Preparation Markom Admission Test (MZP)

This practice test is ideal for learning and also serves as exam preparation. Up to 600 practice questions can be answered on a computer under exam conditions within the allotted time.

This trainer is ideal for learning and at the same time as an exam trainer. Up to 600 test questions can be solved on the computer under exam conditions within the prescribed time. The exam can be repeated as often as desired. The test result is automatically evaluated. So you have the learning progress available at any time.
Reasoned solutions are available for a number of questions. This is a huge advantage: the trainer can therefore also be used for learning, and no uncertainties arise as to why a question was not answered correctly. This also makes the trainer ideal for repetition at the certificate and diploma level. All the requirements of the MarKom certification exam are covered.
For whom is this exam trainer suitable?
- All who want to prepare successfully and efficiently for the MarKom admission exam.
- Marketing and administrative professionals who want to further their education.
- Business professionals who work in the marketing environment and want to advance professionally once again.
Prices
- CHF 125.-, full version with 200 questions, spread over all subjects
- CHF 195.-, extended version with 600 questions, spread over all subjects
- CHF 79.-, Upgrade full version to extended version (directly unlockable via internet)
Orders: AGON Marketing Service,
4800 Zofingen, phone +41 62 752 72 72,
E-mail [email protected]
img090408_markom

Vision Studios take gold at Graphis

Categories

Uncategorized

Last but not least: The Easter hit avalanche

Easter is a religious festival. People commemorate the crucifixion and resurrection of Jesus, listen to the Pope's traditional Easter blessing ("urbi et orbi"), gather with family and reflect. There are also other traditions that have little to do with the original meaning of the festival...

Easter is a religious festival. People commemorate the crucifixion and resurrection of Jesus, listen to the Pope's traditional Easter blessing ("urbi et orbi"), gather with family and reflect. There are also other traditions that have little to do with the original meaning of the festival: Radio BE1, for example, indulges in a hit marathon every Easter. Starting at 12 noon on Easter Sunday, the two charts presenters Mike Baader and Jenni Herren present the 333 favorite songs of BE1 listeners in a 24-hour non-stop broadcast (voting takes place online). Across styles and decades. Respect for those who keep up. If you want to know whether Züri West will make it to number 1 for the 8th time in a row with their immortal "I schänke dir mis Härz", make a pilgrimage - a religious activity after all - to the BE1 broadcasting area at the weekend.

Browse through Stephan Eicher's diary

Instead of a dry collection of statistics, Swisscom’s 2008 annual report is a picture book to look through and browse. More specifically: a diary—Stephan Eicher’s diary, to be exact. It was produced by Studio Achermann.

Did you used to "borrow" your older sister's diary from time to time to browse through it? Then you will be delighted with Swisscom's 2008 annual report. Rather than just giving the reader facts and figures, Swisscom and Studio Achermann have asked Stephan Eicher to travel the world of Swisscom. The singer, writer and poet visited the Swisscom subsidiary Fastweb in Rome, the national ski team in Wengen, skied with Didier Cuche, visited the art foundry in the Sittertal in St. Gallen and wrote a diary about his experiences. The result is a Swiss cosmopolitan, poetic and informative picture book with photos in color and black and white, with newspaper clippings and e-mails, full of handwritten comments, drawings and small finds from the trip.
Dear diary
Incidentally, the diary also has a surprisingly high information value - after all, it is an annual report, which the reader may well forget in the meantime: In Rome, Eicher collected information about the fiber optic network and Telefonino, in Wengen he got to know the Swisscom-sponsored Skinati, in
St. Gallen, he visited a Swisscom best practice. Eicher entrusted his impressions and insights, ideas and conversations to his diary, and thus also to the reader. Finally, Eicher takes the reader into his studio, where he uses his cell phone, landline, e-mail, Internet, Voice over IP and Internet TV. But not so that Swisscom can report on it, but simply because that's the way it is.
Eicher is a passionate communicator and enjoys a high level of acceptance in all three language regions of Switzerland. This makes him the perfect testimonial for Swisscom. "It wasn't difficult to get Eicher interested in this artistic project, although he's not normally so easy to come by," says Beda Achermann from Studio Achermann. "Eicher sings, writes, draws and photographs. What we show in the diary is totally authentic. And the readers feel that too." Incidentally, THE symbol of the information age, the cell phone, is nowhere to be found in this annual report. Just like the Swisscom logo, which is only casually attached to the front page of the report with a piece of scotch tape.
Close to people
"Part of our new brand identity is to convey the Swisscom brand more emotionally," explains Tom Hauk, Head of Brand Communications at Swisscom. "We also convey our culture and the values that Swisscom stands for to a large extent in the annual report. Of course, we also provide the bare figures for the financial statements, because the financial analysts need them." Facts and figures have been published in a plain white booklet entitled "Swisscom in brief", and analysts can also request a 250-page tome with more figures, figures, figures. Anyone else who is interested in Swisscom can simply experience the company alongside Stephan Eicher. You can hardly prepare an annual report in a more target group-oriented way.
The business presentation is sent to around 50,000 customers, authorities and institutes, employees and alumni. "We didn't want dry food," says Beda Achermann, explaining the agency's concept. "We have implemented Swisscom's message exactly, which is: 'Close to the people'. Swisscom should not be perceived as an anonymous company, but should be given a face."
Studio Achermann has been using a similar approach for Migros for ten years. It was the Migros annual report that gave Tom Hauk the idea of working with Studio Achermann.
Renaissance of emotions
"We approached the diary with a rough travel plan and knew what core messages we wanted to convey," says Achermann. "The ideas of how we would present this in concrete terms only emerged for the most part during implementation." It took Swisscom and Studio Achermann around three months to produce the diary. The planning goes back much further. After all, the diary should not be a one-year fling. "The concept will be with us for the next few years," says Tom Hauk. "But we are not yet revealing who we have in mind to write the diary in 2009."
Isn't it strange that a high-tech communications company like Swisscom publishes a printed diary as an information and image tool? Let's be honest: no. It's quite possible that Swisscom's picture and experience book is in tune with the times. After all, we're all tired of digital agendas, online diaries, PDAs and especially Outlook. Paper is not old-fashioned. It has never been out of fashion and is very much on the rise again. Almost all of us have a Moleskin or a notebook - we just don't dare admit it anymore. Diaries are a full stop. They capture the most beautiful days of the time that passes so quickly, preserve them and make it possible to relive them again and again. Because both are beautiful: speed and slowness.
Anne-Friederike Wilhelm

