Last but not least: Hat game for adults

Even though she’s a real head-turner, it’s hard not to lose sight of Gigi Hadid in the campaign for the new BMW M2.

Gigi Hadid is currently one of the hottest models in the world. For example, she has replaced Cara Delevingne as the face of Topshop, walked the catwalk for Victoria's Secret and appeared in music videos by Taylor Swift and Calvin Harris. And now she is playing hide and seek with the viewer for BMW. The Bavarian car manufacturer has probably hit the bull's eye with the new (and first) M2 and could build on the success of past cult models in the M series. A car that nobody needs, but many people want. It looks stunning - and if current tests are to be believed, the inner values are also impressive.

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The advertising doesn't have to be too innovative. Take five cars, a beautiful woman and have the whole thing filmed by director Marc Forster using 360-degree technology - and you have a moderately original but technically flawless game of hide-and-seek. On the microsite Eyesongigi.com you can then guess which car the model will be in at the end of the speedy ride. It's a bit like the cone scam on the streets of Berlin - only here you have the chance to guess the right answer. By the way: The 360-degree experience still only works on certain browsers in the latest versions. Chrome, for example. The campaign was developed by the New York agency KBS New York and the film was produced by Tool. (hae)

https://www.youtube.com/watch?v=OwDtPixqJLc

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UHD: UPC criticizes SRG and Swisscom

The fact that SRG has suddenly decided to go with UHD for the European Championship—in partnership with Swisscom—has upset its competitor, UPC. This collaboration is being viewed in the context of Admeira.

Last week, Swisscom and SRG announced that they would show individual matches of the upcoming European Championship in Ultra-HD (UHD) (Werbewoche.ch reported). However, the new technology, which enables a picture twice as sharp as the previous Full HD standard, is reserved for Swisscom customers who buy the new box. And new customers, who receive it immediately.

It is explosive that as recently as the fall, SRG spokesman Daniel Steiner spoke out clearly against the new 4K technology to Schweiz am Sonntag. Investments would currently still be associated with too high risks and could not be justified due to the low device population. In other words, most TVs today are not even capable of displaying UHD, but are limited to Full HD. Compared to Evening view summarizes Steiner in January 2016: "SRG will also broadcast the matches of the 2016 European Football Championship in regular HD; broadcasting in 4K is not planned."

SRG denies serious accusations

The sudden change of heart is particularly annoying for competitor UPC Cablecom. UPC spokesman Bernhard Strapp told Schweiz am Sonntag that the cooperation is being viewed in the context of the new joint advertising marketer Admeira. Malicious tongues, Strapp said, could claim that SRG is thus giving Swisscom a competitive advantage. In any case, UPC has not been contacted by SRG.

SRG denies the serious and clear accusations. Spokesman Daniel Steiner says the EM project is merely a trial, not regular operation. The infrastructure is paid for by Swisscom and rented by SRG. In addition, the distribution of the UHD program is also open to other providers.

No support for UPC from competitors

But UPC doesn't want to know anything about that at the moment. Demand is too low, even though its own network infrastructure is ready for the technology, says Strapp. Something he obviously doesn't trust the competition to do: He would "bet" that Swisscom customers' Internet would break down when they wanted to watch the European Championship in UHD.

UPC does not receive any support for the SRG criticism from its competitors. Sunrise seems to want to jump on the UHD bandwagon and, according to spokesman Roger Schaller, is currently in negotiations with SRG to be able to provide the broadcast of the eight European Championship games in 4K in time. And Teleboy is also currently looking into feasibility, at least for the Samsung TV app. (hae)
 

Unfair advertising: complaint against Rivella

Because Rivella advertises its product as having a peach flavor even though it contains no peaches, the Foundation for Consumer Protection has filed a complaint with the Fair Trading Commission (SLK) alleging unfair advertising.

Specifically, this relates to the Rivella flavors peach and rhubarb launched in 2014 (Werbewoche.ch reported). The SKS is now bothered by the fact that consumers have the impression that the drink contains fruit ingredients - although the taste is only created by natural flavors.

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As Schweiz am Sonntag writes in its current issue, consumer advocates have long been bothered by the fraudulent labeling of various companies. However, as long as the product contained at least a small amount of the advertised ingredient, there was no legal recourse. After the European Court of Justice last year banned a German tea supplier from advertising raspberry and vanilla if they were not included in the drink, the SKS set out to find a Swiss model case in order to obtain a ruling via the SLK. The right example has now been found in Rivella.

