There are things you know, but you don't talk or write about them in public. Even if they are commonplace. For example, about households that have to be dissolved or redimensioned after a death - and if you flip through the Tages-Anzeiger alone, that's certainly more than a dozen every day. Thanks to a clever placement of an ad - also in the Tages-Anzeiger - this taboo subject is presented to us in an emotionless and realistic way. Next to six obituaries, one quickly discovers, thanks to prominent writing, an invitation to a public auction at the Gantlokal. A treasure trove for bargain hunters. All right, but perhaps this ad would have been better placed on the market page than on the obituary page. On the one hand, yes, it's gratifying that items can live on after their owners have died, but with a dead person, after all, you wait a few days to take them to their final home. And when reading this ad, it is very difficult not to get the feeling that one is acquiring the belongings of Hans Mathys, Ruedi Adler or Thilde Henggeler-Vogel. Eternal rest to them, another place to the ad. Chandra Kurt
Column
A Mörgeli is never alone
By Thomas Lüber
Why don't students actually apply to be copywriters anymore? When, for example, the old octogenarians had had enough of all the classical philology stuff, the poor future prospects as gym teachers and the cafeteria rage after about three weeks, they, like all sensible intellectuals, looked around for a job where they could make good money, have beautiful assistants around them and still not have to do much more than they did at university. Or rather less.
They consequently came up and then into advertising, where for the time being everything went according to plan. Until the day the recession broke out. Advertisements shrank to the handy advertising format, but the coupons became bigger and the working hours longer, which has not changed significantly to this day. It's stupid when you're already in the business, can't do anything else and are plagued by fixed costs. It's good if you're still young, sitting in the university atrium and gnawing on your pencil.
Well aware that advertising is no longer a continuation of hanging around with other money, the hopeless students shy away from the agencies like the AD shies away from customer contact. That they nevertheless don't end up in the file boxes of the social welfare offices, but on the career ladder, is ensured by the SVP. Since the SVP has overtaken Swiss politics on the far right and will soon have more posts to offer than Blocher has millions, every student (female students not included for once) can easily set out on a great career, even if they are not very good at it. Mr. Mörgeli proves the correctness of my thesis with nice regularity in the National Council and in my favorite newspaper Metropol.
Which in turn shows that at least something hasn't changed until today: In the end, the antisocial elements all end up writing columns.
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Thomas Lüber is Managing Director Creation at Lesch+Frei, Zurich.
Language Observer
The company strikes back
"Religious symbols in advertising are proliferating," I read in a book*. "An ad for the tobacco brand Samson now looks like Christ's resurrection on the Isenheimer Al-.
tar by Matthias Grünewald." In fact, however, instead of the light of eternity, the logo lion shines above the skyline and the sea in the aureole at Samson Tobacco. Above it is a quote - not from the Bible, but from Deep Purple: "Smoke on the Water."
The lion's mane is reminiscent of Purple singer Ian Gillan's hair. And the gap between hard rock and the Bible closes harmoniously, considering that Gillan played the part of Jesus in "Jesus Christ Superstar".
Rev. Jérôme Cottin originally earned his doctorate as an art historian. In his book "Dieu et la Pub" (God and Advertising), he examines the accumulation of religious symbols in the public sphere. In doing so, he treats advertising with a great deal of respect - as a mirror of people's desires and hopes, fears and (longing) addictions. His conclusion is: We are again in search of meaning. But we are no longer looking for the biblical message in church, but on the billboard. "Dieu et la Pub" has aroused more interest among the general population than in church circles.
Jérôme Cottin calls on the church not to let its symbols be taken away just like that - and gave me an idea. I called them, explained myself, things started rolling, the presentations followed each other like one day after another, I got to know the top people of the company, and truly, their budgets were subject to the grace of miraculous increase...
In marketing phase I (until 2004), we would like to sensitize the advertising agencies, which still show fear of contact and in some cases do not even want to admit that their campaigns contain biblical symbols and messages. Using the example of Benetton (children of all races in cream colors, large-format pictures as dramatization of central stations of human life), we will show that there are campaigns which, in their universality, could just as well advertise for God as for sweaters.
Phase II (from 2004) then targets the general public. In doing so, we expressly refrain from branding or even legally prosecuting sign pirates like Samson. On the contrary: We trust in the power and the strength and the glory of the Christian symbols and occupy them again with their original contents, so that every advertisement for Samson etc. from this point on is also advertising for the church again.
Behold: The church has done its conceptual homework. In the next few months, we will determine the lead agency. Please send applications to
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* Jérôme Cottin: "Dieu et la Pub", Editions du Cerf, Paris