are ideas that you develop through craftsmanship and experience. And there are ideas that are born on the sofa and in just one person’s mind. But the energy that arises in a team—one that, ideally, also gets along well—cannot be digitized. And it’s irreplaceable. It will never emerge in a video chat. No one runs into each other by chance or spontaneously on Teams, Google, or Zoom. And so, no one contributes anything unexpected—but perhaps priceless.
It’s about creating and nurturing an atmosphere, an (agency) culture, and a breeding ground for creativity and a sense of community. It’s about building a place where people enjoy being—in part because it’s a place filled with people they enjoy spending time with and achieving things alongside. And in my view, that’s a leadership responsibility. A South African proverb sums it up well: «If you want to go fast, go alone. If you want to go far, go together.»
* Manuel Wenzel, Creative Director at TBWA\Zurich, Wenzel treats us to a column in each issue of m&k’s print edition. What does that mean? We’re not quite sure yet, which is exactly why we love it. The advertising industry has a skewed image among the general public—and Wenzel believes that needs to be set straight.
Liza Engel: The Treasurer
Liza Engel has been committed to Deloitte Switzerland's most valuable resource for three years as Chief People Officer: its employees. Emotional intelligence and empathy are her cornerstones in this role.
Anna Kohler
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31 March 2022
As Chief People Officer, Liza Engel focuses on ensuring that people and the entire organization can reach their full potential. (Photo: Deloitte Switzerland)
People are emotional beings; they want their concerns and needs to be taken seriously and to feel fully understood. Only then can they reach their full potential and contribute effectively. More than 2,200 people work for the audit and consulting firm Deloitte Switzerland. People from over 60 different countries work together every day. Everyone should feel at home. Liza Engel, as Chief People Officer (CPO), makes sure of that. She asks probing questions and isn’t satisfied with empty platitudes. She reads between the lines and perceives the person she’s talking to in a holistic way. Where does this gift come from?
Liza Engel was born in Canada and grew up as an only child, lovingly cared for by her mother. She was a rather shy child. She enjoyed observing people and discovered her ability to holistically grasp nonverbal behavior. She looks beyond the surface and is thus able to develop an understanding that allows her to recognize people’s needs and concerns without them having to tell her about them. From her mother, she learns that you can achieve anything if you work hard for it. She develops ambition and discipline, working on weekends alongside her schoolwork. After graduating from high school, Liza Engel studied economics, marketing, and finance in Alberta. She married a Swiss man and moved with him in 1999 to the country where she has now lived for 23 years: Switzerland. «I was curious and wanted to see Europe. Back then, I never could have imagined that I would never return to Canada,» she says in an interview.
Work Experience
At PwC in Zurich, she gained her first insights into professional life, then moved to Swiss Life, where she worked her way up to Senior Marketing Manager. She also developed her language skills through regular interaction with people—her initial need to catch up linguistically simultaneously sharpened her awareness of nonverbal communication. Her childhood shyness quickly faded, giving way to her talent for communication, which she gradually perfected. Liza Engel moved to Swisscom and helped shape the company for over 14 years during a time of major change. She is interested in diversity, inclusion, agile leadership, human-centered design, and customer experience design, and has been able to implement key initiatives in various roles, consistently achieving success. She plays a pivotal role in strengthening the Swisscom brand and successfully positioning the company.
«I'm surrounded by smart people who are passionate about what they do.»
In 2019, Liza Engel joined her current employer, Deloitte. The role of Chief People Officer gives her the opportunity to bring together all her skills—both those she has acquired and those she possesses naturally. She now has 20 years of experience in marketing, communications, and human resources at all management levels. She feels a deep sense of gratitude for being able to serve employees, help them unlock their potential, and provide them with targeted support. She has seen firsthand what happens when people believe in others. «I see something in you; you’re special; I believe in you.» These are the words that have shaped and strengthened her throughout her own career.
Liza Engel is 47 years young, a mother of three, and married for the second time. She is now a partner at Deloitte Switzerland, works full-time, and moved with her family to the Bernese Oberland last May. Her husband supports her in all areas of life. Together, they juggle family and work life.
Years of Maturity
When asked how motherhood has changed her management skills, she says it has been a profound experience that has completed her personality like a missing piece of a puzzle. Every day is full of the unexpected; she has to react, be flexible, and above all, not be perfect. «Learning that wasn’t easy for me,» she says, her gaze turning inward for a moment. «I’m a product of the »Martha Stewart generation’: always in a good mood, always perfectly made up, always with a smile on my face. The house perfect, the kids perfect, everything a breeze! I had to let that go.” Being honest with herself and communicating that to the outside world has made her stronger.
Within her team of 65 employees, she has also fostered a work environment characterized by open and genuine interactions, with everyone treated as equals. Transparent communication, combined with a positive attitude, has also been essential for collaboration during the pandemic. In an internal survey, employees described management’s communication and actions as «fair»—a compliment, as Liza Engel sees it. Ever since she and her family moved to the Bernese Oberland and have been experiencing the benefits of nature every day, Liza Engel has felt a growing desire to advocate for greater sustainability. She wants to place a stronger focus on this issue both in her personal life and at work—as treasurer of Natur und Mensch.
Deloitte is one of the leading audit and consulting firms in Switzerland and worldwide. The company offers industry-specific services in the areas of Audit & Assurance, Consulting, Financial Advisory, Risk Advisory, and Tax & Legal. With over 2,200 employees across its six locations—Basel, Bern, Geneva, Lausanne, Lugano, and its headquarters in Zurich—Deloitte serves companies and institutions across all sectors of the economy.
Customer Experience: "Significant room for improvement".
Positive customer experiences also depend on how companies manage their content—but this is precisely where many companies have room for improvement. Jean-Michel Pittet, VP of Engineering at Adobe, has some suggestions for solutions.
Johannes Hapig
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March 30, 2022
(Image: Unsplash/Katya Austin)
m&k: Jean-Michel Pittet, Adobe has a large branch office in Basel. What are you and your colleagues there primarily working on?
Jean-Michel Pittet: That’s right—in 2010, Adobe acquired Day Software, a company specializing in content management systems, and retained its Basel office. Today, we develop Adobe Experience Manager here. We’re a well-coordinated team; many of our employees have been with us for decades. Since then, we’ve worked together to build Adobe Experience Manager into the world’s leading content management system solution. One of our key milestones was transforming Adobe Experience Manager into a cloud service. The cloud-native architecture enables a high pace of innovation, allowing ideas to be implemented quickly and easily. Smaller companies also benefit from this: businesses no longer have to host and maintain Adobe Experience Manager themselves; as a cloud-native solution, implementation and maintenance are handled by us as the cloud provider.
«Experience management is no longer just a nice-to-have—it's a necessary prerequisite.»
You said it yourself: Adobe's products place a strong emphasis on customer experience management. Why has this field become so important?
In an era of global competition and increasing product comparability, the overall experience associated with a brand is crucial. This experience is largely determined by how well a company knows its own customer base. The economic impact of an above-average customer experience can now be clearly demonstrated and affects all areas of a business. This starts with customer acquisition, extends to customer retention, and reaches all the way to upselling and cost reduction. Every touchpoint along the customer journey is an opportunity for brands to make a decisive difference compared to the competition.
What does an excellent «customer experience» mean to you personally? Feel free to share a specific, surprising, or humorous example…
For me, a great experience is one that leaves a lasting impression. Whether that means I want to buy a product or service right away, or that I still have positive memories of the interaction days or weeks later, personalization is the key for me. As people, we feel seen and valued when an individual or a company addresses us personally—for example, in the way they speak to us or through content tailored to our interests and needs. These memories stick with us and ensure that we choose that brand again.
At the heart of your product lineup is the Experience Manager, with which you promise: «Make delivering great digital experiences look easy.» In reality, many companies still struggle with this.
Yes, we saw that in our latest study, «Content Management as an Enabler for Digital Transformation,» as well. According to the study, the companies surveyed face a technological challenge above all else when it comes to the strategic direction of their content planning. With the solutions they’ve used so far, a consistently customer-centric approach is simply not possible. So it’s no wonder that nearly half of all companies are dissatisfied with their current content management solution. The main points of criticism are the lack of personalization options and the speed at which content can be published.
What do you consider to be the «key learnings» from the study mentioned?
A key finding of the study is that content management is a crucial factor in digital competition. Companies are well aware of this: Nearly three-quarters of the Swiss and German companies surveyed see it as an important lever for both retaining existing customers and acquiring new ones. This makes it all the more striking that just over half have developed a corresponding content management strategy. There is definitely room for improvement.
Could you explain to the less tech-savvy marketers among us how content management and customer experience management are related?
Customer experience management means providing consistent experiences for every customer across multiple channels. Content management plays a crucial role in this process. Modern content management systems not only enable seamless collaboration with creative teams and other departments, but they also support multi-channel distribution and allow for continuous content optimization. This is made possible by the use of artificial intelligence; by automating processes, companies can excel in terms of speed and scalability while simultaneously reducing costs.
How has the COVID-19 pandemic affected digital customer experience management? Has this area become more important?
The pandemic has definitely accelerated this trend. When in-person communication is no longer possible—for example, at trade shows or during business meetings—companies must find alternative ways to connect. Although we’re out of the strict lockdowns, there will be no going back on the developments of the past two years. Consumers—and, incidentally, company employees as well—have come to appreciate digital possibilities far too much. Customer experience management is no longer just a nice-to-have; it’s a necessary prerequisite for remaining competitive. This is also evident in Adobe’s latest Digital Trends report: 87 percent of European companies report that customers now expect digital solutions.
How can technology help in this area?
