Author: admin
Search.ch wins the Web Award
Awards: The 2005 Master of Swiss Web is Map.search.ch.
Quiet days in Rome
Noted: Too stupid, too over-the-top, or simply «more of the same»: A plea—disguised as a media diary—for more political (factual) insight and less journalistic vandalism.
Saturday. You unsuspectingly brush your teeth to show them to the world, listen to Deutschlandfunk and freeze. I think I'm being hit by an ICE train. What was I smoking yesterday? But no, it's media-savvy: Franz Müntefering has criticized excesses of capitalism. Is the SPD not completely speechless after all? Münte & Marx. Radically chic. Violating taboos creates a mood. In line with the program, capital, the media and politics are getting ready to rage. However, a "debate on capitalism", as it is often called, is not growing out of it. For too long, the SPD has read capital's every wish from its lips. For too long, the Chancellor has left people alone with the assertion that politics can no longer do anything against the power of the economy. What no one notices in this simulation is that we journalists should have started the debate long ago. Of course, we should have researched, read, thought, in short: engaged with reality.
Monday. Nadja Auermann, we hear, no longer believes in fairy tales. That's not a bad thing. She is one. Everyone gets the fairy tales they deserve. Not another word about the man on the throne of Peter. A Catholic friend says to me: "First you pour Ratzinger all over us as if Rome were the world, then suddenly you lose all interest. How can that not make you sick?"
Tuesday. Watched Pasolini's "Salò and the 120 Days of Sodom". It's been 30 years since they beat him to death on the beach at Ostia. A hard, lucid movie. Sex, torture, the banality of horror, the availability of man to man. The victims, led on dog leashes, eat shit before they are put to death. A writer in attendance brandishes a picture of a naked prisoner on the leash of US soldier L.B. at Abu Ghraib. It is the same image. It happens every day in many corners of the world. But the photo shows nothing more: we talk about L.B., her guilt, her trial, but the context disappears.
Wednesday. Gerhard Schröder warns us journalists against playing politics. He castigates tabloidization, personalization and also scandalization, all simple exaggerations and "fake conflicts" that distract from the analysis of complicated problems. I see. You can understand the man. He fears being written out of office by a coalition of Bild, Spiegel and FAZ. You might even agree with him if he hadn't taken a liking to the phrase that in 2006 it was "all about victory or Viktoria". Viktoria is his daughter's name.
> Oliver Fahrni is a freelance journalist and media ecologist.
The spice of the web
Well, well, well... (long sigh, pause, and raising of the voice) That's the thing about industry awards. They're generic—in other words, they're all about themselves.
It all started with the pre-event for VIPs, a presentation of the television of tomorrow. The title of the presentation: "Bluewin TV - how to watch TV in the future". After ten minutes, even the last listener realized that what Cablecom was already delivering via the cable connection was being promised via ADSL telephone cable. Even the menu navigation in the demo looked "spot on". Conclusion: Nothing new from the sockets.
The award night could also have been more dramatic. The Internet industry has domesticated itself incredibly quickly. Where not so long ago freaks were in charge, now it's all consultants. The changeover of the Web Award from a standing and drinking party at Kaufleuten to gala seating is therefore just as logical. Nothing more colorful, fun and exuberant.
The catering wouldn't have won any prizes. At least it was good - the meat portions were actually quite generous. Also quite seasoned - with aroma. The canteen chefs from SV-Service are part of the Maag-Areal because of the lease agreement.
Nevertheless, 400 guests were delighted with the event. And Massimo Rocchi even managed to bring a small smile to the face of the grumpy writer of these lines.
Beat Fritsch made it to the Internet industry award night before the Ascension. Yes, industry, because what was once a wild bunch of incessant and slightly weird computer freaks is now a business like any other. All the consultants and even some of the creatives have mutated into brittle tie-wearers. Conclusion: Earlier Web Awards were, just like the industry, wilder, more exciting and more exuberant.
A lifeline? - The silver Baywatch buoy is the trophy for a category win.
Lucky fairy Pam with Claudio Dionisio (l.), President, and Thomas Hauser, Head of Communications of the Best of Swiss Web Association.
Jury president Peter Hogenkamp (l.) and Reto Hartinger, winner of the Best of Swiss Web Award with Map.search.ch.
Rita Cescutti (right), Chocolat Haab, Philippe Leuthold, SBB, and Irene Förig, Canon, who was involved as a ticket seller.
