Hard at the tree line

Ruf Lanz launches the trendy beer Calanda Viva featuring tipsy animals

Ruf Lanz Launches the Trendy Beer Calanda Viva Featuring Tipsy Animals By Luca Aloisi Hops and malt alone are no longer enough. Lifestyle is a must, as beer consumption has been declining for years. Marketing strategists see growth potential only among a young target audience. Ruf Lanz has given the new brew a wild makeover.
International brewing conglomerates are as resilient to economic downturns as industries such as healthcare, food, and tobacco. However, this cannot be attributed to sales volumes in Europe, where the beer industry is suffering from changing drinking habits and rainy summers.
The latter have also thrown a wrench in the works for Swiss brewers. For the first time, per capita consumption of beer fell below 57 liters last year. When combined with the increased share of imports, the highly fragmented and saturated market paints a bleak picture.
Calanda Viva is getting a trendy Graubünden image
In Switzerland, the Dutch beer group Heineken (market share: 19 percent), now in its third generation of family ownership, has responded with two measures: First, it has concentrated the production of its brands in Chur. As a result, the Grisons capital now brews not only the local Calanda beer and the international brands Heineken and Amstel, but also Winterthur’s Haldengut. At the same time, the world’s fourth-largest beer group is attempting to break into new segments by introducing specialty beers. This is because volume potential and high margins can now only be found among a younger, active target group.
With the new draft beer
With Calanda Viva, Heineken Switzerland aims to target young, trend-conscious people and compete with the popular flavored alcoholic beverages (alcopops) on the market. Brand Manager Sandra Chollet describes the target audience as follows: «We’re targeting modern, open-minded young people who enjoy having fun in their free time, go out with friends, and are active in sports on the weekends—for example, snowboarding or carving.» The focus on winter sports also explains the strictly regional distribution in Calanda’s home region.
There, the new brew is served at trendy hotspots, and the brand deliberately highlights the benefits of its local origins across all communication channels. «If Calanda were an Aargau beer, we probably wouldn’t have chosen the »local roots’ strategy,” explains CD Markus Ruf of the Ruf Lanz agency with a smile. It’s no coincidence that the product is named Viva, a name that references its Graubünden roots.
In Graubünden, people clink glasses with the Romansh phrase «Viva» («Cheers!»). And if there’s still any confusion, the packaging designed by Future Brand makes it perfectly clear: a stylized ibex is visible on the bottle.
Ruf Lanz also consistently carried through the Graubünden-themed positioning in the advertising campaign. The idea behind all the advertising efforts: The new Calanda Viva tastes so good that you shouldn’t leave it unattended for even a moment. The creative duo used local animals to dramatize the concept of «sneaking a drink.».
In advertisements and on posters, you see a visibly tipsy line of chamois dancing against the backdrop of the Graubünden mountains. And in the offbeat movie trailers produced by Zurich-based Peacock Film, the Graubünden wildlife behaves in ways you’ve never seen before: In the first spot, an ibex gazes innocently into the camera, just like in a traditional documentary. Then, out of the blue, it lets out a satisfied belch from deep within. In the other spot, a marmot interrupts its hibernation due to an overwhelming urge to urinate.
Ad Rating

Calanda Viva
Most ad raters dismissed what Mastro Lorenzo served up as old news. Well, it wasn't quite that bad. Maybe all those advertisers just prefer beer to coffee. Beer lovers, please click on www.werbewoche.ch/adrating.
Mastro Lorenzo
Top: 35,65%
Flop: 64,35%
Praise and criticism of ad-raters summarized at www.werbewoche .ch/adrating/comments

Online marketing: Denz

Objective: To provide an insight into the new D3 Office world.

Objective: To provide insights into the new office world D3 Office.Denz advertising media: Internet, Flash presentation. Use: Until further notice.
Client: Denz & Co. AG, Nänikon. Advertising agency: Büro4/MitLinks AG, Zurich; AD/Text/Concept: Büro4, Yvonne Robert; Graphics: MitLinks AG, Watezz Bleuer; Consulting: MitLinks AG, Oliver Baumgartner; Photos: Roland Tännler, Zurich; Realization in Flash: MitLinks AG, Watezz Bleuer; Sound design: MitLinks AG, Oliver Baumgartner.

There is only one real

JWT+H+F positions Mastro Lorenzo as the true "caffé italiano" with three beautiful commercials

JWT+H+F positions Mastro Lorenzo as the true “caffè italiano” with three beautiful commercials. There are quite a few Al Capones in Italy, as well as Alberto Tombas and Roberto Baggios. It’s only natural to get them mixed up. It’s reassuring to know that there’s only one real Italian coffee: Mastro Lorenzo. With this simple formula, Kraft Foods Switzerland, together with its in-house agency JWT+H+F, aims to position the coffee brand even more clearly as the epitome of Italian coffee enjoyment. Following the Cannes-award-winning Citterio commercial, Creative Director Rémy Fabrikant succeeds in bringing just as much Italian flair to the Swiss ad campaign. In the commercials, director Alessandro Cappelletti transports the single-serve coffee into a brand world somewhere between Tornatore and the Taviani brothers. Page 6

