Tamedia: New management of publishing logistics

Walter Lütolf, who has served as Head of Strategy and Organizational Development for Logistics at Tamedia since October 2014, will take over as Head of Publishing Logistics for the Swiss media group effective April 1, 2016.

In his new role, Walter Lütolf will be responsible in particular for central planning and the entire day-to-day business of publishing logistics at the three printing sites in Zurich, Bern and Bussigny. In addition, he will focus on upcoming issues relating to the strategic orientation of logistics. Walter Lütolf has many years of experience in the field of logistics, as Tamedia reported in a press release on Thursday. Before joining Tamedia, he had already worked in the media industry for 20 years.

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The change in the management of publishing logistics is taking place as part of the succession plan for Charlie Fahim, who has headed the division since 2011 and will be taking ordinary retirement in mid-2017. During the transition phase, he will support Walter Lütolf in familiarizing himself with his new tasks. Charlie Fahim will also continue to oversee current and future projects in Tamedia's logistics and publishing services until his retirement. Both will continue to report to Andreas Schaffner, Head of Publishing Services and member of the Management Board of Tamedia.
 

BBC Wold News celebrates its 25th anniversary

The 24-hour news channel BBC World News is celebrating its 25th anniversary this month with a special on-screen look.

On March 11, 1991, the English-language channel was launched as World Service Television (WSTV) with a 30-minute news bulletin as the successor to BBC TV Europe. At that time, the station had 700,000 subscribers - today it is available in 433 households worldwide. Eight months later, WSTV went on air 24 hours a day, initially only in Asia. Today, the station can be seen in over 200 countries and territories.

After a re-launch in 1995 and the renaming to BBC World, the channel changed its name again in 2008 to BBC World News and moved into the newsroom for all BBC services, the "World's News Room", in 2013.

Back then, the first news team consisted of six journalists from the World Service team and six from television news. Today, BBC World News has access to the expertise of thousands of journalists in over 100 cities and state-of-the-art studios worldwide.

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Robbie Williams: Secret mission in front of breathtaking mountain scenery

Robbie Williams is once again on a secret mission for Café Royal on behalf of good taste. The campaign was again designed and implemented by Serviceplan Group Switzerland.

After the agent, Mister Robbie Williams himself, took the serpentines in a sleek sports coupe and, as Doppio Agent, did not let himself be distracted from good taste by an unknown beauty in his first mission, unexpected temptations now await him in the mountains in the campaign continuation. And where there are temptations, there are also dangers.

The starting signal and starting point of the integrated campaign is a TV spot that can be seen in this country from March 14, 2016. In a cozy chalet in the mountains, seduction and romantic hours for two meet adversaries, adrenaline and a kidnapping. An exclusive "sneak peak" of the film is already available in advance on the Café Royal Facebook page.

But Café Royal sends not only the secret agent but also the users on a mission on behalf of good taste: The kidnapping of the young beauty and the theft of the coffee capsules by Dr. Bad Taste are unacceptable to secret agent Robbie Williams - but he needs help to track down the adversary. Through various online channels, users are provided with clues and encouraged to help the secret agent in his search. Reward included.

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The campaign will be launched in France and Switzerland in March, with other markets following later in the year.

Responsible at Delica: Raphael Gugerli (CEO), Aurel Keller (Head of Marketing Coffee and Sales Switzerland) Alexandra Schliepe (Head of Marketing Communications), Marcel Berg (Senior Marketing Communications Manager), Damian Kirtz (Head of EBusiness and Online Marketing). Responsible at Neverest (Agency Producing)/ Markenfilm (Production): Marc Schölermann (director), Infected Hamburg (post-production), Sizzer Music Amsterdam, Boris Salchow Music for Picture (music). Responsible agencies: Serviceplan Suisse (Advertising), Plan.Net Suisse (Digital), Serviceplan Public Relations Suisse (PR & Media Office).
 

TV report about wine merchant Giroud was factual

Dominique Giroud, wine trader from Valais, has once again been dismissed by the Federal Supreme Court. The Lausanne judges have rejected his complaint in connection with the broadcast of a report of the French-speaking Swiss television (RTS) in December 2013.

