Campaign planning - The tool that does it all

Accelerom has developed a new algorithm that calculates the optimal multichannel marketing mix. It works for products, target groups, and markets in both B2B and B2C, and the company promises that it delivers verifiably better results than best practices.

The new 360° Touchpoint algorithm simplifies media and marketing planning quite considerably. It enables companies, organizations and institutions to review their current marketing mix or find out where there is potential for improvement or savings. This means that either more impact can be achieved with the budget used or the same impact can be achieved with a lower budget.

And this is how it works: At the push of a button, the algorithm calculates uniform key figures for millions of combinations and compares their impact - whether for different target groups, product categories or countries. The result is, for example, the most effective media combination for the previously defined target. Through its calculation, the algorithm reveals via which media and other touchpoints online and offline customers are led to purchase, and assesses the combined effect of different online and offline touchpoints both qualitatively and quantitatively. The spectrum of instruments analyzed ranges from owned, paid, and earned media to the classic media mix, online campaigns, POS, measures in sales and CRM, and social media. This total audience measurement is the unique selling point of the algorithm.

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Better than best practice

In contrast to conventional methods, the entirety of the contact points examined by the algorithm is not limited to advertising media or online activities, but up to 100 marketing and sales measures can be included in the analysis. In this way, the algorithm delivers verifiably better results compared to best practice. Accelerom has already been able to prove this with existing customer projects.

The algorithm's multi-layered simulations are made possible by combining various measurement methods from artificial intelligence, machine learning and metaheuristics. Accelerom developed the algorithm over several years in collaboration with NZZ and the multidisciplinary "Institute for 4-D Technologies (i4Ds)". The development research project was funded by the Commission for Technology and Innovation (CTI) of the Swiss Confederation.

Anne-Friederike Heinrich

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"The output of the machine is better than best practice".

Werbewoche spoke with Christoph Spengler, CEO of Accelerom, about the background of the new 360° Touchpoint algorithm.

WW: How long did you work on the new algorithm?
Christoph Spengler: We launched the first CTI-funded project in 2011. The main focus was on the topic of total audience in the multi-channel world. There are already almost too many analyses on this, but we wanted to look at it holistically, i.e. bring together online interaction points owned, paid and earned as well as offline in a single currency. In 2013, we won another research project that focused on artificial intelligence. And this ultimately gave rise to the new algorithm. 

What requirement did you start with?
We wanted to develop a tool that compiles the best mix from the entire potpourri of interaction points - ad, billboard, TV spot, website, etc. - as a recommendation in the decision-making process. This requires a huge database from which the best multi-channel mix is calculated with the help of several algorithms, and this across all categories, on- and offline, owned, paid and earned. And after several validations in practice, we can say that the output of the machine is better than best practice.

What information do you have to enter and what information do you get? Can you demonstrate this with an example?
Gladly: You want to develop a multi-channel mix, a strategy or a campaign with the target group of young people in the beverage sector that generates attention, promotes engagement and boosts sales. We have about 100 touchpoints to choose from, spread across advertising media, POS, social media, etc. Furthermore, we still choose that we don't want a mix with 30 instruments, but one with a minimum of 10 and a maximum of 15 instruments. After this input, the machine starts to calculate. The output is the mix with the 13 most effective media for attention, the best social media combination for engagement, and the mix of measures for sales at the POS. The tools that the algorithm identifies are the ones that are most effective for achieving the defined goals, not just for generating attention, but for carrying the consumer from attention generation to transaction. We call this the top conversion path.

Is there always just one?
No, the output is three top conversion paths with different online and offline interaction options - because target groups do not always behave the same way, of course.

But I still have to decide for myself what measures I take ...?
You're right, things can get a little scary. But of course, the top conversion paths are primarily an orientation aid for us to subsequently develop a campaign or other strategies. That's an extreme help, but it's still a long way from implementation. For that, you need creativity and a lot of other things that a machine can't do. In addition, there is another dimension: the cost. We judge the top three conversion paths by cost, and of course there are cases where our customer says: Top 1 I can't afford at all. But our algorithm makes certain calculations possible in the first place: a customer operates in three countries or markets, has two target groups, six product categories - that quickly becomes confusing. And since everything can be measured qualitatively and quantitatively, the results are also verifiable.