All men's business

Despite its financial debacle, the Vaud Cantonal Bank is launching a product campaign

Despite Financial Setback, the Vaud Cantonal Bank Launches a Product Campaign By Anita Vaucher No sooner has the Vaud Cantonal Bank disappeared from the headlines than its advertising is back in the spotlight. This unconventional approach to crisis communication, conceived by the creative team at Pulsion in Lausanne, also seems to be having a positive effect on the bank’s stock price.
Until the end of October, hardly a day went by without the financial debacle at Banque Cantonale Vaudoise (BCV) filling the pages of the press. But since the extraordinary general meeting of the Lake Geneva bankers on October 31, calm has returned—at least on the surface. BCV stock is also beginning to recover, climbing from its annual low of 86 francs on October 15 to 91 francs as of November 15. Of course, shareholders have had to pay a heavy price for this. Exactly one year ago, the stock was trading at a high of 355.32 francs.
That’s when the decline began. It was triggered by the Swiss Federal Banking Commission’s finding that high-risk loans had been inadequately covered. The government, the majority shareholder with 67.89 percent of the share capital, had to step in and injected another 1.25 billion Swiss francs at the end of October, after provisions totaling 850 and 400 million Swiss francs had already been set aside. At the extraordinary general meeting, it was decided to make a clean slate: the Bank Council was dismissed, the Board of Directors was drastically reduced—from 21 to 7 members—and filled with new experts.
Not designed for the average person
While the Board of Directors took a lot of flak from the press during these crisis-ridden months, BCV placed advertisements in those very same media outlets in an effort to regain the trust it had lost. There’s hardly any other way to interpret BCV’s asset management slogan: «Pooling expertise to optimize services.»
Pulsion's campaign aims to convey a sense of humanity and customer focus. The harmonious group photo featuring men is intended to suggest to the reader that BCV has a carefully selected team that is fully dedicated to serving the bank's customers.
In contrast to BCV’s recently launched private banking campaign, which featured real-life investment advisors, the protagonists in the latest ad campaign are models. Understandably, the real advisors would likely have been reluctant to have their likenesses appear in newspaper ads given the current climate.
Private banks are too distant from their clients and not very accessible, as are the major banks; that is why BCV has carved out this market for institutional investor asset management, says Alain Ciocca of Pulsion. A cantonal bank, by its very structure, is very close to its clients, the consultant adds. However, BCV’s top management had long debated whether to postpone the campaign, as it might be counterproductive at this point in time. In the end, though, they decided to go ahead with it, if only because the ad space had already been reserved, explains Ciocca.
Mauro Salvadori, the project and communications manager for institutional asset management, also opted for a low-key “business as usual” approach. The goal was to signal to the public that the bank is there for its clients even in times of crisis. Salvadori explains the forward-looking strategy by noting that the bank did not want to keep a low profile in this difficult situation. Furthermore, Ciocca adds, the ad campaign is a form of B2B communication aimed at specialists. The average person on the street would hardly be interested in the ad, he explains.
Ad Rating

Mastro Lorenzo: The campaign by mobile carrier Orange has just barely won over the ad raters. Now, the cinephiles among the ad raters are being asked to cast their votes for the “Commedia all’italiana” commercials for Mastro Lorenzo at www.werbewoche.ch/adrating
OrangeTop: 53,30%
Flop: 46,70%
Praise and criticism of ad-raters summarized at www.werbewoche .ch/adrating/comments

Now the express goes at speed to the free battlefield

Tamedia Board Chairman Hans-Heinrich Coninx symbolically announced the «landmark decision» to launch a tabloid called Express, with at least 32 pages, under the roof of the Glaspalast

The "epochal launch decision" for a tabloid of at least 32 pages called Express was symbolically announced by Tamedia Chairman of the Board Hans-Heinrich Coninx under the roof of the glass palace on Werdstrasse; the official burial of TV 3 had been announced in the basement.Tamedia has taken a long time to enter the commuter newspaper market: More than three years have passed since the launch of 20 Minuten, and a good year has passed since its competitor Metropol was technically knocked out. In spring 2003, the media group is now definitely entering the commuter newspaper ring.
With this late attack, Martin Kall delivers his journeyman's piece as the not-so-new Chairman of the Tamedia Management Board. He presented himself in a correspondingly martial manner - and was convinced that the war declared on Tuesday would only have one winner: "us". Officially, the free newspaper, which has an initial circulation of 300,000 copies, is a further development of the ZürichExpress. In fact, it is a split of the top-selling title (Kall: "ZE now generates more revenue than the Belcom Group") into an unedited daily newspaper of the city of Zurich and the Express, which is creating 20 new jobs. However, he will not reinvent the commuter newspaper in terms of content.
The NZZ, which holds 40 percent of the shares in ZürichExpress, participates in the official gazette as a "joint public service" (Coninx). Nevertheless, the minority shareholder's surprisingly cooperative attitude can be seen as indirect support for the fight against the Scandinavian intruder. And it could also work out financially: Until the opening of the new Bubenberg printing center in mid-2004, Tamedia will have to have half of the four-color Express circulation printed externally. Newly appointed Express Managing Director Marius Hagger will only announce next week with whom. It cannot be ruled out that NZZ will be awarded the contract (oc).

