Weidmanns Heil!

Marc Bodmer has drawn attention to Hollywood's enticement machine, which can confidently rely on the voyeuristic primal instinct of young boys still in school.

Cinema Oh, what an uplifting sight. The urban hunter's heart rejoices and calls out: "Open fire on the tramp stamp!" It is true that disdainful trackers of the trend business claim that such tattoos are on the brink of extinction and should make way for subcutaneous implants made of surgical steel and more. But until such metropolitan Darwinism prevails, Hollywood's lure machinery can still confidently rely on the voyeuristic primal instinct of the school-going male and his older conspecifics, the studiosi odiosi (hateful students), and lay out attractive bitches (any dead animal with which to lure predators and predatory animals).
"John Tucker Must Die", a 08/15 - not meaning a caliber - teen comedy gives the top dog of a college, the aforementioned Tucker, a free shot because he wants to go after various doe-eyed defectors (adolescents) at the same time (female genitals). Revenge is blood sausage, is the motto from then on, and the cuckolds spring various traps into which the buck usually slips blindly, but wriggles out again with a slick routine.
But this is not about content, but form, and the Hollywood-like lure appeals not only to future bucks. In this sense: "Thanks to Weidmann."
Marc Bodmer

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