Thjnk is at the top of the creative ranking 2022

While the agency Thjnk had taken a break in 2021, it climbed to the top spot in the annual creative rankings in 2022. Close behind Thjnk, maintaining its usual stability, is the boutique agency Ruf Lanz. Wunderman Thompson has catapulted itself from ninth place to third.

With 445 points, the Thjnk Zurich agency is clearly number one in this year's ranking of the most creative agencies. The agency, which has been shaking up the industry in Zurich for six years, has steadily increased its ranking. In 2019, it already ranked second, then fell to third in 2020, took a break in 2021 and has now worked its way to the top of the creative rankings with first place. Alexander Jaggy, Co-Founder and CCO of Thjnk Zurich is overwhelmed by the result. "The fact that we are at the top of the podium six years after our founding has to do with a lot of love, persistence and, of course, a bit of luck that you score accordingly in creative competitions." For its campaigns with Ochsner Sport (Runtime and Teile dein Feuer) , Denner (Alles da. Immer nah.) and Bio Suisse (Gemüseteller), the agency won numerous awards, both nationally and internationally.

Asked about the outlook for 2023, Jaggy is hopeful: "2023 is under the sign of the hare. In Chinese culture, the hare stands for longevity, peace and prosperity. Let's hope that the course of the world develops in this direction."

Top 5 2023: Thjnk takes the top spot by more than 50 points, followed by Ruf Lanz. Third place goes to Wunderman Thompson. Farner takes fourth place, and TBWA is pleased to be in fifth place.

Second to fifth place

With a difference of just under 50 points, the boutique agency Ruf Lanz is firmly established in second place. For the third time in a row, the eight-person creative agency is in second place. Markus Ruf is accordingly satisfied. He is delighted with the exhilarating result and is proud to have been right up there at the top without interruption since 2002. He would like to emphasize that it would be worthwhile to include the number of employees in the ranking, because with eight heads, Ruf Lanz is the David among the Goliaths. He is all the more proud of his employees. The agency has received numerous awards for its campaigns for Welti-Furrer, as well as for its long-standing collaboration with VBZ, which was the first campaign ever to win the ADC Evergreen Award for the second time. Most recently, the BFU campaign "Always stop when distracted in traffic" was included in the "Lürzers Archive Best Advertising Worldwide".

Third place in the ranking this year goes to Wunderman Thompson with 322 points. After ninth place in 2021, this is a serious leap upwards. It's a great result, says the agency's head office, and it's the result of constant hard work for creative excellence. It's not just about being "creative," but about proving that creativity inspires growth. That's why the agency is particularly proud of winning gold twice and silver once at the Swiss Effies. They are also proud to have underlined their claim as a full-service agency by winning awards for a total of 7 different companies in 14 different categories ranging from multichannel to social media and digital to PR. For the future, it is important to the agency to continue to create an environment for employees in which they feel understood, appreciated and supported.

The Farner Group was able to work its way up from eighth place in 2021 to fourth. This is a striking improvement that makes Farner Switzerland partner and CCO Philipp Skrabal very happy. With the "Krebsliga Schweiz Resipes rewritten" campaign, the agency won not only a lot of media attention but also two silver medals, one bronze at ADC and two bronze medals at ADC Europe. With the SBB Employer Branding campaign "Back to Business" for people re-entering the workforce, Farner won a Silver Effie. The branded content campaign "UBS Growth Talk" won silver at the SDV Awards and the industry prize. Philipp Skrabal would like to emphasize one thing in spite of all the joy: "It's a pity that well-known agencies can't be ranked behind us, which diminishes the significance of the ranking. It remains to be seen whether we will continue to participate in the ranking under these circumstances. What remains clear: We will continue to be measured by our work."

Fifth place is held by TBWA\Switzerland, and this for the second time. For Manuel Wenzel, part of the management team and solely responsible for creation since 2019, this place is perfectly fine. He and his employees are proud to have scored with ten different works in 2022. From Bell to Coop and Terre des Femmes to Porsche, for whose "Tesla Targeting" campaign TBWA won gold and bronze at the Epica Awards, as well as bronze at ADC Europe. And of course McDonald's. They want to do everything they can to continue to play in the top 5. Manuel Wenzel adds: "We're pleased, not least because we achieved this result in a year in which we also developed further as an agency. We continued to grow thanks to exciting new clients, founded a social media unit with Buzz and strengthened ourselves with super people. Of course, we'd like to be even higher in the rankings, do even better things, and grow even more in 2023. And do something with AI, of course, hahaha."

Rank six to ten

Havas Switzerland ranked sixth this year, moving up one place in the rankings. The year 2022 had challenged and sharpened the vision. The determined efforts of the entire agency to continually strengthen its competencies in the area of "customer experience" have positively influenced the creative strategies and thus also the creative ideas, according to a statement from Havas. The new mindset opens up new possibilities and allows innovative campaigns to be developed that focus on both performance and creativity. The Punishment (La Punition) by Canal+, for which Havas won Gold at the ADC, is an example of how Havas can use an entire ecosystem to pursue this approach and at the same time meet the expectations of clients and the creative agency.

Publicis Groupe falls from third to seventh place. Of course, Martin Stauch (Notch) and Matthias Koller (Publicis) congratulate the agencies in the top ranks, but agree that although the number 7 is considered a lucky number, they are naturally not satisfied with it. Nevertheless, 2022 will be remembered as a successful year. For the customers one could realize important projects and at the same time exciting mandates in addition win. As in every year, the agency would like to develop further in 2023 and is already looking forward to many challenges and new opportunities.

Serviceplan Switzerland secured eighth place. The agency considers itself lucky that it was able to produce good work for its customers in 2022. Nevertheless, the aftermath of Corona kept the agency busy and cost it energy. The agency is once again concentrating on its strengths and definitely wants to realize more creative, effective campaigns for its customers this year.

For Bühler & Bühler, making it into the top 10 for the first time as a rather small team is a great honor. They are satisfied with their ninth place, but their focus is not on chasing points, but primarily on success for their own clients and on the good team vibe in their day-to-day work at the agency. If this results in an award or two, that's all the better. With "Burn Baby," the 2022 agency won the highest agency industry award at the SDV Awards. For Swisscom, it won an Effie in the Marketing Automation category. They started 2023 with great enthusiasm, he said, thanks in part to winning a notable new client. "Soon we'll be able to reveal more ... And we're celebrating our tenth anniversary this year, including new branding. We are particularly looking forward to that," says Raphael Bühler.

Freundliche Grüsse is ranked tenth. In 2018, the agency participated in the ranking for the first time, then sat out and is now happy to be part of the top 10 again at the first attempt. The following goals are set: "In 2023, the agency's core values - Create Positive Impact - are in full focus: we want to make a positive impact with everything we do. Whether that's meeting our clients' business goals, creative excellence or contributing to a better society. We want to dedicate ourselves even more intensively to our strengths - creativity and networked thinking in the digital and analog worlds. This applies to the agency setup, our work, and new forms of collaboration with clients."


Statement by Alexander Jaggy, Thjnk, on the 1st place in the Creative Ranking 2022

"2022 was our strongest year yet".

Ochsner Sport Runtime: The first running podcast that only runs when you run. Twelve episodes with European marathon champion Viktor Röthlin and host Marc Jäggi.

To win the Creative Ranking 2022

After we took a break from the creative rankings last year, this is of course a return to the top. The fact that we're at the top of the podium for the first time six years after our founding is a real jolt to the agency. In addition to a lot of love and persistence, it also takes a bit of luck to score points in the creative competitions. We would like to take this opportunity to congratulate our competitors, who spur us on and make us better by showing us every day what is possible.

As of fiscal year 2022

2022 was our strongest year to date. We grew to 34 employees and were able to broaden our portfolio in size, quality and expertise. In addition to our long-standing mandates, the new addition of Sunrise and the pitch win of 24/7, our specialist for dynamic content development, for the global creative management platform of the Lufthansa Group are in the foreground here.

On the outlook for 2023

2023 will be the year of the steeplechase for us. We want to improve even further in terms of content and processes. But what seems more important to us is what is happening around us. 2023 is under the sign of the hare. In Chinese culture, the hare stands for longevity, peace and prosperity. Let's hope that the course of the world develops in this direction.

The "Share your fire" campaign by Thjnk Zurich for Ochsner Sport.
The organic Swiss vegetable plate from Thjnk.
The campaign "Everything there, always close" with the well-known Denner baby, implemented by Thjnk Zurich.

Statement by Markus Ruf, Ruf Lanz, on Rank 2 in the Creative Ranking 2022

"Ruf Lanz is the David among the Goliaths with eight heads".

"The news of our once again terrific performance in the creative rankings reached me in a jungle lodge in Colombia, via a WLAN network aptly named 'One Love'. I popped open a bottle of the local beer Happy Colibri and toasted our great customers first thing. The next bottle I raised to our talented employees and to my intrepid business partner Danielle. With the third bottle, I began to ponder what it would be like if the number of employees were included in the creative ranking. Ruf Lanz, with its eight employees, is the David among the Goliaths in the ranking. I'll spare you what I thought about the fourth bottle. Conclusion: We are pleased with the exhilarating result, but even more so with the consistency of being in the lead without interruption since 2002. 2022 was generally a good year for us, with wonderful new clients such as Tilsiter Switzerland, the Munich transport company MVG and the city of Zurich, and with additional projects from long-standing valued clients such as VBZ, BFU, Ex Libris and EWZ. Our focus for 2023: Continuing to keep at it spiritedly. And win a local beer brand!"