The beverage manufacturer rejects the allegations made to Schweiz am Sonntag as "unfounded". The advertising with the peach complained about by the SKS will no longer be used, says Head of Communications Monika Christener. She refers to the new "Mach's" campaign. In addition, the products are correctly and fully declared - both as "Carbonated table drink with 35% milk serum and peach flavors" on the back and on the front with "Fruity, with natural flavors".

The Association of Swiss Mineral Springs and Soft Drink Producers (SMS) is of the opinion that the SKS has chosen the wrong model case. Based on the information available, the decision of the Commission on Fair Trading is "awaited with equanimity", according to Secretary General Marcel Kreber. (hae/SaS)
 

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NZZ Board of Directors: Matthias Reinhart and Roland Siegwart replace Franz Albers and Karin Keller-Sutter

At the 148th Annual General Meeting of AG für die Neue Zürcher Zeitung, the shareholders elected Matthias Reinhart and Roland Siegwart to the Board of Directors.

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Matthias Reinhart and Roland Siegwart (from left)

The shareholders of AG für die Neue Zürcher Zeitung elected the founder and CEO of VZ Holding AG Matthias Reinhart and ETH professor Roland Siegwart as new members of the Board of Directors by a large majority at the Annual General Meeting on Saturday at the Kongresshaus Zurich. They succeed Franz Albers and Karin Keller-Sutter, who did not stand for re-election at the end of their ordinary term of office (Werbewoche.ch reported). Franz Albers has been a member of the Board since 2003 and Vice Chairman since 2007. Karin Keller-Sutter joined the Board of Directors of the NZZ Media Group in 2012. Chairman of the Board Etienne Jornod acknowledged the great contribution that both have made to the NZZ Media Group and thanked them for their extraordinary commitment.

Board member Joachim Schoss, who has been a member of the Board since 2010, stood for re-election as his term of office expired this year in accordance with the current election procedure. The Annual General Meeting elected him for a four-year term of office by a clear majority. Christoph Schmid, who has been a member of the Board of Directors since 2013, will become Vice-Chairman of the newly constituted Board.

Due to the positive business performance, the Annual General Meeting decided to propose a dividend of CHF 200 per share. In the previous year, the Annual General Meeting approved the distribution of a dividend of CHF 100 per share. The shareholders also approved all other items on the agenda in accordance with the proposals of the Board of Directors.
 

The teaser for the exhibition stand

How does a company communicate its technological innovations to its relevant target audiences? In April, Steeltec launched a new steel product at the international trade fair wire 2016 in Düsseldorf and commissioned Frame Eleven to produce a video for the occasion. Marc Haas, co-owner of Frame Eleven, discusses successful trade show communication and the challenges of communicating technology.

Steeltec has developed a new type of steel. It is said to be exceptionally resilient, strong and robust. But it looks like conventional steel - and even for Steeltec, it remains to be seen what new areas of application the engineers will find for it. Frame Eleven visualized the production process and the effectiveness of the new steel in a film.

Werbewoche: Why did the client decide to produce this elaborate film for the trade fair presentation?
Marc Haas: We produced a product film for Steeltec ten years ago. The company still uses this film for trade fair appearances and other communication measures. It proved to be an effective door opener to get into conversation with customers. Steeltec therefore commissioned us to produce another film for the launch of its new steel product. The film looks elaborate and we really did invest a lot of work, that's true. But it must also be said that a film of this quality is possible today with much simpler means than ten years ago. We can now realize a film like this in-house from A to Z and thus keep the budget within reasonable limits.

What were the challenges when it came to teaching technology?
The product surpasses all previous steel products in terms of load-bearing capacity because Steeltec uses a newly developed production process. The  not be too precise. Because the competition is listening (and watching). Another challenge was that it was still unclear how the steel could be used. Steeltec's customers are mainly engineers. They need to know that they can use the steel to develop completely new products that are not yet available on the market. The new steel can withstand extreme conditions much better. That is a major advantage. For example, truck suspensions have to be replaced regularly in extreme cold conditions such as in Alaska because they become brittle. Other conceivable areas of application include the railroad industry, refrigeration technology, oil and gas production and wind energy.