1290581821_img090408_swisscom6
1290581821_img090408_swisscom1
1290581821_img090408_swisscom2
1290581821_img090408_swisscom3
1290581821_img090408_swisscom4
1290581821_img090408_swisscom5

A wealth of allusions

Ruf Lanz runs a pointed ad campaign for the Zurich-based private bank Lienhardt & Partner.

Security comes before quick returns. Discerning clients have been able to rely on this business philosophy at the Zurich-based private bank Lienhardt & Partner since 1868. The bank does not engage in speculative proprietary trading. It does not offer its own products and thus avoids conflicts of interest with its clients. Lienhardt & Partner has never sold structured products. And the private bank conducts its mortgage business exclusively in Switzerland.
For these reasons, Lienhardt & Partner is in excellent health even in the international financial crisis. 2008 saw another record result in succession, with net profit increasing by 2.2 percent.
To attract the attention of more potential customers, Lienhardt & Partner is now investing in an advertising campaign for the first time. Ruf Lanz convinced the client with a comprehensive presentation of ideas, from which a pointed text campaign was ultimately selected. This gets to the heart of the bank's advantages - and is not stingy with almost cabaret allusions.
In the first phase, five different subjects will be used, which will appear full-page in the NZZ and Bilanz. In addition, posters on Paradeplatz caused a stir with the customized message: "The showplace for secure asset management is above Bellevue." This is because Lienhard & Partner is based at Rämistrasse 23.
At Ruf Lanz, where the budget for the Coop Bank is also in the vault, analysts see no conflict of interest in this portfolio expansion with private advertising.
Andreas Panzeri
1290581822_img090408_ruflanz5
1290581822_img090408_ruflanz
1290581822_img090408_ruflanz1
1290581822_img090408_ruflanz2
1290581822_img090408_ruflanz3
1290581822_img090408_ruflanz4

Testimonials "for a tüüfi, langi Chundebeziehig" (for a tüüfi, langi Chundebeziehig)

The Swiss directory assistance service 1818, Procter & Gamble, and Bico use testimonials in their advertising that successfully embody the company's brands. Emotions play a crucial role in this.

Great companies include brands with a great recognition effect, because brands increase value. By making it easier for customers to make a purchase decision and informing them about the product or service, they become a distinctive feature of the company. The better consumers can distinguish a brand from a competitor's product, the more likely they are to choose it and the longer they will remain loyal to it. This can currently be seen with the 1818 twins of the Swiss directory assistance. Their recognition value is so high that the first thing people think of when they think of directory assistance is 1818, so that they have positioned themselves "Top of Mind" within two years. The success story of the two advertising mascots began with the liberalization of January 1, 2007, when Swisscom's monopoly with its directory assistance number 111 was lifted. Since then, other companies have also been allowed to offer the service. But only very few attempts have been successful. The breakthrough has so far only been achieved with the personalized dual number. The directory assistance provider has thus succeeded in positioning 1818 as a brand that clearly identifies the services it offers and stands out from other competitors. Since almost every good and service can be easily replaced this year, the marking process is more important than ever.
Brands must unite emotions
But it is not just the brand's appearance alone that makes it popular with customers; recognition, consistent quality and name recognition are also important factors. Without the customer being aware of this, he forms his own idea of the product in his head. It allows him to deal with the offer. A high degree of congruence between the fictitious image and the actual brand image leads to the purchase of the product. The brand identity is formed from decisive emotions such as passion, protection and trust. It gives the brand both purpose and meaning.
The European detergent giant Procter & Gamble and the Swiss bedding manufacturer Bico have recognized this strategy correctly. For years, the former advertised its Ariel detergent with the actress and advertising icon Johanna König, alias Klementine, who died at the beginning of March. For 14 years, the lovable cleaning devil in a red-and-white-checked shirt assured the public "not only clean, but pure" and generated trust among customers with her motherly manner. In the 1980s, Bico sent the two legendary Bico twins from Schänis in front of the camera and, with them, selected testimonials that embodied their brand like no others. In blue work clothes, Josef (Sepp) and Martin Müller smiled at viewers from TV screens for decades. The slogan "Für ä tüüfä gsundä Schlaaf" was believed by numerous consumers then as now, making Bico one of the best-known bedding brands in Switzerland. P&G and Bico set in
their commercials always targeted the good nature of their testimonials, which enabled them to successfully build the relationship between their brands and the consumer. After all, identification with the brand is of great importance to the consumer. If a brand's identity succeeds in uniting passion, protection and trust, feelings and thus also a person's values, it influences buying behavior.
P&G took advantage of this then, as it does now, and is also going down the trust route in the current Ariel campaign. For the black-and-white spot, it hired ex-Miss Switzerland Anita Buri, who dresses in a typically dotted apron as the "good housewife of yesteryear" and promotes the classic detergent.
Bico has remained true to its slogan, which assures customers of a deep, healthy sleep. In the commercials advertising various types of mattresses, the Eden trio now fights giant mites in risky adventures, sometimes getting their butts burned in the process.
The recognition value is decisive
To a certain extent, brands represented by testimonials automatically possess a personality and are thus able to establish a relationship between the buyer and the brand. The characteristic of the brand is based primarily on the personality traits that the consumer associates with the testimonial. This means nothing else than that for the characteristic of the mark the picture, which makes itself the customer of the mark, is crucial. Through which brand and person can exchange and he perceives it as an independent personality. Because at the end of the day, the brand personality sees itself first and foremost as a reflection of the person.
Swiss directory assistance has succeeded admirably. Because with the look they gave the 1818 testimonials, they hit the bull's eye of the customer fantasy. Apparently, the very fact that they neither have a look to fall in love with nor ride the ultimate fashion wave ensures a high recognition effect. Even the moustaches and the tight 70s ski suits in which they make alpine regions unsafe to "Daddy Cool" underline the uniqueness of the twins and thus of the brand.
The brand - that's me
By consciously choosing a brand, consumers want to express themselves. The reason for this lies in the need for a positive self-esteem. By buying a brand product, the customer wants to enhance his self-esteem. He specifically chooses those brands whose meaning coincides with his own person or ideal image. By belonging to a particular brand, he enjoys recognition in his environment and at the same time demonstrates which scene he belongs to.
Convinced customers are loyal customers
A convinced customer is more likely to recommend a brand to others than one who is not. This willingness is also strongly linked to loyalty to the brand. If a brand is convincing, the provider is sure to gain new customers. The recommendation that has taken place in advance ultimately leads to filled coffers for the provider.
Adriana Zilic