The VBZ campaign "Umsteigen lohnt sich" by Ruf Lanz was the first campaign to win the coveted ADC Evergreen Award for the second time.
Welti-Furrer was able to transport countless awards in addition to works of art in 2022: The campaign "When art has to move" won among others the Swiss Poster of the Year, Gold and Silver from ADC Switzerland, Gold and Silver from the Epica Awards, Double Silver from ADC of Europe, three Merits from the One Show Awards and the only nomination for Switzerland in Cannes.

Statement from Swen Morath, Co-CEO and CCO at Wunderman Thompson, on Ranking 3 in the 2022 Creative Rankings.

"It's the result of constant hard work for creative excellence."

Handbutts: The Geberit campaign, which ran in 14 markets across Europe, not only scores points at numerous creative awards, but also takes gold and silver at the Effie.

A huge thank you to our great customers and the fantastic WuThomClan. The podium position is a result of constant hard work for creative excellence. It's not about just "being" creative, but proving that creativity inspires growth. That's why we are particularly pleased to have won gold twice and silver once at the Swiss Effies. Also important for us is the fact that we won awards for a total of 7 different companies in 14 different categories ranging from multichannel to social media and digital to PR. This underlines our claim as a full-service agency.

Fiscal year 2022

We were able to welcome great new clients and, as Team Connect (Hogarth, Ogilvy, Scholz & Friends, Wunderman Thompson), convince the Migros specialist stores with a completely new WPP agency model. And we were able to live out our unique agency culture: with a 60th anniversary celebration, with aperitifs, trend breakfasts, summer parties, collision sprints, lunch and learns and, above all, with a now legendary Disney Christmas party - including a visit from the fire department.

Outlook 2023

The global crises have not disappeared, they also affect Switzerland and our work. That is why an excellent and inspiring relationship with our customers is an absolute priority for us. As a well-coordinated team at eye level, we can emerge from these difficult times stronger than before. And we continue to work on creating an environment for our employees in which they feel understood, appreciated and supported, so that they can do the best work of their careers.

The only Swiss work at the New York Festivals to be awarded gold.

"I am just very happy"

The Thjnk agency won the 2022 Creative Ranking by a landslide. In this interview, co-founder Andrea Bison reveals when she’s at her best and what it takes to maintain that level of performance.

Andrea Bison is Co-CEO, Chief Operation Officer & Partner at Thjnk Zurich. (Image: zVg.)

m&k: Andrea Bison, congratulations to win the creative ranking 2022. How proud are you?

Andrea Bison: Proud is perhaps the wrong word, it sounds so established. I'm just very happy that so many visible creative impulses regularly come from this agency, which started very modestly as a sublet six years ago. I am also happy with the style we have established over the years. We firmly believe in the one idea that can change everything. Once that's there, it's about breathing life into it. Especially when we can accompany brands holistically on the path from vision to performance, we are at our best. It always fascinates me how brand personalities suddenly emerge from fragments of a briefing that speak to the audience. That motivates me, that's what I get up for every morning. Well okay, before that I spread a few sandwiches for my kids.

 

What does it take to write this success story?

A lot of passion and persistence. But also asking a lot of questions. There's a funny picture circulating in our agency: We're a bit like Columbo, we always walk in the door and ask one more question that helps us in our work. We try to advise brands, to guide them, to make them better. I think it's generally underestimated how much influence you have in shaping brand communication. There is a lot of differentiation potential there. At the same time, it is overestimated that this can be created in the protected space of market research alone.

 

The creative ranking is a good reference for the Swiss agency scene. What does your agency use it for?

Creative ranking is one of the rare opportunities to draw a more or less objective comparison in terms of creativity. It's primarily about competition and competitiveness. That's why we participate in creative competitions. We want to remain competitive. For everyone who is interested in our agency brand, new clients and new employees.

 

Thjnk is surfing on a wave of success: Hard work paired with creative ingenuity. Tell us how this balance comes about.

The balance thing is not an easy question. I think it's a mixture of trust and focus. In our agency, we try to give employees as much leeway as possible, but then we're also always able to focus energy at the decisive moment. Admittedly, finding that sweet spot is not always easy.

 

Which campaigns have particularly excited you?

Last year, I was thrilled by many of our campaigns. First and foremost, the new appearance for Sunrise. The launch of the new brand in late spring, which was created together with our partner agencies. Then, later in the year, the campaign with the Netflix quotes and, of course, the campaign for Roger Federer's retirement, where the provider name Sunrise was unceremoniously changed to "Thanks Roger". It's great that a customer can make such an idea possible. I'm also thrilled that we get so many great communication opportunities for Ochsner Sport every year, which is something you can only be grateful for as an agency. My highlights were the winter sports campaign with the photographic flashbacks, the World Cup spot in which the head of a snowman becomes a football and makes football the new winter sport, and the Nati winter jersey knitted from merino wool.

 

And which campaigns have particularly touched you?

I was personally touched by the fact that Credit Suisse, together with the Swiss Football Association, introduced equal premiums for men and women. In the commercial for this, a single woman sings the football anthem "You never walk alone" - it still gives me goosebumps today. And then I'm a person who likes to laugh. Ask my team. That's why I always enjoy watching the Denner dog commercial.

 

What do you think is poison for creativity?

An agency is a biotope. For the ecosystem to function, it needs food, care and protection. The all-important thing is that the climate is right. This can be the climate in an agency, but also the climate in a company that gives us the assignment. Our task in management is to protect and promote this climate. Then it will also weather a storm.

 

Creation, consulting, strategy. How does your agency balance this, and what are the focal points?

All points are equally important in our work, so they are equally represented in the management. The management sits at a table in the agency, and this table is in a large room where almost the entire team sits. There are no doors. This makes communication channels short and creates transparency. Even in times of home offices, we have good occupancy in the agency. Simply because everyone notices how efficient this way of working is and how much better the creative energy is. Besides, as an agency we have to maintain cohesion and our culture, otherwise soon nothing will distinguish us from a freelancer consortium. Even the freelancers like to work on site with us. (laughs)

 

Last but not least: What is your outlook for the year 2023?

We have now reached a size of 34 employees. An ideal size for a unit, as I know from my time at Springer & Jacoby. This size allows us to create nationally visible campaigns, but at the same time still be fully involved in the day-to-day business. For 2023, the focus is on qualitative growth, increasing creativity and customer satisfaction.

Scarcity and creativity

2023 will be yet another year of limited resources; the crises of the present are taking their toll. It’s time to focus on a resource that no one can take away from us: creativity.

Dr. Alexander Haldemann is the CEO of Publicis Groupe Zurich. (Illustration: Silvan Borer)

First, let me put your mind at ease: This is not the start of yet another gloomy doomsday prediction, the kind that’s all too common in the media these days. But as the lead of my column suggests, even the greatest pragmatists and the most steadfast optimists must acknowledge that, at the start of 2023, we are navigating uncertain territory, both geopolitically and economically. The COVID-19 pandemic has disrupted global supply chains and painfully exposed the fragility of our social fabric. And the war in Ukraine has proven that peace cannot be taken for granted, even on our European «island of the blessed.».

Shortages Are Setting In

Resources have become scarcer: In practical terms, this is because factories in the Far East and demand-driven production have been geared toward efficiency rather than resilience for decades—a single grain of sand in the gears, and time comes to a standstill worldwide. Mental resources are also at risk when the «piling crises» of the present wear people down and leave them exhausted. I promised you I’d avoid predicting doom and gloom… and yet now my text sounds exactly like that?!

A Resource Called Creativity

No, because despite all the negative signs, I am convinced that there is a mental resource that comes into its own—sometimes in almost miraculous ways—precisely when we are facing scarcity and fatigue: creativity. It is one of our «superpowers,» and its importance in the current situation cannot be overstated. It is precisely when we are not surrounded by ready-made solutions and step outside our «comfort zone» that we rise above ourselves. That is when we are forced to think and act for ourselves. Our grandparents—and in some cases, our parents as well—navigated the world with a «make-do-and-mend» mentality, from using jam jars as drinking glasses to making guitars out of cigar boxes. The secret agent MacGyver used paper clips and matches to extricate himself from seemingly hopeless situations. And numerous current «unicorn» startups, as well as long-established companies, were founded not out of abundance and boredom, but out of scarcity and urgency.

Let's be brave!

What I’m trying to say is this: We discover the ability to improvise—the courage to break new ground—within ourselves, within our companies, and in the agencies we work with, especially when it really matters. Being content, being comfortable—that’s nice. But sometimes we need external drivers to lure us out of our comfort zone. So let’s follow them—now.

Mara Harvey: It's about money

VP Bank Switzerland is fortunate to have such an experienced CEO. Not only is Dr. Mara Harvey a brilliant financial expert, but she is also an accomplished children's book author. It's always about money.

