No Jekami at Social Tariff

ADC Chairman Andreas Prokesch on the current development of pitches

ADC Chairman Andreas Prokesch on the current development of pitchesThe advertising industry is sitting at the bottom of the economic trough. Agencies are fighting tooth and nail for communications budgets. The fact that pitch policy has suffered as a result has not escaped the attention of the industry association BSW. A pitch list is intended to put a stop to mass pitches. Andreas Prokesch, author of this letter and ADC board chairman, describes the situation using the example of the campaign for Zurich Zoo. Imagine: Some goat looks at you with its head bowed. It is joined by a headline that intelligently conveys a surprising message to you: "Where children and animals get closer."
To ensure that the advertising-relevant target group of dads, goddads and grannies really understands the message, the Consumer Promise is also put in the right perspective with photos. Happy father with happy child and other snapshots that are often described as emotional in federal diploma circles. Finally, the sponsors also find their place - Axpo and the Zürcher Kantonalbank. All of this can be seen on posters of the dimensions B4 and B12, which are currently hanging around Zurich and are intended to advertise the diminutive of Zooh!
Why did the poster catch my eye anyway? Because the zoo had previously invited ten advertising agencies to a competitive presentation. Because it thanked them with 1000 francs each. And because ten advertising agencies let them do it.
If the components described above had been put together by a desktopper, the poster would have been produced 20 times cheaper - although you could have saved yourself that, too, and commissioned the print shop directly. But that's not how things work in our industry. It goes like this: First the marketing management changes, then the budget, including the agency. In this case, it comes from the canton of Solothurn.
This may be surprising for purely geographical reasons, because long journeys devour more money than short ones, and because the zoo has to scrape together a good part of its funds from the public purse and large sponsors and small patrons of all kinds. As always, the purely creative aspects can also be debated. However, in my experience, the specific example would not provoke the slightest disagreement in either ADC or Effie judging.
However, I did become a bit suspicious. Namely, when the advertising industry came to the clearer and clearer realization that the new agency and the new marketing woman at Zurich Zoo are good old acquaintances and had already worked together in the past. Admittedly, it is not forbidden to maintain business relationships and to continue them under new auspices. But quiet doubts as to whether this competitive presentation had not already been decided before it took place are thereby strengthened rather than invalidated.
Questionable qualifications of marketing decision makers
For more than 20 years, I have not been very fond of competitive presentations. Because they usually cause an effort that you can only imagine if you've been through it a few times - on the contractor side, not on the client side.
In addition, there is a double risk: a) not winning the new customer - in the case of the zoo, this amounted to ten percent - and b) possibly losing an old customer because you have to neglect him temporarily. Then there is the money factor. Regardless of whether the presentation is won or lost: Existing customers always pay for the expense.
You might put up with all that, but not with all the frustration. Starting with helpless briefings and ending with the decision-makers, who you often don't know who they are and what qualifications they have in matters of communication.
At Zurich Zoo, they know: Dr. Alex Rübel, director of Zurich Zoo, was a Boy Scout leader, graduated in veterinary medicine and was allowed to go to Harvard for a short time after being elected zoo director. A course in "Advertising for Beginners" at the Migros Club School would certainly have helped him just as much. Because obviously neither he nor his marketing manager know how to organize a competitive presentation in a professional manner: In a multi-stage process with ongoing reduction of the participants - and not as a jekami at social tariff.
What I would also like to say, so as not to come across as a bad loser: I did not participate directly or indirectly in the competition for the budget of the Zurich Zoo, nor am I otherwise associated with the participating agencies.

Lounge is not only for Romands

The French are not letting the advertising market crisis scare away their appetite for new print launches.

In June, Ringier Romandie and Audace Publishing announced new magazines for men (WW 24/02), but the next new launch is devoted to trendy living. Lounge, the title of the magazine to be published for the first time on October 1, is published by Artist Edition SA. From the small publishing house of Nicole Steffen already the music magazine Eveil Culturel and the bilingual Festivalführer.also Lounge will come bilingual (German/French) on the market. The subheading in the title - Magazine for Lifestyle, Design, Living & Music - outlines the content program of the magazine, which aims to bring together living trends with fashion and lifestyle. The magazine announced with 110 sides extent starts with an edition of 30000 copies and is available both in the Abo and at the kiosk. The first issue will be enclosed free of charge to Eveil Culturel subscribers. According to the publisher, four to six issues are planned for the coming year (av).

New campaigns Bernie's

Objective: To promote the new fall collection and refresh the brand.