The attempt to look behind the facades
Werbewoche wanted to know who is really behind the two twins from 1818 and put together some questions. The main cooperation was with their advertising agency, Draftfcb/Lowe Group. The questions came back answered, but their mostly humorous statements could only be relied on to a limited extent. One simply does not want to let oneself look behind the facade respectively behind the ski suits and snouts. On the other hand, the agency willingly provided information about the current commercials. For the current advertising trailer, for example, Interlaken was chosen as the filming location, where they worked late into the night. But when the question about the true identity of the testimonials came up again, they waved it off on the grounds that it should remain hidden. This was the wish of the two actors.

WW: According to your agency, you don't want to reveal your true identity. Why?
18: Almost everyone knows us. And our names are on our clothes.
18: We are, after all, the best-known directory assistance number in Switzerland.
Are you afraid that the interest in you would decrease?
18: Not at all. We are the most popular directory assistance service. Fast and helpful. And shampoo friendly.
18: That's right, Achzäh.
What do you do when you're not filming for an 1818 commercial? Do mascots like you also have hobbies?
18: Our favorite thing to do is sports. Gäll, Achzäh.
18: Yes, toughness. My favorite thing is skiing. And we have started with Thai Chi. But we still have to practice a bit.
What is your private life like - do you have a wife and children?
18: We don't have much time for a private life. We are almost always working.
18: Sure, Achzäh. After all, we want to offer the Swiss the best information.
In the commercials, you're always seen as a couple. Are you as inseparable in real life as you are in the movies?
18: We are always and everywhere in pairs. When dancing. Or skiing.
18: You took me on your shoulders. That was great, Achzäh.
If you take a closer look at the photos of you, you can see that you are not 100 percent alike. Are you really twins?
18: We are Achzäh and Achzäh. Two times Achzäh.
18: Or even double-echelon.
Have you ever been approached by passers-by on the street?
18: We can be recognized almost everywhere.
18Sure, Achzäh. That makes us mega happy. Sometimes there is also a little hype.
In the movies, you're not exactly riding the ultimate fashion wave. You wear funny suits and nasty moustaches. Still, viewers can't get enough of you. You must get love letters and other fan mail every day, right?
18: Fan mail. And many want the same ski suits as we do.
18: Yes, Achzäh. You can also order them. Or rent.
As the 1818 twins, you are quite popular with customers. At carnival parties, imitators wear costumes of you and on the 1818 homepage you can even join a fan club or download free mobile games. How do you explain this success?
18: We just keep at it. And always give Guzi. Right, Achzäh?
18: Exactly. Always ready. Always ready to help. That counts.
Can you live on the fees you receive?
18: Yes. I work all day to provide the best information to the Swiss.
18: Me too. You don't need much else to live on.
What comes after 1818? Do you have any further plans?
18: I hope we can make this at least as long as our predecessor.
18: That's right, Achzäh. Just like the nice old man with the 111 on his back.
Who discovered you? Did something similar to a casting take place?
18: Yes. A casting. We played our song. And danced to it. You know, Achzäh?
18: Yes, Achzäh. And then the choice was clear.

1290581824_img090408_achtzehn_achtzehn

Media for all the senses

Newspapers, the Internet, radio, television—we read, listen to, and watch the world in all its facets. Deaf, blind, and deaf-blind people, on the other hand, must rely on the medium that is accessible to their senses. In this regard, too, they face barriers.