Dr. Mara Catherine Harvey, CEO of VP Bank Switzerland and author. (Photo: Martin Rütschi)

The fact that Mara Harvey is now at the helm of VP Bank Switzerland wasn’t exactly part of the plan, but in hindsight, it seems entirely logical. But to understand this, let’s start a little earlier. In 2021, the financial expert left UBS after 21 years. Why? «Well, I wanted to make this change—and I did—in order to start my own business.» That was the original plan. She is now fully dedicated—that is, «on her own» and «full-time»—to her platform, FinancialParentingWorld.com. There, she offers master classes and toolkits for parents who want to learn how to incorporate the topics of money and finance into their children’s upbringing in a way that helps children—and especially girls—understand from an early age what money is worth, what they can do with it, and how to spend, save, and invest it. To understand where she gets her expertise and passion for this topic, let’s take a step back. Mara Harvey was originally born in England; her mother moved with her and her older sister to Ticino when Mara was ten years old. She learned Italian at school, on the street, and with her friends. She enjoyed learning and was good at it; she was fascinated by analytical subjects. Since there is no university in Ticino, she began studying economics in Fribourg after graduating from high school. In French. «Languages haven’t always come easily to me, but when you have to communicate, you learn,» Mara says with a laugh. We’re sitting in a café in Zurich; the noise is incredible. People around us are laughing, the waiters are calling out, and the coffee machine is roaring. An atmosphere like this makes Mara happy. It’s almost like being in Italy, she gushes. She and her partner just bought a house there. He has roots there. For Mara, the Italian language brings back memories of her childhood; it reminds her of joy, warmth, and good food.

She invites the women to the table and, as she listens to their conversations, realizes that they often lack the confidence to deal with financial matters.

But we’re getting sidetracked. After graduating, Mara Harvey started working at UBS. During her 21-year career at the major bank, she worked in a wide variety of business areas, moved to Frankfurt, returned to Zurich, and ultimately focused on the ultra-wealthy and their money. «That’s how simply you can sum it up,» she laughs. She notices that women are missing from the discourse on wealth management. It’s always men who talk to her about finances. She realizes just how much potential she—and the bank—is letting slip through their fingers. In her scarce free time—she’s a single mother of two—Mara develops strategic tools, draws up business plans, and convinces senior management to restructure the wealth management division. She brings women to the table and, through conversations, discovers that they often lack the confidence to engage with financial matters. She reflects on this insight and realizes that she, too, didn’t start managing her own money until later in life—even though she’d been dealing with finances her whole life. Mara Harvey is determined to bridge this gap.

Why children's books?

Mara has no plans to write children’s books. In 2018, she wrote a book for adults titled *Women and Risk*. Women and Risk: Rewriting the Rules to raise awareness of gender-based wage gaps, wealth disparities, and barriers to women’s financial participation—as she realizes she isn’t addressing the root causes. Namely, teaching children about finances. She now realizes that she doesn’t need to start with women, but with girls. She launches a children’s book series, «A Smart Way To Start,» to give girls the opportunity to talk confidently about money and understand its value.

Six volumes are being published. Marty, the main character, is sassy, smart, and eager to learn. The rhyming style makes the books true cult classics for children, who can easily identify with Marty. But of course, she also wants to appeal to boys. «It was important to me that we reach both genders,» says Mara. Through Marty, children learn how to earn, save, and spend money—and also how to grow their money by investing it. Volume 5 of the series, which focuses on money and sustainability, has even been included by the United Nations in its Perception Change Program for Sustainability.

Now the parents come into play

With her Financial Parenting World platform, however, Mara is now primarily reaching out to parents. She realizes that she needs to engage adults so they can teach their children. Through the courses she offers, parents gain the skills and tools they can then pass on to their children.

Back to the bench

Let’s go back to the beginning. When Mara Harvey was offered the CEO position at VP Bank Switzerland, she wasn’t actively looking for a job, but she firmly believes that everything comes into her life at the right time. That’s why she’s now in the CEO’s chair and can bring all her expertise to bear on the bank’s development. And the platform? «I’m building a strong team and delegating more; the foundation has already been laid, so I’m only needed for strategic purposes now.» And because Mara Harvey has gone the extra mile her entire life, she’ll master the challenges ahead as well. Just as she always has.

The pursuit of happiness

As a child, Chris Gardner experienced poverty, violence, and exclusion; later, he and his young son became homeless. But Gardner fought his way back into life, becoming a multimillionaire with his own Hollywood blockbuster.

Illustration: Constantinos Elysios.

m&k: Millions of people are familiar with the events that took place during a certain period of your life—because those events were made into a movie titled *The Pursuit of Happyness*, starring Will Smith. However, when you read your autobiography of the same name, you realize: There’s so much more to the story …

Chris Gardner: I'm glad you brought that up. I always point out to people that the film—as great as it is—only offers a limited glimpse. It focuses on the year leading up to my thirtieth birthday, when—despite having a job—I became homeless; had to take on full-time care of my 14-month-old son; and lived in constant fear of hitting rock bottom. In the book *The Pursuit of Happyness*, on which the film is based, I also discuss the years leading up to that period—my «checklist,» as I like to call it. I grew up partly in a foster family, with my mother in and out of prison, never having met my biological father, a victim of domestic violence and sexual assault, never having received a higher education, having served in the military, a single parent, homeless, and Black. My life—and the moments you see in the film, which were decisive in many ways—could just as easily have taken a completely different turn. But I made an important decision when I was just a little boy myself: I always wanted my children to know who their father is and to know that I’m there for them. No matter what happens. So I had to overcome every obstacle that life threw my way.

 

According to your biography, you had both negative and positive role models who encouraged you in this decision, right?

Exactly. Let’s start by talking about the negative «role model»: I watched my stepfather and decided that I never wanted to become an alcoholic, uneducated loser who abused his wife and children. But what else could I be? My uncles Willie, Henry, and Archie showed me the way—they were like surrogate fathers to me, each in his own way. The light I saw in them showed me the way. And I decided to follow that light. You know, I firmly believe that you always have a choice; that you can always change direction. That’s why it’s so hard to talk to me about things that are «impossible»—I just don’t believe in «impossible!» (laughs)

 

Your mother couldn't always be there for you—but when she was around, she encouraged you in your dreams, didn't she?

Oh, yes! My mother told me every day that I could become whatever and whoever I wanted—and I believed her. She didn’t say, «You have a right to become rich,» or, «You’re guaranteed to have a nice car when you grow up.» But she did say that if I worked hard and did my best, nothing would be impossible. My mom also placed a huge value on education: My stepdad couldn’t read, and to «get back» at him for his angry outbursts, I’d read aloud at home at every opportunity… and ask my mom what certain words meant right in front of him! (laughs) That was my way of showing him: «You can beat us up, but I can read—and you can’t—and one day I’ll make something of myself.» Of course, my mother sent me to the public library at every opportunity. I can still hear her voice: «My son,» she said, «the library is a powerful place. If you can read and go there, you can find the answer to any question in the world.» It’s important to note: You’re talking to someone who grew up in the United States in the 1950s and 1960s—with all the unrest, the civil rights movement, the Vietnam War, the assassinations of President Kennedy and Martin Luther King… And then there was my mother, who used to say, «If you want to be a tough guy, join a movement. If you want to be a really tough guy, then keep learning.’ And that’s what I did. I realized that if I wanted to know something, I had to ask. For example: »How on earth did you get your hands on such a beautiful Ferrari?« (laughs)

 

Are you referring to the scene in *The Pursuit of Happyness* where your alter ego decides to become a stockbroker …?

Yes, that really happened! Just when I was going through a really tough time in my life, I saw this guy—and he was driving a fantastic red Ferrari. So I walked up to him and asked, «What do you do? And how do you do it?» The answer was the same both in the movie and in real life: «I’m a stockbroker. You can learn that—even without a college degree.» Voilà: I suddenly had a very clear idea of what I wanted. Now I just had to find a way to make it happen. Sounds pretty simple, right?

 

But of course, it wasn't quite that simple …

No. But the hardest part of making plans a reality—that’s what we call «life.» And I can tell you: Life gets in the way for all of us every now and then! (laughs) People used to ask me all the time: «How did you end up homeless? Was there a turning point? Did you have a problem with drugs or alcohol … Did you make a few bad decisions?» And I always replied: «None of that. What happened was simply—life.» Let’s look at the present: In the United States, a whole new «group» of homeless people has emerged since the start of the pandemic in 2020; and we don’t even know how many there are, because no one has counted them yet. I’m talking about people with jobs—not alcoholics, not drug addicts. Hardworking people who simply can’t afford a place to live anymore. Just before the pandemic broke out, I gave a speech at the United Nations, which was in the process of drafting its first resolution to combat homelessness. And my main point was: «It can happen to anyone.» Think of a mother who works for minimum wage; the family is barely making ends meet—then her husband, who also earned only minimum wage, dies. Will the woman be able to keep her job? Probably. But can she afford her house or apartment on that income? Probably not.

 

Every life, every story is unique. Yet you have said on several occasions in interviews that your experience with homelessness is what ultimately shaped you into the entrepreneur you are today. Could you elaborate on that?