Everyone knows that feeling when the perfect comeback doesn’t come to mind until a few moments too late—a missed opportunity. The same goes for customer experiences; communication has to be spot-on. To achieve that, of course, you first need to know exactly what customers want at that very moment. A real-time profile provides us with these insights. Here, all the information from every single touchpoint converges, is consolidated, and provides precise insights into the needs of each and every customer. All relevant teams—from marketing to sales to customer service—can access these profiles, enabling them to deliver seamless «customer experiences at scale.» However, the profile alone is not enough. Only through native integration with the content management and experience management systems can personalized experiences be created and delivered directly to individuals.
Jean-Michel Pittet He works at Adobe as Vice President of Engineering for Adobe Experience Manager—a role he has held for more than nine years. A computer science engineer by training, he is also the author of technical books and a speaker at international conferences.
The Study: «Content Management as an Enabler of Digital Transformation», which is mentioned in the interview, is available to m&k readers as a free download available.
More and more companies are recognizing the importance of diversity, but they aren't putting it into practice. That's why messages about female empowerment fail to reach their target audience.
Tijen Onaran
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March 30, 2022
Tijen Onaran, CEO of Global Digital Women, writes regular columns for m&k. (Photo: Andrea Heinsohn)
First, the good news: More and more companies are recognizing the importance of diversity and championing female empowerment. The bad news: Behind the scenes, this message isn’t being put into practice. This is particularly evident in their communication. Time and again, I observe that messages about female empowerment, in particular, fail to reach their target audience. Why is that, and what does it take to communicate this topic credibly?
If it says “diversity” on the label, it has to be there
In the real world of business, little has changed. This is evident from a look at the latest figures on the proportion of women in upper management and leadership positions. According to the latest analyses by the Institute for Employment Research (IAB), the figures in these areas have improved only marginally in recent years—despite the Leadership Positions Act, which was passed back in 2015.
This reflects the underlying problem behind the lack of credibility in communication. It’s not enough to just come up with something about diversity for Twitter on International Women’s Day. Such commitment must lead to concrete actions; otherwise, any statement on the matter comes across as untrustworthy. Or to put it another way: If it says “diversity” on the outside, there has to be diversity on the inside, too.
The key insight has not yet sunk in
That is why companies must ask themselves the crucial question: Why isn’t anything changing? Numerous studies have shown that companies with diverse teams are more successful financially and more innovative. Unfortunately, this insight still hasn’t reached every boardroom. As long as diversity isn’t considered a «must-have,» companies will never make the necessary effort to prioritize these issues.
Female Empowerment Takes Courage
To promote diversity, there must be a genuine interest in change. This requires, first and foremost, recognition at the top. But that alone is not enough when it comes to credible communication. After all, communication and marketing are always about visibility—in two directions. On the one hand, communication can highlight problems. As mentioned at the beginning, this often happens unintentionally. On the other hand, however, it can also take the form of positive visibility that acts as empowerment in the truest sense of the word. After all, when women’s successes are highlighted and their voices are heard, their message can come across as credible to the outside world, and they can become role models for others. This requires courage—the courage to foster genuine, lived diversity, and the courage to make room for female perspectives. That is why we need more female voices in companies, in marketing, and in advertising. The credibility of our communication depends significantly on this. And it is precisely this credibility that is necessary so that female empowerment is not merely an advertising slogan, but also represents a lived reality within companies.
* Tijen Onaran writes a column for every print issue of m&k. She is the CEO of Global Digital Women, author of the *Spiegel* bestseller *«Nur wer sichtbar ist, findet auch statt»*, and was named one of the ten most influential people on LinkedIn in 2020. Her focus areas: diversity and inclusion.
Gen Z: "As a company, you just have to listen".
Yaël Meier and Jo Dietrich founded the company Zeam two years ago; they’ve been very successful in advising companies on how to engage with Generation Z. Both are in their early 20s, so they’re able to communicate effectively with this generation. So what makes this «Gen Z» tick? And what do they want? m&k asked them.
Anna Kohler
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23 March 2022
The team at the Zeam agency. (Photo: Chris Reist)
m&k: Who are the Gen Zers?
Yaël Meier: That’s us, the young people! These are people born between 1995 and 2010, who are now between 11 and 27 years old. This generation is just entering the workforce and is also extremely interesting for companies from a customer perspective.
Zeam helps companies reach this target audience—right where they are. Where is that?Jo Dietrich: A large portion of us is certainly active on social media—that’s how we grew up. Always online, always on our phones. For us, everything that happens digitally is just as real as what happens in the analog and physical world.
Are all the employees at Zeam that young?
Meier: Yes! Here's a fun fact: Our average age is 21, and our youngest employee, Timon, is only 16. I think you could even say he's the youngest agency employee in Switzerland. (laughs)
In an interview, you, Yaël, said that Generation Z knows exactly what it wants. And if you want to reach them, you have to know what they want, when they buy, and what motivates them.
Meier: That’s exactly where the big opportunity lies for companies: You just have to listen! And once you immerse yourself in the world of Gen Z, you’ll quickly realize that TV commercials just don’t work anymore.
Where does Generation Z hang out?
Meier: For example, on TikTok, in video games, and on streaming platforms. If you want to reach them, you have to meet them where they are and speak their language. Companies find this extremely difficult.
Dietrich: That’s actually how the idea for Zeam came about. We realized that many ads and products intended to appeal to a young target audience completely miss the mark. When we dug deeper into the issue, we found that while the 14–24 age group is incredibly important, most corporate project teams don’t include anyone under 30. That’s when it dawned on us: We need to build a bridge!
When did the idea of starting an agency first come to mind?
Meier: Things really came into focus when, for the hundredth time, we were asked: «Hey, can you please explain to us what young people think about XY?» Those were the topics I covered when I worked at Ringier at age 17. I wrote columns, produced podcasts, and worked on projects aimed at a young audience. So I’d been in this niche for a long time. And Jo’s professional experience was similar.
Dietrich: To put it in context, this was around October 2019. At the time, I was still pursuing my master's degree in Lisbon.
Which field of study?
Dietrich: International Management. We had actually planned to take a big trip to Brazil during my semester break, but we just couldn’t stop thinking about it. Since we had to make a decision, we did a test: We set up a LinkedIn profile for Yaël and started writing about the topic. The response was overwhelming. That’s when we knew: Brazil would have to wait. (laughs)
And you just jumped right in?
Dietrich: Exactly. It all started in January 2020. We set up the website one afternoon and founded the company the next day. The company was incorporated in early February 2020, and we already had our first projects underway. We’ve been moving at the same pace ever since.
Is Gen Z a generation of doers?
Meier: Yes. I notice this time and again in the people around us. Not just at Zeam, but also among our friends. Everyone is starting their own projects, earning extra money, or advocating for a cause. It’s easier for young people to build a community on social media, and that opens up a lot of possibilities.
Traditionally, you’d start by looking for office space, drawing up business plans, conducting endless research, and commissioning studies—but the two of you launched an agency over the weekend, and it’s been booming for two years now.
Dietrich: It's definitely become much easier. And cheaper, too. When I think back to when we first started setting up the cost structures for Zeam, we were practically at zero. We haven't spent a single rappen on marketing so far.
Seriously?
Dietrich: And in addition to our revenue, we've certainly generated millions in media value.
And you probably haven't rented an open-plan office either, have you?
Meier: We don't have an office. Everyone works remotely. To make up for that, we hold a team event every month and have fun together. In February, for example, we're all going to Lisbon for four days.
The two of you started the agency together. What were the first steps?
Dietrich: In our first year, we deliberately focused on building the brand and wanted to learn as much as possible. The former is important for setting a reasonable price, and the latter for identifying the recurring problems that companies face. In our second year, we used what we’d learned to build the product, and we’ve been growing quite rapidly ever since.
What does "Zeam" actually mean?
Meier: It's the word "team," but with a "Z" at the beginning—for Generation Z. But now we've found an even better meaning for it.
And what exactly?
Meier: Z-Employer Branding and Marketing.
Because you help companies recruit young employees?
Meier: Yes, exactly. We're currently working on a Project with IKEA, whose TikTok channel is specifically designed to motivate young people to pursue an apprenticeship at IKEA. Our goal is to reach people who are currently looking for an apprenticeship. And within two months, the channel has gained nearly 2,000 followers and almost one million views. And all of this without spending a single cent on advertising. I think it’s worth emphasizing that again. None of our clients have invested in TikTok advertising so far. It’s all organic reach, which is much more valuable. Young people are consuming this content voluntarily.
It's been a long time since the two of them were together …
Meier: We have over 15 employees and are growing rapidly. We're looking for new team members, and they're really flocking to us.
What are the criteria for working at Zeam?
Dietrich: We don't care what someone studied. What really matters to us is that they've already carried out their own projects from start to finish on their own. We all work remotely, so everyone needs to be able to work completely independently and with an entrepreneurial mindset. And then we also have a lot of people who appear on camera. They, of course, need to bring different skills to the table.
For example?
Meier: They have to have «that certain something.» No acting training, but a natural affinity for the camera.
What exactly does Zeam's work entail?
Meier: Companies come to us because they want to attract either young customers or young talent. Our firm is divided into two areas: we have a strategic division and an operational division. In strategic projects, we help senior management understand Generation Z and the opportunities they present for the company. Our clients range from major banks and insurance companies to construction firms. Our formats include workshops, keynote presentations, and long-term projects.
Dietrich: Once the Gen Z strategy is clear, we can move on to the operational phase. In this process, we primarily help companies with their marketing. We see ourselves as a media company: We produce content for companies that resonates with a young target audience. Right now, this is mainly done through TikTok, because that’s where you can reach the most young people. But this isn’t limited to any one platform.