Objective: to publicize the new fall collection and update the brand.Bernie's advertising media: ads in consumer and special interest magazines. Deployment: End of August until September.
Client: Bernie's AG, Zurich; Responsibility: Bernie and Andrea Lehrer, Sandra Haus. Advertising agency: DDB Zurich; CD: Patrick Lienert; AD: Martin Bettler; Graphics: Karin Hauser; Text: Stefan Beck; Consulting: Martin Zurbuchen; Production: Urs Gangel; Art Buying: Flavia Schlittler; Photo: Patricia von Ah.
Discussion see page 6

Viva-Swizz moves closer to the kids

The music channel is stepping it up a notch with its upcoming fall lineup

The music station is shifting up a few gears with its upcoming fall lineupBy Daniel Schifferle More drive and more Swiss content in the program are intended to make Viva-Swizz Switzerland's leading youth brand. With this goal in mind, Giovanni Zamai, just 23 years old, will take over as program director of the music station in September.
With the fall program, which starts on September 2, the signature of Viva-Swizz's new management will be visible on screen for the first time. The station will be "edgier, more dynamic, bolder," announces Asta Baumöller, who took over management from Viva-Swizz co-founder Suzanne Speich at the beginning of July (WW 27/02).
For the era after Speich, the station is getting Giovanni Zamai, the youngest program director on the Swiss TV landscape. Born in 1979, the Swiss native grew up in Italy, Switzerland and Germany. After graduating from high school, he completed an internship at Ogilvy & Mather in Düsseldorf, but moved to Viva in Cologne as early as 1998, where things quickly took off for him. In November 2000, he was selected for the Viva Italy project team, which coordinated and supervised the development of the subsidiary station. Since July of this year, he has been assistant to the new management of Viva-Swizz in Zurich.
"The shows will be a little shorter across the board, but more intense. With more dynamism in the program, we will be more in line with the demands of today's kids," explains Zamai. But this also means a concentration of resources. Instead of 31 different formats, the fall program will have only 28. Live programs will also be scaled back slightly. Their share will still be around 12 percent, compared to 17 percent previously. The aim is to improve quality. "We can prepare the topics better and avoid the danger of boring sequences, because with live broadcasts you can't control the flow," explains Zamai.
More Swiss clips - if the record industry will join in
Despite a slight reduction in the number of formats, however, the program will be richer overall, he said. "More thematic areas, new sections and lots of additional graphics will enhance the content." In the future, for example, no fewer than 18 new graphics packages will be used to liven up all the programs.
Starting in the fall, the station plans to focus much more strongly than before on topics relevant to young people, such as sports, fashion, lifestyle and trends. "This is also interesting from a marketing point of view, because it means that Viva-Swizz will be able to offer itself more frequently as a partner at the relevant events," explains Baumöller.
It remains to be seen whether it will be possible to further expand the share of Swiss music clips. For this to be possible, the record industry must increase its clip production.
Viva-Swizz won't run out of ideas anytime soon. "You have to constantly reinvent yourself because trends are much more short-lived in the age group you're targeting," says Zamai. One major change is still to come. The "bulky logo" won't stay that way forever, he says. "We'll have to come up with something new here in the medium term," says Baumöller.

New Sunrise campaigns

Goal: Provide information about a new Sunrise product, attract new customers, and encourage existing customers to upgrade.

Objective: Information about new Sunrise product, new customer acquisition, upgrade of existing customers.Sunrise advertising media: full-size banner, buttons, split screen, page takeover. Usage: September 10 to 30.
Client: Sunrise TDC Switzerland AG, Zurich; Responsibility: Corinne Lüscher, E-Business Sales; Monika Nievergelt, Marketing Communications. Agency: Publimedia webadvertising AG, Zurich; responsibility: Tobias Fehrlin; design and programming: Sign4u.

Fast Betty feeds everyone

TBWA showcases Coop's convenience brand, Idee Betty Bossi, with delicious TV commercials

TBWA profiles Coop's convenience brand idea Betty Bossi with tasty TV commercialsCooking is now considered a luxury that not everyone can afford or wants. Ready meals are therefore in vogue. This is also confirmed by the sales data collected by ACNielsen for the Swiss retail trade (excluding Ticino): From August 2001 to July 2002, sales of sandwiches and ready-made salads amounted to around CHF 76 million. This figure gives an idea of the immense sales potential of ready-to-eat and ready-to-cook products. It was in this environment that Coop launched the Idee Betty Bossi brand - its first child from the partnership with Betty Bossi Verlag AG. The campaign recipe comes from TBWA. page 7

Muse & leisure: Ursula Guhl

Muse & Leisure: Ursula Guhl What cultural event did you last attend? Ursula Guhl: I wanted to see a performance at the Theater Spektakel, but they were sold out.