You are traveling by train. You gaze at the mountain panorama in the glaring midday light and have a lively conversation with the person sitting next to you. The train enters a tunnel. The lights go out and it goes dark all around you. Only a dull vibration remains from the conversation and the train noises. The tunnel has no end.
That's what happened to Christine Müller (42). The trained primary school teacher was 29 years old when she lost her hearing and sight within three weeks due to meningitis. "I still think today that light and sounds come back just as suddenly as they disappeared," she says. "Being deafblind means constant tension. I constantly have to make sure I don't hit something or fall, I'm constantly irritated and have to interpret things all the time." Christine Müller is completely blind. She still has 30 percent hearing in one ear when she uses her radio hearing aid. Müller is therefore considered deaf-blind. Because she was able to hear for 29 years, she speaks like a non-sensory impaired person. People who are deaf from birth often only have a very limited ability to speak. Language is acquired through hearing. The fact that Müller can speak so well helps her to stay in touch with the world. Language is her most important means of communication. She needs language for her work in elementary school, where she explains to children what it is like to be deaf and blind. And she needs language for the articles she publishes three times a year in the magazine of the Swiss Central Association for the Blind (SZB). But because Christine Müller can only hear a little, her ability to speak continues to decline. In order not to lose her speech as well, she needs contact with people. And access to the media.
"I love listening to the radio," says Müller. "My radio transmits the sound directly into my ear, so I can understand everything well. I listen to news, music and documentaries." It becomes difficult when the environment is loud and full of background noise. Then Müller has no chance of picking out words from the noise soup. In a café, for example: Müller loves cafés, but she can't hold a conversation there.
"It would be nice if people spoke a little more slowly on the radio, and especially without background music. Important information, such as the broadcast times of certain programs, could be repeated. It often happens so quickly that I lose this information, even though I'm interested in the program." The weather report is particularly important for Müller. "I need to know whether I can go out. It's too dangerous when it's raining or snowing, every pile of snow disorients me," she says. Christine Müller has lived alone for three years. No one tells her whether the sun is shining or whether it's hailing cats and dogs. But she likes to go for walks alone on a few familiar paths. Without the weather forecast to confirm her plans with at least passable weather, Müller doesn't risk going on an unaccompanied tour.
Christine Müller uses media not only for functional purposes, but also for entertainment. Audiobooks and audio magazines, for example. Daisy helps her with this. Daisy is the Digital Accessible Information System. With this device, Müller can jump from chapter to chapter in the audio book or move to a page, chapter, sentence or footnote and back again. She can also set the optimum voice pitch, volume and speaking speed, mark passages and add them to a watch list. "Audio books and magazines are one of my greatest pleasures," she says. Müller gets the media prepared for the visually impaired from the electronic kiosk of the Swiss Association for the Blind and Visually Impaired (SBS). It offers 22 newspapers and 20 magazines in German, French and Italian in various formats. Christine Müller can also read Braille. However, she does not browse in Braille, but uses it to label objects in her perfectly tidy household. "I don't have enough patience to read in Braille," says Müller. "What's more, I don't have particularly good dexterity. When you grow up with Braille, it's something completely different. But I learned to read normally. When I had just gone blind, it was a real victory to read the first letters in Braille. Nevertheless, I still find it difficult to switch to Braille." Christine Müller also watches television, mainly documentaries. "I've stopped listening to movies. It's no good. There are far too many scenes that are important for the plot that I don't catch. That's why it would be nice if audio-described films were shown more often."
Sensory impaired people benefit from technological progress. "The computer is an important assistant for me, both with the voice output and the Braille display," emphasizes Müller. She likes to pick up a daily newspaper from the electronic kiosk and have the computer read it to her. However, she often has to search for a long time for what interests her: "Newspapers should, for example, make their event information clearer and place it more centrally, rather than hiding it somewhere on the pages," says Müller. "Then they would be easier for blind people to find." The computer-controlled voice output is also anything but perfect. It cannot fully replace lost senses: "It took me days to find out the name of the new American president," says Müller. "Something like 'Brrck Pmma' always came out of my computer."
Living with a disability means living with restrictions. Cooking, withdrawing money or going to the toilet can become a nerve-wracking feat of strength. Participating in daily discourse is also anything but easy. What are people talking about right now? What's in fashion? People for whom one of their senses no longer functions are replacing it with another: The blind rely on hearing, the deaf on sight. Disabled people concentrate on what works, not on what doesn't. Blind people listen to the radio. They read newspapers, books and websites either with their hands, in Braille or by voice output. Blind people have the sound of television programs, and short explanations also make the images "visible" to them. Deaf people have to do without radio. Instead, they can watch television, preferably films with subtitles or sign language. They can also read: Newspapers, books, the Internet. And what do deafblind people do? A short self-experiment: close your eyes and cover your ears for a moment. This is everyday life for deafblind people.
Deafblind people would be happy to have a picture without sound or sound without a picture. They are dependent on help from other people to cope with everyday life. Nevertheless, there are ways to make news, general information and entertainment accessible to deafblind people. Because, like Christine Müller, many deafblind people have some residual vision or hearing. However small this remnant may be, it enables sensory impaired people to access the world. However, it is not enough for the hearing or visually impaired to amplify the stimuli for their still functioning senses, turn up the radio and television or enlarge the screen x times. Media providers themselves can and must make it easier for people with sensory impairments to access their content: through Braille versions of newspapers and magazines, subtitles, captions for images with short texts, sign language interpreters or text-only versions of websites. It is time to consider "disability-friendly" as another language version - alongside German, Italian, French and Rumantsch.
The rapid pace of technological development is opening up further opportunities for the sensory impaired to use media: Researchers at the Massachusetts Institute of Technology are currently developing software that turns smartphones into hearing aids: the program recognizes sounds and reproduces them as vibrations. From this, the hearing-impaired person can read the meaning of the spoken words. A kind of Morse code technology for everyday use. Google is working on a touchscreen cell phone for the blind. Until now, blind people have not been able to use a touchscreen. The smooth surface does not reveal which functions are hidden where. In future, the cell phone is to adopt the number 5 when the screen is touched. This is the number that is also tactilely recognizable for blind people on a telephone, for example, thanks to a small bump. The user enters other numbers by moving their finger in the direction in which the numbers are arranged on the conventional numeric keypad. If an incorrect number is entered, the device is simply shaken and the number is deleted. Nevertheless, the input remains complicated for non-sighted people.
Media live from being read, seen, heard and clicked on. Every recipient is important. Nevertheless, very few media are prepared for the sensory impaired. This means that media providers in Switzerland are missing out on a group of around 160,000 visually impaired and blind people and 4,000 deaf-blind people. All potential readers, viewers, listeners and clickers. For the sensory impaired, the Internet is a huge opportunity to connect with everyday life. They can get all the information they want via the Internet and take part in public discourse. Theoretically. Because people who can hardly see or cannot see at all use special software to access websites that recognizes text and converts it into sound or Braille letters. However, this only works if all the elements displayed are accompanied by explanatory text. Images become "visible" through image descriptions, buttons through text fields. All means all - including the menu bar, graphics, tables and films must be underlaid with text, otherwise the screen reader and Braille display cannot reproduce their content. A reasonably logical arrangement of the elements is also important for understanding. Otherwise the blind person will be presented with a less than appetizing salad of content by the software. In addition, as with all written content, quality is also crucial in this case: if the print button contains the simple text "Print", that's fine. But if a picture of Ueli Maurer is labeled "Picture of Ueli Maurer", the blind user still doesn't know what sighted people see in the picture.
1290581825_img090408_sinne_tabelle
The ICT service provider Namics is committed to the topic of "accessibility". The spin-off company from the University of St. Gallen with branches in Switzerland and Germany is committed to accessibility when implementing internet-based solutions. "In order to assess whether it is worthwhile for a company to program its website for the disabled, we take a close look at the company and its goals," says Jürg Stuker, CEO of Namics. "Many of our customers write accessibility into their project plan without knowing exactly what it means. We then clarify together what is possible, what is not possible and what makes sense." If you want to have an accessible website, you should already take this into account during the initial planning stages. After all, making a website accessible retrospectively is significantly more complex than programming it to be accessible from the outset. "If accessibility is planned right from the start and considered at every stage, it is no more expensive than traditional programming," emphasizes Stuker.