Meier: Exactly! The point is that we young people use the new platforms intuitively and know what works. Jo and I, for example, set up a TikTok channel just for fun, and it now has 200,000 followers. Today, we do this for countless clients. But while companies are just now starting to jump on the TikTok bandwagon, we’re already moving on to the next big things, like the metaverse. For instance, we bought two avatars of ourselves that people often see in Zoom meetings. Today, they’re worth twice as much as when we bought them.
Dietrich: Ultimately, with Zeam, we always go where the young people are and help companies find their way, too.
Yaël Meier and Jo Dietrich as avatars in the metaverse. (Photo: Courtesy of the publisher.)
How do you ensure that all the measures you implement for large companies are in line with the compliance and purpose guidelines?
Dietrich: We operate in a field that can be quite complex at times. One of our clients is in the pharmaceutical industry and is heavily regulated when it comes to what they’re allowed to do and what they’re not. But clients like IKEA and Comparis—and I probably don’t need to tell anyone this—are also very complex when it comes to compliance. They’re very much in the public eye. We work very closely with these companies and have strictly organized processes. This is probably especially important for us because companies aren’t used to working with people in their early 20s, sharing sensitive data with young people, and so on. So far, though, our age has never stood in the way of our professionalism. (laughs)
What is a typical day like at Meier/Dietrich?
Meier: There's no set daily routine. Not since we became parents, anyway. (laughs)
Or what?
Meier: My mom generously helps us with childcare. That way, we can work or play with our little one and never have to worry about overbooking our schedules. We’re very careful to protect our time so we can stay flexible. We have few meetings and only at specific times; we actually always work from home—and we split our time roughly equally between Vitznau, Zurich, and abroad. One thing that never changes: we have our best strategy and growth discussions when we’re out and about with the stroller.
Sounds family-friendly.
Dietrich: I believe that one of the young generation’s roles is always to challenge the status quo. What does work mean? How can a family avoid getting bogged down in the daily grind? How can an office be used? We grapple with these questions every day by living them out. You can’t want to change something without then doing it yourself.
How do the people around you react to your work-life balance?
Meier: By now, they can see that it works, and we're getting their full support.
Dietrich: Our poor families certainly didn't have it easy with us. (laughs) Living abroad, running a business, having a child—and all of that at such a young age—isn't exactly normal. But they trust us and can see that we're happy. That's all that matters.
The founding team of Zeam, Yaël Meier and Jo Dietrich. (Picture: Chris Reist)
You recently launched the Zeamforce product.
Meier: Up until now, we’ve simply taken over the entire project on the marketing side. Companies have, so to speak, outsourced to us as a Gen Z media agency. This works great, but we also want to give companies the opportunity to do it better on their own. To that end, we’ve developed a product that essentially turns us into the “minions” in the background—where we help with everything, provide feedback, and drive the process forward. This way, you can tap into our nearly 20-person Gen Z team all at once.
Do companies have some kind of subscription then?
Dietrich: Exactly. You pay a monthly fee and then have access to our expertise.
How will Zeamforce change the way the agency works? Will we need an office after all?
Meier: Zeamforce is transforming the way companies access Gen Z insights. We started with a program to build TikTok channels, and it’s working great. Clients like Planted and Stucard are already using it. Stucard, for example, generated nearly 1,000 new followers and more views with the first video they created on TikTok with our support than with their last 25 videos combined. What makes this special is that they did it themselves—we simply contribute our expertise. We’ll soon be expanding the program to include additional marketing activities.
Dietrich: When it comes to the office, you have to understand that young people are used to navigating digital worlds. Older people are sometimes very surprised by this, especially since we do a lot of creative work. But we can do just as well via Zoom and don’t need a whiteboard for that. We’re more efficient and save time when we work from different locations and don’t have to commute back and forth—and, though this might sound harsh, when we don’t take coffee breaks all the time. This also allows us to offer more affordable rates because we don’t have to maintain a massive infrastructure that customers have to help pay for.
Meier: This also gives our team a great deal of freedom and allows us to hire the best talent throughout the DACH region. For example: One of our employees is now spending six weeks in Portugal and Spain, visiting a friend there while continuing to work. At the same time, our employees are spread across all cantons in Switzerland and also in Germany. Where would we even open an office if we had one? (laughs)
Dietrich: That said, we're about to open our first office. And it's going to be a sensation!
What plans or projects are in the works for the future?
Dietrich: We grew by over 1,000 percent last year and are about to break the 20-employee mark. We've been told that things will get more complicated once we reach that point. (laughs) Joking aside, we’re really excited to be able to offer the best young people an exciting challenge. In our last hiring process, over 200 talented candidates applied, and if we were a large agency, we probably would have hired nearly half of them!
Meier: We also have some crazy projects coming up. Jo has already hinted at the one involving the office—you’ll definitely have to come visit us then! But we’re also involved in some really big things in Germany. No one’s going to want to miss that. (laughs)
«Off the Record» Video Podcast»On the m&k-Werbewoche.ch podcast «Off The Record,» the two young entrepreneurs talk in detail about the launch of Zeam. They also share some very personal details with Anna Kohler. Click here for the video podcast this way.
The end of wastage?
Consumers want it, and technology makes it possible: Advertising is becoming increasingly personalized. Who needs mass media anymore?
Julia Gundelach
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March 16, 2022
Why fly to Arizona when you can have the same experience much closer to home—and on a much smaller budget? Anyone looking for a trip a while back was presented with exactly this suggestion: For Deutsche Bahn’s «No need to fly» campaign, created by Ogilvy, an algorithm found images of natural wonders, buildings, and cities in Germany that closely resembled travel destinations around the world: a rickety suspension bridge in Vancouver—and one right next to it in the Hunsrück. A breathtaking canyon in Oregon—and one in Bavaria (see pictures below).To do this, target groups interested in specific destinations were identified using Facebook data. Geotargeting determined the nearest airport and destination for each person, and a search engine found the cheapest flight fare. A personalized offer was then created via a video ad: an affordable train trip to a German destination instead of an expensive flight to a faraway destination that looks almost exactly the same—all automated and featuring countless variations. The campaign garnered worldwide attention and won numerous awards, from Cannes to New York. Moreover, it impressively demonstrates just how creative personalized marketing can be.
«Advertising should no longer be intrusive; instead, it should offer added value.»
While many years ago everyone was familiar with the commercial featuring the «Melitta Man» or the latest provocative Benetton ad, consumers today are often exposed to a wide variety of advertising messages—and, ideally, the one that best suits their personal needs. «Mass communication is becoming personalized and tailored to consumers,» explains Benjamin Tück, Managing Director and Accenture Interactive Lead for Switzerland. «Advertising should no longer be intrusive; instead, it should offer added value.»
Ogilvy's campaign for Deutsche Bahn was implemented using geotargeting. (Image: Ogilvy)
Many small assets
A personalized approach, tailored product recommendations, custom banners, personalized TV commercials, and digital outdoor advertising tailored to passersby: personalization in marketing takes many forms. «With personalized advertising, there’s no longer just one big video or one banner—instead, there are many small advertising assets that meet the specific needs of consumers,» says Carsten Jamrow, Executive Creative Director and member of the executive board at Jung von Matt Limmat. The advertising executive calls it a shift in thinking when it comes to producing these assets: «We’re no longer talking about five to ten assets, but—depending on the brand—certainly several hundred to a thousand.» And it was time for this shift in thinking, because consumers today are practically demanding that companies address them in a personalized way. They’ve long been accustomed to personalized product recommendations from online giants like Amazon or services like Netflix—so why shouldn’t advertising also come with tailored messages?
Experts agree: Nearly 80 percent of the technology experts surveyed from companies in North America, Europe, Asia, Africa, Australia, and New Zealand stated in an Optimizely study that personalized content and product delivery already has a medium to high priority, meaning it is no longer just a trend but a genuine «must-have.» Fifty-six percent are convinced that personalization leads to higher customer satisfaction. And yet, implementation is lagging: 91 percent believe that companies’ technical infrastructure is not yet equipped to meet these requirements, and that artificial intelligence and machine learning are not yet being utilized sufficiently. Consumers see it this way, too: According to a study by Periscope by McKinsey, 42 percent of consumers feel that the majority of advertising messages still come across as mass-produced.
There is no single truth
Does personalized advertising spell the end of one-to-many marketing—better known as the «scattergun» approach—and, by extension, wasted reach? «One doesn’t rule out the other,» says Carsten Jamrow. «While we believe that successful campaigns should become increasingly personalized in the future, mass media still has the unbeatable advantage of building broad reach, especially for brand campaigns.» In other words, it depends on the objective; advertisers must first ask themselves what they want to achieve with their campaign. “You first have to fill the funnel with awareness tools (push) in order to then capture traffic on websites, in physical stores, or on search engines using performance tools (pull),” explains Nico Podgorny, Director of Digital at Havas Switzerland.
This means that for products relevant to all target groups—such as FMCG—a broad approach is worthwhile, as it is for branding campaigns. However, if you want to promote a more specialized product that isn’t aimed at everyone but only at a specific customer base, the campaign should be tailored to that audience. Companies today can no longer afford to advertise using a purely «scattergun» approach. «With the scattergun approach, you’d always have to accept waste coverage—and that would be unacceptable from a budget management perspective. Starting with a broad approach to gather insights about potential customers and then personalizing the campaign in the next step would be a conceivable approach. This shows that there isn’t just one right answer here either,» says Benjamin Tück of Accenture.