They thus confirm the ruling of the Independent Complaints Authority for Radio and Television (UBI). Giroud had criticized that the barely four-minute report had not been appropriate. The report dealt with the accusations of tax fraud and wine adulteration.
In the meantime, first-instance verdicts have been handed down on the first point. Mr. Giroud was sentenced to a conditional fine of 150 daily sentences of 300 Swiss francs for violations in connection with the value added tax. Moreover, another conditional fine of 180 daily rates in the same amount was imposed on the wine trader in connection with the direct federal tax. The proceedings concerning the alleged wine adulteration, however, were discontinued in December 2014.

With regard to the TV report, the Federal Supreme Court concludes that the lower court ruled correctly. Neither did the UBI violate the right to be heard nor did it arbitrarily determine the facts of the case. Nevertheless, the disputed report is a borderline case that definitely shows certain deficiencies, the Lausanne judges further state. (Judgment 2C_255/2015 of 01.03.2016) (SDA)
 

SBB Cargo International is on the right train

LD Media is launching a new way of recruiting staff for SBB Cargo International. The campaign is designed to counteract the shortage of locomotive drivers and increase the number of applications submitted by a defined target group.

SBB Cargo International suffers from a permanent shortage of personnel. After several unsuccessful attempts to recruit personnel, the company decided to work with LD Media. With the "bewege was" campaign, the agency wants to counteract the shortage of locomotive drivers in the long term and set new accents in personnel recruitment.

The campaign relies on the integrated use of analog as well as digital communication channels. "It was important for us to draw attention to the situation in a humorous way," says Peter Scherrer, Art Director at LD Media. Michail Stahlhut, CEO of SBB Cargo International, and Massimo Carluccio, Head of Human Resources, are the faces of the campaign and are enthusiastic about the agency's creative problem-solving strategy. "We were aware of the seriousness of the situation, which is why we stand behind the campaign with our names and faces," says Stahlhut.

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The goal of the campaign is to develop awareness, target prospective employees and lead them to the employer with easy signposting.

With a guerrilla campaign in southern Germany, project manager Jana Svatos and art director Peter Scherrer distributed over 500 posters with the title "Job zu verschenken" ("Giving away a job"), attracting the attention of many passers-by. Thanks to the accompanying photo reportage, people were able to follow the guerrilla campaign online or even become part of it themselves. A direct mailing, landing page, social media marketing and competition supported the campaign's reach. "The response is very high. We are convinced that the campaign will have its effect," says Michail Stahlhut.

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Voigt unfucked

From Cash to Der Beobachter, from 20 Minuten online to Watson—Hansi Voigt, the current editor-in-chief of Watson and winner of the 2006 Zurich Journalism Award, has taken a winding path to the controversial news portal.

From serious content to cat movies to playful approaches to serious topics - Watson offers a wide range. Not every journalist is convinced by Hansi Voigt's concept of "good online journalism". He is. But his approach of constructive dialog and a practiced culture of error is finding great resonance - in the Watson community, user numbers and also among employees. "I give my employees a lot of trust, and they take on a lot of responsibility. At the same time, I also try to be forgiving when someone makes a mistake," says Voigt, describing his work attitude. Rather, he would be angry at those who always do the same thing without making a mistake. "Carefully trying something out is my focus, because you learn the most from mistakes," Voigts says of his leadership attitude. In the end, admitting to a mistake is no great art, and it is easy to correct and make transparent, especially in the digital world.

Not every area of his staff is in Voigt's own area of expertise. All the more surprising, therefore, is his attitude of letting the teams work very independently. He is well aware of how much overview and influence could slip out of his hands in the process. "Inventions are usually the result of random thoughts; innovations are rarely created in tight structures," he explains. If you want to create an innovative climate, this is usually also connected with a certain loss of control that you have to accept, he says. Voigt also likes to communicate his culture of failure to the outside world. "I said from the beginning: You will be able to watch us make mistakes," he adds. But this is only bad if you don't learn from it. Apart from that, such an error culture has nothing to do with a lack of diligence - even if you work very precisely, you still make mistakes. One should honestly admit that. "That's also what makes us, we don't cover up our mistakes," says Voigt.

