Vizner Borel: Big appearance for the Igora/Ferro Metal Bag

Igora and Ferro, the two recycling organizations for aluminum and steel sheet packaging, developed the Metal Bag last year. Vizner Borel is promoting it.

This combination of carrier bag and collection box is a practical aid for collecting aluminum and sheet steel - both at home and in the office. To ensure that as many people as possible make use of the Metal Bag, it is being distributed as part of a promotional tour at major trade fairs and highly frequented locations in Switzerland. The campaign was launched at this year's Bea in Bern. An eye-catching, oversized Metal Bag is the focal point of the information and distribution campaign. Passers-by receive both the metal bag and information about the aluminum and metal packaging cycle. The aim is to make the Swiss population even more aware of the importance of recycling aluminium and sheet steel and to motivate them to collect and return it.

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The next tour dates:

- 14-16.7.: Main Station, Zurich
- 12-21.9.: Comptoir Suisse, Lausanne
- 25.9.-4.10.: Züspa, Zurich

Responsible at Igora/Ferro: Daniel Frischknecht, Deputy Managing Director; Mirco Zanré, Marketing & Events. Responsible at Vizner Borel: Martina Glaser (consultant), Gian Maurizio (AD), Jürg Waeber (concept), Guillaume Borel, Lajos Vizner (overall responsibility). Responsible at Aroma: Marc Wiederkehr (Head of Production), Urs Amgarten (Production Planning). Responsible at Promokant Promotions: Mia Tuce (project coordination).

 

Scholz & Friends: Boredom can end stupidly

Scholz & Friends dramatizes for UPC Cablecom what can happen if you don't have high-speed internet.

Nobody likes to wait. Especially not for slow Internet. You quickly get bored and annoyed. And you get stupid ideas. This is exactly the insight that Scholz & Friends Zurich shows in a pointed TV spot for UPC Cablecom. And of course also that with the high-speed Internet from upc cablecom, boredom is guaranteed to never arise. The TV spot will be on air from 9.5.16 and will be accompanied by mega posters, online, on the radio and at the POS.

Responsible at UPC Cablecom: Ivo Hoevel (Chief Marketing & Products Officer Switzerland/Austria), Marcus Kikisch (Director Marketing Communication & Brand Management), Laura Lippuner Ballestrin (Manager Marketing Communication). Responsible at Scholz & Friends Zurich: Christian Vosshagen, Roger Dobmann, Wim Lanz, Lukas Frei (creation); Petra Moser, Michèle Gutmann, Tobias Baumann, Tobias Händler, Martin Samsel (consulting and strategy). Responsible at Manifesto Films: Reto Salimbeni (Director), Shannon Mildon (Producer), Charlotte Hottinger (Client Services), Tabea Bühlmann (Edit), Andy Weimer (Post-Production Supervisor). Photography: Michael Munique.
 

Jung von Matt launches the Migros summer campaign

Bring on the summer. In a new, large-scale campaign, the retailer is positioning itself as a source of inspiration for the warmest season under the slogan «This Is Summer.».

At the heart of the campaign are inspirational summer lists with practical tips for every day - spectacular outings, barbecue recipes, fun games and much more.

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On the campaign hub So-goes-summer.ch is home to around 50 summer lists that provide a wide range of ideas on summer themes. There is also a competition to win barbecue parties, and a calendar provides information on the various barbecue meat tastings in selected stores. In the course of the summer, further summer lists will be published to match seasonal and current themes.

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The campaign hub is promoted with five films, each presenting a summer list. In parallel, Jung von Matt worked with Migros and 20 Minuten to develop a customized native advertising concept. The campaign is now in use throughout Switzerland.

Responsible at Migros Genossenschafts-Bund: Roman Reichelt (Head of Marketing Communications Directorate) Jörg Fohringer (Head of Market Development/Customer Marketing) Markus Amann (Head of Theme Promotions) Marta Mielcarek (Head of Focus & Special Projects) Michaela Götze (Project Manager Digital Communications) Marc Zurbrügg (Junior Project Manager Theme Promotions) Pascal Schaub (Head of Umbrella Brand); Désirée Strassmann (Head of Umbrella Campaigns); Christina Gelmi (Junior Project Manager Umbrella Campaigns); Philipp Marquard (Head of Media) ; Nadine De Genot de Nieukerken (Project Manager Media); Simone Blaser (Project Manager Media). Responsible at Jung von Matt: Alexander Jaggy (Executive Creative Direction); Pablo Schencke, Marco Zimmerli (Creative Direction); Alain Eicher, Jan Kempter, Jürg Zentner (Text); Johannes Dörig, Christina Wellnhofer, Andrea Klainguti (Art Direction); Bettina Ehrisman (Graphics); Sabrina Arthur, Meret Lauener, Jan Rohleder, Marie-Helene Thornton, Kathrin Gautschi, Nicolas Renzen, Jacqueline Willimann (consulting); Barbara Haueter (content concept and paid editorial media) Evelyn Schneider, Sarida Bossoni (art buying). Responsible at YMC AG Kreuzlingen: Jean-Pierre König (Senior Software Engineer, overall responsibility); Beatrice Rost (Scrum Master); Thomas Zinnbauer (Senior Software Engineer) ; Thomas Ummenhofer (Software Engineer); Manuel Koch (Software Engineer) ; Kerstin Wischy (UX Consulting, Interaction Design). External partners: OMD (Media Agency) ; Pumpkin Film (Film Production) , Julian Pugsley (Director), Yessian Music (Music) , Jingle Jungle (Sound Design) , Südlicht, Ultra Images (Post Production).
 