(Image: Ogilvy for Deutsche Bahn)
Solutions for a Cookie-Free Future
There is no single truth, but there is a new one—and for advertisers, that means the effort required is increasing. They need the right data, but that’s not always so easy. According to a global study by Optimizely, technology experts see limited access to usable, reliable data as the biggest obstacle to successful personalization projects. The reasons: insufficient data access, subpar IT infrastructure, and gaps in personnel resources and expertise. Respondents are convinced that this has a negative impact on business performance. However, in addition to using the right data, it’s also important to use it wisely and not overdo personalization. «In channels that can be credibly personalized and are also perceived as personal in the context of use—such as email, direct mail, or chats—a well-executed, personalized approach can build trust and offer the consumer added value. However, it’s important that not just a few elements—such as the salutation—but all parts demonstrate maximum personal relevance. Otherwise, the message runs the risk of being interpreted negatively,» says Nico Podgorny of Havas. Another thing that doesn’t go over well: when the targeting is off—like those colorful striped bed sheets that are offered for sale over and over again across all channels, even though you’ve already bought them long ago.
On top of that, there’s another problem affecting the entire advertising market: the end of third-party cookies is just around the corner, and first-party and alternative data are becoming more important. Service providers like Uhoo are working flat out on solutions for a cookie-free future: The company relies on precise geographic insights, which—as CEO Stephan Frey promises—allow it to know exactly what is where and which groups of people are located where. This means users are targeted based on their specific circumstances—all without cookies. To achieve this, Uhoo says it has established a virtual network across Switzerland. As a result, ads for financial service providers or luxury goods, for example, are shown only in affluent communities, while sustainability-related content is targeted only at locations that voted in favor of environmental protection and sustainability in the most recent referendum. According to Frey, this is exactly the right approach, because «personalized advertising doesn’t necessarily mean building an individual data profile. Rather, it means addressing a user based on their sociodemographics or interests.» Now it all depends on what companies do with this information to ensure that customers also derive added value from it. One thing is certain, however: they have significantly more options today than they did back when the «Melitta Man» was still flickering across every screen at once.
Creating campaigns for clients. That’s not enough for Wirz. Solving business problems—with the power of creativity. That’s the purpose. The agency wants to show how it’s done.
Anna Kohler
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March 10, 2022
(Illustrations: Jannic Mascello)
The course is set at Wirz. For change. The reasons are manifold. The most important factor is the need of companies for holistic solutions in marketing and communications. Where once the agency only came on board at the end of the value chain, i.e. as the executive body of a company's planned communications strategy, since the outbreak of the pandemic in particular, clients have been coming to Wirz with problems that are much further up the chain. "How can we grow? Where does our target group move? Which channels are relevant for which target groups? Where do I place the marketing budget most efficiently?"
The answers to these and many other questions are now being worked out by the advertising clients together with Wirz. And because it takes far more know-how to work holistically with clients, Wirz has restructured itself in the last six months and brought new specialists on board to drive Wirz's course forward with their knowledge.
Dr. János Heé is an expert in the fields of digital transformation, growth strategies and change management. He acts since the beginning of the year as Chief Marketing and Innovation Officer CMIO, is part of the management team and co-owner. Since April 2021, Kathrin Jesse has also been part of the management team and co-owner. She acts as Chief Strategy Officer. In her position, Jesse is to further expand the agency group's planning expertise and put together a dedicated strategic consulting offering. Co-CEOs Petra Dreyfus and Livio Dainese have thus completed their management team. Both are pleased to have such proven experts on their team.
Petra Dreyfus, Co-CEO, Kathrin Jesse, CSO, Livio Dainese, Co-CEO and János Heé, CMIO (left to right). (Pictures: Wirz)
"Now we ignite the rocket"
It's about holistically addressing customer challenges in a market that is changing rapidly. If you want to produce measurable results, you need data specialists. With Datalogue, Wirz has brought in a company that describes itself as a navigator in the world of data-based marketing and sales. They combine service areas that would otherwise require a great deal of effort to coordinate and network. Insights from analytics and consulting dovetail Datalogue with technology and marketing for maximum impact. The company works autonomously on its own projects, but is brought into the team when needed. These teams are put together according to the needs of the customers. They are always interdisciplinary. And the customer also sits at the table. This ensures good cooperation at eye level right from the start.
The transformation from a creative agency to a 360-degree full-service consultancy is actively shaped by everyone, and everyone contributes their own expertise. In a form of open-ended work, people test and measure and learn until it becomes clear how the client's problem can be solved. This way of working is also known as Agnostic Creativity. The client is involved and can see exactly how the path to the goal will turn out. And the goal is in almost all cases: Growth. Perfecting the Customer Journey. Solutions are needed that Wirz will be judged by later on
Kathrin Jesse describes it this way: "We are responsible for getting the campaign on the road and making it work." When testing, measuring and learning, it often becomes clear that processes in the customer journey are sluggish and not designed to be user-friendly enough. "Growth hacking" is a marketing tool here that generates resource-efficient growth. János Heé gives an example: "A customer's website was designed to guide the end consumer to purchase in six steps. We questioned these steps and were able to reduce them to two. The conversation rate increased significantly." Bottom line: growth by streamlining processes.
Kathrin Jesse knows that the end consumer has become more uncompromising in recent years. "If there is no immediate added value, they click away," she says. And this clicking away runs through the entire customer journey; there are so many touchpoints at which the end consumer can decide whether to stick with it. Jesse sums it up this way, "There's so much happening so fast in so many different places at once, it makes companies call us and say, hey, we seem to have a problem somewhere, look into that please." Then the work begins. And it's done at all levels so that the end user can experience a seamless Journey. That's how a business can grow. With so much data, strategy and consulting, doesn't creativity fall by the wayside?
"We solve business problems with the power of creativity".
This is Wirz's purpose and answers the question of the place the creative process occupies in the structure at Wirz: a decisive one. Creativity is still the DNA of the agency. The term is simply interpreted much more broadly now. For the creative process, he says, it's helpful to know in advance what formats you're working into. The result is that you don't burn resources, but can brief in a targeted way, says Livio Dainese. It's much easier to develop the right idea if you know the target group's insights. Inspiring them and strengthening loyalty to a brand requires knowledge.
Without this, a campaign fails with the target audience. "We want to offer our customers only the best," says Petra Dreyfus, "and what we can't provide ourselves, we get elsewhere." At Datalogue, for example, but also at Webrepublic, an agency specializing in digital marketing. With the collaboration BoB (Best of Both), clients can be served all-around with creative brilliance and digital expertise. Very successfully, as the new campaign for Yallo shows. BoB was already successful in 2021 with Migipedia and for WWF. Datalogue and Webrepublic complemented each other in their digital expertise.
The course is set, the train is rolling, the direction is clear. Livio Dainese sums it up: "We work across all disciplines without boundaries and see ourselves as a collective of consulting, strategy, marketing and creation. Because only when the best talents work closely together do we get the best results."
Promo articles and giveaways: more conscious gift giving
Eco-friendly promotional items and giveaways are all the rage. However, to avoid greenwashing, we need responsible manufacturers, product traceability, and short shipping distances.
Denise Weisflog
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March 9, 2022
(Image: Unsplash / Lina Trochez)
Sustainability and environmental protection are among the most pressing issues of our time. This is also reflected in the demand for eco-friendly giveaways, advertising, and promotional items. All of the suppliers and specialists surveyed emphasize that more and more companies are acting in an environmentally friendly and responsible manner and are expressing this through their choice of promotional items. They note that the balance between the environment and the economy is more relevant today—not only from the perspective of companies, but also from that of the recipients.
«When a company prints its logo on sustainable promotional items, it fosters a positive business relationship,» says Markus Schnelli, owner of Wipex Werbemittel. In addition, the company is doing something good and strengthening its green image.
Sustainable—what does that mean?
But what exactly are sustainable promotional products and giveaways? From the perspective of Swiss knife manufacturer Victorinox, sustainability is increasingly equated with regionality—that is, with locally produced products, short transport distances, quality, and distinctiveness. «Demand for such promotional items has risen steadily in recent years, but especially since the start of the COVID-19 pandemic,» says a company spokesperson. This is because people want to show special appreciation to employees in highly stressful situations—such as healthcare workers—by giving them particularly attractive, regional, durable, and high-quality products. Edith Meier, a member of Promidea’s executive board, also notes that when it comes to sustainable giveaways, products made from local materials and produced as locally as possible are in particularly high demand.
Beware of Greenwashing
Michael Mätzener, owner and managing director of Diewerbeartikel, emphasizes that even locally and ecologically produced promotional items are sustainable only if they have high practical value. He also warns against supposedly sustainable labels that are actually just engaging in greenwashing. This is where the expertise of a promotional products agency that knows what it’s doing is needed.
«Even locally produced and eco-friendly promotional items must offer high practical value.»
Alex Roethlisberger, CEO of Polydono, also confirms that greenwashing is becoming an increasingly common issue: «We believe that sustainability begins with transparency,» says Roethlisberger. Traceability and sustainability are closely linked—the motto is «reduce—reuse—recycle.» That’s why Polydono primarily recommends products made from recycled or recyclable materials. Transparency is especially important here—it’s not so much about inventing new products as it is about continuously optimizing the existing product line.