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Watson stays on

Even in the stairwell of the editorial office, the sounds of ping-pong echo out to the visitor. Two employees are playing a game of mini ping-pong on a folding table, incredibly fast and concentrated. Relaxed, they stroll back to work, where table to table the news team, reporters, community & marketing, sports and cat film managers turn to their work with motivation. The prospective intern, who arrives punctually for her interview, is only noticed minutes later. Hansi Voigt is not yet there, but appears inconspicuously in the room five minutes late, at the same time makes a quick effort at the reception, makes a coffee and then sits down comfortably in the meeting room. He doesn't seem to feel any pressure. That's not entirely the case, however. "We are all very motivated," he continues. "Besides, the entire team is following a tight business plan," says Voigt. But the start of the year has been successful. The monthly traffic targets have been exceeded, and commercially the site is clearly on target. Voigt admits: "We are still making losses. But the profit targets are clearly set for the end of 2018/2019, and then slowly move into the black." Sales are rising steadily. However, it is still important to continue building reader attention in order to commercialize these clicks and visits. "At Watson, the banner and especially the native ad development looks very good," Voigt says confidently. In terms of traffic, around 300 new people are currently downloading the Watson app every day.

However, Watson's development has not been without hitches: "We had to adjust some of the planning after the second year; as expected, the initial project turned into a marathon. Now, in the third year, we can draw on our own experience and have realistic targets. The aim must be to exceed current expectations and to use this scope for even faster growth. We are now slowly getting into this mechanism.

Just as important to him as the error culture Voigt likes to communicate is a playful approach, even to sometimes serious topics: "For example, you can pack an incredible amount of information into a quiz on the enforcement initiative. When you then play the quiz, you absorb this information and at the same time you can still check yourself for your own false prejudices." Behind this is the principle that every child learns fastest when playing and that the reader also wants to be entertained for a change. According to Voigt, some journalist colleagues should loosen up a bit: "Even the New York Times has a crossword puzzle. Every newspaper has a comic page or some other so-called page 12." In addition, "A journalist is not a teacher," Voigt clarifies, "our daily newspapers are teeming with tragic news. You can also try to illuminate a positive perspective on many topics instead of always lamenting that everything was better in the past."

Talent-free to manager

"I've been very lucky in my life so far," says Voigt, describing his career. By that he means not only the luck of finding the right working environment for him in each case, but above all "being able to work with the right people. He doesn't like to set up a project all by himself, but he has always found other madmen who want to try something out. As a result, Voigt's life so far has seen a number of startups. "A lot of it has turned out well," he emphasizes.

Voigt is no loner. "I'm insanely happy to be part of a team," he affirms, "but certainly loud to a good degree." He is primarily concerned with creating something together, with a new approach. Voigt is happy to talk about his new leadership philosophy in the creation of Watson. "We were awarded the money without ever drawing a classic organizational chart," he says confidently. He describes Watson as a living organism, interconnected and networked, constantly changing. For example, his head of app development is also the head of digital - the marketing department and community editorial team are combined in a single department - so that the community can also be seen as a marketing tool, and the sales team works closely with the editorial team. Voigt does not see a problem here. The dividing lines today are no longer straight as an arrow, but curved, but they are not blurred and are always transparent.