Unfortunately, it is not enough to provide every element on the website with a meaningful (!) text. "It is important to always combine several offers, for example voice output with a Braille display," says Stuker. "The ideal is to cover as many needs of the disabled as possible." People with sensory impairments often have limited motor skills and find it difficult to use a mouse. The website must therefore be operable with a keyboard. "We involve disabled people in our projects as much as possible, firstly to find out what their specific needs are and secondly to test usability," says Stuker. "It's not enough to stubbornly follow a few rules, like the architect always builds a ramp on every house. That doesn't do justice to the needs of people with sensory impairments. Blind people, for example, have different needs to visually impaired people." The ideal consultants are people with disabilities who are employed by the client. They know the company and its target group inside out. If Namics does not have any disabled employees at its client's disposal, the agency works with so-called personas: it appoints a person who embodies the needs of a target group and repeatedly brings these into the project.
Stuker is a passionate advocate of the idea of accessibility. Not only as CEO of Namics, but also in committees, forums and as a board member of the Swiss Library for the Blind and Visually Impaired, he is committed to the needs of the sensory impaired. Nevertheless, Stuker is not blind to the business: "Accessibility is not necessarily worthwhile, you have to weigh up the benefits on a case-by-case basis. An accessible website tends to be more beneficial to companies that generate turnover online than companies that only present themselves online." Credit Suisse, for example, takes exemplary care to ensure that the information and offers placed on its website also reach the visually impaired and blind. Not out of pure philanthropy, of course. After all, pages that are prepared for the visually impaired are also easier for older people with visual impairments to read. Older people have purchasing power - and are therefore an important target group for banks. Deutsche Bahn has also recognized potential for added value in the disabled target group. "The company estimates that around ten percent of its customers are disabled," reports Stuker. "A survey showed that around 37 of these ten percent do not travel because they are afraid of getting stuck somewhere." Deutsche Bahn wanted to provide this clientele with better information about its services and commissioned Namics to implement a website that could be used by disabled people without any hurdles.
For smaller companies, accessible websites could be an opportunity to find extremely loyal and faithful customers in the target group of the sensory impaired. "For a blind wine lover, for example, it is tedious to go to a wine store and have every label read out to them," Stuker points out. "On the Internet, they can listen to various reviews at their leisure, select a wine and order it directly. If this works well, word will spread quickly among this group of buyers."
Only a few of Namics' customers refuse to make their content on the Internet accessible to people with disabilities from the outset. But when time and money become tight in the course of a project, accessibility often falls by the wayside, according to Stuker's experience. In its early days, the Internet was virtually one hundred percent accessible to people with disabilities because it was largely text-based. Today, navigation buttons, Flash animations or videos have to be underlaid with text so that screen readers can make sense of them. Search engines also have a hard time with images and animations. "Google is blind," Stuker points out. "The search engine doesn't have a great design, it works with text. Websites that are well designed for the disabled are therefore also found better by search engines. Companies should take this into account when deciding for or against accessibility."
In Switzerland, several associations are committed to the interests of the sensory impaired. At the Swiss Central Association for the Blind (SZB), for example, deaf, blind and deaf-blind people can learn how to speak and hear with their hands using Lormen, Braille, finger alphabet, block letters or sign language (see margin columns on pages 5 and 6). "We help people with sensory impairments with their communication, offer them technical and optical aids for the blind, offer accompanied vacations and further education courses and are involved in research," says Matthias Bütikofer, Managing Director of the SZB. "By 2010, we want to expand the area of research, extend our volunteer network, promote professional integration and increasingly address visually impaired people in the third and fourth age groups."
A poster campaign by the SZB is currently drawing attention to the concerns of people with sensory impairments: the testimonials of Emil Steinberger, Monika Schärer and Bernhard Russi visualize what "perceiving the world" means for deafblind people with their eyes closed and their ears covered. "We don't want to evoke pity with this campaign," says Bütikofer. "We want to show that, together with the people affected, we can create real prospects for improving their disability-related limitations. And, of course, we also want to arouse sympathy for the SZB and expand our circle of donors."
While the private sector in Switzerland is not obliged to make websites or other media accessible to people with disabilities, government websites have had to be barrier-free since January 1, 2007. This is stipulated by the Disability Equality Act and the associated ordinance. State broadcasters also have a duty: the Swiss Radio and Television Ordinance requires that state broadcasters gradually increase their services for the sensory impaired to one third. "The legal basis is very thin and toothless," says Jürg Stuker from Namics. "Despite all efforts, the regulations are not being complied with. Disability associations could sue for benefits, but they don't." Matthias Bütikofer from SZB points out that the Disability Discrimination Act only recently came into force: "We are currently seeking consensus with broadcasters. In certain areas, however, we will soon have to go through the courts."
Since 1984, the state broadcaster SRG SSR idée suisse has been working to facilitate access to its programs for people with disabilities in all three Swiss language regions. Last year, the company's television stations subtitled 9618 hours of their broadcasts. That sounds impressive and is an increase of 76 percent compared to 2007 - but it only corresponds to 18.6 percent of the total duration of all SRG broadcasts. In German-speaking Switzerland, the proportion of subtitled programs on SF 1 was 31 percent and on SF 2 28.6 percent. Both channels belong to SRG SSR. Programs on SF info have been subtitled as standard since the first of March. The Group has hired new staff, improved its infrastructure and has recently started using speech recognition technology to subtitle live broadcasts. Despite this, many visually and hearing impaired people are still watching more than two thirds of SRG broadcasts without being able to see or hear anything. "If we can increase the proportion of subtitled broadcasts to a third within three years, that will already be a good achievement," emphasizes Alberto Chollet, Head of TV Programme Affairs at SRG SSR idée suisse. "Striving for an ideal situation is nice and honorable, but it is associated with high costs, requires appropriately trained staff and investments in logistics. Any additional improvements can only be realized if more financial resources are made available." Matthias Bütikofer from the SZB is pleased with the standard achieved: "We are currently very satisfied with SRG SSR idée suisse. Those responsible at the broadcaster know that it is not only efficiency criteria that are decisive, but also the accessibility and diversity of the program selection for all Swiss citizens. This also includes blind and visually impaired people."
SRG SSR is working on implementing the legal requirement: individual programmes will be provided with sign language, while audio descriptions for the visually impaired will briefly summarize what can be seen on screen in selected feature films. SRG SSR idée suisse plans to broadcast 24 films prepared in this way this year. By the end of this year, all programs broadcast between 6 p.m. and 11 p.m. will be fully subtitled, as will live events on all channels. The Group invested CHF 2.8 million in its measures in 2007, CHF 7 million in 2008 and CHF 12.5 million is planned for 2010. Alberto Chollet: "Our aim is to achieve an even higher quality of our services and to provide disabled citizens with the most barrier-free access possible to our programs."
Good news for Regina Reusser (34). The commercial employee has been blind since the age of 15 and loves listening to television. The only thing that wakes her up is the radio. Reusser works at the reception desk of the SZB and advises other disabled people on the selection of aids such as canes for the blind, talking watches and scales. Reusser prefers to switch on her TV for documentaries or series, she creates the pictures to accompany the text herself: "Listening is often enough, it stimulates the imagination." Reusser enjoys watching films with audio description, but so far she hasn't bothered to look for these rare examples. "I'm happy when I stumble across a subtitled movie. I find the commercial breaks annoying - not because they interrupt the program, but because I often think the power has gone out. Because then it's just silent." The advertising that breaks up the subtitled films is not usually accompanied by audio descriptions. "It doesn't even say 'here comes the commercial'," says Reusser, annoyed. "But that would be important information for blind people. I'm also interested in the content of the advertisements. Why don't telecommunications service providers, for example, address me as a blind person? I make phone calls too."
In everyday life, it doesn't matter much to Reusser whether she can see or not. With the help of
She masters almost every hurdle with her Labrador dog Philia. Reusser has a keen interest in space travel, enjoys building models with friends and reads a lot. She downloads newsletters, magazines and books in PDF format onto her Braille reader. "It's a shame that there are still no subscriptions for blind people to newspapers," she says. "You should simply be able to subscribe to pdf files or Word files of the complete editorial section, because only a selection of the print articles is available on the Internet. And my favorite magazines Geo and Welt der Wunder are missing from the electronic kiosk. What would I do with a print edition?"
One of Reusser's great hobbies is movies. Cinema? As a blind person? "Sure," says Reusser. "Many blind people go to the movies. Unfortunately, there are very few movies with audio descriptions, although that would be very easy. The cinema would just have to install headphones at every seat, similar to a conference with participants from different language regions. I was once in a movie theater in Paris that was equipped like this. You could choose between different languages with and without audio description."
Of course, it's all a question of cost. But the investment could be worthwhile: Because the measures that will benefit the sensory impaired tomorrow could help us with our own media reception the day after tomorrow. Because those who are lucky will grow old. And hearing and vision deteriorate in old age. Wouldn't it be nice if we weren't disabled as a result?
Anne-Friederike Wilhelm