The selection process begins with the manufacturer
Selecting a sustainable promotional item begins with choosing responsible manufacturers who produce their products in accordance with strict safety regulations, health, and environmental standards—and who can document this. The Swiss office supplies manufacturer Biella advises that when choosing a sustainable promotional gift, it is essential to look for certifications such as FSC or Blue Angel. And Yves Kämpf, Sales Director at the Zurich-based promotional products manufacturer BB Trading, explains that the company has been committed to sustainable products for many years; since early 2022, BB Trading has also been producing all orders in a climate-neutral manner. In collaboration with myclimate and an internally developed tool, the company calculates the CO2 emissions of its entire product range and offsets them. Furthermore, the company is working with Intep (Integrale Planung GmbH) to develop a scorecard that rates products using scientific methodology. Key criteria include the CO2 emissions from the material, transportation, and packaging, as well as reusability, recyclability, and any applicable sustainability labels. «By applying a balanced weighting to the criteria, we compare different items with one another. This allows us to determine how sustainable a product really is,» explains Kämpf.
Recycled Materials Are Trending
According to Kämpf, products from Swiss manufacturing facilities and promotional items made from recycled materials were popular last year. New opportunities are constantly emerging in this area. As a licensee of the Seaqual Initiative, BB Trading could, for example, produce a cloth or a bag made from recycled plastic waste collected from beaches and oceans.
«There are always new possibilities when it comes to promotional materials made from recycled materials.»
The trend toward giveaways and promotional gifts made from recycled materials is also confirmed by other suppliers—as is a demand for high-quality, durable products. These include customizable notebooks and planners (Biella), wooden cutting boards made from local, FSC-certified wood (Promidea), Fair Trade bags, organic food bags, and lip balms in certified, eco-friendly cases (Wipex), or pocket knives with wooden handles (Victorinox). When asked what the green trend products for 2022 are, Michael Mätzener of Diewerbeartikel responds: «There isn’t just one sustainable product. It’s about finding the right item to convey the right message. Sustainability must also be in the DNA of the advertising company.»
INTERVIEW
«This, too, is about a company's external image.»
Giveaways can play an important role in sustainable business practices. The Bern-based creative workshop Sürprisen specializes in giving sustainable products as gifts. m&k spoke with co-founder and CEO Christine Angeli.
m&k: Sürprisen was founded in 2007. Has the attitude toward eco-friendly promotional gifts changed since then?Christine Angeli: Yes, definitely. When we started our business nearly 15 years ago, sustainability in promotional items was an issue only for those responsible for sustainability, if at all. Nowadays, it’s a must for every company to think carefully about what gifts to give. Recipients have become more discerning. What’s often overlooked is that sustainability in customer and employee gifts is just as crucial as a company’s annual sustainability report. After all, this, too, is about the company’s external image.
Which items are people asking about?
The basic question is: How do I want my company to be perceived, and what message do I want to convey with my giveaway? The main problem with traditional promotional items is the cost: A product that costs twenty rappen, produced in quantities of a thousand, is rarely sustainable. Since Sürprisen is a combination of product supplier and agency, this is where things get particularly exciting for us: Upon request, we develop custom giveaways that meet sustainability criteria, both in terms of materials and production.
What should you consider when choosing a product?
In addition to keeping supply chains as short as possible and ensuring fair working conditions in the workshops, we believe it’s particularly important to first and foremost ask about the message and the desired impact. The story behind a product is always just as central to us: In our anonymous world, it’s important to put the people and ideas behind the product front and center. And finally, innovative products are in demand: ballpoint pens and the like are definitely out.
Metaverse: My house, my car, my NFT
Is the metaverse the future of communication—or just another pipe dream from Silicon Valley? A thought experiment by Roger Hämmerli.
Roger Hämmerli *
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March 6, 2022
(Images: Unsplash/Martin Sanchez)
Don't worry—the next few lines aren't going to be a fawning ode to that new hot thing called the «metaverse.» Instead, I’d like to use this space to offer a few perspectives, food for thought, and some context. And maybe even answer a question or two that you haven’t dared to ask yourself yet.
Metaverse? Metaverses? Wait, what?
These days, you can literally be swimming in articles, blogs, and videos about the metaverse. This pool of information is so deep that even digital deep-sea divers would find it satisfying—but with such an abundance of information, information overload is bound to set in—or, to put it simply: you’ll feel overwhelmed. So here’s a quick explanation of the terms:
«I'm far from being a hater—but I'd like to see a little more substance in the discussion.»
Over the years, digital platforms and video games such as Roblox, Minecraft, and Fortnite have become digital «spaces» offering experiences that are almost as real as life. For example, in April 2020, rapper Travis Scott hosted a virtual live concert that drew over 12 million viewers, who participated directly as their Fortnite avatars. Venture capitalist Matthew Ball coined the term “metaverse” to describe these virtual experiences and spaces. This definition has shaped the discourse ever since.
So whenever you see the word «metaverse,» you can replace it with «digital space» or “virtual space.” It doesn’t matter whether it’s for a concert or an investor meeting. For those of you who already knew that: Now the exciting part begins.
Former gamer, now an NFT pioneer
I knew the day would come when all those countless hours I spent in front of the computer during my teenage years would finally pay off. Whenever I chat with my fellow gamers about the metaverse, the consensus is always: «Yeah, so what’s the difference between this and our loot sales in Diablo or in-game weddings in World of Warcraft?» Don’t worry. Here’s the explanation.
For years now, various video games have allowed players to customize their own digital characters with cosmetic items. From a glowing helmet with special properties to a pink parrot waiting for the player in their digital home, everything could be earned or purchased. In Diablo 3, for example, it was already possible as early as mid-2012 to list items for real money in an auction house. Some players earned thousands of francs this way by selling virtual swords, armor, and other items. In World of Warcraft, as early as 2006, newlywed gamer couples would often throw a virtual wedding for all the friends they knew only online. A quick aside: Microsoft just bought the company that developed these two brands for 70 billion dollars.
So for years now, we’ve been able to own digital plots of land and houses in games, sell items for real money, or organize events. What exactly is the difference between that and the current vision of the metaverse? One advancement that’s often cited is NFTs. They allow us to certify ownership of digital assets. Please forgive me for oversimplifying NFTs so much, but otherwise I wouldn’t have m&k I would have to make half the magazine available. Thanks to these digital certificates of ownership, I could, for example, build an art museum in the metaverse and charge admission. To do this, I’d buy a virtual plot of land, place a digital property on it, and decorate it with NFT artworks that I’ve purchased on platforms like Opensea.io. And there you have it: the metaverse museum. Filled with one-of-a-kind artworks that only I own (in theory). So are NFTs and the blockchain the key to truly giving digital goods «value» in virtual worlds? Yes and no.
Who will be the top dog?
The battle for virtual space has only just begun. Tech giants are investing billions of dollars to get «the» metaverse as quickly as possible. But how is that supposed to work in a world where I can launch a second universe at the push of a button? Here’s an example: In 2017, «Decentraland» entered its beta phase. In this virtual 3D world, there are around 90,000 plots of land available for purchase. At first, they cost just a few dollars. Now, the most sought-after digital plots are selling for more than $100,000.
Do you remember my art museum, which we used as an example earlier? That museum, all the artworks inside it, the admission fee, the way the guided tour is conducted, and much more would be controlled and regulated by the economy in Decentraland. But what happens if all users migrate to a new metaverse? Is my entire investment now down the drain, and is my digital entrepreneurial fairy tale about to fail because I bet on the wrong metaverse? In theory, my digital assets should retain their value in other metaverses as well—after all, I own the artwork itself, not just the artwork in Metaverse 1 or 2. But how can they be transferred from one universe to another? Are there fees involved? Are they even technically compatible? As you can see, there are a lot of question marks.
«There's no baseline yet. The world of NFTs is like the Wild West.»
Another issue is already becoming apparent today: the matter of copyright. Maybe you’ve heard of the «Weird Whales.» It’s the heartwarming story of a 12-year-old boy who launched 3,350 computer-generated pixel whales as an NFT project, allowing him to further develop his passion for programming. In no time at all, the prices for the whales skyrocketed; the boy had earned a six-figure sum, and media outlets around the world reported on the project. A few days later, a user took the time to Google the pixel whales and discovered that some of the designs were apparently identical copies of another artist’s work.
To this day, it remains unclear how much «design theft» was involved. The fact is: The owners immediately began reselling their pixelated whales—at massive losses, of course. If the pixel whales had been the main attraction in my digital museum, I would have been driven to virtual ruin by now, and my crypto wallet would be empty. NFTs were supposed to solve the problem of digital copyright, but in some cases they’re being misused to achieve the opposite.
My house. My car. My NFT.
On LinkedIn, Twitter, Instagram, and the like, you’re no longer part of the scene if you don’t have a new digital avatar as your profile picture. Show-off culture in 2022: My house, my car, my NFT. What’s never missing is the price paid and the prediction that this avatar will eventually change everything. Amid all the hype, the issues mentioned above tend to get lost or brushed aside. I don’t even want to get into topics like artificial scarcity, power-hungry blockchain protocols, and the resulting disastrous energy balances. That alone could fill an entire issue.
What’s important to me in this section can be summed up simply: Don’t fall prey to FOMO (Fear of Missing Out). Do you know why so many NFT owners hype them up so much? Because otherwise their NFTs would lose value. After all, there’s no baseline yet. It’s the Wild West—and I’d be glad if you only pulled the trigger when you’re sure you’re not facing off against Butch Cassidy and the Sundance Kid. Disclaimer: I own NFTs myself and have already launched my own project with my company. I’m far from being a hater—but I’d like to see a little more substance in the discussion than just sheer hype and market-huckster nonsense.
Is there a trend toward digital second homes?
The metaverse is said to be the future of work, entertainment, and social interaction—but which one? The one from Meta? Why not the one from Microsoft, Amazon, or another player instead? As much as I love the technology and the idea behind the metaverse, NFTs, and this whole push, I feel that this new world needs time. Time that it’s currently being denied due to unconditional hype. Time needed to develop certain standards. Time to create real-world use cases. And time for these use cases to truly resonate with the general public.