How long does the algorithm take to calculate the top conversion paths? 
Depending on the task, this can take a few minutes or even longer. It depends on how many calculations have to be made.

But how exactly does the algorithm calculate which is the most effective marketing mix?
For each touchpoint, for each instrument, we collect performance values from our customers, for example, reach, attractiveness, performance information. This information is collated in the algorithm, assessed, additional values are added, what does not offer added value is excluded, values are added again, and so on.

How do the results of the new algorithm differ from best practice?
In best practice, of course, you don't have combined values, you can't compare a website with an ad. Because of this information gap, you can't make a clear assessment in multi-channel communication. So in Total Audience, there is a relatively large amount of information missing today.

So the previous planning of the marketing mix went out into the blue?
Yes. Even if I don't make many friends now: It's a patchwork. Everyone is measuring something somewhere. But the question is: Where is the measuring point? Our measuring point is the actual buyer of products, not the TV viewer, not the newspaper reader, and not the Internet surfer. For that reason alone, we have a much higher degree of precision. It's like a racing bike: What kind of gears do you have, what kind of fork do you have, what kind of frame do you have? That ultimately determines how well and how fast you ride.

Sounds like an egg-laying jack-in-the-box ...
At the present time, this statement can be left as it is. Of course, the algorithm does not answer all questions, because we are moving at a certain altitude. But it offers the best prerequisites for strategic control of the marketing mix.

What questions remain unanswered?
With certain topics, there are indications where you have to go more in depth. For example, if you ask me why a certain target group is not satisfied with an interaction, then you have to look more closely there. But there you would also reach a limit with other instruments. Often it's enough to draw cross-connections. For example, the contact form is very important for a target group - but the customer doesn't have one. Problem solved.

Have you already been able to verify in practice whether the mix combinations suggested by the algorithm are more effective than classic success methods?
We tested the algorithm on data from old and current customer projects and on strategies that have been implemented. And we came to the conclusion that we get better results this way than with best practice.

How can the algorithm assess measures that have not yet been used, e.g. social media or online sales?
We don't just measure what our customer does, we look at what is being done in the entire target group. And in this way, we also see what the qualitative and quantitative benefits would be if the customer were to implement a measure that he has not yet used. For example, if a customer doesn't have an online store, we can tell them very specifically how many people they would reach if they had one. And we can also tell our customer how best to market his store to this target group.

You claim that you can indicate quite precisely which are the optimal marketing and media measures. Can your customer ONLINE can you be one hundred percent sure that the measures you recommend will have the desired effect?
Yes, our touchpoint analysis has a high degree of precision. In recent years, social media measures have been in vogue. We were now able to use the algorithm to precisely predict what has developed in this area, both positively and negatively. We got tangible information out of it, for example that a target group cannot be activated with certain means used or that engagement will be very weak. So we can make quite precise statements about the potential of measures and channels. There is also the case that customers want to reduce and focus their measures. Then, of course, they can eliminate one or more instruments. We can determine which ones would be best. Impact thresholds and advertising pressure are also becoming more and more of an issue. Some clients therefore have us check their media plan.

How much does the new service cost?
Prices vary depending on the consulting project. However, the costs are roughly comparable with investments for market research. The projects with 360° Touchpoint all have a positive ROI per se, because the various measures can be reduced, bundled and thus more budget remains for the individual measure. Accordingly, their impact improves.

Compared to other countries, is your development state of the art or a revolution from Switzerland for international marketing and media planning?
We have held talks with many protagonists from the media world, including internationally, and all of them have confirmed to us that they have never seen a planning tool like this before. We think we can use it to gain a foothold internationally as well. There is already a lot of interest.