Hear, see and speak with your hands
Block letters
The person speaking writes large block letters or numbers character by character in the palm of the other person's hand.
Lormen
Letters are replaced by touch points and strokes in the palm of the hand. For example, a tap on the tip of the index finger means E, a horizontal stroke across the wrist means X. A light slap on the hand indicates the end of a word.
Finger alphabet
The finger alphabet is mainly used by deaf people to support sign language. Words are also spelled out here. For example, the fist means A, the full hand with outstretched fingers means SCH. If the other person is severely visually impaired or blind, they place their hand on the speaker's hand and feel the position of the hand.
Sign language
Sign language consists of the combination of gestures, facial expressions and mouth movements with body posture. German, Austrian and Swiss German sign language is spoken in the German-speaking world. Signs also know dialects: In Swiss German sign language, Zurich, Bernese, Basel, Lucerne and St. Gallen dialects are spoken. As with spoken language, dialect speakers understand each other. The most widespread sign language is American Sign Language.
Braille
Braille was developed by the Frenchman Louis Braille in 1825. It works with dot patterns that are pressed into paper from behind. The raised areas can then be felt with the fingertips. Each letter consists of a different number of dots, which are distributed on a grid of three dots in height and two dots in width. On the Braille display on the computer, small metal pins form the letters. To write Braille by hand, blind people use a template into which a piece of paper is stretched. The letters are engraved into the paper from behind in a pattern of six. There are also Braille typewriters and printers.