Aperitif time in the foyer: Martin Samsel (l.), Bluewin unit manager at Jung von Matt/Limmat, with client Peter Schilde from Bluewin.
Seen at the pre-presentation: Sepp Nietlisbach, Sales Manager at Search.ch, with Jvo Maurer and Rafael Azzati from Scooba (from left).
Sitting together on the jury: Giaco Schiesser (left) from the Academy of Art and Design and Christian Erni, CD at Futurecom.
Jury member Bramwell Kaltenrieder from Orange 8 and Isabella Kosch, Bluewin TV presenter.
Cook better yourself. With Annemarie Wildeisen's KOCHEN, the cooking magazine with 295,000 readers. Further information at www.wildeisen.ch
André Schraner (left) from the party photo portal Tillate and Ueli Weber, Head of Publicitas Webservice, smiled handsomely into the camera.
Franziska Haefeli and Kurt Busslinger from NZZ Neue Medien followed the award ceremony attentively from their table.
Having a great time: Freddy Berger, SevenOne, Marc Lottenbach, Publicitas Webservice, and Pascal Staub, Mad (from left).
Big business in the Maag Event Hall: Futurecom big boss Andy Widmer with Ana Stagljar from Web Award major sponsor Bluewin.
Relaxed chat on the sidelines of the event: Urs Schneider, owner of Mediaschneider, with Patrizia Gonzalez from Bluewin.
They enjoyed the Swiss Web Award: Joachim Hagger, Netcetera, René Hüsler, HTA Lucerne, and Dieter Jäpel, IBM Research (from left).
Although the SBB team did not win the most prizes, they were the most enthusiastic about winning the category with their Gleis 7 homepage.
Cool sayings for bruises
Pharmaceutical exaggeration and humor have become brand-typical stylistic devices in Exxtra's Perskindol campaign. Always as a balancing act between entertainment and legal restrictions in the pharmaceutical sector.
End of the extra tour
Christoph Bürge is the new Managing Director of Consulting at Krieg, Schlupp, Springer & Jacoby. He has big plans.
Bürge describes this time as his "first years of apprenticeship and travel". At the same time, he trained as an advertising assistant, marketing planner and advertising manager. In addition to management courses, he also attended the Marbach Academy, the joint management school of the German and Swiss industry associations BSW and GWA, where talents are honed to become agency managers.
During his time at Lintas, Bürge tried to get into an international exchange program. At first, they wanted to send him to Prague. As he was in the middle of training to become an advertising manager, he turned it down. The next offer was Warsaw. This was also less appealing, so he postponed his upcoming final exams for a second time. The third "and last" offer was Shanghai. "I was summoned to London and had to make a decision within 24 hours." Two months later, he found himself in China.
In 1995, that was "in a completely different Chinese world than today". Nobody spoke English on the street. You had to get by, get electricity and a telephone before you could even start working. Posters were still painted by hand on the walls of houses.
There were 15 people working at the agency, only two of whom were from the West. Bürge's job was to look after the international clients, move the agency forward and explain the basic rules of advertising to the Chinese employees, who had heard nothing about marketing in the communist era.
After two years, Lintas Shanghai already employed 70 people, only four of whom were still non-Chinese. Today, the branch is one of the top players in China with 700 people. The first customers included Audi, Electrolux and Johnson & Johnson. Over time, Bürge has also acquired local customers, such as the Shanghai evening newspaper and the local beer brand.
They would have liked to keep the Swiss player for longer. However, after two years in what was then a developing country, Bürge wanted to get a taste of the West again and asked for a year's break. As Lintas wanted to transfer him to Vietnam instead, he eventually left.
After returning from China, he worked briefly as a freelancer at Scholz & Friends in Hamburg before another important door opened at Advico Young & Rubicam. "In the heyday of this agency, that was certainly my second formative time, one great campaign after another ..." The consultant is still proud of the commercials for Ovomaltine and Migros today. The latter led to Bürge launching, developing and managing the Migros agency Exxtra with Peter Felser, Dieter Hofmann and Silvia Rohner from AY&R, until he felt the urge to move on again. "I could easily have worked at Exxtra for three years longer. Here we did advertising the way I like it." Nevertheless, he felt a growing need to do other campaigns beyond Migros. "And I wanted to end up in an agency environment at some point, where I could have a decisive say."