Interview: Anne-Friederike Heinrich

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The flap extends submission deadline

The Klappe is considered one of the most important competitions for commissioned films in Germany, Switzerland, and Austria. Films can now be submitted through March 17.

Agencies or film productions can submit entries in five categories. These are Theflap.com described in detail. The films can also be uploaded there. The jury is made up of clients, agencies and other experts (media, directing, film production, post production). This year, four jurors from Switzerland are again involved: Martin Spillmann (Serviceplan Suisse), Sonja Brand (Pumpkin Film), Thomas Wildberger (Publicis Communications) and Andreas Panzeri (former deputy editor-in-chief of Werbewoche).

The submission deadline for Die Klappe 2015 ends on March 17, 2015

 

Weekend Reading: New publication day for the SI

Starting after the 2015 summer break, *Schweizer Illustrierte* will be available to subscribers and at newsstands every Friday. The country’s largest family and celebrity magazine will thus become weekend reading.

From Monday to Friday: From mid-August this year, Schweizer Illustrierte will have a new publication day. Because the magazine is thus becoming a magazine for the weekend, the editorial team is expanding the range of articles with high utility value: in the future, more weekend and excursion tips for the whole family will be offered, according to a statement.

Schweizer Illustrierte aims primarily to remain Switzerland's leading people magazine (712'000 readers, MACH Basic 2014-2). The editorial profile will be sharpened: stories and interviews with celebrities, but also lavishly photographed reports on the beauties of Switzerland and on passionate people with extraordinary talents.

Match Communications: Campaign for Weidenhof

Where life unfolds: Match Communications has launched a campaign for the Weidenhof real estate project in Dietikon.

A completely new residential district has been built in Dietikon since 2009: Limmatfeld. "Our little town" is characterized by seven residential and commercial buildings that meet the desire for individuality thanks to their different architecture, use and positioning. Weidenhof is the last of a total of eight building plots on Rapidplatz that are being developed under the overall responsibility of Halter Entwicklungen from Zurich. The development closes off the central Rapidplatz towards the northwest and comprises a total of 87 rental apartments as well as around 1700 square meters of commercial space on the first floor. The Zurich agency Match Communications has created the communication presence for the Weidenhof on behalf of the real estate company Halter.

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The basic idea is that life in the Weidenhof can unfold in all its facets. Whether it's comfortable living, shopping in the surrounding stores, relaxing in the nearby countryside or enjoying the excellent public and private transport connections.

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The responsive website Weidenhof.ch and the widely distributed marketing brochure are aimed at numerous prospective tenants from the local area and beyond. The Weidenhof offers modern, comfortable apartments for singles and couples as well as for families with children. The package of measures also included the visual identity, advertisements, web banners, factsheets and a direct mailing.

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Responsible at Halter Immobilien: Laura Iodice, Claudine Gerber. Responsible for Halter developments: Dominique Muff. Responsible at Match Communications: Christian Staub, Roland Sennhauser.
 

Transmission of the Tour de Suisse secured

The Tour de Suisse will continue to be broadcast on SRG channels for the next four years. SRG and the marketing agency Infront Ringier, which is now responsible for the Tour, have agreed to collaborate.

The contract for the TV broadcast runs until 2018. SRG has been involved in the most prestigious race on the Swiss cycling scene since 1991. At that time, the Tour de Suisse was broadcast live on television for the first time to mark the 700th anniversary of the Swiss Confederation. The Tour de Suisse is one of SRG's biggest annual live productions. The goal of this commitment has remained the same since the very beginning: With its broadcasts, SRG wants to unite people across language and cultural borders in this elite sporting race and enable them to experience the Tour de Suisse at first hand over more than 1,300 kilometers and 17'500 meters of altitude across Switzerland.

Urs Leutert, Head of Sport SRG/SRF, commented on the contract extension in a statement: "SRG is delighted to be able to continue its already traditional partnership with the Tour de Suisse under its new management. The lavish live TV broadcasts of Switzerland's most important stage race offer viewers in front of the screen not only exciting cycling, but also a voyage of discovery through well-known and lesser-known areas and regions of our country."