1290581825_img090408_sinne1
1290581825_img090408_sinne2
1290581825_img090408_sinne3
1290581825_img090408_sinne4
1290581825_img090408_sinne5

Patrick Stämpfli new at Trimedia

The international full-service agency Trimedia has hired Patrick Stämpfli for its St. Gallen office. Stämpfli previously served as head of the St. Gallen editorial office at .ch.

The communications agency Trimedia Communications Switzerland has hired Patrick Stämpfli as PR editor at its St.Gallen office. In his new role, he will also be working in the area of moving images, as the agency writes. Stämpfli has around 20 years of professional experience as a journalist. Most recently, he was head of the St. Gallen editorial team of .ch. Before joining the free newspaper, Stämpfli worked for many years as an editor and presenter at Radio aktuell - now Radio FM1. His journalistic roots go back to his editorial work for the food magazine Salz und Pfeffer.

The Impact Check of Werbewoche

We show how current campaigns are performing with consumers.

In collaboration with Marketagent.com Schweiz AG, we will be conducting the Werbewoche Impact Check at regular intervals going forward. Ten campaigns selected by us will be evaluated based on the criteria of awareness (spontaneous recall), uniqueness (stands out very strongly from other ads in newspapers, magazines, and periodicals), brand fit (fits very well with my image of this brand), and likeability (I like it very much).
> Overview
> Detailed results
Method: Computer Assisted Web Interviews (CAWI).
Instrument: Online interviews via the Marketagent.com reSEARCH platform.
Target group: Internet users in German-speaking Switzerland between the ages of 14 and 59.
Sample size: n = 501 net interviews, random selection by quota.
Survey Period: March 23, 2009 – April 1, 2009, duration: 8 days, 23 hours, 48 minutes.
Invited panelists: 3270; Interviews: 501 net interviews in the core target group: 501; Response rate: 15.3%; Dropout rate: 8.9%; Study conducted by: Marketagent.com.
Questions:
At the beginning of today's survey, we showed you a few ads.
Which of these ads do you remember? Please name the advertising companies or the brands advertised. (Awareness)
In your opinion, to what extent do these ads stand out from other advertisements in newspapers, magazines, and periodicals? Please rate each on a scale from 1 = does not stand out at all to 6 = stands out very strongly. (Uniqueness)
To what extent do these ads align with the image you have of the respective brands/companies? Please rate each on a scale from 1 = does not align at all with my image of this brand to 6 = aligns very well with my image of this brand. (Brand Fit)
How much do you like the following ads? Please rate each one on a scale from 1 = I don't like it at all to 6 = I like it very much. (Likeability)
Marketagent.com Switzerland AG is a subsidiary of Marketagent.com online reSEARCH GmbH, Austria’s leading online market and opinion research institute and a pioneer in Internet-based data collection and analysis. The company’s proprietary online access panel currently comprises approximately 20,000 Swiss panelists (plus 178,000 in Germany and Austria). Swiss clients include Coca-Cola, L’Oréal, Nestlé, Parship.ch, and Advico Young & Rubicam, among others.

Otto Meier proposed as new Sawi President

Sawi President Hans-Peter Rohner will step down at the general meeting on May 15. He will be succeeded by Otto Meier, an independent media and management consultant. The school also presents a new cooperation with the University of Applied Sciences.

