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Exxtra nominated again for FAB Awards
The Zurich-based agency Exxtra Kommunikation is once again in the running for an award at this year's International Food and Beverage Awards.
The 26th Zurich Journalism Prize has been awarded
Peter Baumgartner (Tages-Anzeiger) has been awarded the Zurich Journalism Prize 2006 for his entire body of work.
Two female journalists and four male journalists also received prizes for their work. The five award-winning works were selected from 154 entries. The "Magazin" journalist Peer Teuwsen received a prize worth 7,000 Swiss francs for his interview with the Turkish writer Orhan Pamuk. Pamuk's critical remarks about Turkish nationalism and Islamism earned him a lawsuit in Turkey - which caused a stir. Prizes of 5000 francs each were awarded for three works.
Ursula Gabathuler and Hansi Vogt won the "Beobachter" award with their
published an article on social welfare that brought the topic down to a concrete level. Under the title "Scenes from a marriage", Christoph Scheuring portrayed Formula 1 reporter Roger Benoit in the Sonntags-Blick magazine "SIE+ER". And Karin Wenger published a report on the Bedouins in Israel's Negev desert in the "Neue Zürcher Zeitung". The prize of CHF 3,000 for Everyday Life/Small Form went to René Brunner for his report in the "SonntagsZeitung" on the summary trials surrounding the French banlieu riots.
"Yearbook of Advertising 2006" published
Approximately 420 agencies from Germany, Austria, Switzerland, and South Tyrol submitted over 1,100 entries to the competition for inclusion in the 2006 Advertising Yearbook.
The 10th award ceremony, which is organized annually by Econ Verlag, is the official conclusion of the creative competition for advertising from German-speaking countries.
Around 420 companies took part in the competition for inclusion in the 2006 Advertising Yearbook.
Agencies from Germany, Austria, Switzerland and South Tyrol with over 1,100 works
took part. An independent 16-member jury and a special expert jury for the
Online projects evaluated the entries and selected five winning entries. These
were awarded the silver megaphones at the event. For the
"Campaign of the Year", the competition trophy went to the VW GTI campaign "For
Boys who were men back then" by DDB, Berlin. Schitto, Schmodde, Waack,
Frankfurt am Main was awarded a prize for the poster campaign "The Magic of the Everyday".
Megaphone honored. The "National Spot of the Year" comes from Young&Rubicam
Germany, Frankfurt am Main, whose advertising film for Sharkproject convinced the jury.
The jury also awarded a prize for the "Regional Spot of the Year". The award
went to H'N'C, Hunters and Collectors Wiesbaden for their work for the Leipzig
Transportation companies. The adidas Y3 website from Neue Digitale, Frankfurt am Main, was created as a
"Website of the Year" award. The megaphone for the "Newcomer Agency of the
This year, two agencies were awarded the "Agency of the Year": kempertrautmann, Hamburg and Krieg,
Schlupp, Bürge/Springer and Jacoby, Zurich. The jury also selected the winners
seven areas and a total of 36 sectors. These are presented on the website.
The first 100 days of Capital FM
According to the latest results from Publica Data’s Radiocontrol measurement system, Bern’s „Hauptstadtradio“ Capital FM—which has been on the air since January 23, 2006—has significantly higher listener numbers than its predecessor, Radio Extra Bern.
Restriction of tobacco and alcohol advertising in Vaud too
On Thursday, the Vaud government presented a bill to restrict advertising for tobacco and alcohol with an alcohol content of more than 15 percent by volume.
Euro RSCG conducts the Zurich Chamber Orchestra
The Zurich-based creative agency is handling the Zurich Chamber Orchestra's new visual identity.
Paron offers new space for giant posters
In Zurich's 5th District, large-scale advertising can now be booked.
Drugstore sun
Prevention Just in time for the start of summer, the drugstores are launching the Kidzz campaign together with the Cancer League to raise children's awareness of sun protection.
Positioning ourselves as a contact point for health. Just in time for the start of summer
Together with the Cancer League, they are launching the Kidzz campaign, with which
children should also be sensitized to sun protection.
In preparation, more than 500 druggists attended the Höhere Fachschule
Neuchâtel on the subject. Now they offer at their "sun events"
a whole range of gadgets, such as the "sundial", for example, on which
from which the radiation intensity can be read.