Olivier Senn, General Director of the Tour de Suisse: "Infront Ringier is looking forward to working with SRG. The high production quality new with race information and graphics for the viewers such as climb percentages, speeds, heart rates of the riders, which is recognized in the professional world, guarantees the audience the best possible cycling experience in front of their TV sets. In this way, we are also relying on continuity and the many years of experience of the entire SRG production team. We look forward to further developments in live broadcasting and know that SRG also wants to take a pioneering role here."

This year's Tour de Suisse will run from June 13 to 21, 2015, starting in Risch-Rotkreuz ZG. The finish is in the federal city of Bern.

 

New management team at the web agency Dotpulse

There has been a change at the top of the web agency Dotpulse: Jowita Jaskiewicz, Nathalie Hämmerli and Stefan Bruggmann have taken over the operational management.

Since the beginning of 2015, Jowita Jaskiewicz (Senior UX Designer), Nathalie Hämmerli (Senior Consultant) and Stefan Bruggmann (Head Development) have been leading the agency's team of fourteen.

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Senior UX Designer Jowita Jaskiewicz has worked as Senior Interaction Designer at Ginetta and as Junior Art Director at KSP Advertising Agency. She holds a Master's degree in "HCI Design" from HSR (Hochschule für Technik Rapperswil) and studied design at ZHDK (Zürcher Hochschule der Künste).

Senior Consultant Nathalie Hämmerli has been in the digital world since 2000 after completing her computer science education. She is involved in Dotpulse as a founding member and is responsible for consulting/project management.

Head of Development Stefan Bruggmann joined the dotpulse team in 2007 and has proven himself as an all-rounder in front- and backend issues. He attended the "NDS Software Engineering" of the HSR (Hochschule für Technik Rapperswil) and realized and built up his own projects as an independent developer.

The goal of the new management team is to maximize the success of web presences and applications by aligning processes and mindsets with user needs. The analysis and interpretation of web analytics data as well as sustainable search engine optimization (SEO) are integral parts of the processes. In addition to many years of experience with the TYPO3 CMS, Dotpulse focuses on the future-oriented, user-friendly TYPO3 Neos.

Imre Sinka, the previous managing director and co-owner, is now responsible for the strategic direction of the agency as well as for the management of the search engine marketing unit, whose performance and campaigning expertise he will continue to develop.
 

Alpha 245: Urban campaign for ubane jumbo store

The Jumbo on Josefstrasse, right in the heart of Zurich’s 5th district, is arguably the most urban home improvement store in Switzerland. To promote it, Alpha 245 placed various Jumbo products in a typical Zurich city setting.

From a streetcar seat to a for once cheap 1-room apartment to a cheap trip or a water cannon. You can even buy a night's rest in the Jumbo. The poster campaign fits seamlessly into the overall appearance conceived by the agency and has brought the DIY store in the middle of Zurich many new urban Zurich customers.

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Responsible at Jumbo Switzerland: Jérôme Gilg (CEO), Daniel Hofmann (Head of Marketing Services a.i.). Responsible at Alpha 245: Patrick Senn, Patrick Beeli (Creative Direction), Patrick Bucher (Text), Barney Rees (AD), Sylvia Kohler (Consulting), Barbara Häne (DTP), Pam Hügli, Diana Wick (Overall Responsibility).
 

Truce: New website for Elvetino

Elvetino has relaunched its website. The website was completely redesigned from scratch by Truce.

It guides visitors through the menu items with various "key visuals" in a fresh, clear and structured navigation. Thanks to the responsive design, the revised Website the devices used (computers, smartphones, tablets). A Typo3 solution with integrated file sharing for sending data to third parties was installed as the CMS.

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Last year, Truce was already able to design a 200-page anniversary book in two languages for the 110-year-old company, which operates the dining cars and is an SBB subsidiary, which was realized in a carefully selected linen cover and on Munken Lynx paper.