«The metaverse needs time, which the unconditional hype isn't giving it.»
But as is so often the case, we’ll probably have to crash the whole thing into a wall first, so that once the dust settles, technology and society will truly be ready for change. To wrap up this stream of consciousness, I’m sure you’re now waiting for me to distill all my rambling down to one key point. I’d be happy to.
Virtual worlds? Nothing new. Digital certificates of ownership? Great technology that’s being misinterpreted. The hype? It thrives on half-knowledge and lucky breaks. But what is new and fascinating is the shift that has taken place in the minds of our society during the COVID era. The realization that avatars, virtual events, and digital art aren’t just niches for nerds, but might just be the future of our communication. The real revolution is happening—once again—in our minds.
In a nutshell
Over the years, digital platforms and video games such as Roblox, Minecraft, and Fortnite have evolved into digital «spaces» that offer experiences that are almost as real as life itself. Venture capitalist Matthew Ball coined the term “metaverse” to describe such virtual experiences and spaces. This definition has shaped the discourse ever since.
* Roger Hämmerli is the founder and managing partner of the digital content newsroom Andy Was Right.
The Guardian Alan Rusbridger
As Guardian editor-in-chief, Alan Rusbridger did pioneering digital work, bringing the NSA scandal to light and helping to spread the word about WikiLeaks. Now he's returning to journalism. Interview.
Johannes Hapig
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March 6, 2022
(Illustration: Silvan Borer)
m&k: Alan Rusbridger, we’re speaking at an exciting time: You’re currently in the process of breathing new life into *Prospect*, a monthly magazine covering politics, culture, and debate in the United Kingdom.
Alan Rusbridger: Yes, this is the first time in my career that I’ve been in charge of a monthly magazine, and we’ve just wrapped up the first issue. We had to send everything to press today, which came with a few challenges, and then we launched the website and ran into some difficulties there as well. But—fingers crossed—it looks like the launch went well.
After serving as editor-in-chief of *The Guardian* for two decades, you first became principal of Lady Margaret Hall College in Oxford. What prompted you to return to journalism?
Even while I was working in Oxford, I wrote the occasional article. I also published columns regularly and finished two books; so I never stopped writing. You know, there’s hardly any time for that when you’re running a newspaper like *The Guardian*. You can’t be a reporter at the same time. And that’s actually what I wanted—to work more as a reporter again. Then *Prospect* offered me the editor-in-chief position, and I accepted. That’s how life goes sometimes.
One can certainly see some parallels with your early years at *The Guardian*: In one of your books, you note that at first you didn’t want to become an editor there, let alone an editor-in-chief. You «just» wanted to be a journalist.
Yes, I joined the paper right after college as a staff writer. And I enjoyed doing that for six years. Then I wrote columns for almost three years. So during the first nine or ten years of my career in journalism, I never even thought about becoming an editor. I was convinced that life there would be pretty boring (laughs). To me, editors were people who never left their offices and were never allowed to experience what I consider the «joy of breaking news.» But then my supervisor asked me to do a little editing myself, and I realized that I actually quite enjoyed it.
What role did personal ambitions play in your rise through the ranks at *The Guardian*?
That’s an interesting question. Why do people get promoted? In my opinion, it has less to do with ambition than is commonly assumed. I believe that the most ambitious people are sometimes the ones who ultimately don’t succeed because they’re almost too «hungry»; because they try too hard to push others out of the way. I believe there are more important—yet still widely underestimated—aspects: being nice to the people you work with; not acting moody or excessively pessimistic; being willing to contribute; and having good judgment and a strong sense of humor.
«My twenty minutes of music a day help me stay clear-headed.»
When major media companies are portrayed in Hollywood movies, they very often have an eccentric, strict editor-in-chief who communicates with his team only by yelling. «We have to get this printed by tomorrow morning, or heads will roll here!» … But the traits you describe are the exact opposite of this cliché.
I believe there are actually a few newspapers that operate that way; there are certainly still editors-in-chief like that today. That’s probably also a question of corporate culture: As you may know, *The Guardian* is funded by a foundation; so there was no ownership structure that put pressure on me or restricted my freedom. That, in turn, made it easier for me to establish flat organizational structures …
… and, as far as I can tell from the outside, to consistently focus on innovation: Under your leadership, *The Guardian* became one of the first newspapers in Europe to pursue a consistent digital strategy. How did that come about?
In the early 1990s, I took a trip across the United States. Even back then, America was already much more «connected» than the United Kingdom. Although the technology was still in its infancy, newspapers like the *Chicago Tribune* or the *San Jose Mercury News*—and to a certain extent, even the *New York Times*—allowed you to literally look into a crystal ball. At the «Guardian,» we had back then… a computer. You didn’t have to be a genius to think: «In ten years, I’ll be receiving the entire newspaper at the speed of light on my computer screen, without any distribution costs. And that won’t be good for print media.» When I was back in England, I felt I had to «shake up» my colleagues. And that was the beginning of a process that was both exciting and, yes, sometimes a little scary.
Alan Rusbridger was not only the editor-in-chief of the Guardian, and has also written nonfiction books on journalism and music. (Illustration: Silvan Borer)
Since you brought up this duality: Was it easy for you to embrace fundamental changes in your industry, or did you sometimes find yourself wishing you were back in less stressful times?
What I can say is that, at any other moment over the past three hundred years, I would probably have been a different kind of editor than the one these times of upheaval have made me. After all, no one knew exactly how the story would end—how digitization would unfold, what would remain, and what would fade away. If someone had declared, «I am the Messiah. Follow me, and I will lead you to the Promised Land,» they would have been doomed to failure from the start. Instead, I had to bring different groups of people on board—those who fully supported the project and recognized the necessity of digitization; those who were willing to be persuaded by sound arguments… and then there were those who thought the whole thing was crazy (laughs).
How do you remain open to skepticism and dissent? After all, as your responsibilities within a company or newsroom increase, the number of people who criticize you often decreases …
Yes, that makes a project as large as implementing a digital strategy even more complex. You need to have people around you who are largely on the same page as you; otherwise, you won’t get anything done. At the same time, though, you also have to be willing to listen to counterarguments. So it’s a balancing act. My approach has always been to talk to people as much as possible, especially in challenging situations. You have to continually explain what you want to do, why you want to do it, and be willing to learn from your colleagues.
«Learning» is a good keyword: Journalists around the world have learned from you and your colleagues, especially when it comes to investigative journalism. You won a Pulitzer Prize for publishing the NSA revelations, and you’ve reported on WikiLeaks. The *Guardian* came under scrutiny from governments and intelligence agencies, and there were attempts to intimidate you. How did you find the courage to keep going?
Well, I think there are two answers to that. One is: That's our job.
That's a charming way of looking at it because it sounds so matter-of-fact.
There’s a very vulgar British expression that goes, «Piss or get off the pot.» Is there an equivalent in Switzerland? If you don’t want to pee, then get off the toilet and let someone else use it … (laughs). When I think of the people who really took risks—reporters who spent months, sometimes years of their lives working on a story, putting themselves in dangerous situations—my job of getting those stories into the newspaper in a reliable way was a piece of cake by comparison. But if that still scares you, then you shouldn’t become an editor-in-chief. The second answer—and this ties back to what I said earlier—is that when you have a wonderful team and an organization that upholds a certain ideal of journalism, that’s where you draw your strength from. Sometimes we needed excellent technologists who could encrypt data and advise us on how to navigate the digital space. We had fantastic lawyers who acted with great courage and intelligence themselves. Sometimes it was also about PR: For example, when we ran the Snowden stories—and I even had to testify before Parliament because of them—we had support from our public relations team. Everyone involved helped and supported one another.
«Anyone who portrayed himself as a messiah leading the newspaper to the Promised Land was doomed to failure from the start.»
(Illustration: Silvan Borer)
We've talked about how journalism—and the editorial side of things—has changed. How has the readership evolved in recent years?
It almost seems a bit trite to say this today, but twenty years ago it wasn’t necessarily obvious: for three centuries, journalism meant that we could practically «broadcast» whatever we wanted. We published the same news story to hundreds, thousands, or even millions of people, and there was no way for them to respond—except, perhaps, by writing a letter to the editor. So journalists had total control. That’s what the world still looked like when I took over as editor-in-chief of *The Guardian* in 1995. Today, there are four billion people on Earth who have the opportunity to express their opinions, report on events, or question what they’ve read. It was—and still is, I think—the hardest thing for journalists to accept this reality. We had the field to ourselves for a long time. And now people are challenging us, insulting us, and being rude to us. Or they’re acting as reporters themselves. I can’t imagine anything that would more strongly undermine the sense of exclusivity that journalists have enjoyed for so long.
In your opinion, what is an appropriate response?
There are various ways to react. Some news organizations have, so to speak, raised the drawbridge: «We know our readers are out there, but we don’t want to hear from them. We don’t know how to build a relationship, so we’d rather not have one at all. And if this or that is said about us on Twitter, we’re not interested.» Others, on the other hand, have no problem interacting with their readers and even encourage them to correct them. They might say, for example: «Oh, you’re a brain surgeon. You probably know more about the topic than our medical correspondent. Perhaps you’d like to critically analyze some of our articles before we publish them?»
«There's a very vulgar British expression: »If you don't want to pee, get off the toilet!'"
Do you really think readers have time for something like that—that they even have the time and attention span left for sophisticated, in-depth journalism?