Muse & Musse Ursula Guhl What was the last cultural event you attended?
Ursula Guhl: I wanted to go to a performance at Theater Spektakel, but I couldn't get a ticket! It's a shame, such events should be experienced more emotionally.
What are you reading right now?
Guhl: "The Law of the Lagoon" by Donna Leon.
What CD are you currently listening to?
Guhl: Alicia Keys - "Songs in A-minor".
Which movie would you most like to see again?
Guhl: Fellini's classics: still unsurpassed genius in casting the shrillest and weirdest characters.
What TV show did you fall asleep during the other night?
Guhl: I take precautions by not switching on the TV at all...
What is your latest discovery on the Internet?
Guhl: www.mallorca.com
What could you never do without?
Guhl: On the hammock.
What do you do in a free minute?
Guhl: Daydreaming while walking the dog.
Love is ...?
Guhl: ...take off and forget the world around you.

News: Tamedia Reports Sharp Drop in Revenue The Zurich-based media group Tamedia reported a decline in revenue from 15.8% to 335.9 million francs in the first half of 2002.

News: Tamedia Reports Sharp Drop in Revenue The Zurich-based media group Tamedia reported a decline in revenue from 15.8% to 335.9 million francs in the first half of 2002. Operating income before depreciation...

News: Tamedia Reports Sharp Drop in Revenue The Zurich-based media group Tamedia reported a decline in revenue from 15.8% to 335.9 million Swiss francs in the first half of 2002. Operating profit before depreciation and amortization (EBITDA) amounted to 45.9 million (–51.9%), and consolidated net income was 26.9 million Swiss francs (–29.2%). The print media segment was primarily responsible for the decline. Here, revenue plummeted by approximately 75 million francs (– 21.5%), while operating expenses were reduced by 29.9 million (– 11.9%). The Tages-Anzeiger was particularly hard hit by the advertising slump, with a loss of 29.7%, or 62.2 million Swiss francs. The SonntagsZeitung, on the other hand, fared comparatively well despite the NZZ am Sonntag, with a decline of 11%, or 4.7 million Swiss francs.
TR 7 and Publimag Part Ways The TV guide TR 7 will part ways with Publimag as of December 2002. As a result, all Jean Frey publications (Bilanz, Weltwoche, Beobachter, and TR 7) will be marketed in-house going forward. Patrick M. Knecht, who has been working in the advertising market for TR 7 in collaboration with Publimag since early May, will assume the role of advertising director starting in the new year.
Weltwoche Targets Students: Weltwoche continues to rely on special editions to attract new readers. The focus is particularly on younger demographics. Issue 41 (October 10), for example, will be distributed in a print run of 14,500 copies as a welcome package to incoming college students. Issues 43 and 46 will also be distributed to students at 15 universities in special editions of over 11,000 copies each.
Jobpilot Index Continues to Fall: From April to June 2002, the Jobpilot Index dropped by twelve points and now stands at 65 points. The index, which measures online job postings in Switzerland, started at 100 points in January 2001 and reached its peak of 113 points in July 2001.

In addition: Rainer Sauser will become the new Director of Marketing at PubliPresse at the beginning of September.

In addition, Rainer Sauser will become the new marketing director at PubliPresse in early September. He will replace Urs Donatsch, who will move to Publicitas Léman as regional director at the same time. On September 1, Bryon Paul McCartney will take over as

In addition, Rainer Sauser will become the new marketing director at PubliPresse in early September. He will replace Urs Donatsch, who will move to Publicitas Léman as regional director at the same time.
On September 1, Bryon Paul McCartney will take over as head of Brandbakery, the corporate identity business unit of Advertising Art & Ideas.
In early September, The Cover Media will open a branch office in Olten. Following Basel and Zurich, this will be the third office for the radio and TV advertising agency. Giuseppe Sammartano, who has been with The Cover Media for a year, will head the Olten branch.
After about five years, Claude Catsky will step down from his part-time role as CD at McCann-Erickson in Zurich in September.
Fridolin Luchsinger will step down at the end of the year after six years as Secretary General and Head of Communications for the Ringier Group and will retire. His successor has not yet been named. Luchsinger will continue to head the Ringier School of Journalism until 2004.
After two years as a creative director, Andi Albonico is leaving the marketing agency Wunderman to start his own business.
He will launch his company, Albonico Creative Consulting, in Zurich in early September.

