"Dream job" under suspicion of surreptitious advertising

Sponsorship The Federal Office of Communications is taking a closer look at the SF DRS program «Traumjob.».

Sponsorship The Federal Office of Communications is scrutinizing the SF DRS programme "Traumjob" on suspicion of surreptitious advertising for Swisscom Mobile. In the show on April 24, the candidates had to design an advertising campaign for the mobile phone provider. "We have asked SRG to submit a possible cooperation agreement," said Susanne Marxer, head of the supervisory board, to the SonntagsZeitung. SF DRS denies undeclared payments. Swisscom provided the infrastructure for the advertising campaign as a provider in kind, which was also mentioned in the credits, spokesperson Rob Neuhaus told SonntagsBlick.

Search.ch wins the Web Award

Awards: The 2005 Master of Swiss Web is Map.search.ch.

Prizes The Master of Swiss Web 2005 is Map.search.ch, the online service that combines address and telephone number searches with satellite maps, has won the main prize in the Best of Swiss Web competition. The jury, the readership of the specialist magazine Netzwoche and the audience at the awards ceremony gave Map.search.ch around a quarter of all votes. The site also received the title "Best of Category" in the Technology/Quality category. WWF.ch from Getunik (usability) and Rosasnco.ch from Netvertising (creativity) were awarded for design. The Business/Online Marketing category was led by Gleis7.ch from Maxomedia for SBB and the Tigra Game from Trio Communication for Opel. (More about the award party in the shortlist on page 20).

Quiet days in Rome

Noted: Too stupid, too over-the-top, or simply «more of the same»: A plea—disguised as a media diary—for more political (factual) insight and less journalistic vandalism.

Column Too stupid, too shrill or simply "more of the same": a plea disguised as a media diary for more political (factual) understanding and less journalistic vandalism.Freitag. Who is the fairest of them all? The Pope is drowning in public, God is stretching out his hand, and the (smaller) part of the world visible to us is suffering too. This is disloyal competition for Silvio Berlusconi, Italy's trash prime minister. Because elections are coming up. So he spends the whole evening chatting about lifts and hair implants on one of his TV chains. His own. He can recommend them. The private sphere as the destruction of politics by other means. But this time, many Italians are noticing the perversion. Consoling: reality strikes back.Wednesday. "We are Pope" cries Bild. Well, if it's not enough to be world champions, the blood-and-soil tabloid will take a pope. No matter that the majority of the nation is reformed or unbelieving. The main thing is German. The gazettes are full of Ratzinger. Moments like this shed light on the state of the industry. It is disastrous. Blunders ("Rottweiler", "Papa Ratzi", "Panzerkardinal") chase chattiness. Where is the paper that asks an excellent author to write the one, brilliantly conceived piece about the event, and that's that?
Saturday. You unsuspectingly brush your teeth to show them to the world, listen to Deutschlandfunk and freeze. I think I'm being hit by an ICE train. What was I smoking yesterday? But no, it's media-savvy: Franz Müntefering has criticized excesses of capitalism. Is the SPD not completely speechless after all? Münte & Marx. Radically chic. Violating taboos creates a mood. In line with the program, capital, the media and politics are getting ready to rage. However, a "debate on capitalism", as it is often called, is not growing out of it. For too long, the SPD has read capital's every wish from its lips. For too long, the Chancellor has left people alone with the assertion that politics can no longer do anything against the power of the economy. What no one notices in this simulation is that we journalists should have started the debate long ago. Of course, we should have researched, read, thought, in short: engaged with reality.
Monday. Nadja Auermann, we hear, no longer believes in fairy tales. That's not a bad thing. She is one. Everyone gets the fairy tales they deserve. Not another word about the man on the throne of Peter. A Catholic friend says to me: "First you pour Ratzinger all over us as if Rome were the world, then suddenly you lose all interest. How can that not make you sick?"
Tuesday. Watched Pasolini's "Salò and the 120 Days of Sodom". It's been 30 years since they beat him to death on the beach at Ostia. A hard, lucid movie. Sex, torture, the banality of horror, the availability of man to man. The victims, led on dog leashes, eat shit before they are put to death. A writer in attendance brandishes a picture of a naked prisoner on the leash of US soldier L.B. at Abu Ghraib. It is the same image. It happens every day in many corners of the world. But the photo shows nothing more: we talk about L.B., her guilt, her trial, but the context disappears.
Wednesday. Gerhard Schröder warns us journalists against playing politics. He castigates tabloidization, personalization and also scandalization, all simple exaggerations and "fake conflicts" that distract from the analysis of complicated problems. I see. You can understand the man. He fears being written out of office by a coalition of Bild, Spiegel and FAZ. You might even agree with him if he hadn't taken a liking to the phrase that in 2006 it was "all about victory or Viktoria". Viktoria is his daughter's name.
> Oliver Fahrni is a freelance journalist and media ecologist.