Heinrich records new customers
Rigi Bahnen, Kaba Safes & Vaults, 4-teamwork AG, and subprojects of Johnson & Johnson Medical and Illycafé are among the new clients of Heinrich Werbeagentur und PR-Consultants.
One measure for Rigi Railways is currently very much in the air: to welcome the Brazilian national football team, Heinrich has given the gondola a new Brazilian look.
SF brings "Tagesschau" to cell phones
Swiss television's "Tagesschau" will soon be available in German-speaking Switzerland as a special cell phone edition that is one to two minutes long.
The aim of the efforts is to offer content in a more media-friendly way. The project is intended to follow the international trend, SF spokesman David Affentranger told "20 Minuten". The aim is to make "Tagesschau" more attractive to young viewers in particular. It is still unclear whether the mobile news will be moderated and how many updates there will be per day. It has also not yet been decided how expensive the new paid service will be for cell phone viewers.
"The ADC is not an inbred club"
The new ADC president, Jean Etienne Aebi, also wants to attract marketing executives who have had little to do with creative communication up to now.
Mr. Aebi, you are taking over the ADC presidency again after four years.
What are you happier about: this new position or this new job?
on the unanimous adoption of the rigorous changes to the share price and articles of association?
Jean Etienne Aebi: Clearly
about the second. Not to say exclusively about these
Reorientation of the club. I did not look for the position itself
nor does it bring me any status or profiling that I can
I didn't already have. Never in my life would I have done this job again
interested if it is not about the realization of the project I
proposed concept. The adoption by the
General Meeting is regarded as a mandate to do everything consistently so
to tackle.
WW: The
Changes seem revolutionary in the 30-year history of ADC.
Despite this, the opening of the creative club, which was considered elitist, was
accepted without any resistance. This is surprising when you think of the often
fierce jury debates. What do you attribute this unanimity to?
back?
Aebi: Well,
It seems that the presentation of these plans was convincing. Whereby the
of course benefited from the fact that these were not just vague goals and approaches.
is about. Since last December, when the Board of Directors gave me the
order for the analysis, worked quite hard for it. Which is why I
a pretty well-rounded package, right down to the personnel and financial
consequences.
WW: Exciting
is how the still vaguely formulated tasks of the Projects group sound. What
the members of the Board of Management should specifically introduce what is
form does not already exist?
Aebi: The
ADC now wants to send out a signal that it is not only interested in its, in the
In all other respects, the judging process remains elitist in the good sense of the word. The
The ADC's concern stands for a common interest of all
market partners, from clients to media companies. The group
Project" consists of strong networkers. Among other things, their job consists of
in now realizing new, regular specialist events - so
interesting that the marketing team also wants to take part, which
had little to do with creative communication in the past.
WW: What were the initial reactions of the organizations and companies that you want to bring on board the ADC in the future?
Aebi: Already
almost super. Just today I received two requests for
Sponsoring memberships. We already have six concrete negotiations
with interested sponsors. Media companies in particular see it
as an existential question of how faith in advertising can be strengthened again.
and are therefore very interested in joint activities.
interested.
WW: What will happen first? Do you already have a roadmap on how to proceed?
Aebi: Essential
Preparatory work has already been completed. Towards the office and
I have been putting pressure on everyone involved for some time now. The now
elected new Board of Directors met in April. My personal
The aim is to start the new events this year,
have a number of collegial members on board, supporting members
and with a few new sponsors we can have all the fun too.
can afford.
WW: Off
Among other things, your study clearly shows that
ADC non-members and those who do not know the ADC the importance of
of creative advertising for efficiency is quite clear. Why do we need
then such an oversized club of creatives?
Aebi: Firstly:
What all those who agree in a survey that creativity is
important to actually advertise in their practice is a
another question. Secondly: ADC awards will always be a precious commodity
and the ADC will never be an oversized club. But it is
also not an inbred association with self-celebration, which is why it is now
opens its doors to all those who wish to support its activities - which are
are in the interests of the entire advertising industry.
WW: Throwing
Let's take a look into the future: How should the ADC look in five years' time?
and what role will it play in the Swiss economy?
Playing in the advertising landscape?
Aebi: Everyone
other association in our industry represents specific interests. The
Art Directors Club represents the capital that is invested in exceptional
ideas. And would like to be a topic leader when it comes to better
quality with the effect of better impact.
Interview: Luca Aloisi