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Where do you see the potential of your film?
It arouses curiosity. Similar to a movie trailer or a teaser, the film does not explain everything, but serves as an eye-catcher and creates a pull effect. We chose a visual language that is not common in the industry and stands out from classic product films. Fortunately, Steeltec was brave enough to go down this path with us.

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Why should companies generally invest in trade fair appearances?
In my experience, many companies have critically questioned or even doubted the effectiveness of their trade fair appearances over the last ten years. However, the trade fair is currently celebrating a revival and is being given a new significance. Steeltec is really looking forward to the trade fair in Düsseldorf because there are new things to discover and other experts will be present. Trade fairs are once again being developed more as worlds of experience and meeting places for like-minded people. It is worth investing specifically in the trade fair presence.

What are the advantages over other communication measures?
With a mailing, you can measure how many customers have opened it, but you don't know why they did so. That's why a conversation at a trade fair may be worth more than a thousand clicks: Because you get to talk to the people who are interested in your products.

What makes a good trade fair film?
It must certainly be relatively short. Trade fair visitors are often overwhelmed by the amount of impressions and, depending on the time of day, quite exhausted. The film has to trigger a decision within minutes: I'm interested in this, I want to know more about it. The advantage of a movie is that it takes away the fear of the threshold and visitors are more likely to stay at the stand because they don't have to explain to a salesperson afterwards why they are not interested in the product. If the film is well received, people are more willing to engage in a conversation at the stand. For it to be well received, it is important that it is fascinating at all times. Not all viewers watch it from the beginning to the end. The enthusiasm for the product must be immediately noticeable in the film.

What is the best way to stage a movie at a trade fair stand?
It has been proven that people almost can't look away from moving images. If a trade fair film is prominently placed at the stand, it acts like a magnet. Such a teaser must be one of the first things people see. It should not be shown hidden somewhere on a small screen. But of course there are various possible uses for films at a trade fair. For example, we have also produced explanatory films for customers that were only designed for iPads and specifically explained the function of an individual product in detail. Or interactive animations that allowed trade fair visitors to find out about the products themselves. We have also created huge 360-degree moving image panoramas that visitors could walk through. There are many ways to integrate moving images into an exhibition stand. It is always important that the staging conveys the message of the product even better.

Should you work on a mass with film music?
Absolutely. The sound certainly accounts for 50 percent of a film's impact. Spoken text, on the other hand, should be avoided in a trade fair film. This is because the trade fair audience is usually international. It is also annoying when statements are constantly repeated.

Can a trade fair film also be used for other purposes - and what adaptations are required?
When we make a film, we make sure right from the start that it can be used for all channels. We generally don't make purely mobile or home screen films or purely trade fair films. The trade fair is often the trigger for making a film - and I think it's a legitimate trigger. However, we clarify with the customer how they can use the film beyond the trade fair. It was clear to those responsible at Steeltec that they wanted to place the film prominently on the website afterwards. The necessary adaptations for further use are usually not complicated.

The last film you produced for Steeltec has been used by the client for ten years. How do you go about making a film work so "timelessly"?
First and foremost, the product must be timeless. This is rarely the case. But it works with steel. The first film we made for Steeltec already showed this. As far as film technology is concerned, our motto is: a real film looks outdated relatively quickly, especially if it contains people, fashion and vehicles. An animated film stays relevant for much longer thanks to its abstraction.

Interview: Simone Isliker

Customer growth and pitch wins

Notch Interactive has landed BMW as a client, Wirz has secured the WWF, and PR-KFS, SNK, and Super an der Limmat have also announced new clients.

Notch Interactive makes the race for BMW

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The latest account win for Notch Interactive is BMW Group Switzerland. The Zurich-based creative agency for digital communication won the pitch for the digital account. In addition to all online/digital activities, the mandate also includes website support and development as well as apps for the BMW, Mini and BMW Motorrad brands. Peter van der Touw (CEO, Notch Interactive) is delighted with the new partner on the client list. "With BMW, Notch Interactive wins an absolute dream customer. Because hardly any other brand understands how to use individual needs intelligently and combine them with the right technology in a solution-oriented way." Notch Interactive's first work is scheduled for mid-year.

