Walker filmed an oppressive spot against trafficking in women
The "Euro 08 against trafficking in women" campaign aims to denounce the inhumane business of modern slaves in the sex trade with a stirring film. Walker created a spectacular commercial for which 200 women and 100 men acted as extras in front of the camera.
The "Euro 08 against trafficking in women" campaign aims to denounce the inhumane business of modern slaves in the sex trade with a stirring film. The campaign is supported by FIZ - Fachstelle gegen Frauenhandel and works together with well-known sponsors. These made a spectacular film possible, which the Walker agency was able to realize with London-based Sonny Production in Prague. 200 women and 100 men stood in front of the camera as extras. The story, realized like a trailer for a cinema film, equates the modern tugboat trade with a historical slave trade or even a cattle market. The film was directed by Jeff Thomas, who also has experience with "CSI" series. The music is a gift from Jonny Greenwood. He was also a hot contender in this year's Oscar race for the best film score with the dark masterpiece "There will be blood". However, it ended up with two Oscars for cinematography and leading actor because parts of the composition were not originally composed for this film with Daniel Day-Lewis. In Berlin, however, the music was awarded the Silver Bear.
Either way, Pius Walker is delighted with the gift and is eager to see how the stirring atmosphere of this film will also touch audiences in Switzerland. The commercial will not only be shown on television at prime time during Euro 08, but also on all the big screens at public viewings. The spot will be shown there shortly before the start of the game to shake up the audience and draw their attention to the fate of enslaved women. A bold but also daring move for a human and political message shortly before the sporting spectacle. The initiators publicized the explosive issue at a media conference in Bern on Monday. Werbewoche will report more on this in the upcoming print edition no. 21/2008.
Andreas Panzeri