Etat-News: New orders for WPS-RCM

The communications company WPS-RCM in Geroldswil, ZH, has secured new contracts in recent weeks.

The communications company WPS-RCM in Geroldswil ZH has landed new orders in recent weeks.budget news New orders for WPS-RCM The "general contractor for advertising, production and Internet" is producing an in-house newspaper for the electronics chain Media Markt. In addition, the film group Warner Bros. has commissioned WPS to produce DVD box sets for its "Men's Collection" and "Women's Collection".
Lucky Lack wins budget from Natural
The Basel-based advertising agency Lucky Lack is now in charge of the budget of the freight forwarding company Natural Ltd. Natural currently employs 470 people and has branches in Germany, France, Italy, China and the USA. Lucky Lack's initial work for the 2003 campaign will be on display early next year. Advertisements in trade journals are planned as the main means of communication.
Schneeberger in the Jumbo DIY store
The advertising and media consultancy Veronika Schneeberger in Fraubrunnen BE will manage the national print budget of Jumbo DIY stores from next January. Previously, the budget was managed directly by the PubliGroup subsidiary Publimedia in Zurich. The print budget is rather modest compared to the overall advertising budget, explained Massimo Moretti, Head of Communications at Jumbo.

News: PWA index continues to rise

The Publimedia Webadvertising Index (PWA Index) rose by one point to 102.4 points in October.

The Publimedia Webadvertising Index (PWA Index) rose by one point to 102.4 points in October.News PWA Index continues to rise The downward trend that began in February had already been halted in September with an increase of 0.9 points. "The positive development of online advertising expenditure confirms the predictions of various studies from the past few months," says the advertising agency PWA.
Swiss Post threatens Ticino's pressThe planned closure of the Bellinzona letter post center would have fatal consequences for the daily newspapers in Ticino, as the editorial deadline would have to be as early as 8 pm. Newspapers would also have to be packed and delivered to the station by 11.30 p.m. so that readers would find the newspaper in their letterboxes the next day as usual. Until now, Corriere del Ticino, Regione and Giornale del Popolo have been able to keep their pages open until midnight. The Ticino newspaper publishers' association is therefore calling on Swiss Post Director Ulrich Gygi to reconsider the planned closure.
Radio Fribourg on the web and by SMS The bilingual station Radio Fribourg-Freiburg has completely redesigned its website. Both programs can now be listened to online. The Windows Media Player program is required. The site also provides information on the program, editorial team and presenters as well as advertising sales. There is also a new SMS service, which starts with three channels on news, sport and weather and is to be expanded.
Jura-Südfuss combination to be expandedThe Jura-Südfuss advertising combination will be expanded to cover the entire economic region 32. Until now, the combination consisted of Solothurner Woche and Anzeiger für Gäu und Thal. From the beginning of 2003, the Allgemeine Anzeiger for the Zofingen district will be integrated. In addition, the Anzeiger für Gäu und Thal expands its circulation area to include the city of Olten, increasing its circulation by 12500 to 33000 copies.

Who's talking about a boycott here?

Economic pressure on the media is taking on increasingly subtle—that is, cross-media—forms