 


Wirz: On behalf of the panda bear

 

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Wirz will work for a better future in the future: After a pitch, WWF Switzerland decided to work with Wirz in the area of brand campaigns. The agency was able to convince with an intelligent central idea and initial creative approaches. The joint mission: a brand campaign that is to attract attention and provide food for thought throughout Switzerland over a period of several years. This is definitely a reason for Wirz to be happy: They won against several competitors - and are looking forward to fighting for a clean climate, healthy rainforests and living oceans with strong ideas.

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Karl F. Schneider works for Mercedes-Benz Switzerland

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Mercedes-Benz Switzerland has commissioned Karl F. Schneider with communications for its Fuso commercial vehicle. The mandate includes, among other things, advertising campaigns, media relations, the implementation of POS material and the organization of reference and driving reports. The Fuso Canter, Daimler Trucks' most-produced truck, is sold exclusively through Mercedes-Benz Truck dealers.

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SNK wins pitch for Vetropack site in Bülach North

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Zurich branding agency SNK wins the pitch for the identity and marketing of a new urban quarter in Bülach North. By 2020, around 600 apartments will be built on the former Vetropack site in Bülach, along with space for public uses and commerce. Together with the landowners Logis Suisse and Baugenossenschaft Glattal Zürich (BGZ), Steiner AG is developing a new urban quarter on the Vetropack site in Bülach North. Around 600 apartments for a broad tenant mix are being built on 42,000 square meters, as well as 20,000 square meters of service and commercial space for apartments for the elderly, a medical center, a crèche, a hotel and other diverse uses. SNK is pleased to develop a compelling identity for this exciting project and to support the developer in marketing the new neighborhood.

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Super wins Ineltec of the Swiss Exhibition

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The further development of the leading national trade fair for electrical engineering and building automation, ineltec, into a technology trade fair for system solutions for intelligent building infrastructure, is now being communicated by Super an der Limmat. The young Zurich agency was able to prevail in a multi-stage pitch for the overall budget of the trade fair. Super an der Limmat is the Swiss subsidiary of the Berlin-based creative and campaigning agency Super an der Spree. Since its founding in the fall of 2015, under the advisory leadership of Ulrich Stauffacher and Super co-founder and creative director Stefan Trabant, the agency has won its first prestigious clients such as Datahouse and Vogel Architekten.

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A teaser for the booth

The steel manufacturer Steeltec is appearing at the international trade fair Wire 2016 in Düsseldorf with an innovation: A steel that surpasses all previous steel products in its load capacity. Frame Eleven stages the powerful steel in an elaborate film.

Technology innovation can be of great importance for very different industries. Especially where extreme conditions prevail, such as in the railroad industry, refrigeration technology, oil production or wind energy. Where and how exactly their new product will be used in the end is something even Steeltec is curious about. Engineers should give free rein to their creativity. And that's exactly what the film is for.

Worlds merge

In a video, Frame Eleven visualizes the production process and the power of the new steel. The elemental forces of fire, water and earth take the viewer on a journey from the archaic to the futuristic high-tech world. These are forces that are inherent in steel. Forces that steel can defy.

Insert for the exhibition stand

The fact that the film is primarily used at a trade show has had a strong impact on the concept. The images must captivate the viewer at every moment of the two-minute clip. In addition, it should also win over prospective customers on the web and in sales talks and awaken their own ideas about how and where the product can be used.

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Responsible at Steeltec: Guido Olschewski (Head of Quality and Product Development), Mirkka Lembke (Quality and Development), Linda Oberli (Quality / Product Development). Responsible at Frame Eleven: Marc Haas (Creative Director), Oliver Aemissegger (Director / Art Director), Leoni Kool (Producer), Ivan Lüthi (3D Animation, Compositing), Joel Stutz (3D Animation), Michael Ricar (Music & Sound Design).

How does a company communicate such a technology innovation to the relevant target groups? Read the interview about trade show communication and technology mediation with Marc Haas, co-owner of Frame Eleven, in the latest Print edition the advertising week.

SDV Award 2016: The shortlist

The Swiss Dialog Marketing Award 2016 will be presented on June 9. 180 projects were submitted, now the jury presents the shortlist.

On April 13 and 14, 2016, more than 800 interested people visited the award exhibition at the Dialog Marketing Fair (DMM) in Zurich. All submitted competition entries of the Swiss Dialog Marketing Award (FSDV Award) were generously presented in the wide Award Lounge. This year's motto of the Swiss Dialog Marketing Award (SDV Award) brings us back to the roots of what advertising and dialog marketing can and should be: Advertising is entertainment. On April 13 and 14, the SDV presented the more than 180 submitted works first for invited guests at the vernissage and then at the exhibition, which was open to everyone. The contenders for the Swiss Dialog Marketing Award 2016 provided material for lively discussions and inspired those interested.