It may sound like yet another cliché, but the truth is that everything has accelerated over the past ten to fifteen years with the invention of smartphones and tablets: People turn on their cell phones in the morning and want to be kept up to date in a concise way throughout the day. The mental space for reflection—the time spent talking to people, reading a book, or doing research—has shrunk considerably. But this also means that journalism—for example, through a monthly magazine like *Prospect*—has the opportunity to reclaim that space. Furthermore, I believe it’s essential that we follow the motto «Escape the echo chamber.» I get the impression that many issues are now discussed only against the backdrop of extreme polarization. But things aren’t always just left or right, not always just black or white. It’s so important for people to understand two sides of an issue—or even three. In the UK, for example, there’s an important discussion about the rights of transgender people that’s increasingly proving impossible because the arguments on both sides are so charged with anger and frustration. In my first issue of *Prospect*, therefore, representatives of two different positions discuss the topic; we present opposing viewpoints side by side. In the hope that this will lead to a calm, thoughtful dialogue.
«To me, editors were people who never left their offices and were never allowed to experience what I consider to be the »joy of covering current events.’”
A big task.
Well, in the essay I wrote for the magazine’s first issue, I tell readers: «We will never dictate to you what you should vote for or think.» But we will give people options. I find it incredibly liberating that I don’t have to choose a side. And the purpose of the magazine isn’t to support one side or the other of the political spectrum. I can easily imagine publishing many things that make me personally uncomfortable or with which I disagree—because that doesn’t matter! And that’s incredibly exciting, because it means we can explore ideas that challenge both ourselves and our readers.
In your book *Play It Again*, you write about how you learned a highly complex Chopin piece as a way to unwind from the stress of your daily work life. What role does music play in your life?
Many professions can lead to a kind of obsession; they can take over your whole life. And I think that’s especially true of journalism, because—well, there’s always news. The fact that you finish work and go to bed doesn’t stop the news from «breaking.» So you have to find something that helps you «escape» from time to time. I read all day at the office, so I find it hard to relax that way. My twenty minutes of music a day help me much better to stay clear-headed (laughs). When I was writing «Play It Again,» I spoke with a number of neuroscientists and asked them for a scientific assessment: They told me, simply put, that when you make music, you’re just using a different part of the brain—and that’s a good thing. During those twenty minutes, the part of the brain that would otherwise be obsessively thinking about the news gets a rest. I can’t prove it completely, but it seems to be very helpful for finding balance.
Alan Rusbridger, born in 1953, is a British journalist and author. From 1995 to 2015, he served as publisher and editor-in-chief of the daily newspaper *The Guardian*, which he transformed into one of the world’s most widely read publications through an innovative online strategy. For their fearless, investigative reporting—including on the NSA and WikiLeaks revelations—Rusbridger and his team received various awards, such as the Pulitzer Prize, the European Press Prize, and the Alternative Nobel Prize. Since 2020, Alan Rusbridger has been editor-in-chief of the magazine «Prospect»; he also writes books on journalism, as well as children’s books and screenplays.
Digital Ad Trust Certification Becomes Even Stricter
Online advertising has been booming for years. Unfortunately, there are also some challenges when it comes to ad visibility, ad fraud, and brand safety! The «Digital Ad Trust Switzerland» initiative addressed precisely these issues early last year by introducing a certification program for publishers. This year, the requirements for the program are being updated and raised. A look back and a look ahead.
Daniel Hünebeck
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March 5, 2022
(Image: Unsplash.com)
The three advertising associations—IAB Switzerland, Leading Swiss Agencies (LSA), and the Swiss Association of Advertising Clients (SWA) joined forces in February 2021 by founding the association «Digital Ad Trust Switzerland» to address market needs for greater transparency in digital advertising. Similar initiatives also exist in other European countries. Eight of Switzerland’s largest publishers—«20 Minuten,» Audienzz, Bluewin, Goldbach Audience, Ringier Network, Ringier AxelSpringer, Teads, and Watson—are now certified, representing approximately 75% of the total market. For some publishers, certification went smoothly right away; for others, certain websites first required optimization to ensure compliance with the strict certification requirements.The biggest challenge for many publishers was the visibility of ad units, which must average 55% across the four ad formats «Wideboard,» «Halfpage Ad,» «Medium Rectangle on Desktop,» and «Medium Rectangle on Mobile.» A similar issue was ad fraud. This must not exceed 2% on any ad unit in order to obtain certification. In a few cases, initial checks recorded rates as high as 5%. To improve this, it has proven beneficial for most publishers to work with the verification provider IAS. Together, they were able to resolve many issues and reduce ad fraud to below 2%.
Impact on Advertisers
Another important aspect of transparency was the inclusion of average or indicative visibility metrics in the price lists. Publishers had already voluntarily committed to this the previous year, but not all of them had implemented it yet. This requirement was now also enforced and verified as part of the certification process. All certified publishers now disclose their visibility metrics.
Just six months later, another audit was conducted on the publishers that had already been certified. As a result, some publishers were required to make further adjustments. This demonstrates that this initiative promotes transparency and has a clear impact on advertisers. Now it is up to advertisers and media agencies to ensure that they book advertising on websites certified by Digital Ad Trust. In addition, advertisers should also require that certified websites and publishers be clearly identified in their media plans.
«The biggest challenge is getting advertisers to pay attention to the »seal of approval.'"
The goal of certified publishers is to provide advertisers with high-quality inventory. This is also what clients and agencies want, which is why they have decided to raise the visibility threshold from 55% to 60% starting this year. Fortunately, some publishers are already meeting this target today. With visibility levels of up to 85%, the top performers are even well above that mark. This serves as an incentive for other publishers to improve their visibility as well. When advertisers invest their advertising budgets with Swiss publishers, they generally don’t have to worry about brand safety. On the one hand, because all certified publishers are reputable providers, and on the other hand, because brand safety issues tend to arise when booking niche websites through dubious foreign providers. Surprises can also occur when booking through large international networks. This is especially true when advertising is placed programmatically or on websites that do not offer adequate brand safety protection. As a result, ads may end up on undesirable websites with extremist content or on illegal BitTorrent download sites. To protect brands online, Digital Ad Trust published a brand safety study last year in collaboration with Zulu5. This study revealed that there are still (too) many ad impressions on websites that are potentially harmful to brands. However, what constitutes «potentially harmful to brands» must be analyzed individually for each company and brand.
Either way, very few advertisers want their ads to appear, for example, on a far-right website like «breitbart.com.» Ultimately, this is also a matter of «brand suitability»—that is, the compatibility between advertising and content. For example, a luxury brand might not want its ads to appear on a free gaming app, even if the game itself is harmless.
The Digital Ad Trust Switzerland initiative can look back on a successful first year. There is still a lot of work to be done in the coming years: In addition to ongoing adjustments to the certification requirements, the rapidly growing video inventory is also set to be certified shortly. And the biggest challenge right now is ensuring that advertisers take notice of the Digital Ad Trust «seal of approval.».
* Daniel Hünebeck is a project manager at Digital Ad Trust Switzerland
The voice of power
As communications director for Barack Obama and Hillary Clinton, Jennifer Palmieri helped get the messages of the powerful out into the world. Today, she writes best-selling books, advocates for equal rights - and warns against a return of the populists. What does she have to tell us?
Johannes Hapig
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March 2, 2022
(Illustrations: Silvan Borer)
Johannes Hapig: Jennifer Palmieri, you’ve had an impressive career. You served as communications director for both U.S. President Barack Obama and Hillary Clinton’s presidential campaign; you’re a bestselling author, a consultant, and you have your own TV show. Yet your career began quite modestly.
Jennifer Palmieri: That’s right. I did take an interest in politics at an early age, but at first it was because of my family background. I was born in Pascagoula, Mississippi, where my mother worked as a volunteer coordinator for Republican Trent Lott’s congressional campaign. She often took my best friend and me to political rallies, had us put up posters, go door-to-door… I really enjoyed it. After Trent Lott was elected, I followed his career in the news. He went to Washington and was present at the Watergate hearings, which really impressed me. When I was ten years old, I even wrote a book report on *All the President’s Men*, and my teachers told my mother, «Maybe this material is a little too »grown-up« for a young girl?!» (laughs) In any case, the passion had been ignited.
«The President of the United States of America has a lot of power, yes—but very little control.»
While in college, you applied for an internship with Congressman Leon Panetta, who shortly thereafter became Bill Clinton’s chief of staff. Panetta made you his personal assistant—and that’s how you were «promoted» to the White House at just 26 years old.
To be honest, at that age I wasn't particularly thrilled about being someone's personal assistant. I thought it would be a step backward in my career. I wanted to do it for six months at most and see how it went. But in the end, I had the job for two and a half years—and I’ve never learned more in any other role.
You must have made an excellent impression on the Clinton administration, because Press Secretary Mike McCurry asked you to join his team and move from administration to communications.
That was really strange for me because I had no experience dealing with the media. To be honest, I was absolutely terrified of the press (laughs). But Mike trusted me, and I was pleasantly surprised: I started to like reporters! They were very smart and very well-informed. A little cynical, maybe, but I liked that.
She went on to hold various positions within the Democratic Party. Her career progressed steadily until she finally became Director of Communications for the Obama administration in 2013. It was an incredibly challenging role.
You know, people think the President of the United States has an enormous amount of power. Yes, he has power, but he has very little control. And that goes for his team, too: When you work in the White House, you’re constantly confronted with things you have no influence over. Everything that happens in the world can affect your day-to-day work and the decisions you have to make. Events and news come rushing at you from all directions—things you didn’t see coming. That’s why a longtime aide to Presidents Nixon and Ford is quoted as saying that working in the White House is «like playing squash»: When you hit a ball against the wall, it bounces off and comes back. But you don’t recognize its exact trajectory until the very last moment. That’s why providing the president with a consistent narrative always seemed more important to me than chasing after the «perfect headline.».