Visit to the construction site Kanal1

Kanal 1 TV is currently working on its license application for its station

Kanal 1 TV is currently tinkering with the license application for its stationBy Markus Knöpfli One day, the Kanal 1 TV project will cover the entire German-speaking region. But how and in what timeframe this goal is to be achieved remains completely unclear. Thomas Sadecky, the managing director for Switzerland, is currently working on the license application for Bakom.
The Austrian Kanal 1 TV Group, owned by the brothers Erwin and Hanno Soravia, took over the "conurbation" station TV München two months ago and bought the TV 3 studio in Schlieren in Switzerland. In addition, the former business editor of Moneycab, Thomas Sadecky, was appointed managing director for the Swiss branch and charged with the foundation of two companies: Kanal 1 TV AG and U1 TV Programm AG, each with a share capital (AK) of 100000 francs and based in Schlieren.
Sadecky wants to create own formats with channel 1
Sadecky, who has headed the investment company TST Qualitäts-Aktien Investor AG (AK: 2.2 million Swiss francs) since 1999, holds "a small percentage" in the newly founded companies, as he says, but not through TST. Nevertheless, he is the only authorized signatory in each case. Thirdly, at the beginning of September, Sadecky appointed Patrick Schneider (Technology) and Sandra Tuttlies (Marketing), two former
TV-3 employees hired.
At the moment, however, Sadecky is working on the license application, which he plans to submit in mid-September. According to his plans, Kanal 1 Schweiz should be able to launch in spring 2003 - with an eight-hour full program for the "core target group" of 20- to 45-year-olds. The program mix would consist of sports, entertainment, news, Swiss feature films and reality shows, which would be conceived and produced by the Kanal 1 Group itself.
Among other things, he mentions the show "Beggar and Millionaire," which will soon be launched on TV Munich and could also be adapted for Switzerland. He does not (yet) want to say what budget Channel 1 will work with, what market shares it will achieve in terms of viewers and advertising money, and by when it will break even in Switzerland. And how does he plan to get around the problem of TV 3 (blessedly), which laboriously shimmied from one expensive ratings highlight to another ("Robinson," "Big Brother"), but only showed lulls in its full program? Sadecky forbids himself to make comparisons with TV 3 and points out that Kanal 1 will create its own formats instead of buying expensive feature films and licenses and can also use synergies with TV München. In addition, Kanal 1 will specifically promote young Swiss talent.
Even if Kanal 1 can start in Switzerland, the idea of covering the entire German-speaking region is still a long way off: In Austria, Kanal 1 does not have a license in sight, and in Germany, with TV München, it "only" has a local station. The latter is also part of the "Ballungsraum-TV" network, which cooperates even more closely than TeleNewsCombi.
A short-term reorientation to Switzerland and Austria is therefore hardly possible. Sadecky sees things differently: "In terms of programming, we can cooperate with TV München as closely as we see fit." Furthermore, he refers to the Austrian overall project manager Peter Kölbel. But he cannot be reached.

U1 talks to 20 minutes

Thomas Sadecky, Managing Director of the Swiss branch of the Austrian three-country TV project Kanal 1

Thomas Sadecky, Managing Director of the Swiss branch of the Austrian three-country TV project Kanal 1, wants to launch the daily free program guide U1 from spring 2003. Originally, he wanted to publish the 16-page magazine, which was of course primarily intended to promote his own Kanal 1, five times a week in the afternoons in former Metropol boxes. But that could now change. Sadecky and Rolf Bollmann, publishing director of 20 Minuten, are negotiating a cooperation, as both confirm. Two talks have already been held and a third is scheduled. The idea is for U1 to be inserted as a daily supplement to 20 Minuten, but Bollmann is less than euphoric: he would welcome a partnership, but the magazine would have to list all the channels and fit in with 20 Minuten, he says when asked. The main problem: As long as Kanal 1 is not launched in Switzerland, U1 will hardly appear. You can read about the current status of Kanal 1 and the unanswered questions about the project on page 15 (mk).

Coninx turns de Weck into a gray eminence

The former editor-in-chief of the *Tages-Anzeiger* is a member of Tamedia's new editorial advisory board

The former editor-in-chief of the Tages-Anzeiger sits on Tamedia's new journalistic advisory boardThe announcement of the new committee, which will assist Tamedia publisher Hans-Heinrich Coninx in all matters of principle with immediate effect, came on velvet paws: At the reorganization announced by the newly appointed CEO Martin Kall at the beginning of July, the journalistic heart of which was the creation of an editors-in-chief conference under Coninx's and Kall's leadership, the two top content managers held out the prospect of a further, purely consultative advisory body in a subordinate clause.Now it is here, the six-member "journalistic advisory board", and is causing a stir because of a personnel bang. In addition to the non-controversial members Pietro Suppino (Tamedia Board of Directors), Walter Stutzer (former editor-in-chief of the Tages-Anzeiger), Walter Blum (Coninx's long-standing PR consultant), company spokesman Peter Hartmeier and Martin Kall, de Weck, who resigned as head of the Tages-Anzeiger in 1997 with an eclat, can now officially act as a strategic spokesperson again.
The publicist has already found his way back to Werdstrasse through his appointment as an opinionated in-house columnist. In his new role, he - like the entire Advisory Board - has no authority to issue instructions, but also no direct responsibility.
The constellation is reminiscent of Ringier's "Journalism Committee" and its head Frank A. Meyer, which has fallen into disrepute since the Borer affair. Which is why there is little enthusiasm internally about the shadow cabinet that will be formed next week. After all, Coninx and Kall first promised the public and their employees "a clearer, more transparent management structure". Oliver Classen
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