Leo Burnett Switzerland: What hedgehogs really want

The classic campaign for Floralp, developed by Leo Burnett, continues in 2016. In the latest ad, three hedgehogs try in vain to flatten their yeast-dough noses against a seemingly insurmountable butter dome.

How they plan to get their hands on the irresistible preferred butter after all is not yet revealed at this point. So we can look forward with anticipation. The motif can currently be seen on posters and in advertisements throughout Switzerland.

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Responsible at Floralp: Peter Ryser (Managing Director BO Butter), Martin Rüst (Head of Advertising & Promotions SMP), Xenia Hupp (Project Manager Advertising & Promotions SMP). Responsible at Leo Burnett Switzerland: Bastian Otter (creation), Christian Bircher (CD), Axel Eckstein (ECD), Emmanuelle Masset, Christoph Schwarz (consulting), Suzana Kovacevic (art buying), Margit Gassner, Lilou Studio (3D artwork).
 

FDMM: Hirz Regio Campaign

To mark the launch of the new Hirz yogurts, FDMM Corporate Design was commissioned to design the national promotional campaign.

The focus is on the regional origin of the ingredients. The new varieties "Valais Apricots", "Thurgau Strawberries" and "Zuger Chriesi" can be seen on posters, web banners and at POS.

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Responsible at Nestlé: Fabian Arioli (Marketing Assistant). Responsible at FDMM: Uccio Demirci, Mike Müller, Jean Demirci, Natalie Soland (Project Management & Graphic Design).

Reminder: Vote until 12 noon

Don't forget: Cast your vote for your favorite candidate for the title of "Werbewoche Advertiser of the Year" by Tuesday at 12 p.m.

We are delighted that a large number of valid votes have already been received. Your is still missing. There is still enough time to support your favorite. You can find the interviews with the three candidates here.

Your details will be treated confidentially and deleted after the election. They are used to verify your vote. Each subscription number may cast one vote. Invalid or multiple numbers/votes will be deleted.

Thalia stores to be renamed Orell Füssli

The date for the renaming of the Thalia bookstores has now been set: from the end of May, Orell Füssli Thalia will focus on the Orell Füssli brand. The joint venture will remain unchanged.

The date for the renaming was announced by Coralie Klaus Boeker, Head of Marketing and Communications at Orell Füssli Thalia, in an interview in the April issue of Schweizer Buchhandel magazine. The company already confirmed media reports at the end of the year that the Thalia name would disappear. The brand presence online is also to be unified: Thalia.ch and Books.ch will merge to form Orellfüssli.ch.

Orell Füssli as an umbrella brand

The renaming is intended to strengthen the Orell Füssli brand. This is the best-known brand in the portfolio, far stronger than Thalia, said Klaus Boeker, explaining the move. Orell Füssli is a traditional Swiss bookstore and will celebrate its 500th anniversary in 2019. That is a strong message on which to build, he said. In addition to all Thalia stores, Meissner and Wirz in Aarau will also be converted into Orell Füssli, according to the marketing chief. At Stauffacher in Berne, Rösslitor in St. Gallen and all ZAP stores in Valais, however, the names will be retained, as these are strongly anchored locally.

Problem child book trade

Just three years ago, the Swiss banknote printing and bookselling group Orell Füssli and the German bookselling chain Thalia merged their book business in Switzerland (Werbewoche.ch reported). They created the joint venture Orell Füssli Thalia, in which Orell Füssli and Thalia each hold a 50% stake. It was already announced at the time that the Thalia name was to disappear from Swiss book retailing (Werbewoche.ch reported).