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This year's partners and sponsors and their VIP clients were given a chance to look around at leisure at the pre-vernissage with well over 200 invited guests. The SDV took this opportunity to sincerely thank all partners for their support.
 

The judging no longer at the fair

The expert jury reviewed and evaluated the competition in separate processes before the fair. Thus, there was an unfiltered view of the works, because it was agreed to maintain confidentiality about the winners.

Shortlist 2016

Awards were presented in 21 categories at the Swiss Dialog Marketing Prize. Who will win the awards is still open. But the jury has now determined the nominees for the categories.

 

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This year's jury is made up of 21 experienced DM professionals, led by Christian Huldi. It is composed of agency heads, advertising clients and representatives from teaching and research. The new jury process has been refined once again. The dual jury system is fairer because it gives equal weighting to creation and success or efficiency. Thus, the chances for successful campaigns remain intact compared to creative idea campaigns.

Online exhibition of all submitted works

Starting at the end of April this year, all submitted works will be published under Sdv-award.ch presented in the online exhibition. This creates even more transparency and enables a wide circle to study the current work in dialog marketing in detail.

The Award Night - the place of the award ceremony

The Award Night of the Swiss Dialog Marketing Award 2016 will take place on Thursday, June 9, 2016 at the StageOne in Zurich-Oerlikon. As part of a completely new gala event, the winners of the respective categories and the industry and special awards will celebrate their victory on stage. In addition, Swiss Post will present the "DM-Life Time Award" An entertaining evening with highlights and many opportunities to meet and exchange ideas once again. Werbewoche is the media partner of the SDV Awards. The points from the competition can be credited to Werbewoche's annual creative ranking.

Blue Spirit for Marché Restaurants: Guests eat themselves happy

«Happy Without Meat» is the theme at all Marché restaurants in Switzerland through early May. Blue Spirit is supporting the initiative with a campaign.

With specially developed recipes for a variety of tastes, guests are delighted in a vegetarian and vegan way. As always, freshly prepared à la minute. The accompanying campaign, implemented by Blue Spirit, relies on food images that are at least as delicious as the menus and on an attractive competition as icing on the cake. The campaign has been running since the beginning of April online, via posters and displays, and in press advertisements.

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Responsible at Marché Restaurants Switzerland: Zsuzsa Borsa, Head of Marketing, Communication & Sales, Verena Grest, Communications Manager, Sandro Renz, Marketing and Sales Manager. Responsible at Blue Spirit Communications: Rolf Jeger (overall responsibility), Daniela Peter, Sharon Lehmann (consulting), Sarah Pietrasanta (CD/text), Jürg Büchi (AD), Giulia Furrer/Danny Bron (graphics), Eros Montagnani (prepress), Maysa Meier (banner). Photos: Fabian Häfeli.
 

To the point: Man instead of machine

«Don’t just acquire—inspire.» The editorial by Editor-in-Chief Anne-Friederike Heinrich from the current issue of *Werbewoche* 7/16, dated April 15, 2016.

Work is becoming human again. Whereas since the 1990s, companies have been looking primarily for "lily-livered" employees, all-rounders with low salaries and unlimited mobility, employees who are willing to give up their jobs for the sake of their families, ties and private passions, companies are now once again looking for human beings. But finding them is not that easy.

In the advertising and communications industry, people are complaining: "We're not getting the right people applying," say representatives of small and large agencies. In other industries, too, namely in IT, there is a shortage of skilled workers, and this has been the case for years. Employer branding, the positioning of employers as a brand, promises a way out of the misery: employees must fit the brand, and the brand must fit them, or cultural fit as it is called in the jargon. Employers have finally realized that only employees who identify with the company's goals and values can deliver the desired performance over the long term.

Identification, on the other hand, can only exist if the company recognizes that it employs a person who has other interests, desires and passions besides work - which, if given space, can also fertilize the work.