The spice of the web

Well, well, well... (long sigh, pause, and raising of the voice) That's the thing about industry awards. They're generic—in other words, they're all about themselves.

Well, well, well ... (long sigh, pause and raise your voice) That's the thing about industry awards. They are generic, which means they revolve around themselves, and the Best of Swiss Web Award is not a creative award, but one for Internet technology. The judging is based on usability, technology quality, tech innovation or business efficiency. It was correspondingly boring for the shortlisted author, who therefore delivers a biased report here.
It all started with the pre-event for VIPs, a presentation of the television of tomorrow. The title of the presentation: "Bluewin TV - how to watch TV in the future". After ten minutes, even the last listener realized that what Cablecom was already delivering via the cable connection was being promised via ADSL telephone cable. Even the menu navigation in the demo looked "spot on". Conclusion: Nothing new from the sockets.
The award night could also have been more dramatic. The Internet industry has domesticated itself incredibly quickly. Where not so long ago freaks were in charge, now it's all consultants. The changeover of the Web Award from a standing and drinking party at Kaufleuten to gala seating is therefore just as logical. Nothing more colorful, fun and exuberant.
The catering wouldn't have won any prizes. At least it was good - the meat portions were actually quite generous. Also quite seasoned - with aroma. The canteen chefs from SV-Service are part of the Maag-Areal because of the lease agreement.
Nevertheless, 400 guests were delighted with the event. And Massimo Rocchi even managed to bring a small smile to the face of the grumpy writer of these lines.
Beat Fritsch made it to the Internet industry award night before the Ascension. Yes, industry, because what was once a wild bunch of incessant and slightly weird computer freaks is now a business like any other. All the consultants and even some of the creatives have mutated into brittle tie-wearers. Conclusion: Earlier Web Awards were, just like the industry, wilder, more exciting and more exuberant.
A lifeline? - The silver Baywatch buoy is the trophy for a category win.
Lucky fairy Pam with Claudio Dionisio (l.), President, and Thomas Hauser, Head of Communications of the Best of Swiss Web Association.
Jury president Peter Hogenkamp (l.) and Reto Hartinger, winner of the Best of Swiss Web Award with Map.search.ch.
Rita Cescutti (right), Chocolat Haab, Philippe Leuthold, SBB, and Irene Förig, Canon, who was involved as a ticket seller.
Aperitif time in the foyer: Martin Samsel (l.), Bluewin unit manager at Jung von Matt/Limmat, with client Peter Schilde from Bluewin.

Seen at the pre-presentation: Sepp Nietlisbach, Sales Manager at Search.ch, with Jvo Maurer and Rafael Azzati from Scooba (from left).
Sitting together on the jury: Giaco Schiesser (left) from the Academy of Art and Design and Christian Erni, CD at Futurecom.
Jury member Bramwell Kaltenrieder from Orange 8 and Isabella Kosch, Bluewin TV presenter.
Cook better yourself. With Annemarie Wildeisen's KOCHEN, the cooking magazine with 295,000 readers. Further information at www.wildeisen.ch
André Schraner (left) from the party photo portal Tillate and Ueli Weber, Head of Publicitas Webservice, smiled handsomely into the camera.
Franziska Haefeli and Kurt Busslinger from NZZ Neue Medien followed the award ceremony attentively from their table.
Having a great time: Freddy Berger, SevenOne, Marc Lottenbach, Publicitas Webservice, and Pascal Staub, Mad (from left).
Big business in the Maag Event Hall: Futurecom big boss Andy Widmer with Ana Stagljar from Web Award major sponsor Bluewin.
Relaxed chat on the sidelines of the event: Urs Schneider, owner of Mediaschneider, with Patrizia Gonzalez from Bluewin.
They enjoyed the Swiss Web Award: Joachim Hagger, Netcetera, René Hüsler, HTA Lucerne, and Dieter Jäpel, IBM Research (from left).
Although the SBB team did not win the most prizes, they were the most enthusiastic about winning the category with their Gleis 7 homepage.