Book retailing, however, is considered a problem child at Orell Füssli. Sales fell by 11% to CHF 98.8 million last year. Proportionate operating earnings (EBIT) amounted to CHF 1.8 million, compared with CHF 3.1 million in 2014. The division is undergoing restructuring. In addition to the renaming, the aim is to increase sourcing of goods from abroad, renegotiate purchasing arrangements and increase profitability through a transformation program. In addition, the Group is still looking for a new head for the book trade. Michele Bomio left the department at the end of the year, with finance chief Pascal Schneebeli stepping in for him ad interim. (SDA/hae)

Exxtra: Audi also protects pedestrians

All over the world, accidents in pedestrian zones are on the rise because pedestrians are focused on their smartphones. And in doing so, they forget to pay attention to their surroundings. Audi is already familiar with this problem from road traffic and, together with Exxtra, is offering a solution.

Audi Adaptive Cruise Control uses special radar sensors to guarantee a safe minimum distance between two vehicles. Audi and Exxtra have adapted this innovative technology for the smartphone. And integrated it into a smartphone case in the shape of the legendary Audi V8 engine.

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Audi Adaptive Walk Control works in the same way as the warning system in the car. It shows how the Audi brand promise of "Vorsprung durch Technik" not only improves cars, but everyday life.

Responsible at Audi: Donato Bochicchio (Head of Brand Audi), Christian Frey (Head of Marketing Audi), Olivier Pasche (Head of Marketing Communication Audi), Corinne Grollmuss (Project Manager Marketing Communication). Responsible at Exxtra (Member of Y&R Group Switzerland): Markus Gut (CCO), Thomas Engeli (ECD), Swen Morath (CD), Sandro Tissi (AD), Stefan Cramer (Text), Konstantinos Gkikas, Stephanie Assfalg (Graphics), Lukas von Wartburg, Susan Baumgartner (Consulting), An Le (Product Design), Uwe Gartmann (Engineer).

Luca Callegari is the new Head of Marketing & Operations at Microsoft Switzerland

The new Head of Marketing & Operations (M&O) at Microsoft Switzerland is Luca Callegari. He will assume his new role on July 1, 2016, and will report directly to Country General Manager Marianne Janik.

Callegari joins the Swiss country organization from Microsoft Italy and will become a member of the Executive Board on 1 July 2016. "We are delighted to have Luca Callegari, a marketing professional with strong leadership skills, join our team", said Marianne Janik, Country Manager Microsoft Switzerland, in a statement. "Luca is very familiar with our technologies and has the technical and strategic know-how to successfully develop our business areas."

Luca Callegari started his career at Samsung. In 2010, he joined Microsoft Italy as head of the Windows Phone business unit and was appointed marketing strategist for the mobile business at Microsoft headquarters in Redmond in 2011. Two years later, he returned to the Italian country organization and took on the role of Surface Category Lead. For the last two years, he was Marketing Director with overall responsibility for Microsoft's Windows, Office and Surface products.

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Luca Callegari studied business administration at the Università Cattolica in Milan and completed a master's degree in finance at the University of California Berkeley. Born in Italy, he is 41 years old and the father of two children.

To the point: age protects against folly

What advantage do younger people have over older ones—other than the fact that they cost less as workers? An editorial by Editor-in-Chief Anne-Friederike Heinrich from the current issue of *Werbewoche* 8/16, dated May 9, 2016.

When I was looking for my first job in the early 1990s, three questions preoccupied me: What do the employers I'm interested in need? What can I offer them? And: How can I convince them that I am the one who can do this best?
 

That would be different today. Everyone is talking about Generations Y and Z. Every employer who has jobs to offer asks himself: What do they want who are supposed to apply to me? How can I win them over and retain them? How can I make their work as pleasant as possible? As a result, open-plan offices are on the decline again, coffee, water, soft drinks and fruit for free are standard, and meeting rooms are feel-good and experience areas. After all, younger and younger employees have high expectations: their work should not feel like work, it should be well paid, it should allow a high level of identification and reputation, and it should offer plenty of scope for their private lives. OK?

While on the one hand an almost outrageous attitude of entitlement is becoming entrenched, on the other hand there is discussion about the increasingly aging population, which has hardly any chance of retiring at the age of 65. Continuing to work is the motto. Absurdly, workers over 55 who have lost their jobs hardly get a chance to take on a job at their level. But this is not discussed at all; those affected are left alone with their problem. Something is not right.

What do the younger ones have over the older ones - apart from the fact that they cost less as workers? They are natives in the use of social media, operate their mobile as if it were a body part, and know the demands of their own generation in detail - and thus those of our future customers. This knowledge alone can be acquired and social media skills trained; you don't have to be a native to understand what it's all about. What the young lack is knowledge about older target groups. But these are growing, while the younger ones are becoming fewer and fewer. In Switzerland, the old-age dependency ratio - the number of people 65 and older for every 100 people of working age - is 36 percent; 18 percent of our population is over 65, according to the Federal Statistical Office. Any questions?