Economic pressure on the media is taking on ever more subtle, i.e. cross-media formsBy Christian Mensch * The sledgehammer is hardly ever used to discipline critical journalists anymore. The advertising industry has now developed more sophisticated ways of keeping a tight rein on newspapers and magazines. At least that's what a look at the chronology of commercial attempts to put pressure on the media shows - written on the occasion of the 25th anniversary of the Swiss Press Council.
On behalf of Swiss journalism, we would like to thank Walter Frey. Namely Walter Frey. The car importer, large garage owner and former SVP National Councillor from Zurich, together with a few comrades-in-arms, launched the famous advertising boycott against the Tages-Anzeiger in 1979.
In contrast to his colleagues, who were busy placing advertisements in the Zurich daily newspaper again after just weeks or months at the latest, Frey maintained the measure for twenty years. This boycott has earned the Swiss media in general and the Tages-Anzeiger in particular the reputation of being a stronghold of incorruptible, unbending journalism.
His investment of millions - the sanction was not free - helped the Tages-Anzeiger to gain more prestige and the journalists greater self-confidence than they could have achieved with a lot of research. The advertising boycott gave the paper a reputation throughout Switzerland as a newspaper critical of the economy.
Are business and the media in the balance of power today?
But where are the boycotters today? Do they no longer exist because the economy has capitulated to the journalistic power of the media and boycotts are therefore no longer possible? Or do they no longer exist because the media have capitulated to the power of the economy and boycotts are therefore no longer necessary?
A look at the well-known boycott cases from Swiss press history can help. The most famous of these, Autoimporteure versus Tages-Anzeiger, was triggered by a report in the Tages-Anzeiger magazine in March 1979: "Die Autolobby Schweiz", researched and written by Paul Romann and Beat Schweingruber. The report was, according to the language used at the time by the people it criticized, "the straw that broke the camel's back". In other words: The Tagi, ideologically in the green fast lane at the time, had been warned several times.
In September 1980, Globus imposed advertising sanctions. Here, too, the Tages-Anzeiger was hit. The management of the department store wrote that it had "inadequately fulfilled its responsibility to the public through unbalanced and distorted reporting on the youth riots", which is why "advertising orders were cut to a considerable extent".
In 1994, Denner boss Karl Schweri, who has since passed away, withdrew advertisements from all Ringier titles because the discounter felt it had been unfairly criticized in Cash. It was not his first, not his only, but his most famous sanctions campaign, which was severely reprimanded by the Press Council.
There are other, less notorious boycotts and boycotters to mention:
- In 1985, the Geneva real estate industry collectively punished the Tribune de Genève for its reporting on the activities of real estate sharks.
- In 1987, Migros responded to a commentary in Eastern Switzerland by withdrawing an advertisement. The newspaper, which had since merged with the St.Galler Tagblatt, dared to poke fun at the Säntis shopping center.
- In 1992, the Bankverein cut the Ticino newspaper La Regione because it had traced the links between the Swiss banks and the Italian bribery scandals.
Transparency? Ah, all theory is gray...
And today? A guideline issued by the Press Council explicitly calls for boycotts to be made public. This means of exerting pressure is unjustified "if the publication of information is in the public interest". The fact is, however, that no major boycotts have come to light recently. Which really only allows two conclusions to be drawn: Either boycotts no longer exist as a punishment for unpopular information "of public interest", or the aforementioned directive is merely a toothless paper tiger. The latter is probably more accurate. Because they do still exist, illegitimate attempts to exert pressure in the form of boycott threats or veritable boycotts.
The automotive industry in particular, which is lured and coddled by the media like no other with customer-friendly advertising environments - known as automotive journalism - continues to show tendencies towards demonstrations of power vis-à-vis the press. A few years ago, for example, Jean Frey AG fell victim to the Erb Group.
The reason for this was an article in the Beobachter, which had nothing to do with the car industry. However, it took a lot of anti-chamfering and a six-figure indulgence in the form of Freespace before the group of companies reappeared as an advertising client. Ringier works prophylactically in this respect: every year, Switzerland's largest media group invests 500,000 francs in the goodwill of the motorized industry. Ringier invests this much in its television program "Motorshow", which is hosted by Presse-TV and broadcast on SF 2.
"Warning shots" across the bow of press freedom
But even big banks are not free from small-minded aversions. Two years ago, for example, a critical article about UBS boss Marcel Ospel could lead to one or two advertising placements being canceled at short notice. And critical reporting on former CS boss Lukas Mühlemann brought CS advertising to a halt in individual publications - as was easy to observe at the beginning of the year.
"Warning shots" is the term used by financial institutions to describe such short-notice cancelations. In the meantime, the state-owned companies Swiss Post and Swisscom have also exhibited the same behavior. According to research, they have also been reluctant to advertise simply because they felt they were being pilloried a little too often in a newspaper.
The only problem is that neither the newspapers concerned nor the advertisers publicize such cases. And we already have a definition problem. When is a boycott a boycott? Practically never under competition law. Not even the 1979 boycott of car importers was legally a boycott, as the Cartel Commission of the time stated. In its 1981 report, which today reads like a satire of press law, it says: "The Cartel Commission confines itself to stating that, from a purely economic point of view, the withdrawal of advertisements by car importers does not appear justified, but could at best be justified by proving that the editorial stance of the Tages-Anzeiger destroys or significantly reduces the advertising success of new car advertisements." - However, the commission neither provided nor denied proof of whether the editorial stance influenced the advertising impact of an advertisement. Deliberately, insiders said at the time.
Absurd argumentation of car importers
The automotive industry had argued very differently in the cartel hearings. The CEO of Amag, for example, claimed that purely commercial reasons had been the deciding factor in stopping the advertisements. Internal investigations had shown that the level of attention paid to the advertisements in the Tages-Anzeiger had been low "because the newspaper is very extensive" (!). Walter Frey, on the other hand, said frankly and freely that the Tagi was "no longer suitable for car advertisements" because of its political stance. However, he did not want to know anything about a concerted industry action, i.e. a cartel agreement.
Renault was one of the companies that was long believed not to have supported the boycott. However, it then emerged before the Cartel Commission that the French car manufacturers had already stopped advertising in the Tages-Anzeiger. The "negative image of the automobile was the decisive factor". In short: only Walter Frey
openly acknowledged its attempt at economic policy discipline. Renault did not disclose its actions; Amag cited non-political reasons. However, they all referred to the general freedom of trade and commerce, which also includes the freedom to advertise where and when one sees fit without justification.
Political and other rope teams