Cool sayings for bruises

Pharmaceutical exaggeration and humor have become brand-typical stylistic devices in Exxtra's Perskindol campaign. Always as a balancing act between entertainment and legal restrictions in the pharmaceutical sector.

Pharmaceutical exaggeration and humor have become a stylistic device typical of the brand in Exxtra's Perskindol campaign. Always as a balancing act between entertainment and legal restrictions in the pharmaceutical sector, the liniment is now also tapping out its snappy slogans in the club scene - on beer mats. The young, progressive target group is addressed by the creatives not only with casual texts such as "If the girl thought your lightsaber talk was a stupid pick-up line", but also in line with the choice of media: "If you see the drinks list more sharply than the way home".

End of the extra tour

Christoph Bürge is the new Managing Director of Consulting at Krieg, Schlupp, Springer & Jacoby. He has big plans.

Christoph Bürge is the new Managing Director Consulting at Krieg, Schlupp, Springer & Jacoby. He has big plans and knows exactly what he wants for his future. That's why he has now changed agencies twice in a short space of time. "I describe this as my second year of learning and traveling," says Christoph Bürge. After uncharacteristically short stints at Matter & Partner and Jung von Matt/Limmat, the internationally experienced advertiser "settled down for longer" at Krieg, Schlupp, Springer & Jacoby (KSSJ) at the beginning of May. His father already worked in marketing and his mother in advertising. Bürge therefore knew early on: "This will also be exciting for me." After completing his business degree, he joined Grendene and Lanz as an advertising trainee. That was "a great agency and the first formative experience. I knew I was in the right industry." Guest appearances at Metzger Blatter und Partner and Ogilvy were followed by seven years at Lintas. That was the second formative experience: "I learned a lot about my craft, progressed and was able to develop further."
Bürge describes this time as his "first years of apprenticeship and travel". At the same time, he trained as an advertising assistant, marketing planner and advertising manager. In addition to management courses, he also attended the Marbach Academy, the joint management school of the German and Swiss industry associations BSW and GWA, where talents are honed to become agency managers.
During his time at Lintas, Bürge tried to get into an international exchange program. At first, they wanted to send him to Prague. As he was in the middle of training to become an advertising manager, he turned it down. The next offer was Warsaw. This was also less appealing, so he postponed his upcoming final exams for a second time. The third "and last" offer was Shanghai. "I was summoned to London and had to make a decision within 24 hours." Two months later, he found himself in China.
In 1995, that was "in a completely different Chinese world than today". Nobody spoke English on the street. You had to get by, get electricity and a telephone before you could even start working. Posters were still painted by hand on the walls of houses.
There were 15 people working at the agency, only two of whom were from the West. Bürge's job was to look after the international clients, move the agency forward and explain the basic rules of advertising to the Chinese employees, who had heard nothing about marketing in the communist era.
After two years, Lintas Shanghai already employed 70 people, only four of whom were still non-Chinese. Today, the branch is one of the top players in China with 700 people. The first customers included Audi, Electrolux and Johnson & Johnson. Over time, Bürge has also acquired local customers, such as the Shanghai evening newspaper and the local beer brand.
They would have liked to keep the Swiss player for longer. However, after two years in what was then a developing country, Bürge wanted to get a taste of the West again and asked for a year's break. As Lintas wanted to transfer him to Vietnam instead, he eventually left.
After returning from China, he worked briefly as a freelancer at Scholz & Friends in Hamburg before another important door opened at Advico Young & Rubicam. "In the heyday of this agency, that was certainly my second formative time, one great campaign after another ..." The consultant is still proud of the commercials for Ovomaltine and Migros today. The latter led to Bürge launching, developing and managing the Migros agency Exxtra with Peter Felser, Dieter Hofmann and Silvia Rohner from AY&R, until he felt the urge to move on again. "I could easily have worked at Exxtra for three years longer. Here we did advertising the way I like it." Nevertheless, he felt a growing need to do other campaigns beyond Migros. "And I wanted to end up in an agency environment at some point, where I could have a decisive say."
Throughout his career, there would have been various opportunities where Bürge could have teamed up with a similarly minded creative, "with the same idea of good advertising and also the idea of how to get there". But his gut feeling always told him he wasn't ready for his own agency.
"With Daniel Krieg and Uwe Schlupp, I have now found two creative people who think alike and are in similar situations: same generation, young family with children. What's more, all three of us come from great creative agencies and want to do something ourselves."
There is still room for more desks at Seestrasse 367 in Zurich. The KSSJ agency started just over a year ago with two people and has already grown to eight. The next goal is to become a medium-sized agency with 15 people. Bürge is also already thinking about becoming one of the top ten agencies with 30 employees. This goal is to be achieved in small steps.
Several meetings took place before Bürge and the two namesakes of the agency found each other. "We wanted to talk more than less and really see if we ticked the same way." Although it was already clear to everyone after the first meeting, they met five more times and had intensive discussions about goals, methods and skills. Bürge summarizes the concept with the three E's, which are also part of the philosophy of Springer & Jacoby's international network: "simple, imaginative and exact".
"Simple, imaginative and precise": the philosophy of Krieg, Schlupp, Springer & Jacoby fits Christoph Bürge perfectly.