Throughout his career, there would have been various opportunities where Bürge could have teamed up with a similarly minded creative, "with the same idea of good advertising and also the idea of how to get there". But his gut feeling always told him he wasn't ready for his own agency.
"With Daniel Krieg and Uwe Schlupp, I have now found two creative people who think alike and are in similar situations: same generation, young family with children. What's more, all three of us come from great creative agencies and want to do something ourselves."
There is still room for more desks at Seestrasse 367 in Zurich. The KSSJ agency started just over a year ago with two people and has already grown to eight. The next goal is to become a medium-sized agency with 15 people. Bürge is also already thinking about becoming one of the top ten agencies with 30 employees. This goal is to be achieved in small steps.
Several meetings took place before Bürge and the two namesakes of the agency found each other. "We wanted to talk more than less and really see if we ticked the same way." Although it was already clear to everyone after the first meeting, they met five more times and had intensive discussions about goals, methods and skills. Bürge summarizes the concept with the three E's, which are also part of the philosophy of Springer & Jacoby's international network: "simple, imaginative and exact".
"Simple, imaginative and precise": the philosophy of Krieg, Schlupp, Springer & Jacoby fits Christoph Bürge perfectly.
Andreas Panzeri
Direct line to Hollywood
Magazines The publishing house Promoédition in Geneva launches Live Stars, the first glossy film magazine in French-speaking Switzerland.
With Live and Avant Première, Promoédition already has two cinema magazines in French-speaking Switzerland. However, market research conducted by the publisher has shown that there is still a lack of a glossy magazine from the world of movie stars in French-speaking Switzerland. Live Stars is now set to fill this gap. The first issue with almost 100 pages was launched at the beginning of May. Both the public and advertising customers are "very satisfied" with the first issue, says publishing director Jean-Pierre Grey from Promoédition. He emphasizes that all advertisements have already been paid for in the prototype. Those who were still hesitant are now showing a correspondingly lively interest in the next issue.
Thurman, Zellweger, LopezThe free magazine Live was previously published with ten issues per year and is published in cinemas. Now only eight free issues will be produced. Instead, Live Stars will be available twice a year at newsstands for 10 francs or 6.5 euros. The glossy magazine will also be on sale at selected points of sale at the Cannes Film Festival these days. "A test", as Grey says.
If sales are very successful, a further presence in neighboring France could be considered, although such an expansion is not a top priority. "Competition with the luxury magazines Studio and Première is fierce in Paris." Promoédition has "not even considered" translating the texts for German-speaking Switzerland, although the publisher will soon reach 225,000 readers with its free magazine Film, which is distributed in cinemas. Its French counterpart Avant Première reaches 193,000 readers. Live has so far reached 125,000 readers in its free form.
The next issue of Live Stars will be published on November 30. The concept for this line extension is to present exclusive stories and interviews about stars who are currently in demand rather than the latest films. Editor-in-chief Bernard Achour works with a permanent team of four journalists, some of whom have their offices in Hollywood, such as correspondent Henry Arnaud. "All interviews are done exclusively for Live Stars and are not bought-in agency texts," emphasizes Jean-Pierre Grey. In contrast to the promo pictures of the film distributors in the free Live, "a great deal has also been invested" in the glossy photos.
In the first issue, for example, there is a five-page interview with Uma Thurman, the star of the new romantic comedy "Prime" by Ben Younger or earlier "Kill Bill" by Quentin Tarantino. Other exclusive interviews that go beyond the normal gossip and are informative show the private sides of Renée Zellweger, Jamie Foxx and Jennifer Lopez. A live star story, typical of the concept, illustrates how the Geneva watch brand Chopard makes the trophies for the Palme d'Or or the Golden Camera for Cannes.
Promoédition's portfolio has also included the reference work Swiss Audiovisual Guide for eight years. This publication is also being published this year with a revised concept and design. The "only publication that publishes all the facts and figures of the audiovisual industry" was previously produced in collaboration with Swiss Films. The organization Filmlocation Switzerland has now also been added. The new guide contains valuable tips on "Filmland Switzerland", such as filming opportunities - including information on when the sun goes down. In keeping with the target audience, the guide is bilingual in French and English. The Swiss Audiovisual Guide will also be published at the Cannes Festival.
In addition to Live Stars, Promoédition also publishes the Guide.
Andreas Panzeri