The reference to freedom of advertising was an embarrassing argument to avoid having to publicly justify the political motives. But not only that. It is a mistake to believe that advertising clients otherwise adhere strictly to objective criteria such as circulation, readership, affinity of the target audience, costs per thousand readers and more when planning media. The not insignificant degree of arbitrariness as to where and when an ad is placed can work to the disadvantage or even to the advantage of a medium. Sometimes personal relationships are the deciding factor, sometimes political expediency.
I'm not revealing a secret when I say that Christoph Blocher features in every issue of Weltwoche with a crossword puzzle. He doesn't do this because he thinks it will boost sales of his Ems-Chemie. He is taking advantage of his advertising freedom to pay his dues for an independent publishing house, Jean Frey, far from any economic logic. Does this jeopardize journalistic independence?
But the initial question was: When is a boycott a boycott? To avoid getting tangled up in the legal thicket between freedom of trade and cartel agreements, we prefer to stick to a simple rule of thumb: a boycott is deemed to have taken place if an advertiser explicitly states legitimate journalistic content covered by freedom of expression as the reason why it is no longer placing advertisements.
Ringier got off lightly
So what about the Borer versus Ringier case? Ringier's management repeatedly claimed that only one advertiser had canceled its orders with specific reference to the Borer story, which in its opinion was indefensible. Although the case was publicized, there was no outcry from the Press Council. Why not?
In the spring and summer of this year, however, completely different tones were heard from Ringier publishing circles: Every second advertising customer had held back on advertising orders with reference to the Borer story.
So what is true? I maintain the following: There was certainly more than one advertiser who removed Ringier from its order list because of the Borer story. But they didn't commit to the boycott. Those who acted as boycotters towards Ringier's lower echelons were probably faced with a completely different problem: they simply had no budget to manage. They believed it was better to strike a pose of power against Ringier than to admit that they simply had no advertisements to manage.
Which brings us to another point: The big bluff. It is part of the communication ritual between the advertising industry and the media that advertisers demand a favorable editorial environment. The announcement - or more precisely: the threat - of switching to a competing medium that supposedly offers a better environment is part of this game.
It is true that this results in an atmosphere of intimidation, especially for smaller media. As interviews for research purposes have shown, regional newspapers often feel they have to cover the opening of a Migros or Coop branch, a new garage or a restaurant. For example, they report when a major distributor installs a new bread counter. Not because it is newsworthy, but because the editors are convinced that they would otherwise upset an important advertising customer and jeopardize significant advertising volumes.
In my opinion, the risk of actually losing ads is far lower than journalists believe or are led to believe. This diffuse fear suits some publishers. They prefer to have a journalistically lean text in the paper, but don't have to engage in time-consuming discussions with advertisers. This is because they often can't understand why the new butcher's display case and the new vegetable stand were worth an article, but their bread counter is ignored.
Publicity helps against threats
In my journalistic career, around ten years ago, when I was still working for the trade press, I was once confronted with a specific threat of a boycott. The director of Publicitas Lugano threatened to withdraw my advertisements. I asked him whether he would be happy for me to firstly inform the management in Lausanne and secondly to inform the public that Publicitas, which, as we know, lives from placing advertisements, was toying with a boycott? The threat was immediately taken off the table with the counter-threat.
The Press Council's requirement that boycotts should be made public should therefore be upheld at all costs: In fact, it is very rarely complied with, but it is an excellent argument to counter a boycott threat with something of equal value. Because it is important to know: Very few would-be boycotters can actually afford a boycott. This is because a genuine boycott has a double cost: it has a political and an economic price.
The call "Don't advertise in this paper!" is politically highly incorrect and can only be made in those rare cases where there is clear moral legitimacy, i.e. where a medium has unambiguously violated moral sensibilities. Even the Borer case was not clear enough: the company that Ringier boycotted was not named. The risk of consumers showing solidarity with a boycotted medium and starting to boycott the boycotter is too great. The moralization of the economy, which media sociologist Kurt Imhof likes to deplore, is a protective shield for the media.
Consensus at all levels
To be honest, however, it must be said that even editors-in-chief are generally against publishing boycott threats. Medard Meier, editor-in-chief of Bilanz, for example, is convinced that a public debate would only harden the fronts and that a consensus solution would resolve the deadlock much more quickly.
Nobody knows what such solutions usually look like - and a few scandals would probably come to light if we knew exactly what deals editorial and publishing directors are prepared to make. Just take a look at how often an extremely critical business article is followed, after a short waiting period, by a proper interview with the big boss of the company in the crosshairs, often conducted by the editor-in-chief himself.
The case of the car importers is still exemplary today for the interplay between the media and the economy. Two conditions had to be met for the boycott to take on the significance that we appreciate today.
Firstly, the automobile was at the center of an ideological battle at the time. This was worth taking financial risks for both sides. The fact that both Frey and Co. as well as the Tages-Anzeiger editorial team, representing the awakening eco-movement, saw themselves as politically in the right made it possible for the boycott to become a campaign and thus public. There had previously been heated internal discussions at the Tages-Anzeiger, according to its then editor-in-chief and current President of the Press Council, Peter Studer. In the end, however, Studer's predecessor Walter Stutzer, the previously informed head of journalism in the management, covered up the article and the publicizing of the avalanche it triggered.
The automotive industry: midwife and gravedigger
Secondly, the financial risks were manageable for both sides. "We can easily cope with these few million francs", Walter Stutzer, a member of the management board at the time, is reported to have said, much to the displeasure of the advertisers. It is no coincidence that Walter Frey, of all people, held out the longest against the boycott: he was the main shareholder of the free newspaper Züri Woche, in which he had a reasonably acceptable advertising alternative - and which he had to support with advertisements anyway. When Züri Woche ceased to exist, Frey also quickly grew tired of the boycott. Paying a political and economic price was too expensive even for him.
Incidentally, something similar happened in Basel. For whatever reason, the free newspaper Doppelstab from the Basler Zeitung was suspected of being an anti-car paper. As a result, the car industry felt homeless on the Rhine bend.
Journalist Beat Alder's new free newspaper Basler Bebbi stepped into the breach and ensured its survival for a few years. A new double-bar editorial team later corrected the course, served the exhaust industry and thus ensured that the Basler Bebbi disappeared from the scene again in the medium term.