Well, when you start a business, you usually begin with limited resources. If you’re homeless, you have absolutely no resources at all. That means… when I finally became an entrepreneur, I first had to create the basic conditions necessary for it. I had to have already won the race once just to even get to the starting line where others were standing from the outset. One thing is important to me, though: We should under no circumstances romanticize the hardship that homelessness brings. My son and I—we were «invisible.» No one knew about our situation; no one needed to know. We were always neatly dressed; I went to work; no one asked any questions. But afterward, we’d head back to the streets, the train stations, the bus terminals and airports, the hotel lobbies, and even the park, if the weather permitted.

 

You mentioned earlier that many people in similar circumstances turn to alcohol and drugs. If you’ll allow me to ask such a personal question: Why didn’t you do that?

Sometimes in life, the motto is «Walk the talk!» There was a small, innocent boy by my side for whom I was solely responsible—a fragile human being whom his mother, for various reasons, was unable to care for. I wanted my son to never have to doubt the promise I’d made to myself as a child: that I would always be there for my children. Let me tell you about a special moment, shall I? Eventually, we found a small apartment and slowly got back on our feet. But one month, I couldn’t pay the electric bill; I was in debt to the spectacular sum of thirteen U.S. dollars. (laughs) The power went out. There I was, giving my son a bath by candlelight, unable to keep the negative thoughts at bay. «What if we never make it? What if we never get back on our feet?» But suddenly my son stood up in the bathtub… looked me straight in the eyes… and said, «Dad? You’re a good dad!» That was all I needed for the doubts and the pain to disappear. And I think that’s the best answer I can give to your question.

 

There’s another important fact about your life as an entrepreneur that isn’t shown in the movie *The Pursuit of Happyness*: Even after your career took off and you moved from San Francisco to New York, you still struggled. Your first business wasn’t an immediate success. Still, you kept going.

There’s a term for this: it’s called «nonlinear progress»—and that, too, is part of life. Of course, we like the idea that things always go «A-B-C» or «1-2-3,» but setbacks are inevitable—even necessary. That might sound like something straight out of one of my keynotes—which is actually true. (laughs) –, but I’m dead serious. Failure can become your best friend. Why? Because you can learn so much more from it than from success. Go ahead and fail, but don’t give up! Giving up becomes a habit. And then: «Game over.»

Scene from the Hollywood blockbuster *The Pursuit of Happyness*: Will Smith plays Christopher Gardner, and Smith’s son Jaden plays Christopher Jr. Unlike in the movie, Gardner’s son was actually only 14 months old when the two became homeless. (Image: Moviestore Collection Ltd. / Alamy Stock Photo.)

Switzerland is one of the richest countries in the world. Many people here are facing financial difficulties for the first time amid the current crisis—and are worried. What advice would you give these people?

Okay, maybe for many Swiss people, this really is the first time they’ve been faced with economic problems. But let me ask a counterquestion: Is this also the first time these people have ever been forced to overcome difficulties? Most likely not. Everyone has emotional scars. Maybe they’ve lost someone, are suffering from an illness, or have gone through a divorce. And yet these people are still here; their lives go on. So what I say to them is: «Brother, sister, you’ve faced this fear and this pain before, in a different form, and you were stronger.» You know, in one of the last conversations I had with my dear friend Maya Angelou …

 

… the American author and civil rights activist who died in 2014 …

… then she said to me, «We are the people to climb this mountain.» And we know this because the generations before us had an even higher mountain to climb, with an even heavier burden on their backs. Yet they made it to the summit. «And still, I rise.» Now it’s our turn. I’ve already climbed my own personal mountain, and I share my story with young people so they know they, too, are capable of doing the same.

 

This is where your second bestseller comes into play: At the heart of *Permission to Dream* is a conversation between you and your granddaughter, Brooke. She is nine years old at the time of the story, and you talk with her about the insights you’ve gained throughout your life.

I firmly believe in a concept called «intergenerational responsibility.» This means that each generation must ensure that the next generation is able to go a little further, climb a little higher. I’ve already talked about how my mother gave me «permission to dream»—but first, she gave herself that permission. Her dream was to be the last person in our family who would ever have to go to America to pick cotton. When she finally decided in 1954 to give up her work in agriculture and move north, she was pregnant with me. Her decision shaped my life, just as my decisions have shaped my son’s life, and so on.

 

There must be a reason why you make the «permission» to dream so explicit, right?

Permission comes first! That may sound simple, but it’s a mental barrier that’s hard to overcome—especially if you grew up in tough circumstances. «I’ll never make it»—that’s the self-limiting mindset so many young people have; and that’s the point I want to drive home to them: «You mustn’t wait for permission from anyone else or for circumstances to magically change. And if you have a vision—no matter what it is!—not everyone will see it. But if you see it, allow yourself to dream. And then take action.» Let me give you an example: Oprah Winfrey and I were born in the same year, share the same zodiac sign, and attended the same elementary school. How do we know that the next Chris Gardner or the next Oprah Winfrey won’t walk out of that very same school? So it must be our job to encourage the next generation. That’s what brings me the most joy these days; it fills me with purpose. Of course, I can’t explain to a teenager every single step they need to take to become a Fortune 500 CEO—because I’ve never been one myself. I wasn’t an astronaut, an engineer, or a painter either. But I know a great deal about how important it is to allow yourself to have your own dreams and to find your own path. And I can help with that. Sometimes, when I’m in front of a young audience, I don’t even give a speech—I just ask them questions—or rather, I pass questions on to them.

 

What do you mean by that?

A few years ago, I gave a keynote speech at an event in Spain. There were a lot of people—a very diverse crowd. At the end, there was a Q&A session. A little girl took the microphone and said, «Mr. Gardner, what would you want to know about God?» I mean… wow, that’s a big question! (laughs) I found it hard to answer off the cuff, so I turned the question around: «Suppose there is a higher being, regardless of the religious garb it wears,» I said, «what do you think it would ask us?» We didn’t reach a conclusion that day, but I’ve thought long and hard about that exchange. And now I think I know some of those questions—so I’m passing them on.

 

Us, too?

Well, I think the divine being would ask something like, «I gave you the same brain that I gave Albert Einstein. Do you see what he did with his?! So… what will you do with yours? I’ve given you the same hands I gave to Pablo Picasso—the same heart I gave to Mother Teresa—what will you accomplish with these gifts? I’ve given you two feet to stand on. What will you stand for, and whose side will you be on?» These are questions that everyone—especially, but not only, young people—must answer for themselves. The role of those who have already found their answer is to prepare «a place at the table» for the next generation. A place that is waiting for them. Because they are the only ones who can help us get to where we need to go: a place called the future. I always say: Let’s help one another; let’s lift one another up. Sometimes I get the feeling that it’s in the spirit of the times to be mean and spiteful. But I resist that with all my might. We must light a candle in the darkness. And if I do that, and you do too, and more and more people join in—then it will finally be light again.


Christopher Paul Gardner is an American broker who rose from homelessness to become a self-made millionaire. Gardner spent part of his childhood living with his mother and his violent, alcoholic stepfather; he later joined the Navy and, after his military service, took a job as a sales representative. In the early 1980s, he landed an internship at a financial firm, which offered him and his son—whom he was raising on his own—the chance at a better life; however, the position was initially unpaid. While he went to work during the day, he and his son spent nearly a year sleeping in homeless shelters, subway stations, or other public places. After completing his brokerage training, Chris Gardner landed a job and later became a millionaire with his own company, Gardner Rich. The book version of his story, co-written with Quincy Troupe, topped the U.S. bestseller list. The book was adapted into a film titled *The Pursuit of Happyness*, starring Will Smith in the lead role.

Further reading: «Permission to Dream»

Following the bestseller *The Pursuit of Happyness*, which was adapted into a film starring Will Smith, Chris Gardner has written another book together with Mim Eichler Rivas: «Permission to Dream» was published in 2021 and explores the most important lessons of his life, as well as his current work as a philanthropist and in youth education.

Social Storytelling: Somewhere there's a snag

You might think that the rapid shift to digital driven by COVID-19 would have also shaped the art of social storytelling. But that’s not the case—and an entire generation of digital marketers is facing a dilemma.

(Illustration: unsplash.com / Carlos PX)

I really don't envy the marketing managers at these companies right now. Those poor souls have been fighting for years to get the stingy executives to finally put more money on the table for all those trendy social media platforms. And as soon as they open the digital floodgates, they have no idea where all that cash is supposed to go.

Meta Isn't That «Meta» Anymore

Advertising on Meta’s platforms (Facebook, Instagram, Messenger, etc.): You’re on solid ground there, right? Well, not exactly. The tech giant is stumbling. News stories are coming thick and fast right now: «Zuckerberg is making sweeping cuts,» «Zuck is wielding the axe,» «Thirteen percent of Meta’s workforce is being laid off.» Meta—formerly Facebook, but you know that by now, right?—has been on shakier ground. Since the beginning of the year, the stock has been taking a beating. It’s headed in only one direction: down. A total of 11,000 jobs will be cut, and even Zuckerberg—usually unemotional and cold—seemed very emotional for once during an internal call with those affected. So what happened? For some time now, Instagram and Facebook—the flagship platforms of the Meta universe—have been struggling with declines in revenue from advertising placements. And at the same time, founder Zuckerberg is investing billions in the development of digital worlds. I’ll leave it at that regarding how much of the metaverse hype remains—after all, m&k can’t provide me with the entire issue.