Responsible at Elvetino: Daniela Sulser, Ruth Pfeifer (project management). Responsible at Truce Visual Communication: Stefan Jermann (CD)

 

Serranetga: online unpacking for Samsung

Unpack the Future: Samsung Switzerland invites you to an interactive online unboxing of the new Galaxy S6. The campaign was conceived and executed by Serranetga.

For all those who want to hold the brand-new Galaxy S6 in their hands well before it goes on sale: At Next-is-now.ch anyone can use their current smartphone to see the new S6 live, in 3D and in its original size.

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The interactive website was designed by the Serranetga agency. It immediately followed the international Samsung Unpacked event last Sunday and is just the start of the cross-media launch campaign. The S6 will be available for purchase in Switzerland from April 10, 2015.

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This is how the Unpack experience works: Users connect their own smartphone to the microsite by entering a customized URL. Now, every movement with their real phone is followed by the exactly identical movement of the S6 "on screen.

Responsible at Samsung: Anja Olsson (Head of Marcom), Jennifer Rimann (Marcom Specialist). Responsible at Serranetga: Florian Beck (Executive Creative Director), Nicolas Hostettler (Digital Strategist), Philippe Lehmann (Art Director Digital), Mitch Bekk (Art Director), Luca Zurfluh (Junior Art Director Film), Antonia Meyer (Copywriter), Tanja Birrer (Consultant), Maurizio Rugghia (Managing Director), Tobias Kreutzer/Heimoto (UX, Design, Programming).
 

Last but not least: Not there

To mark International Women's Day, the Clinton Foundation removed women from posters and magazine covers.

Behind the Clinton Foundation is none other than - as the name suggests - Bill, Hillary and Chelsea Clinton. With the help of the Droga5 agency, the foundation has implemented probably the most eye-catching campaign for this year's International Women's Day. Under the slogan "Not There", women were made to disappear in collaboration with major companies such as Unilever, Under Armour and H&M and replaced by the URL Not-there.org "replaced". Because although the foundation has been fighting for real equality between men and women for 20 years, we are never where we want to be. And should be. Women are disadvantaged in countless areas worldwide because they are women. (hae)

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Weltwoche editor sentenced to fine in Aargau

An editor at *Die Weltwoche* has been convicted of repeatedly publishing confidential official negotiations. The Office of the Chief Public Prosecutor imposed a fine of 400 francs on the editor via a summary judgment.

The penalty order is not yet final. The convicted person filed an appeal against it. The Aargau public prosecutor's office confirmed a corresponding report in the NZZ am Sonntag newspaper. The background to the penalty order are two articles that appeared in Weltwoche last September. The reports quoted statements made by the Green government councilor Susanne Hochuli in a parliamentary commission.

Hochuli's department then filed a criminal complaint with the Office of the Attorney General against unknown persons. The contents and minutes of parliamentary committee meetings are subject to official secrecy in Aargau. The reports concerned the fact that the Department of Health and Social Affairs had spent several 100,000 francs on guarding asylum shelters around five years ago without having obtained corresponding offers beforehand. (SDA)

Ruf Lanz: Equal pay is a matter of course at VBZ

Ruf Lanz shows on behalf of Verkehrsbetriebe Zürich on Equal Pay Day: equal pay for equal work is a matter of course at VBZ.

According to studies, women still earn 20 percent less than men - despite the same education and position. In order to highlight this deplorable state of affairs, the advertising agency Publicis recently launched a pointed campaign on behalf of the Women's Center Zurich: Hair dryers, peelers, headphones or corkscrews always cost 20 percent more as a male version than the feminine version (Werbewoche.ch reported).

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VBZ and its creative agency Ruf Lanz find the Women's Central campaign very successful, according to a statement. Now they have designed a replica. The subject shows: At VBZ, a female tramp pilot earns exactly the same as a male tramp pilot (the real average wage of 6'286 francs was used). According to Jörg Buckmann, Head of Human Resources Management at VBZ, equal pay for equal work is also a matter of course in the other VBZ professions.

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The subject will be distributed in various online applications on Equal Pay Day.

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