What has happened? Human relationships have undergone a fundamental change in meaning: Spouses are no longer economic security, but in the best ( and least ) case the guarantor of lifelong happiness. If they are not, they are shot down. Children are no longer an old-age provision, but a source of meaning and proof of the parents' capacity for love and pedagogical performance. And the employer, too, has evolved from a simple breadwinner to the central element of work-life balance: Today, earning a living should also be fun and satisfying; the employer should be a cool figurehead with which to impress colleagues. This demand is fundamentally changing the world of work, especially for the Generation Y and Z employees who are now entering the labor market. We more seasoned employees can't thank them enough for this rehumanization - even if the development initially puts us as employers under pressure.

It is becoming increasingly difficult to reconcile the high quality requirements of employers and the constantly growing demands of employees. The labor market seems to be turning around, so that soon it will no longer be employees who apply to companies, but companies who apply to skilled workers. If you want to win over the best employees, you have to present yourself in the right light and build a strong employer brand. Ideally, this should be done not only when the company needs people, but also on an ongoing basis so that it can snap them up when the need becomes acute.
Recruiting expert Michel Ganouchi explained how to do this in a presentation for Medienjobs.ch and Inside-it.ch on Tuesday. He said every company needs to be aware of its roots, what drives its business and what sets it apart from competitors: "Every company has an employer brand, but it also needs to manage it." The goal is to develop a strong UEP - unique employer proposition - a unique selling point for the company. Such branding can take years; that's why it's best to start now.

You know what your company stands for, what goals you want to achieve and what people you need to do it ? Good. Then you still have to choose the right channels for your search. Today, employees are no longer found or acquired, but enthused and won over. If you want to have the best, you have to come up with something. Newspaper ads were yesterday, today it's social media. Depending on the candidate you want, moving images can be a promising "ad" format. Why not look for a communications talent on Whatsapp, or a picture editor on Instagram? The NZZ, for example, tweets its job ads. If you don't see these tweets, you're not the right employee. And make applying easy. If you have to log in to the company website before you can send an e-mail to the personnel manager, you may be gone again faster than you can look.

What sounds like a huge HR project can also be done on a very small scale. After all, not every company has a five-person HR department. Getting new colleagues interested with crisp language and witty ideas shouldn't be difficult for employers in our industry. "Above all, save the bullshit bingo in job ads," Ganouchi advises. All companies want flexible, team-oriented employees; it's not a differentiator. A clear description of the job and its requirements, without verbiage, is a better way to find the right employee. Invest a few minutes in thinking about the kind of person you envision as a job candidate and tailor your application precisely to that. It's even better if you receive only two applications instead of 20 - and both candidates fit the bill. And: Don't forget emotions. If you are looking for a "sales tycoon with laugh lines" instead of a salesman, you are already on the right track.

Anne-Friederike Heinrich, Editor-in-Chief Werbewoche

[email protected]
 

Thomas Passen becomes professionally independent

Thomas Passen, Head of Sales and Marketing at Ringier, is setting up his own business. As of May 1, 2016, he will work with his own full-service agency Stilwerk, but will continue to carry out assignments for Ringier and Ringier Axel Springer Switzerland.

In particular, Passen will work on the marketing of sponsored content projects for these two companies, as well as 360-degree cases and integrated communications solutions.

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Thomas Passen, 46, has held various positions at Ringier since 1997, including Head of the Blick Group and Head of Reader and Advertising Market Magazines, and most recently as Head of Sales and Marketing at Ringier since 2013. As already announced, he is thus leaving Ringier at the end of April and will be professionally self-employed in the future. In this new role, he will continue to look after a number of key customers on a mandate basis, which he has already supported for Ringier. Thomas Passen will be responsible in particular for the marketing of sponsored content projects, 360-degree and integrated communication solutions at Ringier and Ringier Axel Springer Switzerland, as well as taking on other tasks within Ringier. Based on this mandate, Thomas Passen will also provide services for Admeira in the area of 360-degree and integrated communication solutions.

Scout24: Jan Hinrichs new Chief Marketing Officer

Since April 11, Jan Hinrichs has been in charge of marketing at Scout24 Switzerland and, as Chief Marketing Officer, has joined the executive board of Switzerland’s largest network of online marketplaces.

The 36-year-old comes from the German travel company Thomas Cook, where he has worked since 2009 - most recently as Director Marketing & Digital Commerce Central Europe. Hinrichs studied Business Administration at the University of Lüneburg and has many years of experience in marketing as well as digital and data-driven business.

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