Instagram, Meta’s «workhorse,» has been treading water rather than moving forward for quite some time now. Minor updates are announced time and again, only to be forgotten shortly thereafter. It seems all too evident that the platform is driven primarily by the competition rather than by its own innovative strength.

The bird plummets

So, back to that beloved blue bird that’s never let you down as a marketer, blogger, or journalist, right? Well, yeah. I was never really a fan of Twitter to begin with—sorry, not sorry. But ever since Elon Musk took over the company, I have to tell anyone thinking of allocating ad budgets there, quite honestly: You’d better not. And major companies like VW see it the same way. Huge advertising budgets are being frozen; agencies are advising more and more advertisers to pull out of the platform. And what’s Musk doing? He’s threatening to publicly shame the advertisers who walk away.

As much as I believe in Elon Musk’s entrepreneurial skills, I can’t help but feel these days that he shouldn’t be the one in charge of a public opinion machine like Twitter. Elon has probably heard the word «no» far too rarely in recent years—and in the case of Twitter, it would have been better if it had stayed at «no.» Twitter has long been battling hate speech, racism, fake news, and many other problems. And now Musk is laying off half the workforce.

Twitter is facing a massive mountain of debt. Interest expenses are reportedly higher than EBITDA, and that doesn’t even include investments of a few hundred million. Now we could get sidetracked into a financial discussion. But let’s keep it short: Twitter’s financial situation is about as good as FC Barcelona’s. Or to put it even more simply: Things aren’t going so well.

But don't despair, dear friends of sophisticated social marketing. There's still a little hope.

«A New Hope»

The good news, at least in theory: Luke and Han don’t have to destroy the social media Death Star first for «a new hope» to emerge (quick aside: If that brilliant title metaphor doesn’t click, head over to the TV and watch «Star Wars»!). So, back to the text:

Never before have so many people worldwide used social media. A report by «We Are Social» and «Hootsuite» shows that there are now 4.7 billion users on social media platforms. That corresponds to 59 percent of the world’s population. At the same time, about two-thirds of the world’s population is online. One could conclude from this that almost everyone who is online is also active on at least one social media platform.

At the same time, the share of global web traffic coming from smartphones is rising to just under 60 percent. This also reflects the success of new rising stars like TikTok. People are using more social media platforms simultaneously than they did a few years ago. Before we get swept up in a flood of numbers and statistics here, let me just summarize it for you:

The target audience you want to reach is definitely on social media. Don’t worry. It’s just that they aren’t always exactly where you might have imagined. And the number of users is growing every day. However, that growth will level off in the coming years. For us in digital marketing, this means we finally need to get better at competing for attention.

Let's finally learn it!

New year, same old story—so let’s finally get it: Communication on social media doesn’t follow the «classic rules» where there’s a sender and a receiver. And yet, in 2022, companies are still communicating and advertising as if they were the center of the universe. TV commercials are mindlessly chopped up to fit social media formats—and then they pat themselves on the back for “cross-platform” advertising? Hats off to you, folks!

In training sessions, people look at me quizzically when the company’s own posts—which say so many great things about the company—just don’t perform. After all, aren’t we providing added value? And isn’t that what it’s all about? «Added value.» That’s slowly becoming a buzzword I can’t stand when it comes to storytelling. But I’ll let you in on a secret: It’s not you who defines the added value of your storytelling—it’s the users.

Mind-blowing, right? Well, it isn't, but somehow nobody seems to get it. So: Maybe they do get it, but they’re not putting it into practice. Why? Because too often, there’s a lack of long-term thinking when it comes to content on social media platforms. People do it for quick conversions. For immediate results. And that would be totally fine if these platforms were just digital advertising catalogs. But they’re not.

Thanks to social feeds, users experience a multidimensional array of content from every conceivable category: entertainment, humor, news, sports, and much more. So why would people want to spend their time on your content, which is cluttered with calls to action? You wouldn’t want to view, like, or even interact with that kind of content yourself, would you?

So what am I advocating when it comes to storytelling in 2023? To finally take off the corporate glasses and have the courage to practice user-centered storytelling. I know, dear marketers, I know. It’s going to be tough. But stick with it, and seek out another discussion with senior management—it’ll be worth it.


* Roger Hämmerli He is the founder and managing partner of the digital content newsroom «Andy Was Right.» Previously, he served as head of social media at Ringier, among other roles, and regularly lectures at the Zurich University of Applied Sciences (HWZ).

An industry returns

The future of trade shows and events is hybrid. This will strengthen the live business, not weaken it. The live communications industry has proven extremely resilient in the wake of the pandemic.

(Images: unsplash.com/Jon Tyson)

Brian Ruchti, CEO of the digital agency Newsroom, sums it up at the Expo Event Breakfast Club on November 8. «No one is saying that the in-person approach doesn’t work, but we want to find out what hybrid formats the market allows.» He then adds: «We’re only at the beginning.» His assessment reflects something of the status quo in the events industry. Digitalization hasn’t weakened it; rather, it’s leading it down new paths to strengthen its core business.

Transformation Through Resilience and Agility

Trade show organizers, event service providers, and agencies have weathered the COVID era well. This is partly because events cannot be replaced by digital alternatives. In any case, the often-predicted takeovers or bankruptcies have not materialized. Quite a few trade show organizers note that, in a way, the pandemic has actually helped their core business, as the exhibiting community has come to realize just how irreplaceable in-person interactions are. Björn Kempe, an experienced mergers and acquisitions expert who runs his own investment fund in the trade show industry, says: «What’s on my mind right now is how we can best engage communities. For me, this clearly didn’t work online, and even in a hybrid format, it was only partially successful. I see a trend back toward the basics in marketing—toward media, social networks, and themed marketing.»

The urge to return to trade shows and events has probably never been greater than it is now, following the lifting of pandemic restrictions such as social distancing and event bans. According to AUMA Berlin, only 70 percent of exhibitors and 55 percent of visitors have returned to Germany’s major flagship trade shows. But the most recent flagship events, such as the plastics trade show K and the robotics trade show SPS, have already far, far exceeded these figures.

The time has come to «get back to normal»

Does the business community need an event trade show now that the marketing trade show SuisseEmex ceased operations in 2018? The service sector—exhibition stand builders, event producers, and event venues—agrees: the live communications industry needs a gathering again to engage with the business community. «Now we want to create a »wow’ effect—with digital support, of course, but not as a substitute for a trade show,” says Peter Plan. However, Suisse Event is not a successor to the discontinued Suisse Emex, but rather a format focused on event technology, entertainment, and venues. Anyone noting the trade show dates of September 5–7, 2023, will notice that the Xaver Award 2023 is also taking place on September 7 during this period. And for good reason. The newly launched Suisse Event is organized in official partnership with the industry association Expo Event Swiss Live Com Association. Suisse Event is scheduled to take place every two years.

Also innovative are the so-called digital meeting places developed by Conteo (see m&k 2020, «The Renaissance of Trade Shows Driven by Digitalization»), which are being used at various trade shows organized by Messe Luzern and at other exhibition venues. These extensions of physical trade shows—such as Swiss MedTech, AM-Expo (3D printing technology), or Farming Plus, a website for the agricultural trade shows «Fruchtwelt Bodensee» by Messe Friedrichshafen, «Tier & Technik» by Olma Messen, and «SuisseTier» by Messe Luzern, are based on the idea that trade show organizers no longer simply put their exhibitor catalogs online (Content is King).

Conteo’s digital meeting places are based on the idea that trade show exhibitors should post their trade show content on the trade show website—not just their product catalogs. This storytelling principle is catching on in the business world. «We’ve found that genuine content generates much higher click-through rates than an exhibitor catalog, and as trade show organizers, we can see exactly who is following which topics,» says Fabienne Meyerhans, a member of the executive board at Messe Luzern.

Is Content King?

No, experience is king. Our top event discovery in the post-COVID era is the Start-up Nights at the Entrepreneur Club’s famous Eulachhallen in Winterthur, because the networking there was visibly and tangibly electric. The energy from the 160 exhibitors and 8,000 attendees in November was palpable and screamed: «Finally back in person!» Most of the numerous workshops were fully booked, and the keynote speakers were top-notch. There was absolutely no trace of Covid’s lingering effects—quite the opposite. The ESB Network’s traditional Sports Forum at the KKL Lucerne also drew 700 guests in November—the same number as at the pre-Covid record-breaking event in 2019. “We’re extremely satisfied,” says Patrick Seitter, Head of Congress and Academy at the ESB Network St. Gallen. He notes, however, that the situation looks less positive for ESB events in Germany and Austria.