Let's take Denner again as an example. Karl Schweri, the owner of the company, was personally at the helm. And he willfully robbed himself of the best advertising platforms. Every employed manager, every media planner would have been fired at the drop of a hat for squandering company assets if they had adopted the patriarch's nonsensical advertising strategies.
Schweri notoriously boycotted not only Ringier. In another case, he withdrew a multi-million euro print order from the Tages-Anzeiger - simply because of a harmlessly ironic column about Schweri the politician. And there were times when he believed he could do almost entirely without the press as an advertising medium. At that time, he only advertised in the left-wing AZ newspapers and placed radio spots - with the positive effect of having delayed the death of the left-wing press for some time.
Swiss CEO Dosé sets a bad example
However, there are certainly situations in which boycott measures can be implemented without suffering any damage. In spring 2002, Swiss CEO André Dosé carried out such a variant against Facts. Because he disliked its critical reporting, he ordered that the news magazine should no longer be distributed on board Swiss aircraft in future. Instead, Focus and in some cases Weltwoche will now be handed out. The NZZ am Sonntag made the boycott public in April. Swiss CEO Dosé could be satisfied with the report: his inglorious role in the implementation of the punitive economic measures was formulated with particular caution and his behaviour was even legitimized to a certain extent due to the "poorly differentiated negative campaign against Swiss".
The loss of circulation of 7 to 8,000 copies is serious for a medium with around 100,000 copies. The publishing director of Facts is now consoling himself with the fact that, firstly, reading usage on airplanes is low anyway and, secondly, is hardly recorded by media research. This means that with a lower circulation, Facts can expect higher usage per issue. Incidentally, Dosé is a copycat: Lufthansa, which threw the Süddeutsche Zeitung overboard last year, provided the model from more recent times.
Compliant journalists, fearful management
But what can we learn from this? First of all: media diversity brings diversity of opinion. But it also brings a diversity of advertising opportunities - and this is
a key prerequisite for economic pressure measures to be effective at all. Against this background, it becomes understandable why the economy is calling loudly for a commercial television landscape in Switzerland: Alternative advertising channels give it more room for maneuver in the traditional print country of Switzerland.
In the upcoming parliamentary debate on the revision of the Radio and Television Act, business representatives will therefore be heard singing the praises of the free market economy, but are now suddenly advocating fee splitting for commercial television stations.
Nevertheless, I believe that today's media are more resistant to pressure from the business world than they used to be. Even the much lamented fall of the wall between editorial and publishing departments turns out to be a chimera on closer inspection. It is true that the editorial and advertising departments used to be rather hostile to each other. J. Pepe Wyss, who now works for the NZZ Group, once described the situation at the Tages-Anzeiger in the 1980s as follows: "The advertisement canvassers found the editors snooty and
unapproachable; the majority of communication was in writing." The Press Council's guideline that "the separation between the editorial and advertising sections must be upheld under all circumstances" seemed to have been fulfilled to the letter.
It seemed so, because the Tages-Anzeiger editorial team itself submitted texts to the management that were considered problematic at the time. Journalist Elisabeth Michel-Alder described the situation in 1981 as follows: "There were individual instructions such as deletion regulations from the management for an article that polemicized against smoking, even though not a single cigarette advertisement was registered in the issue in question."
Or: "In mid-September 1980, the writer Reto Hänny provided the magazine editors with an account of his experiences during days spent in police custody in Zurich. Because it dealt with the difficult subject of youth unrest, the text was brought to the attention of the editors-in-chief in good time. The editors-in-chief decided by a majority, but not unanimously, in favor of publication and submitted the report to the management. However, the latter was against
which the editors-in-chief regretted but found justifiable."
We would still consider such conditions scandalous today. Apart from a few exceptions, publishers today respect the personal responsibility of editors. Nevertheless, the commercialization of the media industry has also led to increasingly sophisticated strategies being developed to better meet the needs not only of consumers, but also of advertisers. Today, all important sectors are provided with special editorial services.
This not only applies to car dealers or the tourism industry, which has bought the right to uncritical service reports with paid journalist trips. In the popular press, the IT and home electronics industry, the fashion and luxury sector and the restaurant scene are also regularly courted with a favorable editorial environment.
The Press Council's Guideline 8.1 requires that the independence of journalists from economic actors must be guaranteed. At the same time, however, it distinguishes between "individual and exclusive benefits to journalists", which should be rejected, and "benefits to entire groups of journalists", which are acceptable. And thus sanctions the creation of text environments with an affinity for advertising that systematically undermine the principle of editorial independence.
The NZZ impressively demonstrates how reflexively the economy reacts to journalistic bait-and-switch offers. The banking, insurance and asset management supplements that this prestigious newspaper publishes every year can hardly be surpassed in terms of unkindness and are simply unpalatable for consumers. They are - let's be honest - an imposition in terms of content and aesthetics. But they are always crammed full of advertisements - the system works, the advertising industry feels it is being taken seriously.
Cross-media boundaries are being dissolved today
The greatest threat to editorial independence, however, is posed by the increasing interdependence between the media industry and traditional advertising clients. Take the example of Ringier and Coop. The two large corporations operate a joint communications vehicle, the well-established Betty Bossi brand. Originally an invention of Unilever, Betty Bossi is on the one hand a cooking magazine, but also regularly appears editorially in Ringier magazines.
On the other hand, Betty Bossi is a sales organization for cooking utensils and cookbooks. And Betty Bossi acts as a promotional vehicle for Coop foods used in the recipes. In short, Betty Bossi is a model for the future; Coop is Ringier's partner in Switzerland; in China, food giant Nestlé will be Ringier's partner...
But back to Switzerland: Ringier and Coop are exploiting Betty Bossi in multimedia. Coop is present on television with a daily cooking studio marked as advertising and sponsors the program "Al Dente", which is produced by Ringier as part of Press TV and broadcast on SF 2. Coop is also one of the largest clients for customer printing with the Coop newspaper. Ringier was only recently able to secure a tranche of this. We will be watching with interest to see where and how this collaboration is further strengthened.
From the point of view of pure journalistic doctrine, such links are untenable, even alarming. Especially because instead of Ringier, one could have taken a number of other media companies that are beginning to systematically and sustainably dissolve the separation between journalistic and commercial communication under the pretext of "cross-media".
To be continued...