This organism, as Voigt calls Watson, accomplishes a lot in the group, is thus very innovative and has its finger on the pulse of interaction. "Moderating these group processes is something that probably still suits me," Voigt sums up somewhat too modestly. Voigt discovered his managerial side early on - but less as a talent than as a way out of his actual career aspirations. As a teenager, for example, he wanted to be a footballer. "I could play soccer pretty well, until I grew so insanely," he says, describing the shattering of his first childhood dream. His next career aspiration was photographer. But I didn't really have the talent," Voigt says with a sneer. After that, he tried his musical side as a drummer, but had to realize that he was not good enough to stand up to his demands. But Voigt was probably not quite as talentless as he describes himself - rather, he was demanding: "I'm just reasonably ambitious. Not being as good as I'd like would be embarrassing." That attitude led him to manage a band instead of playing along. He even started his own record label in Newcastle, England, and traveled the world with a female duo. In the end, it turned out that he preferred to organize and feed and manage an organism. A positive development, as he knows in retrospect: "I would always have liked to have a clear artistic talent. Today, however, I'm very glad that I had to find another way."

As a former journalist, Voigt still enjoys writing himself - but unfortunately this is usually only possible in his spare time. On the other hand, Voigt can now think of writing projects: "I'd like to write a book someday," he says enthusiastically. He has already decided what it will be about: media change. Whether it will be an analysis or a work of fiction, however, remains to be seen.

In favor of the new

Watson has just used up the first 20 million francs, and further investments have been made. Voigt himself speaks of good user numbers, of fulfilled expectations in the commercial figures as well - but managing such a major project could give the impression that its editor-in-chief is under a bit more pressure. However, Hansi Voigt sits in his chair more like Mister Easy-Peasy himself - not arrogant or underemployed, but also not at all stressed. Of course, he also works mostly in his free time - "at least that's what my partner would say," he quips. But he doesn't seem to be under pressure. He is too convinced of the news portal's success, too honestly enthusiastic about it. He takes the fact that the chief editors and management also had to cut part of his own salary at the end of last year more lightly than the departure of some employees. "That was very hard - especially also because you couldn't blame the individuals. Although they've all been rehired somewhere already, too. Watson is a good stay on the resume," he adds. However, the fact that he had to let some employees go last year would have been for the sake of the continuity of the whole thing, Voigt says. His explanations sound a bit utilitarian, but also a bit fatalistic - just like Voigt's journalistic career from Cash to the Observer, from 20 Minuten to Watson. Hansi Voigt doesn't see himself as a philosopher: "I just like to do something new and enjoy change," says Voigt succinctly, "because just wanting to preserve something so that nothing changes is the wrong way to go about it."

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"The Great Escape" chosen as "Poster of the Year 2015" by Graubünden Ferien

Sunrise: Change in the Board of Directors and Executive Board

On May 9, 2016, acting CEO Libor Voncina will hand over the reins of the company to the new Sunrise CEO Olaf Swantee. At the same time, Sunrise announces that Peter Kurer is to become Chairman of the Board of Directors of Sunrise Communications Group.

Lorne Somerville, who had assumed the office of Chairman of the Board of Directors of Sunrise on an ad interim basis following the sudden death of Dominik Koechlin, will not stand for re-election as Chairman of the Board of Directors at the upcoming Annual General Meeting of Sunrise on April 15, 2016. In his place, Peter Kurer, former Chairman of UBS AG and partner of BLR & Partners, Thalwil, will be proposed for election as a new member and Chairman of the Board of Directors and as a member of the Nomination and Compensation Committee. Peter Schöpfer, Vice Chairman of the Board of Directors and Chairman of the Nomination and Compensation Committee, Jesper Ovesen, Chairman of the Audit Committee, and Lorne Somerville, member of the Nomination and Compensation Committee, are standing for re-election. Daniel Pindur and Siddharth Patel will step down from the Board of Directors at the end of the Annual General Meeting on April 15, 2016.

Michael Krammer, the telecommunications entrepreneur and former CEO of Orange in Austria and e-Plus in Germany, will also be proposed to the Annual General Meeting for election to the Sunrise Board of Directors, as will Fund Manager Robin Bienenstock, who was previously a senior analyst at the global investment firm Sanford Bernstein. Both are also to sit on the board's audit committee.
 

Last but not least: GGG Kulturkick one missed

For GGG Kulturkick, Suan Conceptual Design addressed the issue that many young cultural creators feel uncertain about whether their project deserves funding—and responded with a playful visual.