Incentive: Why Trade Shows Are So Resilient

Mipim in Cannes is one of two leading global trade fairs, alongside Expo Real in Munich. It has more of an incentive-based character and serves as a sort of accolade for attendees, while Expo Real is considered a «business-focused trade fair.» Both have weathered the pandemic with a high degree of resilience. Last October’s Expo Real, with 1,887 exhibitors, nearly reached the pre-COVID levels of 2019; all exhibition areas have grown again compared to 2021, by a total of 60 percent. It will be no different at the upcoming Mipim in Cannes in March 2023. After all, who in their right mind would trade Cannes for an online event? What I’m trying to say is this: the major trade shows will undoubtedly make a comeback. And: There is no such thing as a «trade show trend»—each event must be considered on its own merits. Not least, the future of trade shows and events depends on the skill of the organizer.

A Spirit of Innovation in Trade Show Booth Design

The Messerli Group’s brand-new, carbon-neutral logistics center in Wil, ZH—which began operations in May 2022—is a remarkable statement in favor of live communication. What sounds like a given today was anything but during the pandemic: «We believe in the bright future of live experiences,» says Andreas Messerli, Chairman of the Board of Directors. Bexpo, the trade show construction and advertising technology company based in Marthalen, has weathered the pandemic and moved past it. Shortly after the ban on events in March 2020, the company established the new business divisions of advertising technology and signage within the newly formed Bexpo Advertising Technology and Signage AG. Unlike trade show construction, advertising technology is a local business for Bexpo, with smaller order volumes but the advantage of frequent repeat customer orders. Now that the trade show construction business (across the entire industry) is back in full swing, this new business segment helps offset the traditional summer and Christmas slowdowns in the trade show sector. Even before the pandemic, Werbeatelier Pape had moved away from large-scale trade show booth construction and made digital printing its core business with a million-investment. Atelier Bischoff, a service provider in the events industry, is also focusing on digital printing with its new name, «Plotfactory.».

Location: Innovation in Viscosestadt

The former spinning mill on the Viscose site in Emmenbrücke (near Lucerne) is home to one of the largest event venues in Central Switzerland, featuring three spacious event halls with industrial charm. The 270-degree projection, paired with a state-of-the-art, immersive sound system, is truly spectacular. The venue is operated by and has auviso – audio visual solutions ag as its technical partner. The 270-degree projection is an innovative, spectacular highlight for the events industry. Rolf Schwander, project manager at auviso, described the spectacle unfolding here as a «multimedia illusion with 14 million pixels.»Trafo Baden calls itself «the Swiss Event Village.» Trafo Baden has introduced the «allseated» software, which allows event organizers to virtually design their event as a digital twin, arrange seating, and take a virtual tour via video.

Event Agencies: Digital Transformation

In October 2022, «Global Acceleron Day,» organized by the event agency Bright, took place at the TrafoHalle in Baden. 800 guests attended in person, and participants from 54 countries joined online. «We had to come up with entirely new approaches during the pandemic, but we learned a lot from the experience. What’s changed is that we now consider for every event whether a meaningful hybrid format is possible. We’re giving this a lot of thought these days,» says Markus Walder, co-owner of the event agency Bright in Schwerzenbach. A participant in the Breakfast Club summed up the resilience of the trade show and event industry in a plausible way: «On Friday, it’s gymnastics club. That can’t be replaced.»

Out of the ivory tower

Our columnist Johanna Gollnhofer explains scientifically paradoxical, funny, curious, and new consumer behaviors.

(Illustration: Silvan Borer)

A bizarre scene: As I was dancing and jumping around excitedly at the «Parov Stelar» concert, I felt surrounded by cell phones. Filming in landscape mode—that was clearly the older generation. Portrait mode: Generation Z, Instagram, and TikTok sent their regards. I felt sorry for these amateur content creators. My outstretched arm was taking quite a beating, but even worse: Why should I hold a cell phone between myself and the spectacular live show on stage? This has nothing to do with a real-life experience for me anymore! Are amateur content creators sacrificing their personal experience for as many likes as possible on social media?

Recent marketing research has addressed precisely this question: One group of people was asked to take photos of the live broadcast with their smartphones during the Super Bowl halftime show and post them on social media. Another group was asked to simply watch the live broadcast. Smartphones were off-limits in this group.

At first, I always tend to demonize smartphones: after all, technology can’t replace real life, and it’s been proven that multitasking doesn’t work either. I could go on like this when it comes to social media. Social media doesn’t reflect real life; instead, it creates a fantasy world. Caution is advised here—this can lead to depressive moods and self-esteem issues in some people!

However, the study has taught me otherwise: The first group, using smartphones, feels more immersed in the Super Bowl halftime show; time flies by faster, and ultimately, they have more fun. Intuitively, most people have understood exactly this: The majority of Coachella Festival attendees post during the festival itself, not just afterward. However, this positive effect of smartphones and social media only applies when people post about the event in question. Posts about work, kids, or other events don’t have these positive effects. In those cases, it’s better to keep your phone in your pocket.

Even better: Smartphones and social media don’t just make events better; they also help us get through the upcoming holidays more easily. The study showed that holidays like Halloween or Thanksgiving go by faster and are perceived more positively when people post about them on social media during the holidays. My conclusion: When the year’s pent-up emotions come to a head around Christmas, just pull out your phone and post a picture of the Christmas tree on Instagram!


Prof. Dr. Johanna Gollnhofer is an associate professor of marketing and one of the co-directors of the Institute for Marketing and Customer Insight at the University of St. Gallen (IMC-HSG). In m&k Werbewoche.ch, she writes monthly about exciting, sensational, or curious marketing studies from around the world. This time, the article is based on this study.

Heidi Hauer: The experienced

Heidi Hauer has had an impressive international career in communications. Today, as a coach, she accompanies executives in their search for greater impact, holistic health, fulfillment and meaning. Why?

Heidi Hauer, communications expert and coach. (Photo: Wendy Yalom)

Ambitious, determined, hardworking, and focused. Heidi Hauer has always forged her own path. Throughout her 20-year career to date, professional success has always been her top priority. Looking back, she didn’t allow herself enough time to slow down, take breaks, step back, and reflect on herself. In return, Heidi Hauer gained extensive international professional experience, recognition, and awards. Even though her body had sent signals on numerous occasions, it took many years for Heidi Hauer to develop a healthier, more balanced lifestyle. Eventually, she listened to her inner voice, and today she helps executives tap into their true power, recognize their own potential, and make the most of it.

Same same, but different

She is still hardworking, ambitious, and determined, but today she channels her energy into sharing her knowledge of nutrition, resilience, meditation, mindfulness, leadership, and questions of meaning. She coaches people who want more from life than just to function as well as possible. Peak performance at any cost is a thing of the past. Employee initiatives on topics such as «well-being at work» and «mental health» are now considered standard practice in corporate management. Treating ourselves and those around us with care strengthens resilience, creativity, concentration, empathy, and ultimately our well-being and success.

«All my past experiences as a communications specialist, PR expert, press spokesperson, and often as a busy bee on the hamster wheel help me today to truly understand my coachees. I know the pull you can get caught up in, especially when you enjoy your job and your career is on a steep upward trajectory,» says Heidi, laughing as she recalls her tireless work ethic. Today she knows that if you don’t lose sight of yourself in the process—but instead learn to listen to your body—there’s virtually no limit to achieving the goals you have in mind.

The path…

Let’s go back to January 2, 2013. In the years leading up to that point, Heidi Hauer had taken one career step after another. Raised in Upper Austria and educated in Vienna, her path led her to London, where she first worked as a public affairs consultant and then moved in-house to the global communications team of a confectionery company. This was followed by two years in Brussels. Then she returned to Vienna, where she took over as head of corporate communications and served as the group spokesperson for several countries. That’s exactly where she is in the office on January 2, 2013. The office is practically deserted. Austrians like to take it easy after New Year’s and go skiing for another week.

Not Heidi, though. When a coworker asks her if she has time for a coffee, she waves him off, saying she has far too much to do. What? On January 2nd? She rushes through the empty office, and everything suddenly seems absurd to her. The rat race, the overtime, the pressure, pushing herself too hard… She realizes that her stomachaches, bad skin, poor sleep, low energy levels, neck tension, and frayed nerves might have something to do with her relentless drive to perform and the expectations she places on herself that are too high.

…is far…

She checks into a wellness clinic, gets to know her inner voice better, and, above all, learns to listen to herself more closely. She adjusts her lifestyle, changes her diet, and gradually begins to feel better. Back at work, she talks with her team, allows herself regular breaks, delegates tasks, and sets healthy and friendly boundaries. Alongside her job, she’s training to become a nutrition coach and life coach.

But despite all her mindfulness, it takes two more, shorter setbacks before she realizes that, for the sake of her health and true happiness, she needs to make lasting lifestyle changes rather than just focusing on them temporarily. The decision to make room for her second career dream—coaching and consulting—was well-considered, but ultimately a matter of the heart.

…and the goal

Heidi Hauer is starting her own business and moving into a house with a garden with her dog. In doing so, she is fulfilling her lifelong dreams. Through various continuing education courses, she has acquired a wealth of expertise. This results in a blend of competence, experience, wisdom, and patience that makes her unique in her coaching style. She is able to express her love for people just as fully as her love for her work. She still has the ambition she had in the past. But rather than consuming her, it gives her wings.