Andreas Panzeri

Direct line to Hollywood

Magazines The publishing house Promoédition in Geneva launches Live Stars, the first glossy film magazine in French-speaking Switzerland.

Magazines The publishing house Promoédition in Geneva launches Live Stars, the first glossy film magazine in French-speaking Switzerland.
With Live and Avant Première, Promoédition already has two cinema magazines in French-speaking Switzerland. However, market research conducted by the publisher has shown that there is still a lack of a glossy magazine from the world of movie stars in French-speaking Switzerland. Live Stars is now set to fill this gap. The first issue with almost 100 pages was launched at the beginning of May. Both the public and advertising customers are "very satisfied" with the first issue, says publishing director Jean-Pierre Grey from Promoédition. He emphasizes that all advertisements have already been paid for in the prototype. Those who were still hesitant are now showing a correspondingly lively interest in the next issue.
Thurman, Zellweger, LopezThe free magazine Live was previously published with ten issues per year and is published in cinemas. Now only eight free issues will be produced. Instead, Live Stars will be available twice a year at newsstands for 10 francs or 6.5 euros. The glossy magazine will also be on sale at selected points of sale at the Cannes Film Festival these days. "A test", as Grey says.
If sales are very successful, a further presence in neighboring France could be considered, although such an expansion is not a top priority. "Competition with the luxury magazines Studio and Première is fierce in Paris." Promoédition has "not even considered" translating the texts for German-speaking Switzerland, although the publisher will soon reach 225,000 readers with its free magazine Film, which is distributed in cinemas. Its French counterpart Avant Première reaches 193,000 readers. Live has so far reached 125,000 readers in its free form.
The next issue of Live Stars will be published on November 30. The concept for this line extension is to present exclusive stories and interviews about stars who are currently in demand rather than the latest films. Editor-in-chief Bernard Achour works with a permanent team of four journalists, some of whom have their offices in Hollywood, such as correspondent Henry Arnaud. "All interviews are done exclusively for Live Stars and are not bought-in agency texts," emphasizes Jean-Pierre Grey. In contrast to the promo pictures of the film distributors in the free Live, "a great deal has also been invested" in the glossy photos.
In the first issue, for example, there is a five-page interview with Uma Thurman, the star of the new romantic comedy "Prime" by Ben Younger or earlier "Kill Bill" by Quentin Tarantino. Other exclusive interviews that go beyond the normal gossip and are informative show the private sides of Renée Zellweger, Jamie Foxx and Jennifer Lopez. A live star story, typical of the concept, illustrates how the Geneva watch brand Chopard makes the trophies for the Palme d'Or or the Golden Camera for Cannes.
Promoédition's portfolio has also included the reference work Swiss Audiovisual Guide for eight years. This publication is also being published this year with a revised concept and design. The "only publication that publishes all the facts and figures of the audiovisual industry" was previously produced in collaboration with Swiss Films. The organization Filmlocation Switzerland has now also been added. The new guide contains valuable tips on "Filmland Switzerland", such as filming opportunities - including information on when the sun goes down. In keeping with the target audience, the guide is bilingual in French and English. The Swiss Audiovisual Guide will also be published at the Cannes Festival.
In addition to Live Stars, Promoédition also publishes the Guide.