Sawi President Hans-Peter Rohner will step down at the general meeting on May 15. He will be succeeded by Otto Meier, an independent media and management consultant. The school also presents a new cooperation with the University of Applied Sciences.
The School Board of the Sawi Association has been chaired by Hans-Peter Rohner (CEO PubliGroupe) for the past nine years. He will step down at the next general meeting. At its last meeting, the SAWI Board proposed Otto Meier, an independent media and management consultant from Kriens (Lucerne), as the new president.
The 57-year-old Otto Meier has an excellent track record in the field of education and training, writes Sawi in its press release on Wednesday. Meier is a qualified communications manager, was a lecturer and examination expert in various specialist areas for decades and was a member of the school board for 10 years. the new president will be elected at the general meeting on May 15, 2009 in Chur.
New course cooperation
Together with the University of Applied Sciences (HTW) in Chur, Sawi has developed a concept that makes it possible to seamlessly follow on from the three-semester Polycom course with a Bachelor's degree in "Multimedia Production" at the HTW. The full-time Polycom course at Sawi is an apprenticeship as a "Consultant in Corporate and Marketing Communication" and concludes with a diploma thesis approved by the University of Applied Sciences. This gives you the entry ticket to the HTW Chur to attend the "Multimedia Production" course and complete the course with a "Bachelor of Science FHO in Media Engineering".
The next Polycom course starts in September 2009 and can be completed in February 2011. After the subsequent studies at the HTW Chur, a Bachelor's degree is within reach in spring 2012.

There were only eight left

The number of pending appeals against radio and TV licenses before the Federal Administrative Court has now been reduced to eight.

The judges at the Federal Administrative Court in Bern were able to breathe a sigh of relief twice in the last 14 days. During this time, two of the ten pending appeals against the radio and TV licenses awarded by DETEC at the end of October almost resolved themselves. First, Tele M1 and Tele Alf in the Mittelland region reached an agreement, and on April 1, the change of ownership of Tele Tell in Central Switzerland from AZ Medien to LZ Medien was also completed.
The fact that Peter Wanner's AZ Medien was involved in both cases is hardly a coincidence. Wanner found himself under pressure from three sides at once. After the TV license for Central Switzerland was awarded to newcomer Tele 1 (LZ Medien), the future of his Tele Tell was at least uncertain. And although he had the concessions for Tele M1 and Radio Argovia in the bag, they were disputed by Tele Alf on the one hand and Roger Schawinski's Radio AG on the other. With the agreements in the TV sector, Wanner can now concentrate fully on the dispute with Schawinski. And the latter is unlikely to get involved in out-of-court deals. In any case, his answer to a corresponding question from Werbewoche was clear: "There is no question of withdrawing," the radio pioneer stated. He gave the same answer for the situation at Südostschweiz, where he appealed against the award to Hanspeter Lebrument's Radio Grischa.
Could there be further agreements between radio and TV opponents in the near future? Probably only in one case: of the eight remaining appeals before the Federal Administrative Court, at least one has been suspended - that of Radio One FM against Buzz FM in the Arc Lémanique. However, this has been the case since November 2008, when newcomer Buzz FM relinquished its license just a few days after receiving it and offered it to One FM, which was left empty-handed. One FM suspended its appeal due to the subsequent settlement negotiations. One thing is clear: if One FM wants to continue broadcasting in place of Buzz FM, it must adapt its concept to the Buzz license. This is obviously difficult.
The appeal is also pending in Eastern Switzerland, where Günter Heuberger's Tele Säntis is disputing the license of St. Gallen's Tele Ostschweiz. "There is no withdrawal of the appeal - linked to any deal - in our proceedings," writes Heuberger.
The appeals of Ringier's Radio Energy in Zurich and Christian Heeb's Radio RBB in Basel are still pending. The same applies in the Jura: Radio Lune continues to oppose the license that went to Pierre Steulet's Arc FM, while Steulet also wants a TV license for his Arc TV in addition to his two radio licenses, which is why he has taken legal action against TV licensee Canal Alpha.
No retreat, but there is some movement in Valais. TV station Canal 9/Kanal 9, which has been granted a license for the entire canton and the Chablais, will start its German-language operations in the Upper Valais on 29 June. Roger Brunner has already been chosen as head of the six-strong Upper Valais editorial team, which will start work on May 1. Mr. Brunner has been editor of the Walliser Bote for seven years and was also a presenter at Tele Oberwallis. This is piquant in that Tele Oberwallis and Walliser Bote were involved in the rival project Valais Wallis TV, which lost out to Canal 9 in the concession award. The DETEC decision was accepted and Valais Wallis TV was discontinued. However, Tele Oberwallis continues to broadcast as a television station subject to registration and still hopes to cooperate with Canal 9. Brunner's choice is purely a personnel change and not a signal for a rapprochement between the two previous rivals, says Christian Stärkle, Chairman of the Board of Directors of Tele Oberwallis.
Markus Knöpfli
1290581823_img090408_rekurse_konzessionen
1290581823_img090408_rekurse_konzessionen2
Different strategies: Canal 9 has not yet reached an agreement with its competitor, while Tele Alf has.

Slight loss of advertising pressure

The Swiss advertising market remains weak compared to last year, but is performing roughly in line with expectations at this low level. Compared to January, February 2009 saw a very slight increase, though not as strong as has typically been the case in previous years.

Mediafocus. The Swiss advertising market remains weak compared to the previous year, but is developing at a low level and roughly in line with expectations. Compared to January, February 2009 saw a very minimal increase, but not as strong as usual in recent years. Compared to the same month last year, February is down 9.4%, which further widens the gap to last year's performance: January was still down 8.2 percent year-on-year. With the exception of the Internet, radio and the trade press, all media groups are losing ground. As in the previous month, the media groups cinema (-44.7%) and consumer, financial and business press were hit hardest with a drop of 26.3%. Despite this clear negative trend, some key markets are developing positively: cosmetics/personal care recorded an increase of 30.6%, pharmaceuticals/healthcare an increase of 26.3%. The most significant negative trend of all key markets was recorded by the IT sector (-32.1%), closely followed by the problem children of beverages (-30.9%), watches/jewelry (-28.1%) and finance (-27.8%). The largest advertiser is Coop, ahead of Migros and L'Oréal.
img090804_mediafocus
get_footer();