Heidi Hauer She works with executives through individual and group coaching sessions. She gives lectures and leads workshops. «The Heidi Hauer Podcast» is a show about health, money, entrepreneurship, and spirituality. Her book, «The Queendom Within—Rewrite Your Fairy Tale and Create Your Own Happily Ever After,» serves as a guide to fulfilling one’s dreams.

Easily said and hard done

Effective communication should present complex issues in a simple way. There is hardly any other topic where the gap between this ideal and reality is as wide as it is with sustainability.

(Illustration: Silvan Borer)

A few weeks ago, I had the opportunity to speak with an inspiring entrepreneur from Zurich. His name is Peter Hornung; he has a degree in architecture and founded the startup «Round Rivers» shortly before the pandemic began. Here’s how he describes his company: «Round Rivers fishes PET bottles out of the Limmat River and uses them to create a small but exquisite collection of swimwear.» I was impressed by what Peter told me about the idea behind his company, the challenges associated with launching it, and his plans for the future. However, the startup founder also drew my attention to how difficult it is to do justice to the complex issues of sustainability in communication. Why is that? And are there any potential solutions?

A challenging, multifaceted topic

One thing is certain: Consumers are demanding sustainable products and expect companies to align their value creation with these demands. In the business world, however, true sustainability is a complex, multifaceted process.

Here’s an example: Not all textiles made from PET bottles are created equal, as Peter Hornung explains to me. If you take properly disposed-of plastic out of the raw material cycle to make sweaters, that’s pointless «downcycling.» However, if you fish PET bottles out of the Limmat River and turn them into swimwear, that’s commendable «upcycling.» If you send old clothing around the world to turn it into «recycled wool,» the carbon footprint negates even the best of intentions. If, on the other hand, you operate regionally, you combine waste reduction with environmental protection. And so on, and so forth.

Communicating the Journey as the Destination

Sustainable business practices are a multifaceted process that affects value creation at every level. As a result, the desired goals can often only be achieved over the long term. It’s okay to say that—and to «bring consumers along» on this journey. This requires openness and the courage to embrace imperfection—two key pillars of sustainability communication.

The third pillar is continuity. Just as with sustainability in a company, the communication surrounding it must also have a long-term perspective. In both cases, success can only be achieved through long-term and, above all, consistent commitment. The biggest challenge in this regard is to stay on track even during critical phases and not to give up on the dialogue.


* Alexander Haldemann is the CEO of Publicis Groupe Zurich.

Destination Switzerland - what next?

André Hefti, Chief Marketing Officer at Switzerland Tourism ST, on destination marketing during the crisis, changing challenges and the future positioning of Switzerland as a travel destination.

Even during the pandemic, Switzerland Tourism made sure that Switzerland remained top of mind as a travel destination for tourists. And it was a success.

m&k During the COVID-19 pandemic, many borders were closed—and the number of overnight stays in Switzerland dropped dramatically. How did that affect destination marketing?

Tourism marketing has certainly been tested by crises. In more than 100 years, Switzerland as a travel destination has already weathered and overcome several difficult periods. Nevertheless, the pandemic was unique in its global impact. Tourism came to a standstill worldwide. It was essential to remain agile, work flexibly, and adapt all activities to the circumstances at hand.

 

How exactly did Switzerland Tourism respond?

We demonstrated empathy in all our markets, ensuring that Switzerland remained in the minds of our potential guests as a travel destination. After all, the desire to travel never waned. As soon as it was possible again, people started traveling once more. The pandemic gave rise to new needs, which we quickly addressed in our marketing efforts in collaboration with the industry: safety, cleanliness, and trust—for example, through the «Clean & Safe» campaign, the national certification of safety protocols by tourism providers. 

Were there any lessons learned from the crisis?

We’ve learned a great deal and identified opportunities that have led to new developments. With the pandemic, even more Swiss guests have discovered their own country as a vacation destination—and they’ve done so with great enthusiasm. And that enthusiasm has continued ever since.

 

How have the numbers changed since the lifting of the COVID-19 restrictions?

Compared to the record year of 2019—the last «normal» year before the pandemic—nearly 26 million hotel overnight stays were already recorded between January and September 2022. That still represents a 6 percent decline. For the summer months—May through August—the decline is only −3 percent, or 15 million hotel overnight stays.

 

Are they mostly local or foreign tourists?

Our local guests, in particular, are driving strong business here. But many tourists from neighboring countries—and even from the United States and the Arab Gulf states—are already returning to Switzerland in droves. Nevertheless, the outlook remains very concerning, with numerous crises already emerging again in the wake of the pandemic. And—something we’ve never seen before—they’re all piling up at once! Energy, the war in Ukraine, the economy, climate change, and so on. Many of our markets in Asia—China, including Hong Kong and Taiwan; Japan; and Australia—remain weak due to the pandemic. These guests are staying away. Before the pandemic, that represented just under a 10 percent market share. Despite everything, we remain confident—the desire for vacations in Switzerland remains immense, even in Asia.

 

Have you noticed any shifts in the ratio of international to domestic guests since the pandemic began?

The pandemic actually led to a surge in Swiss guests. Our most important and largest market suddenly grew even larger. And Swiss guests are continuing to spend more of their vacations in their own country in 2022 as well. From January through September, there were 17 percent more overnight stays than in 2019. What’s more, many international travelers are back as well. However, numbers have not yet returned to pre-pandemic levels. In the long term, we expect to return to our proven market mix: 45 percent domestic, 35 percent European, and 20 percent international guests.

 

How is Switzerland, a popular vacation destination, positioning itself amid a looming recession, energy crisis, and the war in Ukraine?

There are currently many different crises. It is important to take a nuanced view of each individual challenge. The war in Europe is a tragedy, but it has no direct, significant impact on Swiss tourism. Inflation abroad is primarily putting a strain on the wallets of our international guests, which has the unfortunate effect of curbing spending. Regarding the energy situation, the industry is in close contact with the authorities to ensure that any measures taken are as tourism-friendly as possible. Switzerland has always been a premium destination distinguished by quality. Swiss tourism continues to focus on this, as well as on sustainability and convenience. This becomes even more important in times like these.

 

What should be kept in mind when marketing?

Tourism marketing is often interchangeable. Our challenge is our product, which we do not own and therefore cannot directly control. With a focus on foreign markets, we market what the Swiss tourism industry produces and concentrate on brand management and global communication. Only clear and strong positioning can prevail in the face of international competition. Through compelling stories that evoke emotions and engagement among potential travelers, we stand out amid the din of visually appealing tourism imagery. Ultimately, it is essential to develop themes over the long term. With patience, so that new ideas can take root. The temptation to jump from one theme to the next is often very strong. Added to this is the fact that, from a global perspective, Switzerland is still a small travel destination and our budgets are relatively modest. We face the dual challenge of thinking big and seeking creative approaches.

 

Which target groups are you targeting in the medium term?

The target groups of interest to the Swiss tourism industry are very diverse. We cater to a wide variety of guests worldwide who have an affinity for Switzerland. Leisure travelers come for many reasons. In addition to vacationers, business and conference travelers are also very important. They account for just under 20 percent of overnight stays. We specifically target lucrative niches, such as health and wedding tourism. Our marketing mix plays a key role here. Our mission is to even out peaks both seasonally and regionally—we must also promote the off-season. Destinations across the country—in the mountains and valleys, cities and countryside—deserve our attention. There is no single “Switzerland” for tourists. This is a challenging task. In the medium term, however, our focus is always on the young and young-at-heart, quality-conscious nature lover.

 

What role does sustainability play in the promotion of Switzerland?

Sustainability is more important than ever, including in tourism. We position Switzerland as the world’s most sustainable destination. We are already very well positioned in sustainable tourism, as recognized international rankings consistently confirm. Now it is time to build on this strength and—above all—communicate it effectively to a global audience. To this end, we launched the «Swisstainable» initiative two years ago, a participatory model for the industry that spans various levels of commitment to environmental, economic, and social sustainability. The strategy addresses various areas of action, ranging from extending the length of stay and guiding visitors to experiencing local culture and enjoying unspoiled nature. More than 1,300 tourism service providers are now participating in the «Swisstainable» program, thereby gaining global visibility. However, the potential remains very high, and the industry still has a long way to go.

 

How should Switzerland, as a vacation and travel destination, present itself in ten years?

Nature has been Switzerland’s top tourist draw ever since the dawn of tourism. For more than 100 years, we have primarily promoted nature as the main reason to travel here. Yet this positioning extends far beyond just mountains and lakes; it is also evident in cities and on business trips. Presenting nature in a way that is always fresh and inspiring remains our primary task. Our sustainability strategy fits perfectly here; it is a logical consequence of our actions. Switzerland as a travel destination must continue to build on its strengths, remain true to itself, stay relevant, and surprise our guests in positive ways time and again.

The green time bomb

Climate protection is the biggest challenge facing the global community in the medium term. The marketing and communications industry has long since responded to this challenge. However, most of its «output» is far removed from reality—and that can backfire.

(Image: pexels.com / Chris Leboutillier)

By 2019, the issue of climate protection had gradually come to the forefront of public awareness. With the outbreak of the pandemic, it was pushed out of the top spot on the attention scale for a while—then came Russia’s war of aggression in Ukraine, coupled with a debate over energy shortages and the extension of the operating lifespans of nuclear and coal-fired power plants.