The aim is to encourage young people to overcome the hurdle and tackle the form war. To this end, four ambassadors who have already received financial support were portrayed in a humorous way. Their picture is stamped with the form decision "funded", which conveys information about the identity and nature of the young adults' project.

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The GGG Kulturkick funding agency offers financial support for creative and artistic ideas and projects by young people and young adults in the Basel region. By providing advice, financial start-up assistance and access to knowledge, it creates new opportunities for the realization of youth culture projects. The young Basel agency won the campaign competition organized by GGG Kulturkick.

Susanne Hartmann and André Konrad, the managing partners of Suan Conceptual Design, have received numerous design awards for their work at various previous employers. On January 1, 2015, they set up their own business in Basel under the name Suan (uma)

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German TV business boosts RTL Group's growth

Bubbling TV advertising revenues in Germany drove the European TV group RTL Group's revenues and operating profit to record highs. The digital business also supported growth.

Group revenues increased by 3.8 percent to more than 6 billion euros last year, as the Bertelsmann subsidiary announced on Thursday. The digital business and favorable exchange rate effects also supported growth. The production subsidiary FremantleMedia benefited from the strong dollar. Operating profit climbed 2 percent to 1.17 billion euros in 2015, slightly more than the Group's management had forecast and industry experts had expected. Net income, which had been burdened by special effects in the previous year, rose by as much as 21 percent to 789 million euros, significantly exceeding market forecasts.

"Despite a mixed picture in the global economy, 2015 was a record year for RTL Group," summed up Group CEOs Anke Schäferkordt and Guillaume de Posch. "Our largest unit, Mediengruppe RTL Deutschland, grew significantly and achieved another record profit - for the fourth year in a row."

The German TV business again delivered the lion's share of the profit, with earnings growth of 5.2 percent to 684 million euros. This corresponds to a return on sales of 32 percent.

Digital business with online videos grew by 72 percent to 508 million euros. That was around 8 percent of Group revenues. Only 54 percent of revenues still came from the traditional revenue source of television and radio advertising. At German rival ProSiebenSat.1, the figure is still 60 percent. RTL's content production business accounted for 22 percent of revenues.

In the current year, RTL Group expects revenues to rise again, with stable or slightly growing European TV advertising markets, and a stagnating operating result. (SDA)

 

The Impact Check of Werbewoche

We show how current print campaigns are performing with consumers. This time, the campaign featuring Swiss farmers has been very well received.

Respondents liked the "Swiss Farmers" ad best (14.1 %). It also stood out significantly from other ads (8.9 %). Furthermore, according to respondents, it fits the brand very well (17.6 %), but ranks toward the upper middle range in unaided recall (34.3 %). Respondents remembered the Bank Coop ad best (57.0 %), closely followed by the UBS ad (56.6 %). However, both rank near the bottom in ad evaluation (Uniqueness, Brand Fit, Likeability). The ÖKK ad ranks third in unaided recall (47.3 %). The Swiss Music Award campaign also achieved good scores. It stands out the most from other brands (9.7 %) and ranks second in terms of Brand Fit (9.7 %)—tied with the Marché Restaurant campaign. In addition, the Marché Restaurant campaign is the second most popular among respondents (11.5 %)—tied with the Swiss Mountain Spring campaign.

In this article, Werbewoche presents the overall awareness scores and Top-Box ratings for the key attributes. The online survey was conducted by Marketagent.com. (uma)

To the detailed results report (PDF)

The subjects surveyed:

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Details on the research question and methodology can be found at Advertisingweek.ch, Webcode Impactcheck.

Schaffhausen News joins Media Commons

The publisher of the Schaffhauser Nachrichten, Meier + Cie Schaffhausen, has chosen NP8. The «Media Commons Association,» founded in late 2015, is pleased to welcome a new member.

Meier + Cie will rebuild its new online platform on NP8, the Drupal-based portal platform. For this purpose, it has joined the association and has spoken the corresponding further development budget. The portal is scheduled to go live in summer 2016 and will be developed by Somedia Productions in close cooperation with Meier + Cie.

 

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