Could you elaborate on that?
In the White House, you might say, «This week we’ll focus on this or that message,» but more often than not, even the most carefully crafted communication plan is jeopardized by external factors. That could be a dispute in Congress, the economy, or anything else happening on the world stage. That’s why I’ve always asked myself first: «How do we ensure that the President’s fundamental qualities shine through even in his response to current events—whatever they may be?» Consistency is what sticks with people. After all, people only get very fleeting, brief glimpses into the workings of politics—so these glimpses must be internally consistent. Whether the president is speaking about a national security decision, corporate taxes, or foreign policy: every statement, every comment must reflect, on a small scale, what he stands for on a larger scale.
There are, of course, certain prejudices against communications professionals in politics. Some of your colleagues are referred to as «spin doctors» who try to put a favorable spin on the news.
There are indeed people in our line of work who try to act as «spin doctors.» They think they can give a story a new twist by twisting politicians’ words or offering different interpretations of what was said. But I’m a Democrat—and we believe it’s fundamentally important to stay on the side of the truth. As a rule, it’s best to share your honest thoughts with the media and the public rather than trying to hide or obscure anything. My advice to colleagues working in political communications is this: Explain your administration’s actions. Make sure everyone understands what drives you. In the end, you certainly won’t be satisfied with everything the press writes, because journalists, in turn, have their own perspective on things. But at least you’ll maintain your credibility.
The Obama administration used humor as a powerful communication tool. The president appeared on late-night TV and announced his healthcare reform in the form of a blues song. He also agreed to appear on an episode of the infamous show «Between Two Ferns,» among other things. How do you pull something like that off?
We’ve constantly been looking for ways for Barack to break out of an environment where he’s heard only by the White House press corps. Whether that meant appearing on shows like «Ellen» and «The View» or even on a late-night talk show. Sometimes I’ve wondered if certain things might be «too much,» if they might, well, come across as «unpresidential.» But on the whole, I’ve come to the conclusion that it’s good for the American president to reflect pop culture—after all, he is a reflection of America. Besides, I’m convinced that while there are no risk-free decisions in communication, if you’re not willing to take risks, you’ve already lost.
Speaking of «taking a risk»: Would you say that’s what you did when you left the Obama administration in 2015 and joined Hillary Clinton’s campaign team?
I could have «wrapped up» Obama’s presidency alongside him, sure. But I had worked for Bill Clinton for several years and weathered many, many difficult situations with him and Hillary. I knew them really well. And that’s why I was confident that I was in a particularly advantageous position to support them. Ensuring that Hillary won was, as President Obama used to say, just as important to the «entire enterprise» as working for him. Incidentally, I still believe today that I was probably better prepared than most anyone else for what lay ahead. Although I never could have anticipated everything that would actually happen.
Because shortly after you started your new job, the field of Republican presidential candidates began to narrow—and Donald Trump took the lead. What did you think of him back then?
At first, I thought, «Okay, the fascination he holds for some people won’t last.» But then Trump made all these incredibly controversial statements. About Senator John McCain, who was held captive and tortured during the Vietnam War, he said: «I like people who don’t get captured.» And that’s when I thought for the first time: «Okay, if he survives that politically, he might survive anything.» We watched the Republican debates; we saw that none of the other candidates was able to stand up to Trump. Some tried to take the high road, but that didn’t work. Others tried to play his game—and that definitely didn’t work either. If I’ve learned one thing, it’s that you can never outdo Trump. We hesitated for a long time before getting involved in the Republican debates, until we finally did. But it was asymmetric warfare. There’s this theory that we wanted Trump as a candidate because we supposedly thought we’d win an easy victory against him. The opposite was true: I was incredibly worried, because Hillary was, after all, a rather conventional establishment candidate, and Trump was unconventional in every respect. That made things much more difficult for us.
Is it because—whether in terms of communication or other areas—you haven't been using the same methods and techniques?
The «toolkit» he relied on was off-limits to us. Hillary represented the absolute antithesis of Trump. Engaging in a «race to the bottom» with him would have been idiotic. Because someone like Trump will always be willing to go one step further. At the time, some Democrats even called for us to emulate the Republicans« style and tone, saying things like, »We have to be like Trump and his people; we have to be nasty, lie, and get our hands dirty.” But I disagreed then, and I still do. Okay, our party can be frustrating because we have internal disputes to work through. We sometimes send mixed messages; we don’t all say the same thing. But: We saved the Republic! And the United States. America is still standing—for now—because the Democrats have remained true to the truth.
«Even though Hillary lost, I think our overall understanding of leadership has broadened.»
When you say that America still exists «for the time being,» do you mean that Joe Biden’s presidency is more of a «hiatus» than the end of American populism?
I think we’re experiencing a breather right now; Biden’s presidency represents a breather. The future, however, lies uncertain before us. America has only been in a similarly precarious situation once before, and that was the Civil War. That’s how serious the situation is, I believe. But I also believe that it depends on how each and every one of us behaves—and I always try to be optimistic. There are certainly a few positive developments: Almost everyone I speak with, whether inside or outside Washington, D.C., wants to bridge the divide that is tearing our country apart. Moderate Republicans feel encouraged by this, and there’s a chance the party will slowly distance itself from the Trump era. So even if there might be a Republican attempt to overturn the election in 2024, as was the case in 2020, I think the American people ultimately want to move forward together.
«Every comment must reflect, on a small scale, what the president stands for on a larger scale.»
In an interview, you once said that Hillary Clinton was only able to show «half of her humanity» during the campaign. On the one hand, because she was the first female presidential candidate in U.S. history and had to be extremely cautious about her public image. But on the other hand, it was also because it was difficult to highlight certain aspects of her personality while Trump was constantly ranting and hurling insults. Will warmth, empathy, and compassion—perhaps as attributes of a future presidential candidate—help win elections?
I can certainly imagine that. Even though Hillary lost, I think our overall understanding of leadership has broadened. And that a progressive candidate—whether a woman or a man—with an agenda of compassion and respect could win. With a perspective that doesn’t look down on people from above, but rather meets them at eye level, signaling: «I care about you, and we all care for one another here in the United States of America.» I believe people don’t just want to feel valued; they also want to be called upon to do their part. They want to show that they can achieve something. They want to prove that they can stand united, even when the darker sides of human nature try to pull us in a different direction.
Your two books, *Dear Madam President* and *She Proclaims*, send a message to women around the world to make their voices heard, face challenges, and bring about change. What inspired you to write these books?
After Hillary’s election defeat in 2016, I wanted to make sense of the things I had done and seen. Joan Didion once said that «we tell stories to live»—and I had these experiences that you simply don’t have unless you were part of the Clinton campaign tour (laughs). I knew what had actually happened there. It had become clear to me that all of us, no matter how progressive we may be, have prejudices in our minds that are built into the system and hold people back. Women, in particular, hold themselves back because they’ve internalized the idea that they must constantly «improve» or that they «simply don’t deserve» this or that. Dozens of times a day, women are told that they aren’t as valuable as men; starting with the sports we see on TV, the music we listen to, the books we read—all the way to the people who represent us in politics. That’s exactly what I wanted to shed light on when I wrote the books you mentioned.
«To be honest, I was absolutely terrified of the press. But I was pleasantly surprised.»
Where should one start when fighting for equality in society? With internalized barriers, or with the economic and political conditions?
We need to work on both. These two areas are interdependent: As soon as women overcome their inner doubts and insecurities, they begin to demand more from the prevailing social conditions. And vice versa.
How have you personally overcome patriarchal structures throughout your career?
I am one of four sisters; I have no brothers. I think that had a big influence on me, because I never experienced anyone in my own family being treated differently because of their gender. So perhaps I was, from the outset, more courageous in difficult situations at work. Nevertheless, I became increasingly aware of the structures you mentioned while I was working at the White House. Of course, I was valued there and had wonderful male colleagues who were committed to my success. But I noticed that they advanced more quickly than I did. I noticed that they were more successful at a younger age. For a long time, I convinced myself that titles and salary didn’t matter to me—as a kind of moral crutch to help me cope. But at some point, I started to fight back and make demands. The same thing happened, by the way, during the Clinton campaign: There was a situation where I was speaking with the journalist Mika Brzezinski—and she very strongly encouraged me to ask for more money for my work. The next day, I went into the office, asked for a raise—and became the highest-paid person on the campaign. Ultimately, it always comes down to what you’re willing to put up with—and what you simply refuse to accept.
«If I've learned one thing, it's that you can never outdo Trump.»
It's about making yourself heard—both figuratively and literally.
Yes. We're simply wired to perceive male voices more clearly than female voices. There were even meetings with Hillary where she would say something, but people wouldn’t react to it. And then when one of our male consultants said exactly the same thing, the team would say, «Hey, that’s a good idea!» (laughs). Those were eye-opening moments. I sat there and realized: I had more than two decades of my career in Washington behind me, and there still hadn’t been a female president. Women made up 18 percent of the U.S. Congress. We have to stop getting in our own way. It’s not as if there are no opportunities at all, but if we women don’t finally realize that we deserve these opportunities—and if people aren’t willing to broaden their ideas about leadership—then nothing will change.
Jennifer M. Palmieri is an American political consultant, author, and media personality who served as White House communications director from 2013 to 2015 and subsequently as communications director for Hillary Clinton’s presidential campaign. Palmieri is a co-host of the political documentary series «The Circus» on Showtime and has published several bestsellers.