Right now, we don’t hear much about this issue, and yet: In the medium term, climate protection will become the dominant issue in all our lives, both professionally and personally. The people in Florida who lost their livelihoods in Hurricane «Ian» at the end of September (just one year after «Ida» had equally devastating consequences nearby); the people in regions affected by drought or sinking beneath rising sea levels have known this for a long time. And as soon as the situation with the war and the pandemic begins to ease, the general public will once again (have to) think about global warming and climate protection.

Between aspiration and reality

Leading companies have, of course, already begun to do just that. As of August 2021, nearly one-third of the 1,000 largest publicly traded European companies had officially set a goal of achieving net-zero emissions by 2050. However, according to the Accenture study «Reaching Net Zero by 2050,» only five percent are actually on a realistic path to achieving their goal if they continue on their current course. This discrepancy between ambition and reality does not, of course, prevent companies from making grandiose announcements at five-year meetings such as the «COP 26» climate conference in Glasgow.

The general sentiment is always the same: «We want this, we can do it!»—but, to refer once again to the Accenture study mentioned earlier, a clear path to achieving these goals is rarely evident. This glaring discrepancy between superficial rhetoric and effective action will become a highly explosive issue in the coming years and will lead to further alienation between companies and their stakeholders. The extent of the pressure for major change that now exists can be gauged by the fact that even companies in heavily regulated industries, such as the financial sector, are committing to binding future targets—even though they currently have no idea how to achieve them.

More than a communication problem

What happens when the offensively communicated claim and the actual actions differ so greatly? Then the term greenwashing is heard more and more often in customer surveys and focus groups. Greenwashing is the attempt by companies, institutions or brands to present themselves as particularly environmentally aware and environmentally friendly by donating money to ecological projects, PR measures or advertising campaigns. However, the communication is only the downstream phenomenon that attempts to conceal the underlying, more fundamental problems. Greenwashing will sooner or later be mercilessly recognized by the general public in this age of almost unlimited information exchange and punished for what it is: fraud.

Just recently, two major players in the highly scrutinized oil industry—Shell and Exxon—learned that short-term thinking and superficial greenwashing are accepted by neither the general public nor regulators. Shell—in addition to suffering a massive PR fiasco—was forced by a court order to reduce emissions by 45 percent (compared to 2019) by 2030. At Exxon, the intervention of an activist hedge fund led to the appointment of three «green» board members to the executive board. The developments at these leading fossil fuel companies foreshadow numerous further instances of activist influence across various industries by stakeholders who are no longer willing to accept the superficial window-dressing of individual companies.

In recent years, market practices and behavioral patterns have become established, and these are now gradually being examined and exposed. Customers, consumers, and other stakeholders are, in some cases, being systematically misled. Marketing and communications experts bear a significant share of the blame for this, due to their failure to critically examine the situation and verify the facts. The problem runs deep, as the examples in the separate info box show.

These two examples demonstrate the widespread superficiality of many efforts. They also illustrate that many stakeholders treat climate protection as a short-term fad that will soon be replaced by the next hot topic. Although I myself mentioned at the beginning of this text that public attention is currently focused on other crises—believing that it will not return to global warming and the need for climate protection is as unrealistic as it is dangerously misguided.

Words must be followed by actions

What many companies hardly consider is the danger posed by a superficial approach to their own climate protection efforts. Climate protection is not just another passing fad in the marketing industry. The issue will not lose its significance or even disappear. All too often today, unfounded sustainability promises are incorporated into communications without thorough scrutiny. Sensational campaigns set off a flurry of hype about the supposedly sustainable feats of large companies and their leaders. Many of the largest emitters of climate-damaging gases display a surprising naivety when they try to cast their environmental efforts in a favorable light with a well-orchestrated press photo. Their barely concealed hope: to positively influence their stock price.

When the head of a major emitter of greenhouse gases allows himself to be photographed fishing plastic waste out of the sea, the company is merely proving that it lacks a long-term, resilient plan for achieving the announced reduction targets. The crux of the matter is that the people who are making the promises for the future today will most likely no longer be held personally accountable for their misdeeds due to the long time horizon.

Many marketers cite consumer choice as a reason for not introducing more environmentally friendly products and services with the vigor and consistency that the climate crisis would warrant (you hear arguments like, «Then we’ll become more expensive, and customers will go elsewhere» or, even more arrogantly, «If you want climate protection, you can just shop somewhere else!»). This is irresponsible and demonstrates a lack of willingness to take responsibility toward the community.

Time to rise to the challenge

Marketers and communications professionals must take a leading role and rise to the challenge posed by global warming (which is largely man-made). Precisely because of the significant risk of reputational damage to companies and brands, a superficial approach to climate protection issues must be avoided. This is not a new insight. Anyone who has mastered the fundamentals of professional communication understands the importance of a well-founded «reason why»—that is, a robust rationale that can withstand critical questioning and in-depth journalistic scrutiny.

Both a challenge and an opportunity

This presents marketing and communications leaders with a unique opportunity to actively drive major changes and take a seat at the decision-makers’ table within their companies (where, as we all know, they are still rarely found). Precisely because customers, employees, and the general public have clear expectations, these interests must be used as relevant arguments within corporate leadership to shape strategy and set the direction of the company. Public pressure can be harnessed to initiate serious changes in corporate strategy through concrete actions.

In this context, marketers and communications professionals would be well advised to take a close look at the realities and possibilities of the climate protection initiatives being promoted in the market. Many are already struggling to distinguish between «carbon avoidance» and «carbon capture.».

The Gold Rush Is Coming

The market and the sum of the investments made will grow rapidly in the coming years. In this context, many people are in a gold-digger mood. Those who do not take a close look and do not recognize the essential connections run the risk of sinking their money into climate protection projects of dubious quality.

This growth and the expected market size will attract public interest. It is only a matter of time before investigative journalists take up this topic and, through thorough research, are able to expose many of the projects on offer as ineffective or even as outright lies and deception.

Companies that have invested in such projects in good faith then face—aside from the financial losses—massive reputational damage due to the negative publicity that is likely to follow.

It should be noted that to date only a small number of companies have committed themselves to consistently striving for circular management (this would for once be a consistent guide to the nebulous "zero emissions promises" mentioned at the beginning of the text, which would then have to be fleshed out). From a marketing point of view, this is a missed opportunity. A consistent focus on comprehensive support over the entire product life cycle could even counteract the well-known problem of declining customer loyalty for many companies. After all, if you support customers over the entire life cycle of a product, you will know at the right moment when it is effective and efficient to offer a sustainable replacement.


Arbitrary evaluations and questionable projects: EXAMPLES

Environmental, Social, and Governance (ESG) Ratings

To date, there are no general, widely accepted standards that provide the necessary transparency, reliability, and comparability. For example, the financial industry has relied for years on the market leader MSCI for ESG ratings, which provides aggregated fundamental data to nearly all major financial institutions. MSCI’s ESG rating is a subjective, unregulated assessment system that does not reflect a company’s impact on the environment, but rather the impact of an environmentally conscious world on the company. Or, to put it more simply: It boils down to whether a world focused on climate change could reduce corporate profits. (Bloomberg Businessweek: «How to Make a Killing Calling Companies Green,» 2021). In the financial industry today, ESG is largely a marketing term rather than a genuine commitment. The criteria for evaluating companies« ESG efforts are set randomly and arbitrarily by product providers, without any transparency. »Sustainable” ESG funds thus make compromises, weighing whether to buy shares in an electric-car company that exploits workers or shares in an oil company with a truly “diverse” board. This unregulated arbitrariness has strange consequences. For example, how can Exxon Mobil Corp., one of the largest suppliers of fossil fuels that warm the atmosphere, remain in an ESG index while Tesla is kicked out of the index? (NZZ: Tesla Loses Its Foothold, May 21, 2022). It is already becoming clear that stricter regulations and requirements are to be expected in the near future, and that is both right and important. After all, transparency builds trust.

Compensations and Offsets

Scooping mechanisms are now widely used to give consumers the opportunity to act in an environmentally conscious manner. At online retailers, you can add «full carbon offsetting» directly to your shopping cart. When booking a vacation flight, you can ease your guilty conscience with an additional small contribution for a modest surcharge. A report published in May 2022 by the consulting firm Carbon Direct states that the market for carbon offset services «consists largely of projects of questionable quality.» Companies prefer to use carbon offset projects to legitimize existing behaviors and consumption habits rather than to drive fundamental changes and new solutions. The majority of consumers imagine that these projects primarily finance reforestation and restoration efforts. The reality is far removed from «planting trees»: Less than four percent of all global carbon offset projects remove greenhouse gases from the atmosphere. Ninety-six percent of the projects merely attempt to reduce the continued expansion of climate-damaging emissions. (Taskforce on Scaling Voluntary Carbon Markets [TSVCM]; Inventory analysis, 2020)


* Christian Baertschi is a founding partner of Open Opportunities, which shows companies and brands how they can communicate more effectively through concrete actions. With Real Carbon Capture, the company offers a solution that turns the permanent removal of CO2 from the atmosphere into a profitable, circular, long-term business for all stakeholders. For more information, visit Realcarboncapture.com.
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