What do the older ones have over the younger ones? They know the industry like the back of their hand and have the necessary composure not to jump on every hype immediately. They can assess developments and estimate the consequences of their actions. You can't acquire such a wealth of experience, you can't teach it; you have to gain experience yourself so that you can make use of it.

So what is more favorable for employers? Hiring a youngster who, in addition to native experience, has a big mouth that first has to be fed with knowledge? Or to accept a slightly higher salary and at the same time buy a big backpack full of knowledge and contacts? Both! For a cleverly acting and solidly positioned company, all age groups and experience levels are important, each with the right task: The young for the restlessness and the unthought ideas, the older for substance, coolness and overview. And each with great appreciation for what the others can do - no matter how old they are.

Placing job ads explicitly for young people under the age of 25 and rejecting applications from people over 55 on the grounds that they are too old (and not even ashamed of it) definitely puts us, our economy and our country in a bad way. Who is really old today at 60 or 70? Let alone in their mid-50s? And what kind of society can survive by advancing its knowledge and reinventing the wheel every day? We know that you don't get old when you lose your hair, but when you lose hope.

Especially since the core of our work hasn't changed much over the past decades: We make advertising that is meant to get noticed and move people. We make media that are intended to inform, entertain or change. But we do it all on more channels than before, faster and more simultaneously. Of course, this makes new competencies necessary - but also proven ones indispensable. Depending on which culture you look at, either the young are considered society's capital, or the old. It has not yet occurred to anyone to use all generations in a satisfying, appreciative way for the benefit of all. The old cannot do without the young, and the young cannot do without the old. It simply doesn't work. We are discussing generations Y and Z. We've already reached the end of the road when it comes to naming them. What is the next step? Generation Ä - for the elderly? Generation A - for old people? How about Generation G as in together? Why not job sharing between young and old? Cooperation instead of struggle.

There is no better way to bundle knowledge in one place, to serve the desire for a part-time job among the young and to slowly drive down towards retirement among the older ones. (Would also be a cool campaign for the RAV ...) The (few) young people change the labor market through their demands, the (many) well-educated older people end up on the scrap heap. Can we afford that?
 

Anne-Friederike Heinrich, Editor-in-Chief Werbewoche

[email protected]
 

 

Wirz: On course for a medal at the New York Festival

No fewer than three of Wirz’s projects made it onto the New York Festival’s shortlist. In addition to Helmut Karasek’s well-known literary review for IKEA, two projects for Mercedes-Benz also impressed the jury.

An aging navigation system advising the purchase of a new car and the world's longest necks to illustrate the Collision Prevention Assist Plus system.

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Category Customer Title Agency
Advertising Ikea Literary Critic Reviews Ikea Catalogue Wirz
Art Direction Mercedes-Benz Long Neck Wirz
Automotive Products & Services Mercedes-Benz Aging Satnav Wirz

On May 19, it will be decided which of these works will additionally receive precious metal - the awards will be presented at the New York Show. Wirz is the only Swiss agency on the list of finalists. The New York Festival is part of Werbewoche's creative ranking.

Submissions New York Festival 2016:
 

Western Europe 981
Asia/Asia Pacific 530
North America 515
Latin America 136
Middle East/Africa 121
Eastern Europe 17
Central America 3

SRF Head of Culture becomes MDR Program Director

As program director of Mitteldeutscher Rundfunk (MDR), Nathalie Wappler, formerly head of cultural programming at SRF, will be responsible for TV, radio, and online programming in the areas of culture, youth, education, and knowledge starting in November 2016.

SRF will advertise the position of Head of the Culture Department internally and externally, according to a press release issued on Monday.

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In his new role, Wappler will be responsible from November for the radio programs "Jump", "Sputnik", "MDR Klassik", "MDR Kultur. Das Radio", the MDR symphony orchestra, the MDR choirs, the trimedially organized cultural departments of radio and television as well as the MDR part of the new "Junges Angebot" of ARD/ZDF.

Nathalie Wappler has successfully established a trimedial culture department at SRF that stands for a contemporary concept of culture - on radio, television and the Internet. According to the press release, she leaves behind a very efficient department with highly qualified staff. The trimedial organization of the department and the established production processes have proven their worth.

SRF Director Ruedi Matter: "I am extremely sorry to lose Nathalie Wappler as Head of Culture and member of the SRF Executive Board. I very much enjoyed working with Nathalie and will miss her. I wish her all the best in her exciting new challenge. Her in-depth knowledge of the interaction between the three media will stand her in good stead in her newly created role at MDR."

SRF Head of Culture Nathalie Wappler has worked for Swiss television since 2005, first as editor and producer of "Kulturplatz" and from 2008 as editorial director of "Sternstunden". She began her professional career in 1996 as an editor for the 3sat format "Kulturzeit", after which she worked for ZDF's "aspekte" and "Berlin Mitte", among others.

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