* Christian Mensch is media editor of Weltwoche and previously held the same position at WerbeWoche. He gave this presentation at the anniversary congress of the Swiss Press Council, where he also spoke about the situation in Ticino and French-speaking Switzerland (www.presserat.ch/15700.htm). In the next issue of WerbeWoche, three advertising managers will discuss their experiences and assessments of this controversial topic (ww).

Head of the week: "Recognizing connections is the be-all and end-all for me".

Angela Scura succeeds Marc Görtz as the new co-managing director of Sat 1 Switzerland

Angela Scura succeeds Marc Görtz as new Co-Managing Director of Sat 1 SwitzerlandAngela Scrua succeeds Marc Görtz as new Co-Managing Director of Sat 1 Switzerland "For me, recognizing connections is the be-all and end-all".
Angela Sgura has always had a flair for numbers. Nevertheless, she puts a spoke in the wheel of outdated prejudices against financial people. The attractive woman from Basel embodies the exact opposite of a colorless and screwed-up number cruncher. She takes it in stride that business partners often react to her with surprise. "I'm still taken seriously," the 35-year-old is convinced. "You have to know what you want and act accordingly."
So far, the RingierTV Head of Finance and new Co-Managing Director of Sat 1 Switzerland has left little to chance: Even as a student of economics at the University of St.Gallen, she set herself the goal of occupying a management position one day. It wasn't a hunger for power, but the opportunity to work strategically, make decisions and take on responsibility that was at the forefront of her mind.
With her degree in hand, Sgura joined KPMG as an audit assistant, where she was promoted to audit manager. At the same time, she embarked on a three-year training program to become a certified public accountant on the side. A double burden that took its toll on her: "The balancing act could have passed for an extreme sport," she recalls.
But the effort paid off: at the age of 29, she was awarded a diploma and became deputy managing director at HMO Gesundheitsplan. "That was a bit of a leap into the deep end," Sgura says in retrospect. Nothing seems to faze her that quickly, however. "Recognizing connections is the be-all and end-all for me. But you also have to give yourself some time to do that."
Sgura took the same approach a year ago when she took on the job as head of finance at RingierTV. The change also allowed her to combine her know-how with private interests - after all, in addition to sports, theater and friends, film and television are also on Sgura's leisure schedule.
Sgura sees the fact that she has now also taken over the management of Sat 1 Switzerland together with Christian Gartmann as a further development of her previous activities: "I got to know the financial management and the team well over the course of the year." She says her focus will continue to be on finances, while Gartmann will increasingly look after marketing. What's really new for Sgura is the shared responsibility for the program. And the young management team wants to whip that into shape: "The goal is to maintain market share with interesting programming and good in-house productions."
Carole Koch

Muse & Musse: Pascal Winkler

Muse & Musse Pascal Winkler What cultural event did you last attend? Pascal Winkler: The opening reception for the Schuh-Café city guide «Zürich zu Fuss,» featuring photographs by Julian Sali

Muse & Musse Pascal Winkler What was the last cultural event you attended?
Pascal Winkler: The vernissage of the Schuh-Café city guide "Zürich zu Fuss" with pictures by Julian Salinas. Because I wanted to know how shoes would see the city.
What are you reading right now?
Winkler: Howard Mark's autobiography "Mr. Nice". Because I wanted to know how to smuggle tons of hashish.
Which CD do you currently prefer to listen to?
Winkler: Ronny Jordans
"A Brighter Day.
Which movie would you most like to see again?
Winkler: "Wild Things". Because I still haven't figured out who actually came up with the plan.
What TV show did you fall asleep during the other night?
Winkler: "Space Night" on BR 3.
What is your latest discovery on the Internet?
Winkler: secretshadow.com
What could you never do without?
Winkler: Love.
What do you do in a free minute?
Winkler: Love.
Love is...?
Winkler: ...in the air.