Andreas Panzeri

OSS Services rely on In Marketing

Consulting The IT consulting company OSS Services has commissioned In Marketing with its overall communication in Switzerland.

Consulting The IT consulting company OSS Services has commissioned In Marketing with the overall communication in Switzerland.OSS is launching new offers that should also make voice-over-IP services interesting for SMEs with small budgets.

Barbie stores at Benetton

The Barbie co-branding initiative brings together the Mattel and Benetton brands in a glamorous fashion partnership. The doll is now on display in Benetton store windows on shopping streets around the world.

Co-branding Barbie unites the two brands Mattel and Benetton in a glamorous fashion partnership. The doll now appears in Benetton store windows on shopping streets all over the world, where she will be available in four looks inspired by the leading cities - London, Paris, New York and Stockholm - as well as the fashion line designed by Benetton.

Nose strengthens the presence of the Musées Suisses

Culture: The Musée Suisse Group continues to rely on Nose Applied Intelligence. In recent months, the group has been searching for an agency partner to strengthen its visual identity.

Culture The Musée Suisse Group continues to rely on Nose Applied Intelligence. Over the past few months, the group has been looking for an agency partner to strengthen its visual identity, and Nose has now been awarded the four-year framework contract for graphic services in the area of corporate identity. The Zurich-based agency was already responsible for the development of the Musée Suisse brand in 2001 and designed the group's current website. The Musée Suisse Group consists of eight important cultural history museums, including the Swiss National Museum in Zurich, the Forum of Swiss History, the Musée National Suisse/Château Prangins and the Museo Doganale Svizzero.

Strong new business for Dachcom Gmeiner

IT Industry/Pharmaceuticals: Dachcom Gmeiner, an advertising agency based in Eastern Switzerland, reports that it has gained numerous new clients.

IT industry/pharmaceuticals The advertising agency Dachcom Gmeiner from Eastern Switzerland reports numerous new clients, and the Basel-based IT service provider Trivadis has entrusted Dachcom with the mandate for integrated marketing communication. Following a competitive presentation, the agency was commissioned by HG Commerciale Baumaterial in Zurich and its Sponagel Baukeramik brand to develop its new image. Dachcom also won an agency screening for the Romanshorn-based pharmaceutical wholesaler Voigt AG. Together with the management, the agency is developing an integral new image for marketing communication. Dachcom Gmeiner was also entrusted with the development of an integrated communication platform by the stationery retailer Hermann Kuhn AG in Bassersdorf and with the redesign and redevelopment of the collection appearance for the Herisau flooring wholesaler Loppacher AG.

Sunrise relaunches a Kalauer

Telecom: Thanks to Sunrise and its in-house agency Advico Young & Rubicam, a Zurich landmark is being brought back to life after twelve years.

Telecom Thanks to Sunrise and in-house agency Advico Young & Rubicam, a Zurich landmark has been revived after twelve years. The graffito wordplay "Zureich" on a façade of the squatted Wohlgroth factory last greeted train passengers in November 1993, when the alternative dream was aborted and the famous trademark disappeared. Now the protest slogan is a giant poster on the signal box at the main station advertising Sunrise's offers, which, according to the caption, quickly make you "too rich".
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