Comment

An End Without Horror

An end without horrorThe concern spread in unison by politicians and media experts that Switzerland's largest media house could become a branch of the Axel Springer publishing house is off the table - and with it Michael Ringier's vision of a large German-Swiss publishing house: both parties have ended the merger negotiations amicably. The unique opportunity to acquire a stake in Springer came to an end.
at the worst possible time. The Borer affair in Zurich's Dufourstrasse had just demonstrated what can happen when people come to the top who don't know the idiosyncrasies and sensitivities of their audience. An editor must always be somewhat rooted in the world of his audience.
And the sheer size of the company, which would have become a reality with the new, cross-border publishing giant, was certainly not an argument. Why should Michael Ringier give up the independence of his company and settle for the role of a minority shareholder without any recognizable need? There is simply no plausible reason for this step.
Despite the relief at the collapse of the Springier deal and the averted "foreign domination" of a Swiss media company, it must be noted self-critically that there was also a lot of hypocrisy involved. Swiss media companies are also active on the other side of the Swiss border. Both Ringier and Edipresse in French-speaking Switzerland are intensively active in foreign markets - in some cases with dominant market positions. Even those politicians who loudly railed against the merger talks were never bothered by this, as the publisher of HandelsZeitung, Ralph Büchi, rightly points out in the adjacent survey. But he too should now be personally relieved that he will not be under the same publishing umbrella as Ringier. Because this also means that the - already announced - cooperation between HandelsZeitung and Cash will become obsolete. Daniel Schifferle

"Better with Ringier than with Springier".

Advertising and media experts on the collapse of the merger

Advertising and media experts on the failed mergerIndependence, manageable company size and roots in the cultural environment of the products - these are the characteristics that are desired from a Swiss media company today. The WerbeWoche survey "Are you relieved or disappointed about the failed deal between Springer and Ringier?" leaves no doubt about this.Springier or Ringspringer? - The deal did not go through. And that's a good thing. Over the past few months, we have been shown on several occasions where excessive expansionist ambitions can lead. Only Michael Ringier will know the real reasons for breaking off negotiations with Springer anyway, so it is pointless to speculate what would have happened if or if not. Perhaps the whole thing is also a good opportunity for him to reorganize his company, rearrange responsibilities and give new impetus to his traditional market with renewed vigor.
I'm not talking about protectionism. But it is more important for a publisher than for any other entrepreneur to be embedded in the cultural environment of their product. It doesn't matter whether I drive an Italian, a Japanese or a French car. But whether I read "German" or "Swiss" must remain a choice. Of course, there are also many titles in the press landscape that are not dependent on such roots. I'm talking about titles that thrive on proximity and inner understanding. The culture and identity of such magazines and newspapers must be rooted in their readership, because it is their values that are at stake.
When part of the fourth estate is to be sold abroad, it gives pause for thought. I have been thinking about the balancing act between business optimization and entrepreneurial and socio-political ethics. I have been thinking about the importance of diversity and the trend towards simplicity. My gut tells me that Switzerland is better off with Ringier than with Springier.
A merger of Springer and Ringier to form Europe's largest press company would certainly have opened up interesting prospects for all parties involved. From an entrepreneurial point of view, however, only a genuine merger would have made sense. Cross-shareholdings with mutual minority positions usually do not lead to the hoped-for results.
In the event of a merger, Axel Springer Verlag, as the clearly larger partner, naturally had to lay claim to leadership. It is understandable that the Ringier family of publishers would have thought very carefully about the associated, at least partial, relinquishment of their own independence, and would ultimately have rejected it. Both publishing houses have the potential to move successfully into the future, even if they go their separate ways.
One more comment, however, on the whining of some Swiss politicians in the run-up to the merger talks: it is not fitting for Switzerland, with its close international ties, to point with pride to the foreign commitments of its own publishing houses such as Ringier or Edipresse, while at the same time talking about the threat of "cultural shocks" if investments were to flow in the opposite direction. Axel Springer Verlag has held a majority stake in the HandelsZeitung publishing group since 1999. Our publishing and editorial autonomy has not been affected in any way since then, and no changes have been made to the management of the publishing and editorial teams.
I would have liked Ringier to have acquired a substantial stake in Springer. It would have been tragic if Springer had absorbed Ringier in a merger. In general, I don't really care who produces my cigarettes or shoes. But getting my political, economic, social and local information from a foreign company would leave me with a questionable feeling. In this respect, Ringier's decision in favor of independence, rootedness and credibility is definitely to be welcomed.
In these times, the focus of every company is no longer necessarily on being large, but on being profitable. Consequently, the core issue of a merger is probably to localize synergies primarily on the cost side and less on the revenue side. In principle, I welcome strong media that concentrate on their core competence and do not succumb to the ambition of wanting to write media history. In this sense, I am more relieved than disappointed.
Survey: Daniel Schifferle
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